Allmusic had this to say about the Residents: "Over the course of a recording career spanning several decades, the Residents remained a riddle of Sphinx-like proportions; cloaking their lives and music in a haze of willful obscurity, the band's members never identified themselves by name, always appearing in public in disguise -- usually tuxedos, top hats and giant eyeball masks -- and refusing to grant media interviews. Drawing inspiration from the likes of fellow innovators including Harry Partch, Sun Ra, and Captain Beefheart & His Magic Band, the Residents channelled the breadth of American music into their idiosyncratic, satiric vision, their mercurial blend of electronics, distortion, avant-jazz, classical symphonies and gratingly nasal vocals reinterpreting everyone from John Philip Sousa to James Brown while simultaneously expanding the boundaries of theatrical performance and multimedia interaction.
It was commonly accepted that the four-member group emigrated to San Francisco, California from Shreveport, Louisiana at some point in the early '70s. According to longtime group spokesman Jay Clem -- one member of the so-called Cryptic Corporation, the band's representative body -- they received their name when Warner Bros. mailed back their anonymous demo tape, addressed simply "for the attention of residents". Finding no takers for their oddball sounds, the Residents founded their own label, Ralph Records, for the purposes of issuing their 1972 debut "Santa Dog", released in a pressing of 300 copies which were mailed out to luminaries from Frank Zappa to President Richard Nixon. Their debut full-length, 1974's "Meet the Residents", reportedly sold fewer than 50 copies before the group was threatened with a lawsuit from Capitol Records over its cover, a twisted, dada-esque parody of the art to "Meet the Beatles".
The follow-up, 1974's neoclassical excursion "Not Available", was recorded with the intention of its music remaining unissued; locked in cold storage upon its completion, only a 1978 contractual obligation resulted in its eventual release. 1976's "The Third Reich 'N Roll" was the next official offering, a collection of pop oldies covers presented in a controversial jacket portraying Adolf Hitler clutching an enormous carrot. After a 1976 concert in Berkeley, California which cloaked the Residents behind an opaque screen, wrapped up like mummies -- the most famous of only three live performances mounted during their first decade of existence -- they issued an abrasive 1977 cover of The Rolling Stones' "Satisfaction", which became an underground hit on both sides of the Atlantic at the peak of the punk movement. As the decade drew to a close, the group released a flurry of recordings, further building upon their growing cult following; among them were 1978's "Duck Stab", 1979's "Eskimo" (purportedly a collection of native Arctic chants) and 1980's "Commercial Album", a compilation of 40 one-minute "pop songs" that aired on San Francisco radio only because the Residents played them during the advertising time they bought.
In 1981 the Residents embarked upon their "Mole Trilogy", a prog rock collection of albums -- 1981's "Mark of the Mole", 1982's "The Tunes of Two Cities" and 1985's "The Big Bubble" -- recounting an epic battle between a pair of tribes named the Moles and the Chubs; a lavish, multimedia tour, "The Mole Show", followed. In the interim, the group also mounted another ambitious project, the "American Composer" series, although only two of the projected titles -- 1984's "George & James" (a reinterpretation of songs by George Gershwin and James Brown) and 1986's "Stars & Hank Forever" (celebrating John Philip Sousa and Hank Williams) -- ever appeared. Instead, in the wake of financial and corporate difficulties which resulted in the creation of a New Ralph label, the Residents issued the one-off "God in Three Persons" (a talking blues outing), and 1989's "The King and Eye" (a reinterpretation of Elvis Presley standards).
After losing control of the Ralph label as well as their back catalog, the Residents regained the rights to their music in 1990 and began reissuing long-out-of-print material as well as the new "Freak Show", a meditation on circus sideshows and carnival dementia. Four years later, Freak Show was reissued as a CD-ROM, marking the group's first leap into the new digital interactive technology; "Have a Bad Day" followed in 1996, and included the soundtrack to the CD-ROM game "Bad Day on the Midway." In 1997, the band celebrated their silver anniversary with the release of the career-spanning overview "Our Tired, Our Poor, Our Huddled Masses". "Wormwood: Curious Stories From the Bible" followed the next year, with "Roadworms" (songs from Wormwood as performed in the stage show) being issued in mid-2000. They followed that up with the awesome "Icky Flix" DVD, an incredibly detailed collection of their videos that featured both old and new soundtracks, 5.1 Digital Stereo Surround sound, countless hidden videos and in-depth histories of each individual track. That was followed by another one of their rare tours, which saw them incorporate the DVD into their live act and bring out guest singer Molly Harvey for some truly creative duets. The "Petting Zoo" retrospective followed in the spring of 2002, acting as a budget sampler for new fans and giving old fans something to tide them over while several high concept projects neared completion. The first was "Demons Dance Alone", a complicated pop album that hearkened back to the catchier material from "Duck Stab" and the "Commercial Album". That was followed in 2002 by a live retrospective called "Kettles Of Fish On The Outskirts Of Town" that contained 3 cd's and a DVD, and a further look at their past via remasters and remixes put out by EuroRalph (including a remix of their previously unreleased and notorious "Warner Brothers Demo"). A DVD of the Demons Dance Alone tour came out in 2004 and another new project, "Animal Lover" was released in 2005."
Summer of 2006 brought the internet download project, The River of Crime: Episodes 1-5. River of Crime was their first project with Warner Music Group's Cordless label. Following the success of "River of Crime", The Residents launched their weekly Timmy video project on YouTube. In 2007 they did the music for the documentary "Strange Culture" and also released a double instrumental album, "Night of the Hunters". On the Fourth of July, 2007, the planned October release of their latest project with Mute Records, The Voice of Midnight (a music theater adaptation of E.T.A. Hoffmann's short story Der Sandmann), was announced on their website.
On the 21st of May 2008 they announced on their website that their first North America tour since "Demons Dance Alone" for a project entitled "The Bunny Boy" is set to begin on October 9th in New York — later an earlier date was added for Santa Cruz. Soon, it was announced that the tour will also include Europe, starting November 13th. On June 3rd, the Residents.com website boasted the planned release of "The Bunny Boy" which was released on September 1st. The website had posted information in which Foxboro claimed this would be a Farewell Tour; it was later revealed that this was nothing more than a mistake by Foxboro.
In October 2017, Hardy Fox identified himself as both the anonymous primary composer and producer for The Residents as well as the pseudonymous Charles Bobuck.
Hardy Fox died on October 30, 2018.
My Brother Paul
The Residents Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When you pretended to fall on the stairs
You said you were scared that the top of your head
Was open and bared itself to the air
I can cry if I try
But I lie awake at night
Before he committed himself to the war
I was at work and believed you were hurt
'Til I saw that dirt from a hole in the yard
I was still crying and you were still lying
The following morning out there in the hall
Where it was painful to watch you arrange
Those portraits you painted of my brother Paul
I can cry if I try
But I lie awake at night
I can't believe that I was deceived
That day we received that present from Paul
The Residents's song "My Brother Paul" is a sad and emotional tale of two siblings whose relationship is complicated and fraught with issues. The song is narrated by the younger sibling who is recalling a specific event that happened in December. He remembers how his brother Paul had gifted them a box before he went to war but had never returned. The younger sibling was at work when he got a call from his older brother that he had fallen down the stairs and was badly hurt. When the younger sibling rushed home, he found his older brother lying about his injuries and claiming that he had tripped over the box that their brother Paul had shipped. However, the younger sibling soon discovered the truth when he spotted dirt on his older brother that could only have come from digging a hole.
The narrative is heartbreaking as the younger sibling was betrayed by the older sibling who he trusted and relied on. He was devastated to discover his older brother had lied to him and was possibly responsible for Paul's disappearance. In the last lines of the song, the younger sibling cannot believe that he was betrayed and deceived by the older sibling, further emphasizing the emotional turmoil the singer is going through.
Line by Line Meaning
I still remember that day in December
Narrator recalls the day in December when the events took place
When you pretended to fall on the stairs
Narrator's brother pretended to fall on stairs
You said you were scared that the top of your head
Narrator's brother fabricated a story about being scared that the top of his head was open and bared itself to the air
Was open and bared itself to the air
Narrator's brother lied about having an injury on his head
I can cry if I try
Narrator is emotionally affected by the situation and can cry if they try
But I lie awake at night
Narrator is disturbed by the events and has trouble sleeping at night
You said that you tripped on a box that he shipped
Narrator's brother made up a story about tripping on a box that was shipped by someone else
Before he committed himself to the war
The box was shipped before the brother went to war
I was at work and believed you were hurt
Narrator was at work and believed the brother was truly hurt
'Til I saw that dirt from a hole in the yard
Narrator started to suspect the brother's story was false when they saw dirt from a hole in the yard
I was still crying and you were still lying
Narrator was still upset and brother was still lying the following morning
The following morning out there in the hall
The events took place in the hall the next morning
Where it was painful to watch you arrange
It was difficult for the singer to watch the brother arrange some portraits
Those portraits you painted of my brother Paul
The brother painted portraits of their other brother Paul
I can't believe that I was deceived
Narrator is upset that they were deceived by their brother's lie
That day we received that present from Paul
The day the lie took place was the same day they received a present from the brother who was not involved in the lie
Contributed by Riley K. Suggest a correction in the comments below.
Jimbo
on BUCKAROO BLUES: The Stampede
A true mirror of American culture. The Residents are a national treasure