Their first wide-release single, "Walk, Don't Run" (1960), brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums charted in the US, ranking them as the 6th best album chart performer during the 1960s, and the band had 14 singles in the Billboard Hot 100. With over 100 million records sold, the Ventures are the best-selling instrumental band of all time.
The Ventures have had an enduring impact on the development of music worldwide. The band was among the first to employ and popularize fuzz and flanging guitar effects, concept albums, and twelve-string guitars in rock music. Their instrumental virtuosity, innovation, and unique sound influenced many musicians and bands, earning the group the moniker "The Band that Launched a Thousand Bands". Their recording of "Walk, Don't Run" was inducted into the Grammy Hall of Fame for its lasting impact, and in 2008 the group was inducted into the Rock and Roll Hall of Fame.
Don Wilson and Bob Bogle first met in 1958, when Bogle was looking to buy a car from a used car dealership in Seattle owned by Wilson's father. Finding a common interest in guitars, the two decided to play together, while Wilson joined Bogle performing masonry work. They bought two used guitars in a pawn shop for about $10 each. Initially calling themselves the Versatones, the duo played small clubs, beer bars, and private parties throughout the Pacific Northwest. Wilson played rhythm guitar, Bogle lead. When they went to register the band name, they found that it was already taken. Disappointed, they cast about for an appropriate name. Wilson's mother suggested the name "The Ventures", upon which they eventually agreed in 1959.
During their first years (1958–1961), the Ventures played Fender guitars (a Jazzmaster, a Stratocaster and a Precision Bass) for both their live performances and their recording sessions. These instruments are prominently visible on the covers of two early albums: The Ventures and The Colorful Ventures. From 1962 to 1963 they used two Jazzmasters with a Precision Bass, shown on the album cover of "Bobby Vee meets The Ventures". Then in early 1963, California guitar manufacturer Mosrite re-branded their uniquely styled, futuristic-looking Mark 1 electric guitar model for the Ventures by applying decals that stated "The Ventures Model" on the headstock. The band adopted these guitars (which included a bass model) and first used them on The Ventures in Space (1963), one of their most influential albums because of the unique, otherworldly guitar sounds it contained. From 1963 through 1968, a statement on their album covers announced that the Ventures used Mosrite guitars "exclusively" (the Ventures and designer Semie Moseley were partners in the distribution of these instruments). After the expiration of their contract with Moseley, the Ventures returned to playing mainly Fender guitars. Only rarely have they used Mosrite guitars since that contract ended.
In the mid-1990s, Fender issued a limited edition Ventures Signature Series of guitars consisting of a Jazzmaster, a Stratocaster, and a Fender Jazz Bass, all with specifications determined by the band.
Aria Guitars and Wilson Brothers Guitars have subsequently issued Ventures Signature Model instruments. The Wilson Brothers guitar, in particular, is closely modeled physically on the original Mosrite design.
The Ventures pioneered the use of special effects on such songs as "The 2000 Pound Bee", recorded in late 1962, in which lead guitarist Nokie Edwards employed a fuzz pedal. Edwards' use of "fuzz tone" predated the "King of Fuzz Guitar", Davie Allan of The Arrows, by at least three years. In addition, Edwards was among the first to use the twelve-string guitar in rock. The 1964 The Ventures In Space album was a primer in the use of special guitar effects, and made pioneering use of 'reverse-tracking'. The Ventures In Space, because of its ethereal space-like effects, was deemed an influence on the later 1960s San Francisco psychedelic generation, as well as being cited as a favorite by Keith Moon of the Who.
The band's cover of the Tornados' "Telstar" (released in January 1963) featured one of the first instances of flanging on a pop record. The song "Silver Bells" on The Ventures' Christmas Album, released in November 1965, has one of the first recorded uses of a talk box as a musical effect, voiced by Red Rhodes.
The Ventures have had an influence on many musicians, both professional and amateur. Their instructional album, Play Guitar with the Ventures, was the first such record to chart on the Billboard Top LPs list, peaking at No. 96, and taught thousands of budding guitarists how to play the guitar. George Harrison stated in a Guitar Player interview that he preferred the American guitar sound of the Ventures to British contemporaries. When asked to name the most influential rock guitar solos, Joe Walsh said he would have to include the entire song "Walk, Don't Run" because it changed so many guitar players' lives. John Fogerty, during his introduction of the Ventures at their Hall of Fame induction, said that it "kicked open a whole movement in rock and roll... The sound of it became 'surf music' and the audacity of it empowered guitarists everywhere." Stephen Stills told Ventures guitarist Don Wilson that he learned to play on Ventures records. Jeff Baxter and Gene Simmons were early members of the Ventures Fan Club. Carl Wilson called the Ventures a major influence on his early guitar playing, stating that the Beach Boys had learned to play all of their songs by ear.
Bob Bogle lived in Vancouver, Washington, for years and died there on June 14, 2009, of non-Hodgkin lymphoma; he was 75.
Nokie Edwards died on March 12, 2018, due to complications after hip surgery. He was 82.
Gerry McGee died on October 12, 2019, after having a heart attack and collapsing onstage four days earlier in Japan. He was 81.
Don Wilson continued to record with the band, but retired from touring at the end of 2015. He died of natural causes on January 22, 2022, at the age of 88.
Mel Taylor died on August 11, 1996, of cancer, at the age of 62. He was diagnosed two weeks before his death.
Ups & Downs
The Ventures Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Is everything I ever see
Wild dreams
An eternity falling on me
See
And witness the carnage in me
Help me
I've been awake
I'll get some sleep
When the fuck I want
Paint seas into my dreams
I get what I want
If you know what I mean
Im fucking sick
(Im fucking sick)
When it comes to the drink
I won't stop till you put me to sleep
Paint seas into my dreams
I get what I want
If you know what I mean
Im fucking sick
(Im fucking sick)
When it comes to the drink
I won't stop till you put me to sleep
Bright lights
Enter my eyes
My ties
Muddied my mind
Breath
I cough and I spit in my
Sleep
I toss and turn in my sheets
Eat
My stomachs been empty for weeks
Repeat
The mess you created in me
Breath
(I'm suffocating)
Eat
(I'm starving lately)
Sleep
(My eyes won't open)
(I think I'm broken)
Paint seas into my dreams
I get what I want
If you know what I mean
Im fucking sick
(Im fucking sick)
When it comes to the drink
I won't stop till you put me to sleep
Paint seas into my dreams
I get what I want
If you know what I mean
I'm fucking sick
(I'm fucking sick)
When it comes to the drink
I won't stop till you put me to sleep
The lyrics to The Ventures' song "Ups 'N' Downs" seem to depict a person caught in a cycle of escapism and self-destruction. The first verse starts with the idea of "make believe" and "wild dreams," suggesting that the singer's life is full of fantasy and illusions. However, beneath these false realities lies a deep-seated pain and chaos, symbolized by the phrase "witness the carnage in me." The plea for help shows that the singer is aware of their own struggles and seeks assistance.
The following lines express a sense of exhaustion and frustration. The reference to being awake for a month implies a state of hyperawareness or insomnia, which could be a result of the turmoil in the singer's life. The rebellious tone of "I'll get some sleep when the fuck I want" portrays a defiance against societal norms and expectations. The phrase "paint seas into my dreams" suggests a desire for escapism or control over their own reality. The repetition of "I get what I want if you know what I mean" implies a determination to fulfill their desires, even if it means indulging in unhealthy behaviors like excessive drinking.
The second verse introduces the idea of bright lights entering the singer's eyes, which could symbolize distractions or temptations. The mention of "ties" muddying the mind suggests that past experiences or relationships have caused confusion and emotional distress. The references to coughing, spitting, tossing, and turning in sleep allude to the physical and emotional discomfort the singer experiences. The repetition of "breath, eat, sleep" emphasizes the basic needs that have been neglected, possibly due to the singer's preoccupation with their own self-destructive behaviors. The line "the mess you created in me" implies that someone else may have played a role in their current state.
Overall, these lyrics convey a sense of internal struggle, disillusionment, and a need for escape from the harsh realities of life. The repeated phrase "when it comes to the drink, I won't stop till you put me to sleep" suggests that alcohol serves as a numbing agent, a way to shut out the pain and find temporary relief. However, the underlying message is that no matter how much the singer indulges in their vices, their problems will persist until they confront and address the root causes of their pain.
Line by Line Meaning
Make believe
I pretend and imagine
Is everything I ever see
It defines my perception
Wild dreams
Unrestrained aspirations
An eternity falling on me
A never-ending struggle overwhelming me
See
Observe and comprehend
And witness the carnage in me
Experience the destruction within me
Help me
Assist and support me
I've been awake
I haven't slept
For a goddamn month
For an entire month
I'll get some sleep
I will rest
When the fuck I want
Whenever I damn well please
Paint seas into my dreams
Visualize vast oceans in my fantasies
I get what I want
I obtain my desires
If you know what I mean
If you understand my intention
I'm fucking sick
I am extremely ill
(Im fucking sick)
(I am really unwell)
When it comes to the drink
Regarding alcohol consumption
I won't stop till you put me to sleep
I won't cease until I am unconscious
Bright lights
Intense illumination
Enter my eyes
Penetrate my vision
My ties
My connections and associations
Muddied my mind
Confused and clouded my thoughts
Breath
Inhale and exhale
I cough and I spit in my
I expel phlegm from my
Sleep
State of rest
I toss and turn in my sheets
I twist and wriggle in my bed
Eat
Consume food
My stomachs been empty for weeks
My abdomen has lacked nourishment for weeks
Repeat
Reiterate and replicate
The mess you created in me
The chaos you caused within me
Breath
Inhale and exhale
(I'm suffocating)
(I feel deprived of air)
Eat
Consume food
(I'm starving lately)
(I have been extremely hungry)
Sleep
State of rest
(My eyes won't open)
(My eyelids refuse to lift)
(I think I'm broken)
(I believe I am damaged)
I'm fucking sick
I am extremely ill
(I'm fucking sick)
(I am really unwell)
When it comes to the drink
Regarding alcohol consumption
I won't stop till you put me to sleep
I won't cease until I am unconscious
Paint seas into my dreams
Visualize vast oceans in my fantasies
I get what I want
I obtain my desires
If you know what I mean
If you understand my intention
I'm fucking sick
I am extremely ill
(I'm fucking sick)
(I am really unwell)
When it comes to the drink
Regarding alcohol consumption
I won't stop till you put me to sleep
I won't cease until I am unconscious
Lyrics © O/B/O APRA AMCOS
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