Roger Waters was the main lyricist for the classic British rock band Pink Floyd. He, along with Syd Barrett, Nick Mason, and Richard Wright, formed the band in 1965 and released their first album, The Piper at the Gates of Dawn in 1967. In 1968, Syd Barrett was replaced by guitarist/singer David Gilmour. He and Gilmour were the main creative forces behind the albums Meddle, Dark Side of the Moon, and Wish You Were Here; Waters eventually became the primary songwriter, being the driving force behind Animals, and The Wall as well as the sole songwriter of The Final Cut. Waters became well-known for being an intense perfectionist and his controlling nature alienated the rest of the band. The Final Cut, released in 1983, was essentially a Roger Waters solo album "performed by Pink Floyd" as the credits stated. This would be the group's last album with Waters. David Gilmour decided to carry on with Pink Floyd and Waters, believing that Pink Floyd was a "non-entity" without him, sued the rest of the band to retire the Pink Floyd name. His lawsuit ultimately failed, and Pink Floyd released three more studio albums and two double live albums, without him.
The feud between David Gilmour and Roger Waters lasted for decades, and it wasn't until Live 8 in 2005 that they finally decided to set their differences aside and perform a brief set for the charity gig. This would be the last time that Pink Floyd would ever perform together in their "classic" lineup. Shortly after the show, there was much speculation that Pink Floyd would get back together for a full reunion tour, but Gilmour ultimately nixed the idea, stating that although the Live 8 gig was fun, the rehearsals were not.
Much to everyone's surprise, Gilmour and Waters reunited once again on July 11, 2010 for a charity performance for “The Hoping Foundation,” an organization that supports Palestinian refugee kids. At Ronnie Scott’s club in London, the duo performed four songs together: “To Know Him Is to Love Him” (a cover of the old Teddy Bear’s song), “Wish You Were Here,” “Comfortably Numb,” and finally (after a special request) “Another Brick in the Wall Part 2.” Once again, just like after the Live 8 Reunion, speculation began regarding future reunions. No official Pink Floyd reunion has yet been set, but Gilmour did promise that he would join Roger Waters for one show on his 2010-11 “The Wall” tour, performing “Comfortably Numb.” Gilmour fulfilled his promise on May 14, 2011 in London.
Waters has so far released the following solo albums:
* Music from The Body soundtrack with Ron Geesin(1970)
* The Pros and Cons of Hitch Hiking (1984)
* When the Wind Blows soundtrack with contributions from other artists as well (1986)
* Radio K.A.O.S. (1987)
* The Wall: Live in Berlin (1990)
* Amused to Death (1992)
* In the Flesh live (2000)
* Flickering Flame: The Solo Years, Vol. 1 (2003)
* Ça Ira (Opera) (2005)
*Is This the Life We Really Want? (2017)
*Igor Stravinsky's The Soldier's Tale (2018)
*The Lockdown Sessions (2022)
The Bravery of Being Out of Range
Roger Waters Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To squeeze off a shot
You're good fun at parties
You wear the right masks
You're old but you still
Like a laugh in the locker room
You can't abide change
You're at home on the range
You opened your suitcase
Behind the old workings
To show off the magnum
You deafened the canyon
A comfort a friend
Only upstaged in the end
By the Uzi machine gun
Does the recoil remind you
Remind you of sex
Old man what the hell you gonna kill next
Old timer who you gonna kill next
I looked over Jordan and what did I see
Saw a U.S. Marine in a pile of debris
I swam in your pools
And lay under your palm trees
I looked in the eyes of the Indian
Who lay on the Federal Building steps
And through the range finder over the hill
I saw the front line boys popping their pills
Sick of the mess they find
On their desert stage
And the bravery of being out of range
Yeah the question is vexed
Old man what the hell you gonna kill next
Old timer who you gonna kill next
Hey bartender over here
Two more shots
And two more beers
Sir turn up the TV sound
The war has started on the ground
Just love those laser guided bombs
They're really great
For righting wrongs
You hit the target
And win the game
From bars 3,000 miles away
3,000 miles away
We play the game
With the bravery of being out of range
We zap and maim
With the bravery of being out of range
We strafe the train
With the bravery of being out of range
We gain terrain
With the bravery of being out of range
With the bravery of being out of range
We play the game
With the bravery of being out of range
The Bravery of Being Out of Range by Roger Waters is a satirical critique on the role of modern warfare as an impersonal and alienating experience. The first verse and chorus describe a stereotypical American gun enthusiast: a middle-aged man who is resistant to change and enjoys showing off his firearms to others, even to the point of deafening them with the sound of his magnum. The second verse portrays the violence and desensitization of war, with the singer describing the piles of debris and dead bodies left behind. The singer also questions the morality of targeting and killing from a distance, questioning the bravery of being out of range. The last verse uses irony to criticize the glorification of war, with the singer sarcastically praising the “laser guided bombs” used to “right wrongs” and criticizing the detachment of playing a game with the bravery of being out of range.
Line by Line Meaning
You have a natural tendency
You possess an innate inclination
To squeeze off a shot
To fire a gun indiscriminately
You're good fun at parties
You are entertaining at social gatherings
You wear the right masks
You present a façade that conforms to social norms
You're old but you still
You are advanced in years but nevertheless
Like a laugh in the locker room
You enjoy humor of a crude or vulgar nature
You can't abide change
You are intolerant of anything different from your accustomed routine
You're at home on the range
You feel comfortable and at ease in rural surroundings
You opened your suitcase
You displayed your luggage
Behind the old workings
At a location hidden from casual observation
To show off the magnum
To exhibit a large caliber handgun
You deafened the canyon
You caused a loud report that echoed throughout the landscape
A comfort a friend
A source of ease and familiarity
Only upstaged in the end
Surpassed in importance or attention eventually
By the Uzi machine gun
By a rapid-fire automatic weapon
Does the recoil remind you
Does the backward thrust provoke a recollection
Remind you of sex
Evoke a comparison to an erotic act
Old man what the hell you gonna kill next
Elderly gentleman, what do you intend to take the life of now?
Old timer who you gonna kill next
Person of advanced age, whom do you plan to murder next?
I looked over Jordan and what did I see
I gazed beyond the river Jordan and what became apparent to me
Saw a U.S. Marine in a pile of debris
Discerned a member of the US Marine Corps lying in wreckage
I swam in your pools
I immersed myself in your luxurious swimming facilities
And lay under your palm trees
And reclined in the shade of your exotic plants
I looked in the eyes of the Indian
I met the gaze of a Native American
Who lay on the Federal Building steps
Who lay prostrate on the steps of a government structure
And through the range finder over the hill
And thus gazed through an optical device beyond the hill
I saw the front line boys popping their pills
I witnessed soldiers at the front ingesting their medications
Sick of the mess they find
Weary of the chaos and turbulence they encounter
On their desert stage
On the barren expanse where they enact their conflict
And the bravery of being out of range
And feeling courageous as they avoid harm's way
Yeah the question is vexed
Yes, the issue remains debated and problematic
Hey bartender over here
Attention, bartender, please come to my position
Two more shots
Please provide two more measures of alcohol
And two more beers
And two further bottles or cans of beer
Sir turn up the TV sound
Attention, please increase the volume of the television
The war has started on the ground
The hostilities have commenced on the battlefield
Just love those laser guided bombs
I am quite fond of those explosives directed by lasers
They're really great
They are truly splendid
For righting wrongs
For correcting errors or injustices
You hit the target
You successfully struck your intended objective
And win the game
And thus emerge victorious
From bars 3,000 miles away
From a location far removed and isolated
We play the game
We engage in the conflict as if it were a game
We zap and maim
We shoot and injure the enemy
With the bravery of being out of range
Feeling daring and intrepid because we are not within the range of danger
We strafe the train
We attack the transport with gunfire from low-flying aircraft
We gain terrain
We advance and secure additional territory
With the bravery of being out of range
With the sensation of courage and boldness because we are not in harm's way
With the bravery of being out of range
With the impression of courage and daring due to being beyond the reach of harm
We play the game
We conduct the conflict as if it were a contest with rules and rewards
Lyrics © BMG Rights Management
Written by: ROGER WATERS
Lyrics Licensed & Provided by LyricFind