Known for her appearance, at a young age she won a Miss Rome beauty pagent, which led her to cinema. The movie that brought her to stardom was Bitter Rice and she continued to have success in cinema without ever surpassing Sophia Loren or Gina Lollobrigida's level of stardom.
Born in Rome to an Italian father and an English mother, Mangano lived in poor times caused by the war. Trained for seven years as a dancer, she was supporting herself as a model.
Mangano as Circe in the 1955 film Ulysses.In 1946, at age 16, Mangano won the Miss Rome beauty pageant and through this she obtained a rôle in a Mario Costa movie. One year later she became a contestant in the Miss Italia contest. Potential actress Lucia Bosé became "The Queen", among Mangano and several other future stars of Italian cinema such as Gina Lollobrigida, Eleonora Rossi Drago and Gianna Maria Canale.
Mangano's earliest connection with filmmaking occurred through her romantic relationship with actor Marcello Mastroianni. This led her to a movie contract, though it would take some time for Mangano to ascend to international stardom with her stunning performance in Bitter Rice (Riso Amaro, Giuseppe De Santis, 1949). Thereafter, she signed a contract with Lux Films, in 1949, and later married Dino De Laurentiis, on the verge of becoming a known producer.[1]
Though she never scaled the heights of her contemporaries Sophia Loren and Gina Lollobrigida, Mangano remained a favorite star between the 1950s and 1970s, appearing in Anna (Alberto Lattuada, 1951), The Gold of Naples (L'oro di Napoli, Vittorio De Sica, 1954), Mambo (Robert Rossen, 1955), Theorem (Teorema, Pier Paolo Pasolini, 1968), and Death in Venice (Morte a Venezia, Luchino Visconti, 1971).
Married to Bitter Rice producer Dino De Laurentiis, Mangano had four children, one of whom, daughter Raffaella, coproduced with her father on Mangano's next-to-last film, Dune (David Lynch, 1984). Her granddaughter is Giada De Laurentiis, hostess of Everyday Italian on the Food Network.
Following surgery on December 4, 1989 that left her in a coma, Mangano died of lung cancer in Madrid, Spain during the late night/early morning hours between the 15th and the 16th of December 1989.[1]
Anna
Silvana Mangano Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Un nuevo compas
Dicen todos cuando me venpasar
Chica, donde vas
Me voy p'a bailar
El bayon!
Hoy tengo ganas de bailar
El nuevo compas
Chica donde vas?
The lyrics to Silvana Mangano's song "Anna" are a celebration of the joy and freedom that comes with dance. The singer of the song expresses her desire to dance to a new beat, and how others react to her joyous movements. Despite their questioning, she is unwavering in her determination to dance the bayon. The lyrics speak to the transformative power of dance, how it can lift you up and transport you to another place entirely. The repetition of the phrase "tengo ganas de bailar" (I want to dance) throughout the song serves to reinforce this feeling of desire and passion.
One interesting fact about "Anna" is that it was written for the 1951 film Anna, which starred Silvana Mangano in the titular role. The song appears in a pivotal scene where Anna meets her new employer, a wealthy industrialist who is immediately drawn to her charm and beauty. The scene culminates in a lively dance sequence, set to the music of "Anna".
Another interesting fact about the song is that it was composed by Nino Rota, who is perhaps best known for his collaborations with the filmmaker Federico Fellini. Rota's music, with its lush orchestrations and memorable melodies, helped to define the sound of Italian cinema in the 1950s and 60s.
Overall, the lyrics to "Anna" are a tribute to the power of dance and the joy that it can bring. They capture a feeling of unbridled energy and passion that is both infectious and uplifting, and remind us of the simple pleasures in life that can make all the difference.
Chords:
Unfortunately, I don't have access to the exact chords for this song.
Line by Line Meaning
Hay! Tengo ganas de bailar
Hey! I feel like dancing
Un nuevo compas
To a new rhythm
Dicen todos cuando me ven pasar
Everyone says when they see me passing by
Chica, donde vas
Girl, where are you going
Me voy p'a bailar El bayon!
I'm going to dance the Bayon
Hoy tengo ganas de bailar
Today I feel like dancing
El nuevo compas
To the new rhythm
Dicen todos cuando me ven pasar
Everyone says when they see me passing by
Chica donde vas?
Girl, where are you going
Writer(s): Serge Gainsbourg
Contributed by Callie R. Suggest a correction in the comments below.
@kostasgian8959
The black zumbon is coming
Ya viene el negro zumbon
Dancing the baion cheerfully
Bailando alegre el baion
Repica the zambomba
Repica la zambomba
And call the woman
Y llama a la mujer
The black zumbon is coming
Ya viene el negro zumbon
Dancing the baion cheerfully
Bailando alegre el baion
Repica the zambomba
Repica la zambomba
And call the woman
Y llama a la mujer
I want to dance the new compass
Tengo gana de bailar el nuevo compass
They all say when they see me pass
Dicen todos cuando me ven pasar
"Dhica, where are you going?"
"¿ Dhica, donde vas?"
"I'm going to dance, the baion!"
"Me voy a bailar, el baion!"
I want to dance the new compass
Tengo gana de bailar el nuevo compass
They all say when they see me pass
Dicen todos cuando me ven pasar
"Dhica, where are you going?"
"¿ Dhica, donde vas?"
"I'm going to dance, the baion!"
"Me voy a bailar, el baion!"
The black zumbon is coming
Ya viene el negro zumbon
Dancing the baion cheerfully
Bailando alegre el baion
Repica the zambomba
Repica la zambomba
And call the woman
Y llama a la mujer
The black zumbon is coming
Ya viene el negro zumbon
Dancing the baion cheerfully
Bailando alegre el baion
Repica the zambomba
Repica la zambomba
And call the woman
Y llama a la mujer
I want to dance the new compass
Tengo gana de bailar el nuevo compass
They all say when they see me pass
Dicen todos cuando me ven pasar
"Girl, where are you going?"
"¿ Chica, donde vas?"
"I'm going to dance, the baion!"
"Me voy a bailar, el baion!"
I want to dance the new compass
Tengo gana de bailar el nuevo compass
They all say when they see me pass
Dicen todos cuando me ven pasar
"Girl, where are you going?"
"¿ Chica, donde vas?"
"I'm going to dance, the baion!"
"Me voy a bailar, el baion!"
@rrs8548
lyrics:
El negro zumbón
Ya viene el negro zumbon
Bailando alegre el baion
Repica la zambomba
Y llama a la mujer
Ya viene el negro zumbon
Bailando alegre el baion
Repica la zambomba
Y llama a la mujer
Tengo gana de bailar el nuevo compass
Dicen todos cuando me ven pasar
"¿ Dhica, donde vas?"
"Me voy a bailar, el baion!"
Tengo gana de bailar el nuevo compass
Dicen todos cuando me ven pasar
"¿ Dhica, donde vas?"
"Me voy a bailar, el baion!"
Ya viene el negro zumbon
Bailando alegre el baion
Repica la zambomba
Y llama a la mujer
Ya viene el negro zumbon
Bailando alegre el baion
Repica la zambomba
Y llama a la mujer
Tengo gana de bailar el nuevo compass
Dicen todos cuando me ven pasar
"¿ Chica, donde vas?"
"Me voy a bailar, el baion!"
Tengo gana de bailar el nuevo compass
Dicen todos cuando me ven pasar
"¿ Chica, donde vas?"
"Me voy a bailar, el baion!"
@serdow
Yo conozco la canción por la película Caro Diario del director italiano Nanni Moretti. Y de verdad que pensaba que era Silvia Mangano quien cantaba, y no que la habían doblado. Aún así, preciosa canción y magnífica la presencia de Silvia.
Ya viene el negro zumbón
Bailando alegre el baion
Repica la zambomba
Y llama a la mujer
Tengo gana de bailar el nuevo compás
Dicen todos cuando me ven pasar
"¿Chica, dónde vas?"
"Me voy pa bailar, el baion!"
@Ahmed_Gamal87
Cinema Paradiso! ❤😍😍
@ednguyen3822
The director of photography did an INCREDIBLE job with lighting on the whole film!
@antoninolicata6425
Harold Rosson director of fotography.
@cristianpiombino4537
@@antoninolicata6425the director of photography was Otello Martelli! This movie is Italian, not american or british.
@aucourant9998
This is perfect in every way: her playful expressions and hand gestures, her beauty, the joyful music, the simple catchy lyrics (and what beautiful Spanish), and the absolutely gorgeous B&W cinematography and lighting.
@aiyachristian
Her expressions and moves are so adorable it gives me butterflies. She is stunning
@chocosidronio
Whats more beautiful than a beautiful woman with rythm
@lingoringo2328
The panning to the large man who is in approval
@fry5544
🪘🪘💃🏽💃🏽🕺🏾🕺🏾 Indeed! She’s a beautiful woman with rhythm 💃🏽💃🏽💃🏽🕺🏾🕺🏾🕺🏾🪘🪘
@cristianpiombino4537
But the voice was not of Silvana Mangano, but was of the singer Flo Sandon’s, aka Mammola Sandon, from Vicenza (Italy), 1924-2006