Nika Roza Danilova was raised in Merrill, Wisconsin, on over 100 acres of forest. Danilova started singing early on, buying voice lesson tapes and opera sheet music at the age of 7; soon she began working with a vocal coach. It was not her parents' idea: "I begged them to do it. For some reason, I really wanted to sing opera even though I wasn't really exposed to it as a kid. I think my little baby toddler mind heard some opera song and then became fixated on how powerful it sounded," she later remembered. Danilova started performing opera when she was 10 years old, but experienced serious psychological difficulties. "I would too often lose my voice before performances due to anxiety, and was so hard on myself. I would beat myself up about any imperfections or flaws in my voice. I was such a perfectionist, and my voice was still so young so it couldn't do everything I wanted it to, and I resented myself for that. But since performing as Zola Jesus it's been getting easier," she later recalled.
In her teens, Danilova started to experiment in a more rock-orientated format. By naming her alter ego after Jesus Christ and the French writer Émile Zola she said she consciously wanted to alienate peers. "It worked perfectly – a lot of people wouldn't even say Zola Jesus because they thought it was sacrilegious", she said in an interview. "Using Jesus in my name isn't necessarily supposed to be a strong statement. I respect religion and I know people do need it, but it's a weird phenomenon in our world. It's so weird," she later commented. Inspired by favorites like Ian Curtis, Lydia Lunch, Diamanda Galás, Throbbing Gristle and Swans (but also bubblegum pop and classical aria), she started to record at home, using keyboards, drum machines and "anything else she had on hand". In 2008 she debuted with singles "Poor Sons" on Die Stasi and "Soeur Sewer" on Sacred Bones Records.
In 2009, while still studying at the University of Wisconsin-Madison, Zola Jesus recorded (in her apartment) and released her debut full-length album The Spoils. The sound was in a certain way dependent on her surroundings. "I usually record in the winter because I am holed up. It's cold outside but warm inside with the heater and blankets. A lot of the songs are cold but in the coldness you find warmth. Winter has a lot to do with it.
Zola Jesus released an EP titled Stridulum in 2010, described as her most melodic work to date. Inspired by the Giulio Paradisi 1979 film of the same name, it marked "a huge leap forward in terms of fidelity and accessibility." After the release Zola Jesus performed at the SXSW festival, for her second time. Her second full-length album Stridulum II, which was an extension of the EP regarded as a debut in the UK, received 8/10 from NME which praised Danilova's classically trained voice as "the deadliest weapon in her arsenal" and called the album a "dark masterpiece."
Zola Jesus' third full-length Conatus was released in late September 2011 via Sacred Bones. The album's 11 tracks were produced by Brian Foote (aka Nudge; Jackie-O Motherfucker, Cloudland Canyon) and Danilova herself, including elements of cello, double bass, violin, and viola.
Zola Jesus has played with Former Ghosts and toured in support of Fever Ray and The xx. She also provides guest vocals on "New France" from their 2012 album Wonky.
Avalanche
Zola Jesus Lyrics
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Visions of something i wasn't used to
Then i let it all go on
Filled my heart, filled my body with hope
And it all falls down
And it all comes around
And it all falls down
And i knew it would be you
Coming at me like you do
Fill my heart my soul with fire
And i won't know no i won't know who you are
'Cause it all falls down
Yes it all falls down
And it all falls down
And it all falls down
And you never let it go
'cause it all falls down
The lyrics of Zola Jesus's "Avalanche" explore the fleeting nature of love and the fear of vulnerability that comes with it. The opening lines reveal a sense of surprise and wonder as the singer catches a glimpse of something unfamiliar and unexpected in their love interest. With an apprehensive heart, they give in to the curiosity and allow themselves to feel hope and desire.
The chorus enhances the emotive impact of the song's message. It portrays the cyclical nature of the singer's emotions and the uncertainty that comes with love. The lines "it all falls down, and it all comes around" demonstrate the inevitability of falling in love and the distressing feeling of losing control. The song culminates in a repetition of the phrase "and you never let it go, 'cause it all falls down," indicating that despite the inevitable downfall of love, the singer is willing to withstand the pain because it is better than never experiencing love.
Line by Line Meaning
In the end I saw you
I saw you when everything else had passed.
Visions of something i wasn't used to
I had imagined something I haven't experienced before.
Then i let it all go on
I allowed my thoughts to take over and continued feeling what I was feeling.
Filled my heart, filled my body with hope
I felt hopeful and alive with positive energy in my heart and body.
And it all falls down
Everything crumbles and falls apart.
And it all comes around
All the events come back around again.
And you never let it go
You never give up on the things that fall apart.
'cause it all falls down
Everything falls apart.
And i knew it would be you
I expected it to be you that caused this feeling.
Coming at me like you do
You came towards me like you always do.
Fill my heart my soul with fire
You made me feel passionate and alive.
And i won't know no i won't know who you are
I won't be able to recognize or identify you.
Yes it all falls down
Indeed everything falls apart.
And it all falls down
Everything falls apart.
And it all comes oh it all comes around
Everything comes back around.
Lyrics © TERRORBIRD PUBLISHING LLC
Written by: NICOLE ROSE HUMMEL
Lyrics Licensed & Provided by LyricFind