Southeastern is the fourth studio album by American singer-songwriter Jason… Read Full Bio ↴Southeastern is the fourth studio album by American singer-songwriter Jason Isbell, released on June 11, 2013 on Southeastern Records. Produced by David Cobb, the album was released to widespread critical acclaim.
Initially set to be produced by Isbell's friend and touring companion Ryan Adams, the album was recorded following a stint in rehab, with Isbell noting, "This time I want to remember it all."
Background and recording
The album was recorded without the full participation of Jason Isbell's regular backing band The 400 Unit, with Isbell noting: "It really came to the nature of the songs more than anything else. It’s a very personal record for me. And I had gone into the studio with the intention of making more of a solo, acoustic album. But Dave , the producer, and I both sort of got bored with that idea and we decided to bring a band in for some things." The 400 Unit band members Chad Gamble and Derry deBorja appear on drums and keyboards, respectively.
Producer Dave Cobb encouraged Isbell to record his vocals in one take: "I think the big difference is that during the process we kept a lot of live vocal takes and I’ve not done that in the past. I was sort of terrified, really. Before, we’d spend a couple days at the end of the sessions tuning everything. Dave Cobb really encouraged me to sing with the live tracks while we were recording it."
Isbell finished recording Southeastern one or two days before his wedding to musician Amanda Shires, saying he "even went back and did some final touches on Sunday after the wedding before we went on our honeymoon.
On the title, Isbell said that geography "wasn't actually the reason I named the album that. That came from a tool and die shop in Alabama that my dad worked at when I was very young. He came home with terrible stories; I thought of the place as a dungeon. So I wanted to reclaim that for my own purposes."
Writing and composition
The album's title stems from Isbell's childhood, with Isbell stating, "My dad used to work for a tool-and-die shop when I was a kid that was called Southeastern and that’s how it originally occurred to me. I had moved from Muscle Shoals to Nashville - almost a year ago now — and it struck me that, at this point in my life, I don’t have any interest in living in any other part of the country or the world, really."
The album's fourth track, "Elephant", focuses upon cancer, with Isbell stating: "It's something that everyone has had an experience with, or they will have. It can be difficult, but it's supposed to be. You're supposed to give enough of a damn about the songs you're singing that you might get a little choked up a little during one of 'em."
The track, "Yvette", which deals with sexual abuse, is a companion piece to the track, "Daisy Mae", on Isbell's previous studio album, Here We Rest (2011). He notes, "I got to a point, I guess when I was probably thirty, or thirty-one years old, where it occurred to me almost everyone you meet was sexually abused as a kid, almost everybody, by someone. That never happened to me, believe it or not, but the percentages are just staggering, and writing a song about something that’s that depressing I think it’s good to discuss it. Some people like to discuss those things, maybe they don’t want to start the conversation themselves, but sometimes those things help folks to relate and get those things out of their system a little bit."
Commercial performance
The album debuted at No. 23 on Billboard 200, and No. 7 on Top Rock Albums, selling 18,000 copies in its first week. It has sold 148,000 copies in the United States as of June 2015.
Initially set to be produced by Isbell's friend and touring companion Ryan Adams, the album was recorded following a stint in rehab, with Isbell noting, "This time I want to remember it all."
Background and recording
The album was recorded without the full participation of Jason Isbell's regular backing band The 400 Unit, with Isbell noting: "It really came to the nature of the songs more than anything else. It’s a very personal record for me. And I had gone into the studio with the intention of making more of a solo, acoustic album. But Dave , the producer, and I both sort of got bored with that idea and we decided to bring a band in for some things." The 400 Unit band members Chad Gamble and Derry deBorja appear on drums and keyboards, respectively.
Producer Dave Cobb encouraged Isbell to record his vocals in one take: "I think the big difference is that during the process we kept a lot of live vocal takes and I’ve not done that in the past. I was sort of terrified, really. Before, we’d spend a couple days at the end of the sessions tuning everything. Dave Cobb really encouraged me to sing with the live tracks while we were recording it."
Isbell finished recording Southeastern one or two days before his wedding to musician Amanda Shires, saying he "even went back and did some final touches on Sunday after the wedding before we went on our honeymoon.
On the title, Isbell said that geography "wasn't actually the reason I named the album that. That came from a tool and die shop in Alabama that my dad worked at when I was very young. He came home with terrible stories; I thought of the place as a dungeon. So I wanted to reclaim that for my own purposes."
Writing and composition
The album's title stems from Isbell's childhood, with Isbell stating, "My dad used to work for a tool-and-die shop when I was a kid that was called Southeastern and that’s how it originally occurred to me. I had moved from Muscle Shoals to Nashville - almost a year ago now — and it struck me that, at this point in my life, I don’t have any interest in living in any other part of the country or the world, really."
The album's fourth track, "Elephant", focuses upon cancer, with Isbell stating: "It's something that everyone has had an experience with, or they will have. It can be difficult, but it's supposed to be. You're supposed to give enough of a damn about the songs you're singing that you might get a little choked up a little during one of 'em."
The track, "Yvette", which deals with sexual abuse, is a companion piece to the track, "Daisy Mae", on Isbell's previous studio album, Here We Rest (2011). He notes, "I got to a point, I guess when I was probably thirty, or thirty-one years old, where it occurred to me almost everyone you meet was sexually abused as a kid, almost everybody, by someone. That never happened to me, believe it or not, but the percentages are just staggering, and writing a song about something that’s that depressing I think it’s good to discuss it. Some people like to discuss those things, maybe they don’t want to start the conversation themselves, but sometimes those things help folks to relate and get those things out of their system a little bit."
Commercial performance
The album debuted at No. 23 on Billboard 200, and No. 7 on Top Rock Albums, selling 18,000 copies in its first week. It has sold 148,000 copies in the United States as of June 2015.
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Southeastern
Jason Isbell Lyrics
Cover Me Up A heart on the run keeps a hand on the…
Different Days Staring at the pictures of the runaways on the wall Seems…
Elephant She said, "Andy, you're better than your past" Winked at me…
Eléphant She said Andy you're better than your past, winked at me…
Flying Over Water From the sky we look so organized and brave Walls that…
Live Oak There's a man who walks beside me It is who I…
New South Wales Here we sit Across the table from each other A thousand mile…
Relatively Easy Are you having a long day Everyone you meet rubs you…
Songs That She Sang In The Shower On a lark On a whim I said there's two kinds of…
Stockholm I've heard love songs make a Georgia man cry On the…
Super 8 Don't wanna die in a Super 8 motel Just because somebody's…
Traveling Alone Mountains rough this time of year Close the highway down The…
Yvette I can barely make out a little light from the…
Preston
on Yvette
I can barely make out a little light from the house on the cul-de-sac
Bedroom upstairs, it's a family affair.
I've watched you in class, your eyes are cut glass and you stay covered up
Head to your toe, so nobody will know it was you
I might not be a man yet,
But that bastard will never be,
So I'm cleaning my Weatherby
My sight and my scope
And I hope against hope.
I hope against hope.
Your mother seems nice, I don't understand why she won't say anything.
As if she can't see who he turned out to be.
I might not be a man yet,
But your father will never be,
So I load up my Weatherby.
I let out my breath
And I couple with death.
I couple with death.
Saw your father last night in the window the light made a silhouette.
Saw him hold you that way, he won't hold you that way anymore, Yvette.