Aye
Sam Fender Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

They don't act up for the camera
They just sit back and command them
And collect and deflect and abandon
They even wrote all the Ten Commandments
They watched Jesus get nailed to the cross
In real time and in their heads
They watched Boudica fall to the Romans
They watched Lennon as they shot him dead
They watched Jackie pick up Kennedy's head
They watched kids go to Epstein's bed
They watched Hollywood whitewash remake movies
Of napalm falling like water on rocks
They watched the atom bomb reduce two cities to dust
And paint the whole narrative as totally just
They fly drones above our heads
That paint the ground black and red
Children's eyes clasped in dread
They all knew where it led
Trade ties steeped in guile
They knew the fall was coming all the while
And they double down on misery
The age old blatant mystery
Subterfuge in synergy

Poor hate the poor
Hate the poor
Hate the poor
Hate the poor

Poor hate the poor
Hate the poor
Hate the poor
Hate the poor

It's a blame game
It's a fame trap
It's the martyrdom of the spoken
It's the last breath of the awoken
And the woke kids are just dickheads
And the dickheads are all ages
And everybody's pointing at somebody's sweetheart
I'm a scumbag
Making my peace with the internal drag
Making my thesis on the faceless man
He's got the whole world in his fucking hands

I don't have time for the very few
They never had time for me and you
I don't have time for the very few
They never had time for me and you
I don't have time for the very few
They never have time for me and you
I don't have time for the very few
They never have time for me and you
I don't have time for the very few
They never have time for me and you

I'm not a fucking patriot anymore
I'm not a fucking singer anymore
I'm not a fucking liberal anymore
I'm not a fucking anything or anyone
I'm not a fucking anything or
I'm not a fucking anything
I'm not a fucking
I'm not a




I'm not
Aye

Overall Meaning

The lyrics in Sam Fender's song "Aye" are a reflection on the corruption of power and how it impacts society. Fender speaks about those in power who manipulate and control, with a disregard for the consequences of their actions. He references historical events such as the crucifixion of Jesus, the fall of Boudica to the Romans, and the assassination of John Lennon and President John F. Kennedy as examples of how those in power can manipulate and control even the most influential figures in history. He also touches on current issues such as the exploitation of children by wealthy individuals and the tendency of the poor to turn against each other instead of uniting against their oppressors.


Fender also speaks about the divide within society, where those in power have all the control and the poor are left to hate each other instead of those who are truly to blame. He touches on the concept of the "blame game" and how people in power often use this to shift the responsibility away from themselves. Fender sees through this and acknowledges that he no longer aligns himself with any political or ideological group.


Overall, "Aye" is a sharp critique of power structures and their impact on society. Fender's lyrics are cleverly written and offer a unique commentary on the state of the world.


Line by Line Meaning

They don't act up for the camera
They are calculated and strategic in their actions, not for the sake of showmanship


They just sit back and command them
They control all that is happening around them without lifting a finger


And collect and deflect and abandon
They obtain power by taking advantage of others, dodging blame, and ultimately discarding them


They even wrote all the Ten Commandments
They assert their authority and dictate moral guidelines to others


They watched Jesus get nailed to the cross
They have witnessed great tragedies and injustice throughout history, some even seemingly divine


In real time and in their heads
These events are not just stories, but realities both past and present that affect them deeply


They watched Boudica fall to the Romans
They've seen rebellions and uprisings quelled by oppressive forces


They watched Lennon as they shot him dead
They've seen the powerful take out those who challenge them


They watched Jackie pick up Kennedy's head
They've seen moments of extreme trauma and loss


They watched kids go to Epstein's bed
They've witnessed people in positions of power committing terrible acts of abuse and getting away with it


They watched Hollywood whitewash remake movies
They've seen industry leaders sanitize and gloss over atrocities for their own gain


Of napalm falling like water on rocks
They've seen the horrors of war and destruction


They watched the atom bomb reduce two cities to dust
They've seen the power of science used for murderous means


And paint the whole narrative as totally just
They've seen history written by the victors, excusing horrific acts of violence


They fly drones above our heads
They have created technology that allows them to maintain control from the skies


That paint the ground black and red
Their actions cause pain, suffering, and death


Children's eyes clasped in dread
Their actions affect the innocent and vulnerable


They all knew where it led
They understand the consequences of their actions, even if they try to justify it


Trade ties steeped in guile
They manipulate and deceive in pursuit of economic gain


They knew the fall was coming all the while
Despite their power, they are aware that their actions have consequences and could lead to their downfall


And they double down on misery
Instead of changing their ways, they continue to cause harm and perpetrate suffering


The age old blatant mystery
This cycle of abuse and oppression is not new, but continues on


Subterfuge in synergy
They work together in secret, using deceit and manipulation to maintain power and control


Poor hate the poor
Those at the bottom of society often turn on each other instead of those in power


Hate the poor
This hateful cycle continues, with those at the bottom fighting amongst themselves instead of fighting back against those with power and wealth


It's a blame game
People are eager to point the finger and assign fault instead of taking responsibility for their own actions


It's a fame trap
The desire for fame and notoriety can lead people to do terrible things and lose sight of their values


It's the martyrdom of the spoken
Those who speak out against injustice are often punished or made to suffer for their dissent


It's the last breath of the awoken
Those who become aware of the truth often feel helpless to affect change and may end up sacrificing their own well-being to stand up for what's right


And the woke kids are just dickheads
Even those who claim to be aware of social issues can sometimes miss the mark or act in their own self-interest


And the dickheads are all ages
People of all ages can be self-absorbed or narrow-minded, even if they claim to be progressive or educated


And everybody's pointing at somebody's sweetheart
People often try to deflect blame onto others or find a scapegoat instead of addressing the root of the issue


I'm a scumbag
The artist acknowledges their own flaws and shortcomings


Making my peace with the internal drag
They're trying to come to terms with their own inner demons


Making my thesis on the faceless man
They're studying the systems and structures that allow those in power to remain anonymous and unaccountable


He's got the whole world in his fucking hands
Those in positions of power have control over the fate of the world and its people


I don't have time for the very few
The singer is uninterested in those who wield great power and influence but exploit it for personal gain


They never had time for me and you
Those in power have never paid attention to or cared about the needs and struggles of the common people


I'm not a fucking patriot anymore
The singer no longer blindly supports their country or government, recognizing their flaws and misdeeds


I'm not a fucking singer anymore
They no longer use their art as a form of escapism or entertainment, instead focusing on the issues that truly matter


I'm not a fucking liberal anymore
They no longer identify with a specific political ideology, recognizing the limitations and biases of all systems


I'm not a fucking anything or anyone
The singer has no interest in associating themselves with any particular group or ideology


I'm not a fucking anything or
They reject any sort of label or definition


I'm not a fucking anything
The artist resists being put into a box or categorized in any way


I'm not a fucking
They reject the idea that they are anything at all


I'm not a
They reject all forms of societal constructs and labels


Aye
An expression of affirmation, perhaps indicating that the singer has found a sense of clarity and purpose outside of labeling themselves in societal terms.




Lyrics © Kobalt Music Publishing Ltd.
Written by: Sam Fender

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@youngdylan5083

So lyrically astute. I’m so glad there’s a kid from Newcastle so pissed off that he has the balls to speak up.

Brilliant song Sam.

@kerrysiberry8960

Hes from shields ya tool

@youngdylan5083

@@kerrysiberry8960 tomato, tomato.

@basher_9754

Kerry 👌❤

@nele5101

Sam really woke up and chose violence with this song and I LOVE IT

@user-rs2fb6gl9p

Fantastic, as an old guy! great to see Sam Fender coming up with this, gives me hope that the young generation will maybe make the world a better place in the 🔮 future, from the mess we have now everywhere! Sam Fender, keep it up 👆

@DoubleDowner

love it ! punch a nazi I say... throw a milkshake at a politician !!!

@larsnootbaarfann

@@DoubleDowner yeah nazi libert

@callum9679

@@DoubleDowner Ok soy boy. You'd cower in silence if you ever even saw a National socialist.

@Nelith55

@@callum9679 Worse, he's so self unaware (if hes not trolling) that he would be one. How have you all complied during this covid BS? You all know how you would of acted in 1940s Germany now.

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