Lyrically, clipping.’s music attempts to reshuffle and repeat accepted rap scenarios, while eliminating a traditional single-point perspective. Diggs’s writing is heavily citational, like a rough-edged collage, gluing together half-glimpsed images and misremembered references, many of which might feel familiar, and some of which assuredly do not. But even while he consumes and regurgitates established styles, his self-erasure is incomplete; Diggs’s dense, often motormouthed flow remains wholly his own.
Individually, the members are known outside of the group for their extra-curricular artistic projects. Diggs is a stage actor, while Snipes composes music for film, and Hutson is an established noise music artist. Snipes and Hutson have collaborated on many projects, including the score to the documentary Room 237, which was released by IFC in 2013.
In February 2013, clipping. released their debut album, Midcity, on their website. The project was created entirely in-house, with the trio writing, producing, engineering, mixing and mastering all of the material themselves. There was no budget, no outside promotion, no hype-machine, no blog or label interest. In fact, clipping. had no expectation that anyone would bother listening to the album, let alone enjoy it. Nevertheless, reactions were largely positive— despite the uncompromising nature of the production, and its obfuscatory lyrical content— and within five month’s of Midcity’s release, clipping. signed a deal with Sub Pop Records.
CLPPNG, the band’s label debut, was written and recorded between February and October of 2013. Highly well-received, CLPPNG is an album that demonstrates the variety of sounds available when the ‘rules’ of a genre are willfully questioned.
http://www.itsclippingbitch.com
Body for the Pile
clipping. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Cracks in the baseboard
Arachnid in the corner serving up face
Like whose house you think this is?
Prism vision in low light
Scan prison tats on the back of a low life lifeless
And a broke nose might just be done drippin'
Wet all night
And a soft light arcs just above arm height
All white Vans placed on the floor
Pack of Pall Mall lights
Bite marks on a half sandwich with no crust
Mustard and mayonnaise
Lettuce and red cold cuts
Moonlight streams through window dust
It floats up to the ceiling fan that creaks from rust
As it labors to go around
Trying to catch that feeling
And the paint on his base is peeling
And the taste in the air is faint but there
Just enough that the rats are nearing
Cause where there's blood there's feast and famine
Makes murder a meal
And the cheap wall clock will stop at one shot
So he knew it was time to kill
Bust one shot if your blood still pumping
Bust two shots if you're really 'bout something
Three little pigs and they can't do nothing for the last time
You can't run, you just a body for the pile, body for the pile
Body for the pile, body for the pile
You just a body for the pile, body for the pile
And you should probably take your last breath right about now
Office highly decorated
Plastic frames around diplomas, all the commendations
Accommodating swivel chair where the blue suited sir sits slumped
Brains splattered, wall stained, grey matter runs
Badge with his name makes blood on the tongue
'Cause it's pinned to his right cheek
Right where the gun must have first flirted
Before it was stuck in his mouth
Officer, with his brains blown out
Water pitcher with the ice
Two glasses one either side
Of the desk the lipstick left on one appears to smile wide
And the slatted blinds are squinting just enough
For the sunrise to zebra stripe the room with light
He would have had to shield his eyes
But they wide open, no motion
No, he never flinched
Palms flat on the table, didn't seem to move an inch
Fish bowl on the far side of the room
Where goldfish swims around
Suspicious of the gun that now sits in the bowl with him
Bust one shot if your blood still pumping
Bust two shots if you're really 'bout something
Three little pigs and they can't do nothing for the last time
You can't run, you just a body for the pile, body for the pile
Body for the pile, body for the pile
You just a body for the pile, body for the pile
And you should probably take your last breath right about now
Red and blue light spinning
On the corner by the new fried chicken spot
Cop car hopped the curb then absurdly hit the hydrant
Which wouldn't stop
Spraying water that's dripping over the face
That's made its way through the windshield
And cuttin' bleedin' the people leaving the scene and saying they never seen him
Coming but he must have run the light, he never rolled
Hand is reaching for the gun but couldn't get a hold
So, it's sitting limp up on the dash
And all the flashing of the cameras is lighting up the noontime cold
Overcast broken glass
On the concrete the scent of gasoline
Hovers over the motor smoke
And the single broken bicycle spoke wheel still protruding
The medics moving the little twisted body to bag it up
Detective notices the traffic camera then calls the station to back it up
And somewhere the screams turn into sobs
And the sirens mix with the howls of dogs
And from the water the rolling fog
Scented wet, it's the breath of God
They say in the greyscale city
Where the skies are scraped
And the days are pretty much shaded
You never know the faithful, they walk and they pray
And there's one less lung sucking air today so
Bust one shot if your blood still pumping
Bust two shots if you're really 'bout something
Three little pigs and they can't do nothing for the last time
You can't run, you just a body for the pile, body for the pile
Body for the pile, body for the pile
You just a body for the pile, body for the pile
And you should probably take your last breath right about now
The lyrics of the song "Body for the Pile" by clipping. Sickness paints the grisly picture of a murder scene and its aftermath. The opening lines describe the physical condition of the room where the murder took place, with stains on the wall, cracks in the baseboard, and an arachnid in the corner. The lyricist creates a vivid picture of the aftermath of a murder; blood dries on the carpet, the light from the windows catches the dust, a clock stops ticking, and the rats come to feed on the blood. The lyrics suggest that murder is a meal for some and that the taste of violence is in the air.
The lyrics shift to describe the body of a police officer, who has been murdered in an office. The room is decorated with certificates of achievement, and the walls are stained with the officer's blood. The scene is a grotesque tableau, with water glasses still on the table, lipstick smudged on one of them, and a goldfish watching from a bowl. The song ends with a description of a hit-and-run accident and the chaos that ensues. The song's title, "Body for the Pile," suggests that murder and violence are commonplace in this world and that violence begets violence.
Line by Line Meaning
And it's stains in the wainscotting
There are visible stains on the wooden paneling near the base of the wall
Cracks in the baseboard
There are cracks in the wooden board running along the base of the wall
Arachnid in the corner serving up face
There is a spider in one of the corners of the room that appears to be staring down its prey
Like whose house you think this is?
As if to ask the listener who they think the house belongs to
Prism vision in low light
Objects in the room take on a rainbow-like appearance in the dim lighting
Scan prison tats on the back of a low life lifeless
Examining tattoos on the back of a dead criminal
And a broke nose might just be done drippin'
Blood from a broken nose may have stopped flowing
Wet all night
The blood has been wet on the carpet for the entire night
It dries deep red on the off white carpet
The blood has now dried to a deep red color on the white carpet
And a soft light arcs just above arm height
A gentle beam of light illuminates the room from just above arm level
All white Vans placed on the floor
A pair of white sneakers are sitting on the ground
Pack of Pall Mall lights
There is a pack of cigarettes nearby
Bite marks on a half sandwich with no crust
The remnants of a sandwich show teeth marks and the crust has been taken off
Mustard and mayonnaise
The condiments used in the sandwich
Lettuce and red cold cuts
The sandwich filling consists of lettuce and red-colored cold cuts
Moonlight streams through window dust
The dusty window is letting in streams of moonlight
It floats up to the ceiling fan that creaks from rust
The dust particles float up towards the ceiling fan that is making creaking noises due to rust
As it labors to go around
The ceiling fan is struggling to rotate
Trying to catch that feeling
The singer imagines the fan is trying to capture a certain mood or atmosphere
And the paint on his base is peeling
The paint on the base of the wall is starting to come off
And the taste in the air is faint but there
There is a slight taste in the air, although it is not strong
Just enough that the rats are nearing
The rats are attracted to the scent in the air
Cause where there's blood there's feast and famine
Rats are drawn to blood, either to feast on it or because it signals a possible scarcity of food
Makes murder a meal
The presence of rats transforms a potentially horrific event like murder into a source of nutrition for the rodents
And the cheap wall clock will stop at one shot
At the time a gunshot is fired, the unreliable clock on the wall will stop working
So he knew it was time to kill
The singer suggests that the character knew that once the clock stopped, it was time for him to commit murder
Red and blue light spinning
Police lights are flashing red and blue
On the corner by the new fried chicken spot
The scene is near a recently-opened chicken restaurant
Cop car hopped the curb then absurdly hit the hydrant
A police car drove over the curb and crashed into a fire hydrant in an odd manner
Which wouldn't stop
The hydrant continues to spew water even when the police car is no longer hitting it
Spraying water that's dripping over the face
The water from the hydrant is spraying all over the face of a person, likely a victim
That's made its way through the windshield
The object that is being sprayed by the water has come through the broken windshield of a car
And cuttin' bleedin' the people leaving the scene and saying they never seen him
The water has also hit bystanders, causing cuts and bleeding, and they claim not to have seen what happened
Coming but he must have run the light, he never rolled
The victim is assumed to have run a red light before being hit by the police car and did not come to a stop afterward
Hand is reaching for the gun but couldn't get a hold
The victim may have been trying to reach for a gun but was unable to grab it
So, it's sitting limp up on the dash
The gun is now sitting on the dashboard, not being held by anyone
Overcast broken glass
The sky is overcast and there is shattered glass in the area
On the concrete the scent of gasoline
The air smells like gasoline around the area
Hovers over the motor smoke
Gasoline fumes are rising from the engine of a vehicle
And the single broken bicycle spoke wheel still protruding
A bicycle has been involved in the accident and the one remaining wheel has a broken spoke sticking out from it
The medics moving the little twisted body to bag it up
Emergency responders are moving the twisted, possibly dead, body to prepare it for transport
Detective notices the traffic camera then calls the station to back it up
A detective observing the scene sees a traffic camera and orders the station to get a copy of the footage
And somewhere the screams turn into sobs
The initial screams from bystanders have transitioned to cries of sadness and grief
And the sirens mix with the howls of dogs
The sound of ambulance sirens is blending with the howls of dogs in the area
And from the water the rolling fog
A fog is rising from the water in the area
Scented wet, it's the breath of God
The artist poetically describes the fog as being moist, and perhaps having divine qualities
They say in the greyscale city
People often say things about the bleak, monochromatic appearance of the city
Where the skies are scraped
The city's architecture is such that tall buildings reach up to the sky
And the days are pretty much shaded
The tall buildings create a lot of shade on the streets below, making the days darker
You never know the faithful, they walk and they pray
It is difficult to discern who in the city is religious, but some people still hold onto their faith and pray as they walk
And there's one less lung sucking air today so
Someone has died, and the air is now being breathed in by one less person
Bust one shot if your blood still pumping
If you are still alive and have blood flowing in your veins, fire a single shot
Bust two shots if you're really 'bout something
If you are truly committed to your cause, fire two shots as a signal
Three little pigs and they can't do nothing for the last time
The singer scoffs at others who may claim to have power or authority, but in reality, they are powerless
You can't run, you just a body for the pile, body for the pile
The singer predicts that whoever the listener is, they will inevitably meet a violent end and become just another piece in a pile of bodies
And you should probably take your last breath right about now
The artist suggests that the listener should resign themselves to death in the immediate future
Lyrics © Fintage House Publishing
Written by: Daveed Diggs, William Moran Hutson, Jonathan Raleigh Snipes, Chris Goudreau
Lyrics Licensed & Provided by LyricFind
@myeyefuckinghurts
I heard this two years ago in adult swims N O I S E album.....its really good
@tyleranaya1277
This is now announced as the third-to-last song on "Visions of Bodies Being Burned", the second part to last year's "There Existed an Addiction to Blood". Hype. The lead single "Say the Name" is dope.
@Seedaron
I saw the list on genius and I couldn't believe that this masterpiece is coming to the album. I thought it will always be an adultswim exclusive but from hearing "Say the name" and guessing that "VOBBB" will have a similiar theme as "TEAATB" it fits more then well. Can't wait for it
@matthewl2375
Plus they both have a harsh feeling to it musically and lyrically
@aztec999999
Clipping is the best thing I've heard in years
@ryuman757
Incredible how long they worked on this double album for. I thought "Club Down" was the only one they already had done years before they put it on the album, but damn I never heard them mention this one 😭😭 Love their music 🔥
@StringierHail56
This got an official release on the new album hell yea
@aztec999999
Heard this 8 months ago. Pure gold.
@TheParadox1010
anxiety in a song
@lecede7460
the new aphex twin is still good