Laurindo Almeida & Chet Atkins
During a long and uncommonly productive career, Brazilian guitarist Laurind… Read Full Bio ↴During a long and uncommonly productive career, Brazilian guitarist Laurindo Almeida achieved a ubiquity in popular music that has yet to be fully recognized. Largely responsible for the Brazilian/North American "samba jazz" that would eventually catch on in the form of a musical trend known as bossa nova, he played behind dozens of well-known pop vocalists and improved the overall texture of many a studio production ensemble. One credible estimate states that Almeida contributed to no less than 800 film soundtracks (among them The Old Man and the Sea, How the West Was Won, and Breakfast at Tiffany's), as well as countless TV scores. He also authored a series of guitar instruction books that are still in use worldwide. A master improviser and a skilled arranger as well as a brilliant interpreter of classical repertoire, he left for posterity superb recordings of works by J.S. Bach, Fryderyk Chopin, Claude Debussy, and Joaquín Rodrigo as well as a host of Brazilian composers including Heitor Villa-Lobos, Radamés Gnattali, and Alfredo Vianna. Almeida's own chamber compositions include a concerto for guitar and orchestra.
Laurindo Jose de Araujo Almeida Nobrega Neto was born in the village of Prainha near the Port of Santos in the state of São Paulo, Brazil, on September 2, 1917. He received his first musical instruction from his mother, a classically trained pianist, and credited her fondness for the music of Fryderyk Chopin as a primary influence. After observing his sister being given guitar lessons, "Lindo" borrowed her instrument and retreated to a barn where he taught himself to play entirely by ear, transferring what he'd heard his mother play on the piano to the strings of the guitar. Many years later he would declare his preference for the direct intimacy of the guitar as opposed to the more percussive piano. By the age of nine he had become uncommonly skilled and was well on the way to becoming a guitar virtuoso; it was then that he lost his father to typhoid fever. At 12 he relocated to São Paulo with his brother. He joined the Revolutionary Army at 15 and was wounded in a civil conflagration. While recuperating in a hospital he met Garoto, a nationally respected guitarist who was visiting to perform for the patients. Within a few years, Almeida would perform and record extensively with Garoto.
In 1935 Almeida moved to Rio de Janeiro, where he teamed up with singer and tenor guitarist Nestor Amaral and began working in radio while becoming active as a songwriter, arranger, and multi-instrumentalist and performing regularly at the Casino da Urea. He composed folk songs, fox trots, sambas, choros, waltzes, and comedic airs, and worked with a broad range of artists including choro master Pixinguinha. He also collected 78-rpm jazz records, and was especially fond of the way Fats Waller played the piano. In 1936, at the age of 19, he got a job (playing banjo for the most part so as to be heard) for half a year on the Cuyaba, a cruise ship that docked in every country along the coast of Europe from Spain to Germany. While visiting Paris he was able to hear Django Reinhardt and Stéphane Grappelli in person. In 1941 he played the Casino Copacabana, and switched over to the Casino Balneario da Urca the following year. It was there that he met a Portuguese ballerina named Natalia (Maria Miguelina Ferreira Ribeiro) in 1944 and married her shortly afterwards.
After touring north with Carmen Miranda, Laurindo Almeida moved to Los Angeles in 1947, and was able to do so because of royalties received from the sale of his tune "Johnny Pedlar," made famous as "Johnny Peddler" by popular acts like Jimmy Dorsey, Les Brown, and the Andrews Sisters. He performed in Laguna Beach with Nestor Amaral, José Oliveira, and violinist Elisabeth Waldo and appeared in a variety show with vocalist Dennis Day and comedians Victor Borge and Red Skelton, and in movies with Jimmy Durante and Danny Kaye. What made Almeida so different from anyone else on the scene at the time was his practice of using only his fingers on the guitar strings; everybody else used picks. When asked who his favorite guitarists were, he gave an answer that was emblematic of his entire career: classical virtuoso Andrés Segovia and Oscar Moore of the King Cole Trio. Almeida's film production work brought him to the attention of bandleader Stan Kenton, who hired and featured him while absorbing stylistic elements of the northeast Brazilian baiao, the samba, and the choro. Kenton eventually composed "Lament" especially for the guitarist. Almeida's direct involvement with Kenton's orchestra lasted until 1952. His first album as a solo artist, Concert Creations for Guitar, was released in 1950 by Kenton's host label, Capitol.
Just as Machito, Dizzy Gillespie, and Chano Pozo had enlivened the scene with their Afro-Cuban jazz during the late '40s, Laurindo Almeida's session work during his first decade in the U.S. pollinated the modern jazz scene with rhythms and melodies from Brazil. During the years 1953-1958, he recorded several jazz samba albums with saxophonist Bud Shank that have since come to be regarded as precursors of the bossa nova trend of the late '50s and early '60s. In addition to steady session work with vocalists like June Christy, Rosemary Clooney, Nat King Cole, Bing Crosby, Doris Day, Frankie Laine, Peggy Lee, Robert Mitchum, Connie Russell, Frank Sinatra, Martha Tilton, Mel Tormé, Kitty White, and vocal groups like the Four Freshmen, the Hi-Lo's, and the Platters, Almeida collaborated with bandleader Ray Anthony, pianist George Shearing, multi-instrumentalist Herbie Mann, space age pop music's Juan Garcia Esquivel, Kenton's right-hand man Pete Rugolo, and Hollywood's master of movie music Henry Mancini.
Between 1960 and 1967 Almeida put out no less than nine pop-oriented albums for Capitol; these were in addition to at least as many "classical" titles for that label. When the bossa nova craze really set in, Almeida brought an authentic Brazilian presence to records by Stan Getz, Shorty Rogers, and Cal Tjader; he also assisted with a Harry Belafonte Christmas LP and cut an album with the Modern Jazz Quartet, touring with them throughout all of Europe. While continuing to work with Mancini, he practiced anonymity as a member of Guitars Unlimited and the 50 Guitars of Tommy Garrett, sat in with bandleader Gerald Wilson, backed Dean Martin and Sammy Davis, Jr., and shared a session with trumpeter Rafael Méndez. In 1968 he played on the soundtrack of the film Charly, based upon Flowers for Algernon, a novel by Daniel Keyes.
In 1970 Almeida was one of the musicians backing Phil Ochs on his Greatest Hits album, produced by Van Dyke Parks, who invited the guitarist back to record the album Discover America in 1972. In 1974 Almeida and Bud Shank formed the L.A. 4 with bassist Ray Brown and drummer Shelly Manne (later replaced by Jeff Hamilton); this unit would eventually turn out at least eight albums, mostly for the Concord label, with which Almeida would be closely associated for the rest of his days. During the 1980s he performed with his second wife, Canadian soprano Deltra Ruth Eamon; he also recorded several albums with guitarist Charlie Byrd and led a trio at Disney World in Orlando, FL. In 1988 he formed a three-piece unit called Guitarjam with Sharon Isbin and Larry Coryell. Laurindo Almeida never failed to get behind musicians who earned his respect, and was especially supportive of other guitarists, including fellow Brazilian Baden Powell and classicist Paulo Bellinati. At the age of 74 he cut a live album (Outra Vez) with his trio at a club near San Diego, performing (in addition to his own compositions) works by Antonio Carlos Jobim, Enriqué Granados, Thelonious Monk, Ludwig van Beethoven, Irving Berlin, and Antonin Dvorák. This intriguingly diverse selection was typical of Laurindo Almeida, who passed away on July 26, 1995, in Van Nuys, CA. ~ arwulf arwulf, Rovi
Laurindo Jose de Araujo Almeida Nobrega Neto was born in the village of Prainha near the Port of Santos in the state of São Paulo, Brazil, on September 2, 1917. He received his first musical instruction from his mother, a classically trained pianist, and credited her fondness for the music of Fryderyk Chopin as a primary influence. After observing his sister being given guitar lessons, "Lindo" borrowed her instrument and retreated to a barn where he taught himself to play entirely by ear, transferring what he'd heard his mother play on the piano to the strings of the guitar. Many years later he would declare his preference for the direct intimacy of the guitar as opposed to the more percussive piano. By the age of nine he had become uncommonly skilled and was well on the way to becoming a guitar virtuoso; it was then that he lost his father to typhoid fever. At 12 he relocated to São Paulo with his brother. He joined the Revolutionary Army at 15 and was wounded in a civil conflagration. While recuperating in a hospital he met Garoto, a nationally respected guitarist who was visiting to perform for the patients. Within a few years, Almeida would perform and record extensively with Garoto.
In 1935 Almeida moved to Rio de Janeiro, where he teamed up with singer and tenor guitarist Nestor Amaral and began working in radio while becoming active as a songwriter, arranger, and multi-instrumentalist and performing regularly at the Casino da Urea. He composed folk songs, fox trots, sambas, choros, waltzes, and comedic airs, and worked with a broad range of artists including choro master Pixinguinha. He also collected 78-rpm jazz records, and was especially fond of the way Fats Waller played the piano. In 1936, at the age of 19, he got a job (playing banjo for the most part so as to be heard) for half a year on the Cuyaba, a cruise ship that docked in every country along the coast of Europe from Spain to Germany. While visiting Paris he was able to hear Django Reinhardt and Stéphane Grappelli in person. In 1941 he played the Casino Copacabana, and switched over to the Casino Balneario da Urca the following year. It was there that he met a Portuguese ballerina named Natalia (Maria Miguelina Ferreira Ribeiro) in 1944 and married her shortly afterwards.
After touring north with Carmen Miranda, Laurindo Almeida moved to Los Angeles in 1947, and was able to do so because of royalties received from the sale of his tune "Johnny Pedlar," made famous as "Johnny Peddler" by popular acts like Jimmy Dorsey, Les Brown, and the Andrews Sisters. He performed in Laguna Beach with Nestor Amaral, José Oliveira, and violinist Elisabeth Waldo and appeared in a variety show with vocalist Dennis Day and comedians Victor Borge and Red Skelton, and in movies with Jimmy Durante and Danny Kaye. What made Almeida so different from anyone else on the scene at the time was his practice of using only his fingers on the guitar strings; everybody else used picks. When asked who his favorite guitarists were, he gave an answer that was emblematic of his entire career: classical virtuoso Andrés Segovia and Oscar Moore of the King Cole Trio. Almeida's film production work brought him to the attention of bandleader Stan Kenton, who hired and featured him while absorbing stylistic elements of the northeast Brazilian baiao, the samba, and the choro. Kenton eventually composed "Lament" especially for the guitarist. Almeida's direct involvement with Kenton's orchestra lasted until 1952. His first album as a solo artist, Concert Creations for Guitar, was released in 1950 by Kenton's host label, Capitol.
Just as Machito, Dizzy Gillespie, and Chano Pozo had enlivened the scene with their Afro-Cuban jazz during the late '40s, Laurindo Almeida's session work during his first decade in the U.S. pollinated the modern jazz scene with rhythms and melodies from Brazil. During the years 1953-1958, he recorded several jazz samba albums with saxophonist Bud Shank that have since come to be regarded as precursors of the bossa nova trend of the late '50s and early '60s. In addition to steady session work with vocalists like June Christy, Rosemary Clooney, Nat King Cole, Bing Crosby, Doris Day, Frankie Laine, Peggy Lee, Robert Mitchum, Connie Russell, Frank Sinatra, Martha Tilton, Mel Tormé, Kitty White, and vocal groups like the Four Freshmen, the Hi-Lo's, and the Platters, Almeida collaborated with bandleader Ray Anthony, pianist George Shearing, multi-instrumentalist Herbie Mann, space age pop music's Juan Garcia Esquivel, Kenton's right-hand man Pete Rugolo, and Hollywood's master of movie music Henry Mancini.
Between 1960 and 1967 Almeida put out no less than nine pop-oriented albums for Capitol; these were in addition to at least as many "classical" titles for that label. When the bossa nova craze really set in, Almeida brought an authentic Brazilian presence to records by Stan Getz, Shorty Rogers, and Cal Tjader; he also assisted with a Harry Belafonte Christmas LP and cut an album with the Modern Jazz Quartet, touring with them throughout all of Europe. While continuing to work with Mancini, he practiced anonymity as a member of Guitars Unlimited and the 50 Guitars of Tommy Garrett, sat in with bandleader Gerald Wilson, backed Dean Martin and Sammy Davis, Jr., and shared a session with trumpeter Rafael Méndez. In 1968 he played on the soundtrack of the film Charly, based upon Flowers for Algernon, a novel by Daniel Keyes.
In 1970 Almeida was one of the musicians backing Phil Ochs on his Greatest Hits album, produced by Van Dyke Parks, who invited the guitarist back to record the album Discover America in 1972. In 1974 Almeida and Bud Shank formed the L.A. 4 with bassist Ray Brown and drummer Shelly Manne (later replaced by Jeff Hamilton); this unit would eventually turn out at least eight albums, mostly for the Concord label, with which Almeida would be closely associated for the rest of his days. During the 1980s he performed with his second wife, Canadian soprano Deltra Ruth Eamon; he also recorded several albums with guitarist Charlie Byrd and led a trio at Disney World in Orlando, FL. In 1988 he formed a three-piece unit called Guitarjam with Sharon Isbin and Larry Coryell. Laurindo Almeida never failed to get behind musicians who earned his respect, and was especially supportive of other guitarists, including fellow Brazilian Baden Powell and classicist Paulo Bellinati. At the age of 74 he cut a live album (Outra Vez) with his trio at a club near San Diego, performing (in addition to his own compositions) works by Antonio Carlos Jobim, Enriqué Granados, Thelonious Monk, Ludwig van Beethoven, Irving Berlin, and Antonin Dvorák. This intriguingly diverse selection was typical of Laurindo Almeida, who passed away on July 26, 1995, in Van Nuys, CA. ~ arwulf arwulf, Rovi
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Laurindo Almeida & Chet Atkins Lyrics
Here Maybe I should have saved those leftover dreams, Funny, but …
Here There & Everywhere To lead a better life I need my love to be…
Here There And Everywhere To lead a better life I need my love to be…
Midnight It begins to tell 'Round midnight, midnight I do pretty well…
Somewhere My Love Somewhere, my love there will be songs to sing Although the…
The Girl From Ipanema Tall and tan and young and lovely The girl from Ipanema…
We have lyrics for these tracks by Laurindo Almeida:
All My Love All My Love, I give you All My Love, The skies…
Danke Schoen Danke schoen, darling, Danke schoen, Thank you for all the j…
Girl From Ipanema Manha De Carnaval Tall and tan and young and lovely The girl from Ipanema…
Here's That Rainy Day Maybe I should have saved those leftover dreams, Funny, but …
Hey Jude Hey Jude, don't make it bad Take a sad song and…
I Left My Heart In San Francisco I left my heart in San Francisco. High on a hill…
just the you are I want to see your face in every kind of…
Misirlou Desert shadows creep across purple sands. Natives kneel in p…
Round About Midnight It begins to tell 'Round midnight, midnight I do pretty well…
Speak Low Speak low when you speak, love, Our summer day withers away…
Stairway to the Stars Let's build a stairway to the stars And climb that stairway…
The Girl from Ipanema Tall and tan and young and lovely The girl from Ipanema…
The Girl From Ipanema /Manha De Carnaval Tall and tan and young and lovely The girl from Ipanema…
What Are You Doing the Rest of Your Life I want to see your face in every kind of…
We have lyrics for these tracks by Chet Atkins:
A Hard Day's Night It's been a hard day's night, and I've been working…
After You've Gone After you've gone and left me crying, After you've gone the…
Ain't Misbehavin' No one to talk with All by myself No one to walk…
Alabama Jubilee You ought to see deacon Jones When he rattles the bones, Old…
Alice Blue Gown Just waking up in the morning And to be well, Quite honest…
All I Ever Need Is You Sometimes when I'm down and all alone Just like a child…
And I Love Her I give her all my love That's all I do And if…
And I Love You So I love how your eyes close whenever you kiss me And…
Avalon Ev'ry morning mem'ries stray Across the sea where flying fis…
Away In A Manger Away in a manger, no crib for a bed The little…
Begin the Beguine When they begin the beguine It brings back the sound of…
Birth of the Blues Oh! they say some people long ago Were searching for a…
Blackjack i won't talk alright alright, i done it…
Bring Me Sunshine A diamond is so hard to find you keep searching…
Can Can't buy me love, love Can't buy me love I'll…
Caravan Night and stars above that shine so bright The myst'ry…
Cecilia Little Miss Cecilia Green Little over sweet sixteen But the …
Cheek To Cheek Heaven, I'm in heaven And my heart beats so that I…
ChInatown My Chinatown Chinatown, my Chinatown When the lights are low Hearts that …
Come Softly Mm dooby do, dahm dahm, dahm do dahm ooby do Dahm…
Copper Kettle Get you a copper kettle And get you a copper…
Corrine Corrina Corrine Corrina, where you been so long? Corrine Corrina, wh…
Darktown Strutters Ball I've got some good news, honey An invitation to the Darktown…
Do I Ever Cross Your Mind Oh, sometimes I go walking through fields where we walked…
Don't Blame Me Ever since the lucky night I found you I've hung around…
Fiddlin Where you been Johnny? What you been doin'? I'm just fid…
Fiddlin' Around Where you been Johnny? What you been doin'? I'm just fiddli…
For No One Your day breaks, your mind aches You find that all the…
Frog Kissin Do you remember in the fairy tale? How the wicked witches…
Gone Gone Gone After you've gone and left me crying, After you've gone ther…
Good-Hearted Woman A long time forgotten Are dreams that just fell by the…
Goofus I was born on a farm out in Ioway A flaming…
Hard Day's Night It's been a hard day's night, and I've been working…
Heartaches Heartaches Heartaches My loving you meant only heartaches Yo…
Here There and Everywhere To lead a better life I need my love to be…
Hey Jude Hey Jude, don't make it bad Take a sad song and…
Hi Lili Hi Lo On every tree there sits a bird, singing a song…
High Noon Do not forsake me, oh my darlin' On this, our weddin'…
Honey Scene is a June night, flooded with moonlight Fragrant roses…
I Sometimes when I'm down and all alone Just like a child…
I Can't Stop Lovin' You (I can't stop loving you) I've made up my mind To live…
I Feel Fine Baby's good to me, you know, She's happy as can be,…
I Got A Woman Hay Amor o no Hay Amor. ye ye seguro hee ahh…
I Love How You Love Me I love how your eyes close whenever you kiss me And…
I Saw The Light I wandered so aimless, life filled with sin I wouldn't let…
I Still Can You know, every time I look in the mirror I…
I Still Do Out my door the leaves are falling a cold wild…
I Still Write Your Name In the Snow Well, I'm almost sorry now I caught you messin' around Cause…
I'll Cry Instead I've got every reason on earth to be mad 'Cause I…
I'll Follow the Sun One day, you'll look To see I've gone But tomorrow may rai…
I'm Forever Blowing Bubbles I'm forever blowing bubbles Pretty bubbles in the air They f…
I'm My Own Grandpa Tell us a story grandpa Come on, please Many, many years…
If I Fell If I fell in love with you Would you promise to…
In a Little Spanish Town Evenings are crowded with memories Thrilling me again Like t…
In the Good Old Summer Time There's a time each year That we always hold dear Good old…
In the Good Old Summertime There's a time each year That we always hold dear Good old…
It Oh the weather outside is frightful But the fire is so…
It don It don't mean a thing If it ain't got that swing (doo…
It Had to Be You It had to be you, it had to be you. I…
It's About Time Forget about it, I'm admittin' I was wrong So I'll just…
It's Been A Long Long Time Kiss me once, then kiss me twice Then kiss me once…
Jingle Bell Rock Jingle bell, jingle bell, jingle bell rock…
Jitterbug Waltz The night is getting on, the band is getting show The…
Johnson Rag Johnson Flood Mississippi Mud Black Bottom I got 'em Lindy …
Jolly Old St. Nicholas Jolly old Saint Nicholas Lean your ear this way Don't you te…
Josephine There never was a gal I could love, like I…
Just As I Am If I could see you just one time Oh how it'd…
Lady Madonna Lady Madonna, children at your feet Wonder how you manage to…
Let It Snow Let It Snow Let It Snow Oh the weather outside is frightful But the fire is so…
Liebestraum Thine love is mine. Thine heart with mine entwine, love. My …
Limehouse Blues And those weird China blues Never go away Sad, mad blues For…
Little Drummer Boy Come, they told me pa-rum pum pum pum Our newborn King…
Lonesome Road Look down, look down that lonesome road Before you travel on…
Long Long Ago Kiss me once, then kiss me twice Then kiss me once…
Love Come Back To Me You went away I let you We broke the ties that bind I…
Love theme from The Goodfather Somewhere, my love there will be songs to sing Although the…
Lover Come Back to Me You went away I let you We broke the ties that bind I…
Lullaby Lullaby of Birdland, that's what I Always hear when you…
Me And Bobby McGee Busted flat in Baton Rouge Waitin' for the train Feelin' nea…
Michelle Michelle, ma belle These are words that go together well My …
Mr Sandman Mister Sandman, bring me a dream Make it the cutest that…
My Crazy Heart Dear when you smiled at me, I heard a melody It…
Ode To Mel Bay mel bay in your manual you taught us how to…
Oh Lonesome Me Everybody's going out and having fun I'm a fool for staying…
Ol' Man River Here we all work 'long the Mississippi Here we all…
On The Road Again On the road again Just can't wait to get on the…
One More Chance Put those guitars in their cases put those cases on…
Out of Nowhere You came to me from out of nowhere, you took…
Over The Rainbow Somewhere over the rainbow, way up high There's a land that…
Pagan Love Song Come with me where moonbeams light Tahitian skies And the st…
Poison Love Chorus: For your poison love has stained the life blood In m…
Polka Dots And Moonbeams A country dance was being held in a garden I felt…
Poor Blue Boys Do I Want You? Yes I Do Do I Need You?…
Poor People of Paris Just got back from Paris France All they do is sing…
Rainbow Somewhere over the rainbow, way up high There's a land that…
Read My Licks You know I... baby, like the flowers love the rain And…
Rocky Top Wish that I was on ole Rocky Top down in…
Sails Sails are just like wings You can fly from things Run…
Saltwater We are a rock revolving Around a golden sun We are a…
San Antonio Rose Deep within my heart lies a melody A song of old…
She Loves You I love how your eyes close whenever you kiss me And…
She's a Woman My love don′t give me presents I know that she's no…
Silent Night Silent night, holy night All is calm, all is bright Round …
Silent Night Holy Night Silent night, holy night All is calm, all is bright Round yo…
Sleep Sleep, sleep, sleep How we love to sleep At the close of…
Sneakin Sneakin' around Sneakin' around…
Sneakin' Around Sneakin' around Sneakin' around…
Snowbird Beneath this snowy mantle cold and clean The unborn grass li…
So Rare What is so rare as a day in June? 'Till now…
Someday My Prince Will Come Somewhere waiting for me There is someone I'm longing to see…
Somewhere My Love Somewhere, my love there will be songs to sing Although the…
Song sung blue Song sung blue Everybody knows one Song sung blue Every gard…
Sophisticated Lady Sophisticated lady tryin' to change my ways Just because you…
Southern Nights Southern nights have you ever felt a southern night? Free as…
Spanish Harlem There is a rose in Spanish Harlem A red rose up…
St Louis Blues I hate to see that evening sun go down I hate…
Street Dreams Sweet dreams of you Every night, I go through Why can't I…
Sukiyaki Let's look up as we walk, so that the tears…
Summertime There's a time each year That we always hold dear Good old…
Swanee River Way down upon the Swanee River, Far, far away That's where m…
Sweet Dreams Sweet dreams of you Every night, I go through Why can't I…
Tears When I was young, my Dad would say Come on Son…
Temptation You came, I was alone I should have known you were…
Tenderly Calling the angels Calling the wachmen angels on walls To co…
The Birth of the Blues Oh! they say some people long ago Were searching for a…
The Christmas Song Chestnuts roasting on an open fire Jack Frost nipping at you…
The Lady Loves Me I love how your eyes close whenever you kiss me And…
The Little Drummer Boy Come, they told me pa-rum pum pum pum Our newborn King…
The Poor People Of Paris Just got back from Paris France All they do is sing…
The Poor People Of Paris (Jean's Song) - Buddha Remastered - 2000 Just got back from Paris, France All they do is sing…
The Red Leaves of Autumn The falling leaves drift by the window The autumn leaves of…
The Song Is You Sometimes when I'm down and all alone Just like a child…
The Sound of Silence Hello darkness, my old friend, I've come to talk with you…
The Third Man Theme When a zither starts to play You'll remember yesterday In it…
The World Is Waiting for the Sunrise Dear one the world is waiting for the sunrise Ev'ry rose…
Theme When a zither starts to play You'll remember yesterday In it…
Theme From Somewhere, my love there will be songs to sing Although the…
There'll Be Some Changes Made There'll Be A Change In The Weather And A Change…
Third Man Theme When a zither starts to play You'll remember yesterday In it…
This Guy's in Love With You You see this guy, this guy's in love with you Yes…
Three O'Clock In the Morning It's three o'clock in the morning We've danced the whole nig…
Tiger Rag Where's that tiger! Where's that tiger! Where's that tiger! …
Tiptoe Through the Tulips with Me It's the little old lady from Pasadena The little old lad…
To Be or Not to Be It had to be you, it had to be you. I…
Tzena Tzena Tzena Tzena, Tzena, Tzena, Tzena Can't you hear the music playing…
Unchained Melody Oh, my love, my darling I've hungered for your touch A long,…
Volare Sometimes the world is a valley of heartaches and tears And…
When You Wish Upon A Star When a star is born They possess a gift or two One…
Whispering Don't worry I'm not looking at you Gorgeous and dressed in…
White Christmas I'm dreaming of a white Christmas Just like the ones…
Why Worry Baby, I see this world has made you sad Some people…
Yakety Axe Poverty Stricken But Still I'm A-Stickin' To The Things I…
Yesterdays Yesterday, all my troubles seemed so far away Now it looks…
You Needed Me I love how your eyes close whenever you kiss me And…
You'd Be So Nice to Come Home To You'd be so nice to come home to You'd be so…
Yours Oh, sometimes I go walking through fields where we walked…
Zing Went the Strings of My Heart Dear when you smiled at me, I heard a melody It…