The Go-Betweens were a critically-acclaimed cult act famously summarised by Village Voice critic Robert Christgau thus: “Robert Forster and Grant McLennan are the greatest songwriting partnership working today.”
Early drummers Lissa Ross and Tim Mustapha were followed by Lindy Morrison, who was a constant member through the six albums the band recorded in their first and most prolific era. Robert Vickers made the band a four piece when he joined on bass for the third album - "Spring Hill Fair". He left following the fifth album, to be replaced by long-time Brisbane muso John Wilsteed. Amanda Brown (violin, oboe and vocals) was the other key member, heavily influencing the Go-Betweens sound on the final two albums in this period.
The Go-Betweens toured overseas numerous times and produced such indie hits as "Cattle and Cane" (1983) and "Streets of Your Town" (1988). After recording six acclaimed albums, Forster and McLennan disbanded The Go-Betweens in December 1989.
Forster and McLennan pursued solo careers throughout the '90s but were inspired to work together after they were invited by fans at French music magazine Les Inrockuptibles to perform at the magazine's 10th anniversary.
In 2000, Forster and McLennan reformed The Go-Betweens, assisted by all three members of Sleater-Kinney, and recorded the album The Friends of Rachel Worth.
The most recent line-up (2005) included Forster, McLennan, Adele Pickvance (bass) and Glenn Thompson (drums).
In October 2005 The Go-Betweens finally achieved mainstream recognition, with the album Oceans Apart (produced by Mark Wallis and Dave Ruffy) winning an ARIA award for Best Adult Contemporary Album.
Grant McLennan died in his sleep at his home in Highgate Hill, Brisbane on May 6, 2006. He was preparing for a party at his home when he mentioned he was feeling ill, and went to lie down. He was found later that night, and is believed to have suffered a heart attack. With McLennan's death, Robert Forster announced that the Go-Betweens are no more.
"The Go-Betweens have made their final album. They have played their final show. We let it rest at that, being very proud of what we have done." - Robert Forster (May 7th 2006). In June 2007, a tribute album, Write Your Adventures Down, was released in Australia.
Discography:
Non-Album Singles
* "Lee Remick/Karen" (Able Label, 1978)
* "People Say/Don't Let Him Come Back" (Able Label, 1979)
* "I Need Two Heads/Stop before You say It" (Missing Link/Postcard, 1980)
Albums
* Send Me A Lullaby (1982)
* Before Hollywood (1983)
* Spring Hill Fair (1984)
* Liberty Belle and the Black Diamond Express (1986)
* Tallulah (1987)
* 16 Lovers Lane (1988)
* 16 Lovers Lane Acoustic Démos (1996)
* Live on SNAP (1999)
* The Friends of Rachel Worth (2000)
* Bright Yellow Bright Orange (2003)
* Oceans Apart (2005)
* Live At The Tivoli, Brisbane (2006)
Compilations
* 1978-1990 (1990)
* Bellavista Terrace: Best of the Go-Betweens (1999)
* 78 'til 79 the Lost Album (1999)
Previous Members:
* Malcolm Kelly ("People Say")
* Jaqueline / Candice ("People Say")
2) The Go-Betweens [60s] A american garage band, made one single 1965.
Knock Knock / Have Her for My Own
Here They Come
The Go-Betweens Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm sitting here with three other people in the carriage
Passing churches, passing stations, a bustling complex
I see a sequence 22 rivers out my window
Pushing you away from me
Pushing you away from me
Here comes a city
The sandwich maker the trollycar pusher
Here comes a city
Pushing you away from me
Pushing you away from me
Etterzhausen, Frankfurt Central, here comes a city
And why do people who read Dostoevsky always look like Dostoevsky?
A crowded train, a silent night
The country's black and the cities are bright
On this flight, through the night
On this flight, historic night
Here comes a city
The Go-Betweens' song Here Comes a City can be interpreted as a metaphor for the push and pull of relationships and how the bustling, fast-paced nature of city life can sometimes contribute to that. The opening lines "Just pulled out of a train station we're moving sideways / I'm sitting here with three other people in the carriage" immediately set the scene of a crowded train and a feeling of being stuck in a confined space with others. The lines "Passing churches, passing stations, a bustling complex / I see a sequence 22 rivers out my window" describe the view from the train, showcasing the constant movement and busyness of a city.
The chorus "Pushing you away from me / The skyscrapers the cloud scratchers / Here comes a city / The sandwich maker the trolleycar pusher / Here comes a city" can be interpreted as the city itself coming in between two people, literally and figuratively. The repetition of "Pushing you away from me" emphasizes the idea of distance and separation.
The lines "And why do people who read Dostoevsky always look like Dostoevsky?" could be seen as a commentary on the type of people who are drawn to literature and deep thinking, perhaps suggesting that they are outsiders or feel disconnected from the city life around them.
Overall, the song paints a vivid picture of the frenetic energy of a city and how it can impact relationships and personal connections.
Line by Line Meaning
Just pulled out of a train station we're moving sideways
We have just departed from a train station and our train is moving laterally, not forward or backward.
I'm sitting here with three other people in the carriage
I am occupying a train carriage with three other individuals, where space is limited.
Passing churches, passing stations, a bustling complex
As we pass by, I observe a series of churches and railway stations, indicating that we are in a busy, urban area.
I see a sequence 22 rivers out my window
From my vantage point, I can view 22 rivers in a row, possibly suggesting that the city has a complex network of waterways.
Pushing you away from me
The repeated phrase 'Pushing you away from me' could represent a desire to push someone away from the artist, either physically or emotionally.
The skyscrapers the cloud scratchers
Tall buildings of an impressive height are visible, seemingly reaching into the clouds.
Here comes a city
The song title and repeated phrase - 'Here comes a city' - suggests that the focus is on the experience of entering and exploring an urban environment.
The sandwich maker the trollycar pusher
The song lists some of the types of workers one might encounter in a city, such as a sandwich maker and trolley car pusher.
Etterzhausen, Frankfurt Central, here comes a city
The mentioning of specific locations such as 'Etterzhausen' and 'Frankfurt Central' could imply that the artist is describing their journey into a particular city.
And why do people who read Dostoevsky always look like Dostoevsky?
This line is a bit more abstract, but it could imply that certain individuals who consume similar media may begin to resemble one another in appearance or behavior, possibly as a result of cultural or intellectual associations.
A crowded train, a silent night
The train carriage is full of people, but there is little to no sound, possibly indicating a moment of reflection or contemplation for the singer.
The country's black and the cities are bright
The contrast between the darkness of the countryside and the brightness of the city could indicate a difference in energy or atmosphere between pastoral and urban environments.
On this flight, through the night
This line of the song may suggest that the journey is a metaphorical flight, taking place over the course of a sleepless night.
Here comes a city
The song comes full circle with another repetition of the title phrase, suggesting that the city is the focal point of the lyrics and that its impact is inescapable.
Lyrics © DOMINO PUBLISHING COMPANY, Universal Music Publishing Group
Written by: GRANT WILLIAM MCLENNAN, ROBERT DERWENT GARTH FORSTER
Lyrics Licensed & Provided by LyricFind
@8waysanta
This music makes my soul smile
@jlindonful8353
10 years missing you Grant
@mwed
Amazing band - just found them last year - loved thelast album and look forward to the past stuff - finding you - no reason to cry - boundary rider - born to a family - wow. I remember right here from the 80's - great song
@reilly3
The only song that shells the tempo and anxiety of approaching a city. Singular.
@transonicbuoy
They are not the "quintessential cult band". They are rock/pop group who deserved much higher sales.
@jackbob3205
There must be Go-Betweens after death or I'm not going....
@MothraBlues
HAW! Ditto, mate - DITT. oH. :-D
@1ralfloren
wow, this song has blown me away !! f####ng awesome. Heard it on Jonathon Ross Radio 2 prog on saturday. Thought it was Pete Shelley (Buzzcocks) at first How on earth did i not hear of them b4 ? Is it the lead singer who has passed away ? Absolutely Brilliant
@Gonzax
great band rest in peace Grant
@therockernl
Oceans apart is really great.