Nicolas Godin studied architecture at the École nationale supérieure d'architecture de Versailles, and Jean-Benoît Dunckel studied mathematics, before forming a band in 1995. Before founding Air (erroneously considered as an acronym of Amour, Imagination, Rêve, which translates to Love, Imagination, Dream), Dunckel and Godin played together in the band Orange with others such as Alex Gopher, Xavier Jamaux and Jean de Reydellet. The former two subsequently contributed to remixes of tracks recorded by Air.
Initially Godin worked alone, recording a demo with members of Funkadelic as his backing band before releasing his first entirely solo effort, "Modular Mix", which featured production by Étienne de Crécy.
Career
After making several remixes for other acts in the first half of the 1990s, Air recorded its first EP, Premiers Symptômes, in 1995. The band released its first album, Moon Safari, in 1998. Its first single, "Sexy Boy", was heavily played on alternative radio stations. The album received universal acclaim and became an international success. In 1999, Air composed the score The Virgin Suicides to Sofia Coppola's debut film of the same name; in 2012, Air wrote its second score to Georges Méliès' Le voyage dans la lune.
Other works
Air has often collaborated with Coppola. Air drummer and former Redd Kross member Brian Reitzell put together the soundtrack to 2003's Lost in Translation, including one original contribution by Air titled "Alone in Kyoto". The soundtrack for Coppola's October 2006 film Marie Antoinette featured a track by Air ("Il Secondo Giorno"). Air wrote and played the music of the album 5:55 by Anglo-French actress and singer Charlotte Gainsbourg, which was released in August 2006. Air has recorded a DJ mix album, Late Night Tales: Air, for Azuli Records' Late Night Tales series. The release was initially scheduled for October 2005, but was delayed several times. It finally was released, complete with a new sleeve design, in September 2006. Darkel, a solo album by Dunckel, was released that same year.
City Reading (Tre Storie Western) (2003) started as an idea for a collaboration with contemporary Italian writer Alessandro Baricco, known for his unusual characterizations and lyrical, poetic style. Baricco contacted Air in summer 2002 with the idea to marry narration of texts from his book City with live original musical accompaniment. The performance premiered live in November 2002 at Rome's Teatro Valle and was deemed such a success that both parties resolved to make a full studio recording.
Influences and musical style
Air is associated with a variety of musical styles: electronica, space pop, dream pop, progressive rock, downtempo, chillout, trip hop, ambient, electronic pop and space rock. Dunckel grew up listening to both classical and electronic music, especially Kraftwerk. He later took an interest in what he called the "English dark rock" of Siouxsie and the Banshees and Joy Division, while being a fan of David Bowie, Iggy Pop and Lou Reed. Brian Eno and Cluster were two of the electronic acts who inspired him the most. He cites among his favorite artists: Maurice Ravel for classical music, François de Roubaix for music soundtracks and Siouxsie and the Banshees for pop music. Dunckel shared with Godin a special liking for the music of Michel Legrand, Philip Glass and Grace Jones. During his childhood, Godin was fascinated by the Beatles before later discovering the soul of Sly and the Family Stone. The duo were influenced by progressive rock pioneers Pink Floyd.
Air uses many of its studio instruments (like Moog synthesizers, the Korg MS-20, Wurlitzer and Vocoder) on stage, where their ability to improvise is more clearly highlighted. The band performs the well-known tracks from the albums live as extended or altered versions. Air often collaborates (both in the studio and live) with artists like Beth Hirsch (Moon Safari), Françoise Hardy ("Jeanne"), Jean-Jacques Perrey ("Cosmic Bird"), Gordon Tracks ("Playground Love" and "Easy Going Woman" – Gordon Tracks is a pseudonym of the French singer Thomas Mars from Phoenix), Beck (10 000 Hz Legend) and Jean-Michel Jarre ("Close Your Eyes" from Jarre's Electronica 1: The Time Machine). They also invited Dave Palmer on their 2004 tour and drummer Earl Harvin, Vincent Taurelle and Steve Jones on their 2007 tour.
Studio albums
Moon Safari (1998)
10 000 Hz Legend (2001)
Talkie Walkie (2004)
Pocket Symphony (2007)
Love 2 (2009)
Le voyage dans la lune (2012)
Soundtrack albums
The Virgin Suicides (2000)
Music for Museum (2014)
Extended plays
Premiers Symptômes (1997)
Collaborative albums
City Reading (Tre Storie Western) (2003)
Mix and remix albums
Everybody Hertz (2002)
Late Night Tales (2006)
Compilation albums
Twentyears (2016)
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Air is one of the many aliases of Pete Namlook. He has been releasing ambient music under this name since the release of an eponymous album in 1993.
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Japanese noise rock, Air is an alias of Koji Kurumatani first released album Wear Off in 1996.
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Air is a late 90s Indonesian Pop band that became popular with their "Bintang" song.
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Air was a jazz trio with its roots steeped in Chicago's Association for the Advancement of Creative Musicians (AACM), and was formed originally in 1971. The jazz trio Air formed from within the Muhal Richard Abrams Sextet, which was active on the Chicago scene contemporaneously with the birth and growth of the AACM and groups such as the Art Ensemble of Chicago. Henry Threadgill on reeds, hubcaphone, and percussion; Fred Hopkins on bass, and Steve McCall on drums formed the trio when Threadgill was commissioned by Columbia College to score and adapt Scott Joplin's work for a performance honoring Joplin's centenary (Joplin's birth has been established now as sometime in 1868) and a rebirth of interest in the noted ragtime composer. All three men were Air signs in the zodiac, and so adopted the name.
They performed first around Chicago, while maintaining residency with Muhal Abrams group, which also featured Kalaparusha Maurice McIntyre and Wallace McMillan, both reed players. The Air "brand" remained a side project until all three reunited in New York in 1975, and began recording under that name for India Navigation, Nessa, Black Saint, and Novus. The trio broke up when Steve McCall left in the early 1980s, and when Pheroan Aklaff joined in 1982, they recorded as New Air, and recorded several albums under that name, including Air Show No. 1 in 1986, which featured Cassandra Wilson on vocals. Andrew Cyrille ultimately replaced akLaff before the band eventually was superceded by the burgeoning careers of its members: Threadgill with his groups Sextett and Very Very Circus, and Hopkins as the go-to bassist for Threadgill, David Murray, and Hamiet Bluiett. McCall's health forced his retirement from touring around 1980, and the dynamic drummer and effusive and gracious man who was a cofounder of the AACM with Muhal Abrams and Fred Anderson, died of a stroke in 1989.
This Air is listed as Air (4) on Discogs and is also been identified on last.fm as Air (Fred Hopkins, Steve McCall, Henry Threadgill) and Air with Fred Hopkins, Steve Mccall, Henry Threadgill (sic: McCall's name misspelt), and possibly also other alternative spellings of the group's name exist.
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Air was a psychedelic folk rock band featuring Googie and Tom Coppola, John Siegler and Mark Rosengarden. They released their first self titled album in 1971.
All Cats Are Grey
Air Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In bed amongst the stones
The columns are all men
Begging to crush me
No shapes sail on the dark deep lakes
And no flags wave me home
In the caves
In the caves
The textures coat my skin
In the death cell
A single note
Rings on and on and on
The opening lyrics to Air's song "All Cats Are Grey" may seem cryptic and mysterious at first glance, but a closer examination reveals a deep sense of unease and discomfort. The singer finds themselves in an uncomfortable and unfamiliar place, lying in bed among the stones while columns loom above them like threatening figures. The lack of movement and life is emphasized with the absence of shapes sailing on the dark lakes and flags to guide them home, adding to the feeling of isolation and disorientation.
As the lyrics progress, the mood shifts into one of resignation and acceptance. The singer finds themselves in a cave where all cats are grey; a metaphor for the homogenization and loss of individuality that can occur in oppressive or constricting situations. The textures coat their skin, perhaps a physical representation of how the surroundings are suffocating and overwhelming them. The final line, "In the death cell, a single note rings on and on and on," is haunting and ominous. It suggests that despite the singer's efforts to escape or find comfort, they are trapped and cannot break free.
Overall, "All Cats Are Grey" is a song that explores the themes of isolation, oppression, and resignation. The lyrics paint a vivid picture of a person struggling to find their way in a dark and suffocating world.
Line by Line Meaning
I never thought that I would find myself
I did not anticipate finding myself amidst an unwelcome scenario
In bed amongst the stones
Lying in discomfort on hard stones
The columns are all men
The pillars seem like threatening male figures
Begging to crush me
It feels as if the pillars desire to oppress me
No shapes sail on the dark deep lakes
I perceive no discernable forms on the shadowy waters
And no flags wave me home
Without any symbols of welcome or guidance, I am lost
In the caves
While dwelling in a forlorn environment
All cats are grey
Every facet of this setting seems destitute and unremarkable
In the caves
Within the oppressive atmosphere
The textures coat my skin
The tactile elements of this place cling to me like a second skin
In the death cell
Within a place of confinement that is intended to lead to one's demise
A single note
A solitary sound
Rings on and on and on
Persisting incessantly without relief
Lyrics © Universal Music Publishing Group
Written by: LAURENCE ANDREW TOLHURST, ROBERT JAMES SMITH, SIMON GALLUP
Lyrics Licensed & Provided by LyricFind
rahmatsyah pulungan
What a weird selection of The Cure. Nicely done ,AIR.
Beatriz Salas
Adoro The Cure. Beeeello.
Wiktor Krulik
+Beatriz Salas comiento pere aluto scmandiero pregoto umbra
Doodi Al
The cure دوم راقين في اغانيهم شكرا علي الاغنيه
Platypus
nice nice
Saul Peña
Why Air?
Michael Yakson
why not
Commander Bwarr
Rockula Bacchus
You have a top 5 album list? The ones in the late night tales series that is.
Yasha
Amour, Imagination, Rêve, which translates to Love, Imagination, Dream)
Rockula Bacchus
Late Night Tales: Air is the 15th DJ mix album released in the Late Night Tales series on Late Night Tales. It was mixed by Jean-Benoît Dunckel from French band Air and was originally intended as the 14th release (scheduled for 3 October 2005) but was delayed several times. In the meantime, Late Night Tales: Belle & Sebastian was released. The Air compilation was finally released on 11 September 2006.