In 1975 Street Corner Symphony released its first single "Earth Angel" (B-side: I'm Not Ready (To Let You Go)) on Bang Records (B-719). The single was followed by the groups album "Harmony Grits", released also on Ban Records (BLP-406) in 1976. The album was produced by Jerry Love and Michael Zager.
In 1976 Street Corner Symphony released its hit album "Little Funk Machine" on ABC records. The album was produced by none other than Willie Hutch.
Essentially a vocal quintet, three of its members, (Jesse Harris, Milton Hayes and Lawrence Miller) had started out in Los Angeles group The Marvellos (aka The Sons Of Watts) during the sixties. Lead singer Morris Chestnut, formerly of the Attractions, The Sound-Masters and The Vows, recorded solo both under his own name and that of James Washington Lee.
The second, soon to be disbanded, Street Corner Symphony was founded as a birthday present for Mark on May 28, 2010. It began with six talented fellows–Jeremy & Richie Lister, Jon & Mark McLemore, Ben Dixon, and Sean Saunders–who had worked together, but not as a single group. In fact, Ben and Sean met Jeremy and Richie the day before SCS’s first gig.
Three weeks later, the group broke up. Citing reasons of some sort, Ben and Sean left void the high and low ends of Street Corner Symphony’s frequency spectrum. Within days, however, Mark had contacted two friends in his extensive network of talented people and restored balance. Welcome, John Martin and Adam Chance. Street Corner Symphony commenced the dominating.
The members of Street Corner Symphony are from all over the Southeast US and are proud to call Nashville TN their home base. The group was formed in May of 2010 for the sole purpose of winning the Sing Off. SCS brings a unique laid back southern soul to the competition, demonstrating notable influences from artists like Take 6 and Alison Krauss. While SCS offers a diverse repertoire, the group has a rich heritage in gospel music. Two of the members are grandsons of the legendary southern gospel tenor Bill Shaw of “The Blackwood Brothers.” In addition, five of the six members were preacher’s kids and grew up singing and learning music in church. SCS is made up of two sets of brothers and two other unrelated guys, and each brings a unique background and character to the group. One member is a pilot, one is a major label recording artist, one is an operatic baritone, one is a dichromat, one has indeed met Chuck D., and one has a serious phobia of fruit. When not singing together, the group is actually still just trying to get acquainted!
Adam Chance was born on the Florida Panhandle and grew up in southern Alabama just north of the beautiful, once oil-free, Gulf Coast beaches. His childhood home was two miles down a dirt road and he spent many summer days fishing in the Gulf. He is the only member of Street Corner Symphony that is not a minister’s son. He learned to sing in the shower, learned music theory in marching band and plays a number of instruments. He once met Chuck D. Adam studied journalism and music at the University of Alabama and is also a songwriter. He enjoys watching american and association football, wearing vests and ties, and would prefer not to die by sword or gunshot. Although he sings bass in the group, he is afraid of spiders.
John Martin is the high tenor for SCS, a native of Marianna FL and is probably shorter than you. His dad was a chaplain in the Federal Bureau of Prisons. He earned his Bachelor of Arts degrees in Religion and Music in 2009 from Huntingdon College in Montgomery, AL. John is honored to have been selected as a winner of the state National Association of Teachers of Singing (NATS) and Music Teachers’ National Association (MTNA) auditions for Alabama, as well as to have been chosen as a two-time finalist in auditions for the world renowned Chanticleer. John is currently pursuing a Master of Music degree in voice performance at the University of Alabama in Tuscaloosa. He enjoys cooking beef and once made a cheese soufflé just to prove he could. His favorite movies are the original Star Wars trilology, and his favorite actor is William H. Macy. He is red-green color blind and has a fear of upside down traffic lights.
Mark McLemore (The Plethora) was born in Alabama to a banjo pickin’ preacher and is Jon’s younger brother. He recently earned his Bachelor of Arts degree in piano performance from Huntingdon College in Montgomery, AL. He received two Contemporary A Cappella Recording Awards (CARA) in 2008 for his work on the McLemore Brothers record ‘Sunday Drive.’ He is the group’s resident operatic baritone and he can read music faster than he can read text. His wife, Meredith, is an archivist for the state of Alabama, and taught Mark the importance of making the bed. He also helps out with the vocal percussion duties from time to time. Mark enjoys baking bread and making puns. He once rode a motorcycle from Alabama to California and back in 8 days, danced in the Nutcracker, and engineered his own ping-pong paddle. His favorite actors are Sean Connery and Christopher Walken. He still plays with his Teenage Mutant Ninja Turtles from time to time; his favorite is Raphael. He is afraid of poor intonation.
Richie Lister grew up the son of a minister in Mississippi. Although he primarily sings baritone, Richie has a tremendous range and can sometimes be heard singing the highest part. He moved to Nashville 7 years ago and is Jeremy’s older brother. He learned to sing from his parents and from church music and could match pitch with his dad at age 2. He is the grandson of renowned southern gospel tenor Bill Shaw of “The Blackwood Brothers”. Richie is a keyboardist and songwriter and has spent the last 15 years playing in various rock bands, most notably for Jeremy’s solo career. He majored in Music Composition at Mississippi College and has a dream of one day composing music for film. Richie is often told that he has an uncanny resemblance to John Lennon. He is afraid of fruit.
Jeremy Lister began singing and learning harmonies in church at the age of two. When his dad wasn’t looking, Jeremy would sneak into his guitar case and start picking out chords. He grew up collaborating and writing songs with his older brother Richie. At ages twelve and thirteen, he traveled through Europe with his parents. The trip changed his perspective on life and music, and upon returning to the States, he began exploring different musical outlets, ranging from an a cappella quartet to a progressive rock band. Setting out on his own in 2003, Jeremy moved to Nashville bringing his first EP “Shooting Star” with him. Here he began playing writer’s nights and passing his CD along to anyone who would listen. In 2005, he released his second EP, “So Far,” and quickly gained the attention of Warner Bros. Records. The label put him in the studio, where he wrote and recorded songs during ’06. In the spring of ’07, Lister signed a record deal with WBR. His debut release, the “Just One Day” EP, was released digitally on November 20, 2007. More recently, Jeremy has toured with Brett Dennen and Colbie Caillat as well as selling out his own headlining shows in and around the Nashville area. He is currently working on songs for his full-length album to be released later this year. Jeremy sings tenor and lead for SCS, and has a fear of flying with Jon.
Jon McLemore (A Cappella Morpheus) was born in North Alabama and is Mark’s older brother. He began his lucrative career in a cappella at age 19 and over the following four years, performed in all 48 of the contiguous U.S. At age 23, while on tour in Montana with Four Shadow, he met and married Mandy after she was brought on stage to help the group sing ‘The Lion Sleeps Tonight.’ Following marriage, Jon came off the road, got a real job and had five kids. He recently earned his Bachelor of Science degree in Ministry from Amridge University in Montgomery, AL. Jon has received numerous Contemporary A cappella Recording Awards (CARA) and nominations as a solo artist, as a member of Four Shadow, No Joe, and the McLemore Brothers. He sings tenor and lead for SCS and does vocal percussion for the group when needed. Jon is an instrument rated pilot and enjoys motorcycles, fishing, and family time. He is afraid of driving over a bridge, having it collapse under him, plummeting to the depths of a mighty river and being trapped in his vehicle until he drowns.
Voodoo
Street Corner Symphony Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm caught in a trance when you're dancing, baby, the way you do.
Those devilish eyes, girl, they blow my mind,
and you're pouring me a glass of your blood-red wine.
There's no use trying to resist your wicked ways.
Hey . . .
Girl, your body's moving like a snake.
(With that voodoo.)
No matter where I go, I can't escape.
(From your voodoo.)
Every night you're keeping me awake.
(With that voodoo.)
I guess I can't refuse anything that you do with your voodoo.
She's a moonlight murderer to say the least, she's a killer.
(She will kill you for sure if you're near her.)
You want a midnight snack, but she'll give you a feast if you will her.
(She will give you a feast if you will her; she will kill you for sure if you're near her.)
Her fingernails scratching all down your back,
she could make a young man have a heart attack.
Now there's no use trying to resist her wicked ways.
Hey . . .
Your halo's tossed out the window,
and your wings thrown on the floor.
You were acting so sweet 'til we were under the sheets, but no more.
The lyrics of Street Corner Symphony's "Voodoo" depict the story of a man who is caught under the spell of a woman's seductive powers. The opening lines, "look what you're doing to me with your voodoo," suggest that the enchantress has cast a spell on the singer, rendering him powerless to her will. Despite his efforts to resist her, he finds himself entranced by her every move, likening her body to that of a snake and acknowledging the way in which she keeps him awake at night. The singer acknowledges that he is fully aware of the woman's dangerous ways, including the potential for her to murder him, and yet is unable to resist her allure.
Line by Line Meaning
One, two, three: look what you're doing to me with your voodoo.
Your influence over me is intense and captivating, like a spell.
I'm caught in a trance when you're dancing, baby, the way you do.
Your movements have a hypnotic effect on me.
Those devilish eyes, girl, they blow my mind,
Your alluring gaze has a powerful impact on me.
and you're pouring me a glass of your blood-red wine.
You are luring me in with something tempting and potentially harmful.
There's no use trying to resist your wicked ways.
It's futile to try and say no to your allure.
Hey . . .
This line is a bridge/backing vocalization and doesn't really have a meaning on its own.
Girl, your body's moving like a snake.
Your movements are seductive and dangerous, like a venomous serpent.
(With that voodoo.)
This line is a backing vocalization and doesn't really have a meaning on its own.
No matter where I go, I can't escape.
Your influence over me follows me wherever I go.
(From your voodoo.)
This line is a backing vocalization and doesn't really have a meaning on its own.
Every night you're keeping me awake.
Your hold on me is so strong that it disrupts my sleep.
(With that voodoo.)
This line is a backing vocalization and doesn't really have a meaning on its own.
I guess I can't refuse anything that you do with your voodoo.
I am powerless to resist your influence over me.
She's a moonlight murderer to say the least, she's a killer.
You are dangerous, even deadly, especially at night.
(She will kill you for sure if you're near her.)
This line is a backing vocalization and doesn't really have a meaning on its own, but emphasizes the preceding line.
You want a midnight snack, but she'll give you a feast if you will her.
You have the power to satisfy your cravings, but at a great cost.
(She will give you a feast if you will her; she will kill you for sure if you're near her.)
This line is a backing vocalization and doesn't really have a meaning on its own, but emphasizes the preceding line.
Her fingernails scratching all down your back,
Your touch is both pleasurable and painful, leaving a lasting impression.
she could make a young man have a heart attack.
Your power is so strong that it could cause someone to die from the shock of it.
Now there's no use trying to resist her wicked ways.
It's futile to try to resist your spells.
Hey . . .
This line is a bridge/backing vocalization and doesn't really have a meaning on its own.
Your halo's tossed out the window,
You have given up any pretense of being good or pure.
and your wings thrown on the floor.
You have abandoned any sense of righteousness and morality.
You were acting so sweet 'til we were under the sheets, but no more.
You seduced me with your charms, but now I see your true nature and it's not pretty.
Contributed by Hannah M. Suggest a correction in the comments below.