Stanley Victor Freberg (born August 7, 1926 in Los Angeles-April 7, 2015) w… Read Full Bio ↴Stanley Victor Freberg (born August 7, 1926 in Los Angeles-April 7, 2015) was a voice actor, comedian, and advertising creative.
In 1950, he scored a huge success with his first recording for Capitol Records, John and Marsha, a soap-opera parody that consisted of the title characters (both played by Freberg) repeating each other's names. In a follow-up he used pedal steel guitarist Speedy West to parody the 1953 country hit A Dear John Letter as A Dear John and Marsha Letter.
Throughout the 1950s he made a name for himself writing and performing both original songs (Tele-Vee-Shun) and parodies of popular tunes (The Yellow Rose of Texas, Day-O, Heartbreak Hotel). With fellow voice actors Daws Butler and June Foray he produced a medieval parody of Dragnet called St. George and the Dragon-Net. The latter recording was a #1 hit for four weeks in late 1953.
Freberg's brilliant, authentic-sounding musical parodies were a byproduct of his collaborations with Billy May and his Capitol Records producer Ken Nelson. His brilliant 1957 spoof of TV "champagne music" master Lawrence Welk, Wun'erful, Wun'erful was a true collaboration with May, a veteran big band musician and jazz arranger (known for his work with Frank Sinatra among others) who loathed Welk's corny style. To replicate that sound, May and some of Hollywood's finest studio musicians and vocalists worked to virtually clone Welk's sound. Billy Liebert, a first-rate accordionist copied Welk's own accordion playing. The humor was lost on Welk; Freberg later recalled the bandleader denying he ever used the term "Wunnerful! Wunnerful!" (later the title of Welk's autobiography).
Another hit song to get the Freberg treatment was the weepy Cry, which Freberg rendered as Try ("You too can be unhappy... if you try!") Ray was furious, until he realized the success of Freberg's parody was helping sales and airplay of his own record; Ray and Freberg actually became close friends.
Freberg continued to skewer the advertising industry after the demise of his radio show, producing Green Chri$tma$ in 1958 (again with Butler), a scathing indictment of the overcommercialization of the holiday. Freberg, the son of a church minister and very religious himself, made sure to point out on that novelty record "Whose birthday we're celebrating." Despite his Jewish-sounding last name, Freberg is actually a Baptist of Swedish heritage.
"Green Chri$tma$" also foreshadowed his musical review on LP Stan Freberg Presents: The United States Of America, Volume 1: The Early Years (1961) in that both combined dialog and song in a musical-like style. Stan Freberg Presents: The United States of America, Volume 2: The Middle Years was planned for a release during America's Bicentennial in 1976 but did not emerge until 1996.
In 1950, he scored a huge success with his first recording for Capitol Records, John and Marsha, a soap-opera parody that consisted of the title characters (both played by Freberg) repeating each other's names. In a follow-up he used pedal steel guitarist Speedy West to parody the 1953 country hit A Dear John Letter as A Dear John and Marsha Letter.
Throughout the 1950s he made a name for himself writing and performing both original songs (Tele-Vee-Shun) and parodies of popular tunes (The Yellow Rose of Texas, Day-O, Heartbreak Hotel). With fellow voice actors Daws Butler and June Foray he produced a medieval parody of Dragnet called St. George and the Dragon-Net. The latter recording was a #1 hit for four weeks in late 1953.
Freberg's brilliant, authentic-sounding musical parodies were a byproduct of his collaborations with Billy May and his Capitol Records producer Ken Nelson. His brilliant 1957 spoof of TV "champagne music" master Lawrence Welk, Wun'erful, Wun'erful was a true collaboration with May, a veteran big band musician and jazz arranger (known for his work with Frank Sinatra among others) who loathed Welk's corny style. To replicate that sound, May and some of Hollywood's finest studio musicians and vocalists worked to virtually clone Welk's sound. Billy Liebert, a first-rate accordionist copied Welk's own accordion playing. The humor was lost on Welk; Freberg later recalled the bandleader denying he ever used the term "Wunnerful! Wunnerful!" (later the title of Welk's autobiography).
Another hit song to get the Freberg treatment was the weepy Cry, which Freberg rendered as Try ("You too can be unhappy... if you try!") Ray was furious, until he realized the success of Freberg's parody was helping sales and airplay of his own record; Ray and Freberg actually became close friends.
Freberg continued to skewer the advertising industry after the demise of his radio show, producing Green Chri$tma$ in 1958 (again with Butler), a scathing indictment of the overcommercialization of the holiday. Freberg, the son of a church minister and very religious himself, made sure to point out on that novelty record "Whose birthday we're celebrating." Despite his Jewish-sounding last name, Freberg is actually a Baptist of Swedish heritage.
"Green Chri$tma$" also foreshadowed his musical review on LP Stan Freberg Presents: The United States Of America, Volume 1: The Early Years (1961) in that both combined dialog and song in a musical-like style. Stan Freberg Presents: The United States of America, Volume 2: The Middle Years was planned for a release during America's Bicentennial in 1976 but did not emerge until 1996.
Little Blue Riding Hood
Stan Freberg Lyrics
We have lyrics for these tracks by Stan Freberg:
America! America! What is the place Where the good guys all live? Why, that'…
Anybody Here Remember Radio? Thank you. And now we'd like to... Mr. Freberg?…
Banana Boat Day-o, day-o Daylight come and Me wan go home Day, he say. (…
Banana Boat (Day-O) Day-o, day-o Daylight come and me wan' go home Day, he say…
Christmas Dragnet This is the season. My name's Wednesday. My partner's Frank …
Christmas Dragnet Part 1 This is the season. My name's Wednesday. My partner's Fran…
Christmas Dragnet Part 2 [Joe:] [This is the season.My name is Wednesday, my partner…
Elderly Man River Freberg: Just kidding, just kidding. But it's great to be…
Green Chri$tma$ SCROOGE: Bah, humbug, everybody. CHORUS: Good morning, Mr…
Heartbreak Hotel Well, since my baby left me, Well I found a…
I've Got You Under My Skin I've got you under my skin. I've got you deep in…
John "John, Marsha, John, Marsha, John, Marsha"…
Nuttin' For Christmas I broke my bat on Johnny's head; somebody snitched on…
Overture Announcer: Stan Freberg modestly presents The United States …
Perseverance How did the man who lit up America do it? What…
Pilgrim's Progress Mayor Pennypacker: Take an Indian to lunch this week Show hi…
Pilgrim's Progress (Take An Indian To Lunch) November 1621. By now the white man has arrived in…
Rock Island Line Rock Island Line (SF) Now this here's the story about the R…
Sh-Boom Life could be a dream Life could be a dream Boom ba-doh,…
Shoot If You Must M is for the many things I don't like Overkill is…
Show Folk Some people enjoy Splitting rails Hammering nails Blazing…
ShโBoom Life could be a dream Life could be a dream Boom ba-doh,…
St George & The Dragon The legend you are about to hear is true Only…
St George and the Dragnet The legend you are about to hear is true Only…
St George and The Dragonet [Narrator:] The legend you are about to hear is true…
Stephen Foster Beloved Songwriter SCROOGE: Bah, humbug, everybody. CHORUS: Good morning, Mr. …
That's My Boy What do I treasure most of all I possess? It isn't…
The Night Before Christmas Okay kiddies, itโฒs Christmas eve Time for beddy-bye. Look uh…
The Old Payola Roll Blues {spoken by record producer} Alright, we got the tenor sax, v…
The World is Waiting for the Sunrise Dear one, The world is waiting for the sunrise; Every rose i…
The Yellow Rose of Texas Nobody else could miss her Not half as much as me She…
There'll Never be Another War There'll never be another war, no, no There'll never be ano…
Try Iiiii-if yore happy hand((and)) yore eyes are always daaa-ry…
Wun'erful Wun'erful Note lw is Lawrence Welk, -L is a Lemmon sister, Ls…
Wun'erful, Wun'erful Note LW is Lawrence Welk, -L is a Lemmon sister,…
Wunerful Wunerful Note lw is Lawrence Welk, -L is a Lemmon sister, Ls…
Yellow Rose of Texas Nobody else could miss her Not half as much as me She…
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@bluegreenglue6565
Playing this at my husband's funeral this weekend. We laughed our butts off listening to Freberg, and he would definitely approve of my choice.
@dougauzene8389
Condolonces For Your Loss...Somewhere, Stan Freberg, Dawes Butler, June Foray, Jack Webb, & Then-LAPD Chief Parker ALSO CONCUR!
@larrygoulet1409
I had this record when I was a kid. I thought it was hilarious and I played it so many times I wore it out. My friends didn't get it though and thought I was kinda "strange" listening to this. But I loved it! RIP Stan! You made our journey through this life a little easier and a lot more humorous!
@matocinstinalittlebeargarv5716
How could you NOT get this? This was Hysterical! The first time I heard this was 1977. I was 12 years old. I laughed so hard I cried. This was THE BEST COMEDY.
@UncleMickeyKentucky
I still have the 45. Been played many times.
@sha1om
What you are listening to is the 11th take... they blew the first ten because the musicians, who were the same Hollywood studio cats who worked on the real Dragnet radio show, hadn't seen the script before the session and were laughing so hard they couldn't pucker up to blow their trumpets.
@mossy2209
They had to put screens between the actors and the orchestra! Brilliant. If they made a series out of these I'd watch it!
@curiousgemini
Still holds up after 70 years.
@VinylOldiesJukebox
I agree George. Thanks for giving it a listen and have a great day from Lloyd.
@HeartoftheDragonColo
It was my Mom's record and I still have it today. Classic whether you're into fairy tales or not.