1) The Browns were … Read Full Bio ↴There are three bands under the name The Browns.
1) The Browns were an American family singing group from Pine Bluff, Arkansas made up of Jim Ed Brown and his sisters, Maxine Brown and Bonnie Brown.
Country music singers, they sang individually at rural venues until 1954 when Maxine Brown, and younger brother Jim Ed, signed a record contract as a singing duo. Eighteen-year-old Bonnie joined the group in 1955, and the following year they were signed by Chet Atkins, RCA Victor Records producer in Nashville, Tennessee. The family trio recorded several songs that met with only modest success until 1959, when their 45 rpm folk single called "The Three Bells" was a no. 1 hit on both the Billboard Hot 100 pop music and country music charts. Based on a song called "Les trois cloches," the song was originally a hit in France for both the group Les Compagnons de la chanson and Édith Piaf.
The Browns followed up the success of "The Three Bells" with "Scarlet Ribbons" and "The Old Lamplighter," recordings that also did very well on both the pop and country music charts. With an international following, The Browns toured Europe extensively and recorded further moderate successes on the country music charts. In 1963, they became part of the Grand Ole Opry.
In 1965, Jim Ed Brown began working on a solo career, and in 1967 the trio formally disbanded. Jim Ed continued to record for RCA and had a number of country hits starting in 1965 while still with The Browns. In 1967, he released his first solo top 10 with "Pop A Top" which became his signature song. In 1970, he gained a crossover hit with "Morning" which went to number 4 on the country charts and number 47 on the pop charts. Other hits for Jim Ed included "Angel's Sunday"(1971), "Southern Loving"(1973), "Sometime Sunshine"(1974) and "It's That Time Of Night"(1974). In 1976, he released a string of major duet hits with Helen Cornelius starting with the #1 hit "I Don't Wanna Have To Marry You". Other hits for the duo included "Saying Hello, Saying I Love You, Saying Goodbye"(1977), "Born Believer"(1977), "I'll Never Be Free"(1978), "If The World Ran Out Of Love Tonight"(1978), "You Don't Bring Me Flowers"(1979), "Lying In Love With You"(1979), "Fools"(1979), "Morning Comes Too Early"(1980), and "Don't Bother To Knock"(1981).
Jim Ed has also hosted the syndicated country shows Jim Ed Brown's Country Place, and Nashville On The Road. On The Nashville Network he hosted the talent show You Can Be A Star, and the travel show Going Our Way which featured his wife, Becky, where they went traveling to different places in an RV.
Maxine Brown briefly had a solo career during the late 1960's releasing an album and single for Chart Records titled "Sugar Cane Country".
In 2006, the Browns reunited to perform "The Old Lamplighter" and "The Three Bells" for the PBS special, Country Pop Legends.
2) A horror-themed punk band. Formed in 1998, they played consistently for a year and a half around Western Canada, opening for The New Bomb Turks, Nashville Pussy, AFI, and Good Riddance. In the spring of 1998 the band self-released their first album "Getting Jiggy with The Browns". At this time, the line up was much different; Charlie - Guitar & Vocals, Emmett - Guitar, Leroy - Bass, Freddy - Drums and Lucy - Keyboards.
During the summer of 1998 Lucy and Emmet left the band, Freddy moved to Guitar and a new drummer named ODB began performing live shows, a new keyboard player was not sought out. Also around this time Charlie gave up his guitar duties and focused solely on lead vocals.
In 1999 Meter Records (Canada) released "Greatest Hits Volume One." Shortly after the release The Motherfucking Browns played what they said was their "final" show (summer of 1999) much to the dismay of both Meter Records and the Western Canadian music scene.
In 2000 Middle Man Records (USA) released a split 7" record with The Motherfucking Browns and John Q. Public. The Motherfucking Browns contributed a song from their 1999 album; "Lady, Stay Dead!" alongside a cover of "Bullet" a cover by the influential horror-rock band The Misfits.
2003 saw the release of Tony Hawk's Underground, video game for all major gaming platforms. Alongside bands like Kiss and Social Distortion, The Motherfucking Browns contributed a censored version of their song: "American Werewolf in Calgary". Tony Hawk's Underground went on to win several awards as a groundbreaking video game in 2003.
With the success of Tony Hawk's Underground a new website for the band was announced as well as a new myspace site. Both sites confirmed The Motherfucking Browns were performing with a new line-up: Charlie - Vocals, Eddie - Guitar, James - Bass, Joe - Drums.
2004 saw the release of "And Now the Screaming Starts!" on Meter Records (Canada). After much publicity, and several live shows in the Mid West USA, Horror High Records released their single "The Scream on Halloween" on their "Prom Queen Massacre" compilation, featuring other horror-rock bands such as Blitzkid and Calabrese.
After nearly three years of no activity Meter Records reported that The Motherfucking Browns have returned with the original line up that played on "Greatest Hits Volume One" (except ODB who had since passed away, and replaced by Chow Yun). In the fall of 2007 The Motherfucking Browns played a triumphant "comeback" show in their hometown of Calgary, Alberta, Canada. Performing alongside fellow horror rockers Forbidden Dimension. In an interview with Beatroute Magazine a new album for 2008 was announced.
The band is known for their abrasive stage shows, wearing Balaclava ski masks on stage, and songs primarily about horror movies. Charlie Brown is also a contributing writer for horror website www.killerfilm.com
"The best band in the fucking world, you fuckers!"
3) The Browns, a gospel-influenced band, exude excitement on the stage and offer a life-changing experience to all who hear them. The Browns deliver the powerful message of the gospel through word and song that engage audiences of all ages.
The Browns have been touring across the United States since the group began its full-time ministry nine years ago. The heralded group began on the local and state level and has expanded and grown into a national touring group.
This year The Browns received the prestigious honor of Top 10 Mixed Group of the Year for the second year in a row. The Browns will be attending the Singing News Magazine fan awards at the National Quartet Convention in Louisville, KY. “It started out with the Singing News magazine fans voting for the top ten,” Michaela said. “We had no idea we were up for this ward until we got an e-mail to tell us. We were up with some wonderful groups. This honor is very rewarding coming from the fans and knowing that we’ve touched their hearts or ministered to them in some way.” Previously The Browns had been awarded the Top Horizon Group of the Year for 3 consecutive years.
The group has finished their newest recording at the Sound Kitchen and Daywind Studios in Nashville, TN with Grammy award winning producer, Bubba Smith. ”A New Day” will be the Browns 10th national CD release. The newest single on the album has just climbed to #25 on the national radio charts. It is written by group member Jessica, and her fiance, Nick Trammell intitled “It’s A God Thing”.
High Noon
The Browns Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
On this, our weddin' day
Do not forsake me, oh my darlin'
Wait, wait along
I do not know what fate awaits me
I only know I must be brave
And I must face a man who hates me
Or lie a coward in my grave
Oh, to be torn 'twixt love and duty
S'posin' I lose my fair-haired beauty
Look at that big hand move along
Nearin' high noon
He made a vow while in state prison
Vowed it would be my life or his'n
I'm not afraid of death but oh
What will I do if you leave me?
Do not forsake me, oh my darlin'
You made that promise as a bride
Do not forsake me, oh my darlin'
Although you're grievin', don't think of leavin'
Now that I need you by my side
Wait along, (wait along) wait along
Wait along, wait along
(Wait along, wait along, wait along, wait along)
The song "High Noon" by The Browns depicts the inner turmoil of a man on the day of his wedding. He is in a predicament as he is expected to face a man who hates him at high noon, and he doesn't know what fate awaits him. The song conveys the sense of urgency and fear the man experiences. He pleads with his bride, asking her not to forsake him on their wedding day, as he contemplates the possibility of dying that day. The man struggles with the thought of either facing his enemy and risking his life or running away and being branded a coward.
The lyrics of the song also highlight the conflict between love and duty. The man is torn between his love for his bride and his responsibility to fight his enemy. He laments the fact that if he were to lose his fair-haired beauty, he wouldn't know what to do. He reminds his bride of her promise to never forsake him, and he needs her by his side, especially on this day.
Overall, the song "High Noon" is a powerful portrayal of the psychological and emotional turmoil of a man caught between a rock and a hard place. It gives voice to the fear, anxiety, and desperation that arise in such situations.
Line by Line Meaning
Do not forsake me, oh my darlin'
Please do not abandon me, my love.
On this, our weddin' day
On the day of our marriage.
Wait, wait along
Please wait for me.
I do not know what fate awaits me
I am uncertain what destiny will bring me.
I only know I must be brave
All I know is that I must be courageous.
And I must face a man who hates me
I have to confront a person who detests me.
Or lie a coward, a craven coward
Or be a coward, a disgraceful coward.
Or lie a coward in my grave
Or die like a coward and be interred.
Oh, to be torn 'twixt love and duty
Oh, to be conflicted between love and responsibility.
S'posin' I lose my fair-haired beauty
What if I lost my beloved fair-haired partner?
Look at that big hand move along
See that oversized hand traverse.
Nearin' high noon
Almost reaching midday.
He made a vow while in state prison
He promised while incarcerated in a state penitentiary.
Vowed it would be my life or his'n
He swore it would be either him or me that dies.
I'm not afraid of death but oh
I am not afraid of dying, but oh,
What will I do if you leave me?
What would I do if you abandon me?
You made that promise as a bride
You made that pledge as a newlywed.
Although you're grievin', don't think of leavin'
Despite your sorrow, do not consider departing.
Now that I need you by my side
Now that I need you next to me.
Wait along, (wait along) wait along
Wait for me, (wait for me) wait for me.
Wait along, wait along
Wait for me, wait for me.
(Wait along, wait along, wait along, wait along)
(Wait for me, wait for me, wait for me, wait for me)
Lyrics © Kanjian Music, Universal Music Publishing Group, Royalty Network, Songtrust Ave, RESERVOIR MEDIA MANAGEMENT INC, Warner Chappell Music, Inc.
Written by: Dimitri Tiomkin, Ned Washington
Lyrics Licensed & Provided by LyricFind