He was born Lucien Ginzburg in Paris, France, the son of Jewish Russian parents who fled to France after the 1917 Bolshevik uprising. His childhood was profoundly affected by the occupation of France by Nazi Germany, during which he and his family, as Jews, were forced to wear the yellow star and eventually flee from Paris. He had a daughter, Charlotte Gainsbourg, with English singer and actress Jane Birkin; and a son, Lulu, with his last partner, Bambou (Caroline Von Paulus, who is related to Friedrich Paulus). Before he was 30 years old, Lucien Ginsburg was a disillusioned painter but earned his living as a piano player in bars. Daughter Charlotte would later become an actress and singer.
His early songs were influenced by Boris Vian and were largely in the vein of "old-fashioned" chanson. Very early, however, Gainsbourg began to move beyond this and experiment with a succession of different musical styles: jazz early on, English pop in the 60's, reggae in the 70's, even hip-hop in the 80's.
Success began to arrive when, in 1965, his song "Poupée de cire, poupée de son" was the Luxembourg entry in the Eurovision Song Contest. Performed by French teen singer France Gall, it won the grand prize. (The song was covered in English as "A Lonely Singing Doll" by British teen idol Twinkle.) He arranged other Gall songs and LPs that were characteristic of the late 1960s psychedelic styles, among them Gall's '1968' album. Another of Serge's songs "Boum Bada Boum" was entered in by Monaco in the 1967 contest, sung by Minouche Barelli; It came 5th.
In 1969, he released what would become his most famous song in the English-speaking world, "Je t'aime... moi non plus", which featured simulated sounds of female orgasm. The song appeared that year on an LP, "Jane Birkin/Serge Gainsbourg". Originally recorded with Brigitte Bardot, it was released with future girlfriend Birkin when Bardot backed out. While Gainsbourg declared it the "ultimate love song," it was considered too "hot"; the song was censored in various countries, and in France, even the toned-down version was suppressed. Even the Vatican made a public statement citing the song as offensive. Its notoriety led it to reaching no. 1 in the UK singles chart. A long-standing rumor maintains that Gainsbourg and Birkin were actually having sex during the recording session (asked about it in an interview, Gainsbourg answered that if this was true, the song would have lasted longer than 4 minutes).
The seventies
His most influential work came near the start of the seventies with Histoire de Melody Nelson, released in 1971. This concept album, produced and arranged by Jean-Claude Vannier, tells the story of a Lolita-esque affair, with Gainsbourg as the narrator and Jane Birkin as the eponymous English heroine. It features prominent string arrangements and even a massed choir at its tragic climax. At the time, sales were poor, but the album has proven influential with artists such as Air, David Holmes and Beck.
In 1975, he released the album Rock Around the Bunker, a rock album written entirely on the subject of the Nazis. Gainsbourg used black humour, as he and his family suffered during World War II. While a child in Paris, Gainsbourg himself had worn the Yellow badge as the mark of a Jew.
The next year saw the release of another major work, L'Homme à la Tête de Chou (Cabbage-Head Man), featuring the new character Marilou and sumptuous orchestral themes.
In Jamaica in 1978 he recorded "Aux Armes et cetera," a reggae version of the French national anthem "La Marseillaise", with Robbie Shakespeare, Sly Dunbar and Rita Marley. This song earned him death threats from right-wing veterans of the Algerian War of Independence who were opposed to certain lyrics. Shortly afterwards, Gainsbourg bought the original manuscript of La Marseillaise. He was able to reply to his critics that his version was, in fact, closer to the original as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus.
The next year saw him in the new look of Gainsbarre, officially introduced in the song "Ecce Homo."
Final years
In the 1980's, approaching the end of his life, Gainsbourg became a regular figure on French TV. His appearances seemed devoted to his controversial sense of humour and provocation. He would frequently show up drunk and unshaven on stage. Perhaps his most famous incident came when, on Michel Drucker's live Saturday evening show with the American singer Whitney Houston, he exclaimed, "I want to fuck her."
During this period he released Love On The Beat and his last studio album, You're Under Arrest, (which saw him adapt his style to the hip-hop genre), as well as two live recordings. His third and last Eurovision Song Contest entry came in 1990 with the French entry "White and Black Blues", sung by Joëlle Ursull. It came second in a tie with Ireland. His songs became increasingly eccentric in this period, ranging from the anti-drug "Les Enfants de la Chance" to the duet with his daughter Charlotte called "Lemon Incest (Un zeste de citron)." The title of the latter demonstrates Gainsbourg's love of puns (another example is "Bowie, Beau oui comme Bowie").
Discography :
1958 : Du Chant À La Une !
1959 : Serge Gainsbourg N°2
1961 : L'étonnant Serge Gainsbourg
1962 : Serge Gainsbourg N° 4
1963 : Gainsbourg Confidentiel
1964 : Gainsbourg Percussions
1968 : Initials B.B.
1968 : Bonnie And Clyde ( with Brigitte Bardot )
1969 : Jane Birkin-Serge Gainsbourg
1971 : Histoire de Melody Nelson ( with Jane Birkin )
1973 : Vu de l'extérieur
1975 : Rock around the bunker
1976 : L'Homme à tête de chou
1979 : Aux armes et cætera
1981 : Mauvaises Nouvelles Des Étoiles
1984 : Love on the Beat
1987 : You're Under Arrest
Ballade De Johnny Jane
Serge Gainsbourg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Te souviens-tu du film de Gainsbourg, Je t'aime
Je t'aime moi non plus, un joli thème
Hey, Johnny Jane
Toi qui traînes tes baskets et tes yeux candides
Dans les no man's land et les lieux sordides
Hey, Johnny Jane
Les décharges publiques sont des Atlantides
Hey, Johnny Jane
Tous les camions à benne
Viennent y déverser bien des peines infanticides
Hey, Johnny Jane
Tu balades tes cheveux courts, ton teint livide
À la recherche de ton amour suicide
Hey, Johnny Jane
Du souvenir veux-tu trancher la carotide
À coups de pieds dans les conserves vides
Oh, Johnny Jane
Un autre camion à benne
Te transportera de bonheur en bonheur sous les cieux limpides
Hey, Johnny Jane
Ne fais pas l'enfant, ne sois pas si stupide
Regarde les choses en face, sois lucide
Hey, Johnny Jane
Efface tout ça, recommence, liquide
De ta mémoire ces brefs instants torrides
Hey, Johnny Jane
Un autre camion à benne
Viendra te prendre pour t'emmener vers d'autres Florides
Hey, Johnny Jane
Toi qui traînes tes baskets et tes yeux candides
Dans les no man's land et les lieux sordides
Hey, Johnny Jane
Écrase d'un poing rageur ton œil humide
Le temps ronge l'amour comme l'acide
The lyrics of Serge Gainsbourg's "Ballade De Johnny-Jane" paints a picture of a protagonist named Johnny Jane who is trying to find love in desolate and run-down places. The song references Gainsbourg's 1969 film "Je t'aime moi non plus", which explores unconventional and taboo love. Johnny Jane is portrayed as someone who has a difficult time distinguishing between love and pain, as well as someone who is prone to making poor decisions.
The lyrics also depict Johnny Jane's surroundings as grim, with trash heaps and infanticide being referenced. The repetition of the line "Hey, Johnny Jane" creates a sense of urgency, as if the singer is trying to warn Johnny Jane of the dangers that surround her. The imagery of a truck bed being used to transport Johnny Jane from one place to another adds to the bleakness of the song.
Overall, "Ballade De Johnny-Jane" can be interpreted as an exploration of how love can be misconstrued and even dangerous when pursued in certain environments. The lyrics highlight the importance of self-awareness and making positive choices in relationships.
Line by Line Meaning
Hey, Johnny Jane
Serge Gainsbourg calls out to Johnny Jane.
Te souviens-tu du film de Gainsbourg, Je t'aime
Do you remember Serge Gainsbourg's film, Je t'aime?
Je t'aime moi non plus, un joli thème
Je t'aime moi non plus is a beautiful theme.
Toi qui traînes tes baskets et tes yeux candides
You, who drag your sneakers and innocent eyes.
Dans les no man's land et les lieux sordides
In no man's land and sordid places.
Les décharges publiques sont des Atlantides
Public dumps are Atlantises.
Que survolent les mouches cantharides
Overflown by cantharides flies.
Tous les camions à benne
All dump trucks.
Viennent y déverser bien des peines infanticides
Come there to dump many scenes of infanticides.
Du souvenir veux-tu trancher la carotide
Do you want to cut the memory's carotid?
À coups de pieds dans les conserves vides
With kicks in the empty cans.
Un autre camion à benne
Another dump truck.
Te transportera de bonheur en bonheur sous les cieux limpides
Will transport you from happiness to happiness under clear skies.
Ne fais pas l'enfant, ne sois pas si stupide
Don't act like a child, don't be so stupid.
Regarde les choses en face, sois lucide
Look at things in the face, be lucid.
Efface tout ça, recommence, liquide
Erase all that, start over, liquidate.
De ta mémoire ces brefs instants torrides
From your memory, these brief torrid moments.
Viendra te prendre pour t'emmener vers d'autres Florides
Will come to take you away to other Floridas.
Écrase d'un poing rageur ton œil humide
Crush with a furious fist your teary eye.
Le temps ronge l'amour comme l'acide
Time corrodes love like acid.
Contributed by Avery L. Suggest a correction in the comments below.
Elian
on Ford Mustang
We're swapping spits / We're snorting lines [double entendre] (On s' fait des "lines")
In a Ford Mustang
And then, "Bang"
We're banging in [triple entendre]
To the plane trees / And then, "Bang," we're getting high ("embrasser les platanes = planer" [ French] (=to get high)
"Mus" to the left
"Tang" to the right
And to the left, to the right
A windshield wiper
A pack of Kool
A badge with the inscription
"Keep Cool"
A bar of
Chocolate
A Coca-Cola
We're swapping spits / We're snorting lines
In a Ford Mustang
And then, "Bang"
We're banging in
To the plane trees
"Mus" to the left
"Tang" to the right
And to the left, to the right
A bottle
Of make-up fluid
A flashgun
A Browning (automatic pistol)
A phonograph
A volume
Of Edgar A. Poe
And a plain brass ZIPPO
We're swapping spits / We're snorting lines
In a Ford Mustang
And then, "Bang"
We're banging in
To the plane trees
"Mus" to the left
"Tang" to the right
And to the left, to the right
An edition
Of Superman
A nut from
Paco
Rabanne
A pic of
Marilyn
A tube of aspirin
We're swapping spits / We're snorting lines
In a Ford Mustang
And then, "Bang"
We're banging in
To the plane trees
"Mus" to the left
"Tang" to the right
And to the left, to the right