Sam Hulick is a BAFTA nominated and multiple award-winning composer, best k… Read Full Bio ↴Sam Hulick is a BAFTA nominated and multiple award-winning composer, best known for creating the signature music for BioWare’s epic sci-fi franchise Mass Effect and the dramatic score for Tripwire Interactive’s groundbreaking Red Orchestra 2: Heroes of Stalingrad. With a penchant for injecting powerful emotions and memorable themes, Sam’s original scores range from sweeping sci-fi and orchestral bombast to fantasy landscapes.
Graduating from Indiana University as a computer programmer, Sam sought to combine his passion for writing imaginative music and interactive media. In 2003 he won the Game Audio Network Guild award for young composers. His first foray into the profession of scoring music for video games was Capcom’s Maximo Vs. Army of Zin.
Sam’s career propelled to new heights when he was approached to co-write the score for Mass Effect with Jack Wall. Sam penned various memorable compositions such as the iconic “Mass Effect Theme,” as well as “From the Wreckage,” “Sovereign’s Theme,” “Victory,” “Uplink,” and many more. The ‘80s inspired electronic score was lauded by critics as “One of the most memorable and unique soundtracks in gaming,” (Game Informer) and won Best Original Score awards from IGN, GameSpy and GameSpot.
For Mass Effect 2, Sam was again tapped for his adept skill of inventive blending of analog synths with orchestral instrumentation. The soundtrack featured a suitably darker and more cinematic musical experience to complement the sequel’s heavier subject matter. Mass Effect 2 received British Academy (BAFTA) and Spike TV VGA nominations for Best Original Score.
After enjoying the collaborative process on the Mass Effect franchise, Sam branched out as a solo composer, composing ninety minutes of classical-influenced orchestral score for Red Orchestra 2: Heroes of Stalingrad. Sam composed the evocative, emotional and haunting music that sets the mood for one of the most brutal battles in all of human history – the battle for Stalingrad. Red Orchestra 2 features a unique dynamic music system that adapts the emotional mood of the soundtrack to match the morale of the player based on the flow of the battle. To highlight the differences between the two warring powers Sam wrote a completely unique soundtrack for both the German and Russian perspectives.
In 2012 Sam returns to the sci-fi genre, contributing original music for the highly anticipated Mass Effect 3. The soundtrack features gripping musical arrangements that set the captivating tone for Commander Shepard’s struggle to take Earth back from an ancient alien race known as the Reapers.
Sam resides in Chicago and is currently writing his debut artist album.
Graduating from Indiana University as a computer programmer, Sam sought to combine his passion for writing imaginative music and interactive media. In 2003 he won the Game Audio Network Guild award for young composers. His first foray into the profession of scoring music for video games was Capcom’s Maximo Vs. Army of Zin.
Sam’s career propelled to new heights when he was approached to co-write the score for Mass Effect with Jack Wall. Sam penned various memorable compositions such as the iconic “Mass Effect Theme,” as well as “From the Wreckage,” “Sovereign’s Theme,” “Victory,” “Uplink,” and many more. The ‘80s inspired electronic score was lauded by critics as “One of the most memorable and unique soundtracks in gaming,” (Game Informer) and won Best Original Score awards from IGN, GameSpy and GameSpot.
For Mass Effect 2, Sam was again tapped for his adept skill of inventive blending of analog synths with orchestral instrumentation. The soundtrack featured a suitably darker and more cinematic musical experience to complement the sequel’s heavier subject matter. Mass Effect 2 received British Academy (BAFTA) and Spike TV VGA nominations for Best Original Score.
After enjoying the collaborative process on the Mass Effect franchise, Sam branched out as a solo composer, composing ninety minutes of classical-influenced orchestral score for Red Orchestra 2: Heroes of Stalingrad. Sam composed the evocative, emotional and haunting music that sets the mood for one of the most brutal battles in all of human history – the battle for Stalingrad. Red Orchestra 2 features a unique dynamic music system that adapts the emotional mood of the soundtrack to match the morale of the player based on the flow of the battle. To highlight the differences between the two warring powers Sam wrote a completely unique soundtrack for both the German and Russian perspectives.
In 2012 Sam returns to the sci-fi genre, contributing original music for the highly anticipated Mass Effect 3. The soundtrack features gripping musical arrangements that set the captivating tone for Commander Shepard’s struggle to take Earth back from an ancient alien race known as the Reapers.
Sam resides in Chicago and is currently writing his debut artist album.
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Wave of Fury
Sam Hulick Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@FlRERANGER
Текст / Translate
"Да над широкой степью собралися грозные тучи
Ну а ярость народного гнева поднялася и гонит их прочь
Да во широкой степи врагу не удастся скрыться
Ну а волны народного гнева настигают и гонят их прочь"
"Oh, above the wide steppes came the threatening clouds
But the fury of the people’s anger rose up and scattered them away
Oh, across the wide steppes have no chance to hide
And the waves of the people’s anger overtake and scatter them away"
@vinnyg7429
Да над широкой степью собралися грозные тучи
Ну а ярость народного гнева поднялася и гонит их прочь
Да во широкой степи врагу не удастся скрыться
Ну а волны народного гнева настигают и гонят их прочь
Oh, above the wide steppes came the threatening clouds
But the fury of the people’s anger rose up and scattered them away
Oh, across the wide steppes have no chance to hide
And the waves of the people’s anger overtake and scatter them away
@FlRERANGER
Текст / Translate
"Да над широкой степью собралися грозные тучи
Ну а ярость народного гнева поднялася и гонит их прочь
Да во широкой степи врагу не удастся скрыться
Ну а волны народного гнева настигают и гонят их прочь"
"Oh, above the wide steppes came the threatening clouds
But the fury of the people’s anger rose up and scattered them away
Oh, across the wide steppes have no chance to hide
And the waves of the people’s anger overtake and scatter them away"
@Pp-fc6jg
Спасибо за текст.
@cooperproductions3731
Most shooters may give a satisfactory feeling when you performed well, it never compares to the goosebumps you get in red orchestra/rising storm
@saintdolanchirosius3704
You can feel the righteous fury radiating from this video for those who understand the lyrics it's as if this song lights your very soul.
@Thunder2-1
0:57-1:37 beautiful :')
@QuickQuick1991
This song makes me cry
@vinnyg7429
Да над широкой степью собралися грозные тучи
Ну а ярость народного гнева поднялася и гонит их прочь
Да во широкой степи врагу не удастся скрыться
Ну а волны народного гнева настигают и гонят их прочь
Oh, above the wide steppes came the threatening clouds
But the fury of the people’s anger rose up and scattered them away
Oh, across the wide steppes have no chance to hide
And the waves of the people’s anger overtake and scatter them away
@grumpyman475
Thanks alot for the translation. I always wondered what was the meaning of those choirs.
@cooperproductions3731
Спасибо, если ты ещё здесь. Сам не мог додуматься что поют, хор явно не чисто русский
@sasalazarevic1475
Univermag 10, we are taking heavy casualties but still somehow menage to capture most of the objectives, I got 1 more drum left in my PPSH 41 and we are preparing for the final push when this song hits, and we all go UUUURRRAAA! to take that last building and we are winning the campaign! One of the best rounds I had in my life, it was so god damn epic.