Robert "Bob" Cobert (born October 26, 1924; died February 19, 2020) was an … Read Full Bio ↴Robert "Bob" Cobert (born October 26, 1924; died February 19, 2020) was an American musical composer who has written for television and movies.
Cobert is known for his work, as the composer, for the Gothic soap opera Dark Shadows. A favorite of Dark Shadows creator, Dan Curtis, Cobert also scored his cult classic horror films, Trilogy of Terror and Burnt Offerings, among others. Cobert also composed the score for the pilots for the TV series Kolchak: The Night Stalker, and the mini-series Winds of War and its sequel, War and Remembernce.
Aside from his film work, Cobert also composed many game show themes, in particular those produced by Goodson-Todman Productions and Bob Stewart Productions. His most notable themes in that genre include the original themes for To Tell The Truth (2nd theme), Password (2nd theme), Blockbusters, The $25,000 Pyramid (1982 update) and Chain Reaction (itself a remake of the theme from Supertrain).
Cobert is known for his work, as the composer, for the Gothic soap opera Dark Shadows. A favorite of Dark Shadows creator, Dan Curtis, Cobert also scored his cult classic horror films, Trilogy of Terror and Burnt Offerings, among others. Cobert also composed the score for the pilots for the TV series Kolchak: The Night Stalker, and the mini-series Winds of War and its sequel, War and Remembernce.
Aside from his film work, Cobert also composed many game show themes, in particular those produced by Goodson-Todman Productions and Bob Stewart Productions. His most notable themes in that genre include the original themes for To Tell The Truth (2nd theme), Password (2nd theme), Blockbusters, The $25,000 Pyramid (1982 update) and Chain Reaction (itself a remake of the theme from Supertrain).
Quentin's Theme
Robert Cobert Lyrics
We have lyrics for 'Quentin's Theme' by these artists:
Charles Randolph Grean Shadows of the night Falling silently Echo of the past …
Charles Randolph Grean Sounde Shadows of the night Falling silently Echo of the past Cal…
Charles Randolph Greane Sounde QUENTIN'S THEME Charles Randolph Grean Shadows of the night…
Sounde Shadows of the night Falling silently Echo of the past Cal…
We have lyrics for these tracks by Robert Cobert:
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Tom Dooley
Quinton , was a monster in his oun right , the idea of a gramophone playing the song in a forgotten room , was brilliant.
But I like the musical much better. All I heard that I remember is the words " Days of long ago"
Now they are ,the day time soap opera that just went over and above any
Expectation , the characters , the town of
Collinwoods , the story lines.
A hit song , and movies.
The best of TV before it
Went woke and I tossed it out the door , as iconic as Twilight zone , outer limits
Gun smoke and others.
But one better it was a day time soap opera.
Maki
When Quentin’s ghost chased everyone out of Collinwood and they showed the empty house while this music played, it gave me chills!
TheBob3759
He laughed hysterically.
Eric Newman
I found it interesting that after months of hearing the tinny "gramophone" version of Quentin's music, after the ghost frightened everyone into leaving Collinwood we heard what I call the "modern" version. I've wondered what that was supposed to signify. I thought maybe that was how the music sounded as played by an orchestra when it was recorded in the nineteenth century. But as I said, I couldn't grasp what that was supposed to mean in the context of Quentin and life, death, and return. As an aside, I thought that final scene was considerably enhanced by the images of all the empty rooms in the house as the music played.
Kristina
Oh dear lord, that sent chills up my spine. And then to see him at the end just put a nail in my coffin. Just plain creepy.
Eric Newman
They ran out of Collinwood so fast that they left a fire burning in the drawing room fireplace.
Dag Nabbit
I think I would get tired of a bully ghost after awhile ! I would go eat red beans and rice and then go back in there and when he appeared l would break wind and say “ Strain that one that one through your shit eatin grin! “
Rob McGowan
Thanks for posting this version of the song, and not the one's of the talking over it. This is a gorgeous composition by Bob Cobert and the way he intended it to be heard, and I WANT to hear it. It genuinely sounds like a song that really WAS from 1897, and not written in 1968 for the series. For too long it's been "overshadowed" by "Shadows of the Night" for us original fans of the show from that time.
Patrick Peralta
Rob McGowan I agree the Instramental version is better...but the one with lyrics to the music is a good as well.
TheBob3759
I like both versions.
Rob McGowan
@TheBob3759 That's fine. Part of why I don't like it is because when I watch the later episodes with Quentin, I see him as a one-dimensional bore who in nearly every scene he's in tell people to "GET OUT" countless times. I accepted it in 1969-'70 between being 11 and 13, but more recently watching it in 2018-'19 realize how awful he really was; especially compared to the calm, sophisticated Barnabas. I love DS, don't get me wrong, but felt the 1897 storyline was dragged out waaaay too long.