Baccara were a very popular Spanish dance-pop duo in the late seventies. Th… Read Full Bio ↴Baccara were a very popular Spanish dance-pop duo in the late seventies. The group consisted of Mayte Mateos (7 March 1951), and María Mendiola (4 May 1952, died 11 Sept 2021 in Madrid aged 69). Their music was a blend of pop and disco, with lyrics in English sung with the peculiar Spanish accent of the two singers.
Baccara's most famous hits were "Sorry I'm a lady" and "Yes sir, I can boogie", both of which topped the charts during 1977 in some European countries, including the United Kingdom. In 1978, their song "Parlez-Vous Français?" got the seventh place at the Eurovision Song Contest. Curiously, the duo were representing Luxembourg. After releasing four albums, Baccara ceased to exist in 1982. Up from this moment, María and Mayte have followed their musical careers separately, either solo or with new reformations of the duo like Baccara 2000 or New Baccara.
Mayte Mateos graduated as a teacher from the Royal Spanish Academy for Arts, Drama and Dance in Madrid and then joined Spanish Television's Ballet Company. While there she met fellow performer María Mendiola. In 1976 the two women formed a singing and dancing duo (using the title Venus) and left the Ballet Company. Initially the duo's act was simply that of variety show dancers. Their first television appearance was on the Palmarés light entertainment programme[1] and they were engaged at a nightclub in the Aragon city of Zaragoza, but their contract was cancelled when the club manager decided that they were "too elegant" for the style of show.[2] Mateos and Mendiola relocated to the Canary Islands in search of work. Here they found that there was an audience for the performance of traditional Spanish music and dance in a form that was adapted to suit international tastes.
The duo were spotted by Leon Deane, manager of the German subsidiary of record company RCA, whilst performing flamenco dance and traditional Spanish songs for tourists (mostly German) in the Tres Islas Hotel on the island of Fuerteventura. He invited them to Hamburg in order for them to meet the 30 year old Dutch producer/composer Rolf Soja.[3] Soja was the prime mover behind what became Baccara.
He developed their stage performance and recruited their instrumental support. Mateos and Mendiola were retitled Baccara, after the name of the black rose, in reference to the women's dark Spanish appearance.
Together with fellow writer Frank Dostal, Soja penned their début single “Yes Sir, I Can Boogie” and most of their other 1970's hits. Recorded in Holland and released in 1977, “Yes Sir, …” proved to be a huge success, reaching the top of the charts in Germany, the Netherlands, the UK, Sweden, Belgium, Israel, and Switzerland, and number three in France.[4] Later that year a self-titled album, written and produced by Soja and Dostal, was released. Soja is generally credited with the Baccara formula - consisting of breathy lyrics, lush backing, a disco beat and the striking image of two women (one dressed in black and the other in white) dancing. While drawing lightly on Spanish flamenco song and dance tradition, the formula was very much rooted in 1970's disco music. Soja's song arrangements generally used Mateos as the lead singer while Mendiola contributed with backing and refrains.
“Yes Sir, I Can Boogie” was an enormous pan-European hit and was a prime example of the phenomenon that is known as the "summer hit".[5] The song was heard everywhere over the summer of 1977 and it is still evocative of that moment in time. It is also one of the best known examples of the Eurodisco genre : “[…] this mind-bending Common Market melding of foreign accents, bad diction, bizarre arrangements and lightweight production, usually top-heavy with strings” - The Independent, 10th April 1999.
Baccara sold more than 16 million copies of “Yes Sir, I Can Boogie” and featured in the 1977 edition of the Guinness Book of Records as the highest-selling female musical group to date. They were the first female duo to reach number one in the UK, and had the only number one by a Spanish artist in the UK until Julio Iglesias, four years later. A follow-up single, “Sorry, I'm A Lady”, was also an international hit, peaking at the top of the charts in Germany, the Netherlands and Belgium and reaching the top ten in the UK, Sweden and Switzerland.[4] Most of Baccara's recordings were sung in English although they did also record in Spanish, German and French. They recorded different language versions of some songs (see Discography below).
Touring in Europe during the late 1970's helped the band establish a firm fan base in Germany (where their records continued to be produced) and the Scandinavian countries, and their Spanish-flavoured interpretation of the disco sound also brought them recognition in Japan and Russia. Baccara represented West Germany at the eighth World Popular Song Festival held in November 1977 – until it ended in 1989 the largest such contest in the world. Their song, “Mad In Madrid”, came 14th out of 37 participating countries.
In 1978 the second Baccara album, “Light My Fire”, was released across Europe, and whilst not matching the international success of the first, it spawned the single “Parlez-vous français?” which was selected as Luxembourg's entry in that year's Eurovision Song Contest.[6] Despite full marks from Italy, Portugal and Spain the duo finished in 7th place. However high sales, particularly in Denmark, Sweden and Belgium, meant that the single was a commercial success.
“Think what you like about Baccara, seen today their 1978 Eurovision performance has a certain style while their competition from that event looks dated and amateurish″ - New Musical Express, May 2002
Further recognition came in 1978 when Baccara was granted Germany's most prestigious media award, Burda Publishing Group's Bambi prize. This is offered annually to “celebrities whose abilities have impressed, moved and enthused the people in Germany”.[7] The duo made regular television appearances, becoming weekly guests on Sacha Distel's show in the UK, and on Musikladen in Germany. 1978 was the high point of Baccara's artistic and commercial success.
Late that year the duo released the single “The Devil Sent You to Lorado”[8] with “Somewhere in Paradise”[9] as its B side. Both of these Baccara recordings have become iconic. “Somewhere in Paradise” (with its allusions to life after death) is regularly played by Christian radio stations while “The Devil…” (with its background pistol shots) is sometimes identified with the gay community. A Spanish language version of the “The Devil…” (“El diablo te mandó a Laredo”) was released at the same time as the English one.
1979 saw the album “Colours” and the separately-recorded single “Eins plus eins ist eins”, released to mark the United Nations' International Year of the Child and celebrate the 20th anniversary of the UN adoption of the Declaration of the Rights of the Child.
Baccara's fourth and final album (in the band's original incarnation) was “Bad Boys”, released in 1981. By this time the disco sound had been overshadowed by newer music movements (such as punk, new wave and synthpop) in much of Europe and interest was largely confined to those countries where the duo had an established fan base, notably Germany. The album was not released in the UK or US.
Baccara have been (possibly unfairly) described as “one hit wonder” in the UK, while they never achieved any recognition in the US despite some of their songs being given significant airplay. One music critic suggested that the Baccara formula lacked artistic depth but had been “mined for all it was worth” over two years until public interest moved on to other things.[10] The same critic also drew attention to an element of “anti-feminist subservience” in the lyrics of some Baccara songs.
The 1980 single release of “Sleepy-Time-Toy” led to disagreement within Baccara over the vocal mix used. Mendiola complained that her voice was not given sufficient prominence in the song's arrangement and sued RCA for breach of contract.[11] A court hearing in Munich resulted in 250,000 records being recalled from dealers. The dispute fatally damaged relationships. One consequence of this was that Soja and Dostal were not involved with Baccara's final album. The duo recorded “Bad Boys” with Bruce Baxter and Graham Sacher. Neither the album nor its spin-off single “Colorado” were successful. In 1981, after RCA declined to renew their contract, Mateos and Mendiola ended their professional partnership and both launched solo careers.
By 1983 both artists had released albums of their own – Mateos with “Spanish Dreams” and Mendiola with “Born Again” – which saw moderate success amongst Baccara's original fan base. However there remained a demand for Baccara's music, particularly on the European television circuit, and by the middle of the decade both Mateos and Mendiola had formed their own versions of Baccara with new singing partners. Despite a series of name and line-up changes, both Baccara duos continue to perform around Europe and have released new albums. Both have also made re-recordings of their hits for various minor record labels, which are regularly re-packaged and re-issued under the original Baccara name. However, the original song versions (those recorded between 1977 and 1981) remain the property of Sony-BMG, which holds the rights to the RCA back catalogue.
On the occasion of Baccara's 30th Anniversary, Sony-BMG Germany released a very complete 3 CD box set on August 31 2007. This collection includes 50 RCA original recordings. Several songs such as “Mad In Madrid”, “Amoureux”, “Baila tú”, “En el año 2000”, “Eins plus eins ist eins” and “Candido” made their debut on CD.
Baccara's most famous hits were "Sorry I'm a lady" and "Yes sir, I can boogie", both of which topped the charts during 1977 in some European countries, including the United Kingdom. In 1978, their song "Parlez-Vous Français?" got the seventh place at the Eurovision Song Contest. Curiously, the duo were representing Luxembourg. After releasing four albums, Baccara ceased to exist in 1982. Up from this moment, María and Mayte have followed their musical careers separately, either solo or with new reformations of the duo like Baccara 2000 or New Baccara.
Mayte Mateos graduated as a teacher from the Royal Spanish Academy for Arts, Drama and Dance in Madrid and then joined Spanish Television's Ballet Company. While there she met fellow performer María Mendiola. In 1976 the two women formed a singing and dancing duo (using the title Venus) and left the Ballet Company. Initially the duo's act was simply that of variety show dancers. Their first television appearance was on the Palmarés light entertainment programme[1] and they were engaged at a nightclub in the Aragon city of Zaragoza, but their contract was cancelled when the club manager decided that they were "too elegant" for the style of show.[2] Mateos and Mendiola relocated to the Canary Islands in search of work. Here they found that there was an audience for the performance of traditional Spanish music and dance in a form that was adapted to suit international tastes.
The duo were spotted by Leon Deane, manager of the German subsidiary of record company RCA, whilst performing flamenco dance and traditional Spanish songs for tourists (mostly German) in the Tres Islas Hotel on the island of Fuerteventura. He invited them to Hamburg in order for them to meet the 30 year old Dutch producer/composer Rolf Soja.[3] Soja was the prime mover behind what became Baccara.
He developed their stage performance and recruited their instrumental support. Mateos and Mendiola were retitled Baccara, after the name of the black rose, in reference to the women's dark Spanish appearance.
Together with fellow writer Frank Dostal, Soja penned their début single “Yes Sir, I Can Boogie” and most of their other 1970's hits. Recorded in Holland and released in 1977, “Yes Sir, …” proved to be a huge success, reaching the top of the charts in Germany, the Netherlands, the UK, Sweden, Belgium, Israel, and Switzerland, and number three in France.[4] Later that year a self-titled album, written and produced by Soja and Dostal, was released. Soja is generally credited with the Baccara formula - consisting of breathy lyrics, lush backing, a disco beat and the striking image of two women (one dressed in black and the other in white) dancing. While drawing lightly on Spanish flamenco song and dance tradition, the formula was very much rooted in 1970's disco music. Soja's song arrangements generally used Mateos as the lead singer while Mendiola contributed with backing and refrains.
“Yes Sir, I Can Boogie” was an enormous pan-European hit and was a prime example of the phenomenon that is known as the "summer hit".[5] The song was heard everywhere over the summer of 1977 and it is still evocative of that moment in time. It is also one of the best known examples of the Eurodisco genre : “[…] this mind-bending Common Market melding of foreign accents, bad diction, bizarre arrangements and lightweight production, usually top-heavy with strings” - The Independent, 10th April 1999.
Baccara sold more than 16 million copies of “Yes Sir, I Can Boogie” and featured in the 1977 edition of the Guinness Book of Records as the highest-selling female musical group to date. They were the first female duo to reach number one in the UK, and had the only number one by a Spanish artist in the UK until Julio Iglesias, four years later. A follow-up single, “Sorry, I'm A Lady”, was also an international hit, peaking at the top of the charts in Germany, the Netherlands and Belgium and reaching the top ten in the UK, Sweden and Switzerland.[4] Most of Baccara's recordings were sung in English although they did also record in Spanish, German and French. They recorded different language versions of some songs (see Discography below).
Touring in Europe during the late 1970's helped the band establish a firm fan base in Germany (where their records continued to be produced) and the Scandinavian countries, and their Spanish-flavoured interpretation of the disco sound also brought them recognition in Japan and Russia. Baccara represented West Germany at the eighth World Popular Song Festival held in November 1977 – until it ended in 1989 the largest such contest in the world. Their song, “Mad In Madrid”, came 14th out of 37 participating countries.
In 1978 the second Baccara album, “Light My Fire”, was released across Europe, and whilst not matching the international success of the first, it spawned the single “Parlez-vous français?” which was selected as Luxembourg's entry in that year's Eurovision Song Contest.[6] Despite full marks from Italy, Portugal and Spain the duo finished in 7th place. However high sales, particularly in Denmark, Sweden and Belgium, meant that the single was a commercial success.
“Think what you like about Baccara, seen today their 1978 Eurovision performance has a certain style while their competition from that event looks dated and amateurish″ - New Musical Express, May 2002
Further recognition came in 1978 when Baccara was granted Germany's most prestigious media award, Burda Publishing Group's Bambi prize. This is offered annually to “celebrities whose abilities have impressed, moved and enthused the people in Germany”.[7] The duo made regular television appearances, becoming weekly guests on Sacha Distel's show in the UK, and on Musikladen in Germany. 1978 was the high point of Baccara's artistic and commercial success.
Late that year the duo released the single “The Devil Sent You to Lorado”[8] with “Somewhere in Paradise”[9] as its B side. Both of these Baccara recordings have become iconic. “Somewhere in Paradise” (with its allusions to life after death) is regularly played by Christian radio stations while “The Devil…” (with its background pistol shots) is sometimes identified with the gay community. A Spanish language version of the “The Devil…” (“El diablo te mandó a Laredo”) was released at the same time as the English one.
1979 saw the album “Colours” and the separately-recorded single “Eins plus eins ist eins”, released to mark the United Nations' International Year of the Child and celebrate the 20th anniversary of the UN adoption of the Declaration of the Rights of the Child.
Baccara's fourth and final album (in the band's original incarnation) was “Bad Boys”, released in 1981. By this time the disco sound had been overshadowed by newer music movements (such as punk, new wave and synthpop) in much of Europe and interest was largely confined to those countries where the duo had an established fan base, notably Germany. The album was not released in the UK or US.
Baccara have been (possibly unfairly) described as “one hit wonder” in the UK, while they never achieved any recognition in the US despite some of their songs being given significant airplay. One music critic suggested that the Baccara formula lacked artistic depth but had been “mined for all it was worth” over two years until public interest moved on to other things.[10] The same critic also drew attention to an element of “anti-feminist subservience” in the lyrics of some Baccara songs.
The 1980 single release of “Sleepy-Time-Toy” led to disagreement within Baccara over the vocal mix used. Mendiola complained that her voice was not given sufficient prominence in the song's arrangement and sued RCA for breach of contract.[11] A court hearing in Munich resulted in 250,000 records being recalled from dealers. The dispute fatally damaged relationships. One consequence of this was that Soja and Dostal were not involved with Baccara's final album. The duo recorded “Bad Boys” with Bruce Baxter and Graham Sacher. Neither the album nor its spin-off single “Colorado” were successful. In 1981, after RCA declined to renew their contract, Mateos and Mendiola ended their professional partnership and both launched solo careers.
By 1983 both artists had released albums of their own – Mateos with “Spanish Dreams” and Mendiola with “Born Again” – which saw moderate success amongst Baccara's original fan base. However there remained a demand for Baccara's music, particularly on the European television circuit, and by the middle of the decade both Mateos and Mendiola had formed their own versions of Baccara with new singing partners. Despite a series of name and line-up changes, both Baccara duos continue to perform around Europe and have released new albums. Both have also made re-recordings of their hits for various minor record labels, which are regularly re-packaged and re-issued under the original Baccara name. However, the original song versions (those recorded between 1977 and 1981) remain the property of Sony-BMG, which holds the rights to the RCA back catalogue.
On the occasion of Baccara's 30th Anniversary, Sony-BMG Germany released a very complete 3 CD box set on August 31 2007. This collection includes 50 RCA original recordings. Several songs such as “Mad In Madrid”, “Amoureux”, “Baila tú”, “En el año 2000”, “Eins plus eins ist eins” and “Candido” made their debut on CD.
Bad Boys
Baccara Lyrics
We have lyrics for 'Bad Boys' by these artists:
(Gloria Estefan &) The Miami Sound Machine Bad bad, bad, bad boy, you make me feel so…
1458 Bring the noise, bring the noise Will Smith, Martin Lawrence…
2Pac - Makeveli 8 Yeah, what it is Man it's your boy Young Noble man We…
2rbina 2rista Работал продавцом, имея крайне буйный нрав И о профессии меч…
A Baffled Republic Why, why, why, why Why, why, why, why Why, why, why, why Wh…
Ace One for my dawg yea Two in the gun Three times a…
Alain Souchon Elle porte un sweat à capuche grise Des piercings, une jupe…
Alexandra Burke (Bad boys, bad boys) Alexandra, girl, I know what you like (…
Alexandra Burke feat. Flo Rida (Bad boys, bad boys) Alexandra, girl, I know what you like …
b a (Boys) (Girls) 어저껜 꽤나 길게 전활 해놓고 눈을 피해 겨우 짧은 인사뿐인걸 늘 연결이…
Baby Cham Feat. Tia Jean Dear Mummy Dear Daddy You have plans for me Oh yeah I …
Bad Boys [Intro:] [Puff] Bad boy baby, We the last standin' check the…
Baffled Republic Why, why, why, why Why, why, why, why Why, why, why, why Wh…
Barrington Levy/Shyne Now tell me who want to fuck with us? Ashes to…
Biggie and Puffy Hi, heard you liked bad boys, well I got some…
Bob Marley Uhh! Bad Boys.. Watcha want, watcha want, watcha gonna do?…
Bob Marley - Bad Boys [Intro:] [Puff] Bad boy baby, We the last standin' check the…
Brevis (Mad) boys, bad boys Whatcha gonna do Whatcha gonna do When …
Brożas Wiemy że życie przemija pewne rzeczy się nie zmienią Przyjaź…
Buddy & Kent Jamz Ay Chanel Call my phone real quick (This weed smell good) So…
Burke Alexandra (Bad boys, bad boys) Alexandra, girl, I know what you like (…
Cardiknox Bad boys Calling all the bad boys Stay the night I know you…
Cast Of Victorious All the rules you break Make me wanna run, but I…
Cats In Boots Somethin′s tellin me I better saddle up News is blowin' in,…
Cham Dear Mummy Dear Daddy You have plans for me Oh yeah I …
Chimora My boys my boys boys we are the bad boys My…
Cierra Ramirez I probably should find a nice guy White picket fence, play…
Cobra DS [verse 1] Fuck what you want im big concrette Feeling numbe…
Cornamusa Some bad boys in the city So bad and what a…
Crew 7 feat. Soul Bros Bad boys,, whatcha gonna do? Bad boys,, whatcha gonna do? B…
D-Tune & H.U.P.D. Bad Boys on the club Bad Boys come with me Raise your…
D.J. Disco Dance Letra: Dan la talla nunca fallan y estalla el fiestón la ge…
Dead-Line She's a little red wine, he's a little bit of…
Diddy/Murphy Lee/Nelly Ayo, you ready? Let's do it? Mm, yeah Yeah Whoa-whoa, ah Com…
Dj Ex-One He's a bad boy And all my girls keep on tellin'…
Dr.Dre feat.Eminem I don't need (I don't need I don't need) I don't…
Drum and Bass Ba Boy CHORUS Bad boy bad Yes I'm Bad boy bad Can you…
dusty He was never voted "Most Likely to Succeed" But still he…
E.T.M. Shawdy pull up to the bad boy (Bad boy) Said she…
Elly Ess & Vybz Kartel Weh so much a dem a go man? Mi nuh know…
Farid Bang Uh-uh-uh-uh-uh-uh Früher macht' ich keine Frauen klar und h…
Fiddler's Green My old teacher, even the preacher Told us that we were…
Formosa B-B-B-Bad Boys Bad Boys in the town To rock, spread the sou…
Gemitaiz PK Lei non vuole stare con te, no, no (no) Vuole un…
George Michael Woo-woo Dear Mummy, dear Daddy, you had plans for me Oh yeah…
George Michael and Andrew Ridgeley Woo-woo Dear mummy, dear daddy, You had plans forme, I was y…
George Michael and Wham! Woo-woo Dear mummy, dear daddy, You had plans for me, I was…
Gloria Estefan Bad bad, bad, bad boy, you make me feel so…
Gloria Estefan Miami Sound Machine Bad boy, bad boy Bad boy, bad boy Boys will be boys,…
Great White (Kendall, Russell, Holland, Black, Niven) young boy a hard …
Haze feat SAS Bad boy, t'es qu'un putain d'bad boy Bad boy, tu mérites…
Helen St. John Bad bad boy You're drivin' me crazy Bad bad boy Shame on you…
I-Mara He's a bad boy And all my girls keep on tellin'…
IAM feat Fonky Family Chaud comme Marseille, on vous met le feu Le cœur de…
Inna Hit me up boy, listen to my heartbeat Oh, oh I…
Inner Circle Bad Boys! What'cha want? What'cha want? What'cha gonna do wh…
Inner Circle - Bad Boys (What You Gonna Do) Bad boys Whatcha want, watcha want Whatcha gonna do When she…
Inner Circle Feat. Tek Huh! Bad boys! What'cha want? What'cha want? What'cha gon…
INNER CIRCLE/PURE MOTION Bad boys Whatcha want, watcha want Whatcha gonna do When she…
Jah Ben. I He's a bad boy And all my girls keep on tellin'…
Jahtones Bad boys Whatcha want, watcha want Whatcha gonna do When she…
Jaswed Feel like I'm chosen Oh my god, im on the top,…
JAY Z & The Notorious B.I.G. Intro: BIG (Puffy) (Uh-uh, yea) (I want a remix again) (I t…
John Sykes I Know You, You Know Me I'm The Black Sheep Of…
Josh Dorr HIS SIDE OF THE TRACKS ARE RUSTED|HER MOMMY AND DADDY…
Kano / Craig David Check.,. Im down for the chicks out in the strip club…
Karl & Lewis So sweet she like The way I smell like a candy If…
Kent Jamz Ay Chanel Call my phone real quick (This weed smell good) So…
Ketama126 PK Lei non vuole stare con te, no, no (no) Vuole un…
KITCHEN - Wham! Woo-woo Dear mummy, dear daddy, You had plans for me, I was…
La Fouine Au clair de la lune prête moi ton ziful (fusil), Que…
Leona Lewis Bad boy that's your name But tell me what's your game You…
Lewis 立ちっぱなしの BAD BOY 立ちっぱなしの BAD BOY その瞳がいいわ 仕草もあつい 過去が気になる ムードもい…
Lilly Ahlberg I've got a problem, it's easy to see I let the…
Logan Murrell I put on that blue dress cuz you said you…
M.A.S.E. Shawdy pull up to the bad boy (Bad boy) Said she…
Mark Mancina & Nick Glennie-Smith The pear-shaped toe Oh, sing sweet nightingale Sing sweet n…
Mase & P. Diddy (Puff) Bad Boy... we ain't gon' stop Verse One: Mase…
MC S.A.V I ain’t messing with a bad boy no I ain’t messing…
McAuley Schenker Group Never Enough, never enough, It's too little for me Cry wolf…
McAuley-Schenker Group Never Enough, never enough , It's too little for me Cry wolf…
McAuley-Schenker-Group Never Enough, never enough, It's too little for me Cry wolf…
Miami Sound Machine Bad boy, bad boy Bad boy, bad boy Boys will be boys,…
Miami Sound Machine [www.hugoteacher.blogspot.com] Bad boy bad boy Boys will be boys Always get so restless …
Michael Schenker Group Never Enough, never enough, It's too little for me Cry wolf…
Midi Maxi Bad bad boys aha yeah ah ha, yeah ah ha, ah…
MikhMakh Step aside! We have arrived We are more fearsome than Bonnie…
MLC Au clair de la lune prête moi ton ziful (fusil), Que…
Moonkey Estribillo: Goa Ahora me odias mejor, yeah Solos tú y yo, va…
Most Wanted Deejays Bad boys, bad boys whatcha want Whatcha gonna do when sherri…
Nelly & P. Diddy (Puff) Bad Boy... we ain't gon' stop Verse One: Mase…
No Face No Case We're bad boys and that's just how it is Don't give…
Ofelia K You polish every word that you say Make ‘em sound perfect Ho…
P. Diddy (Puff Daddy) I like a girl with a big old a** 'Cause…
Pearl Jozefzoon Some people call them players But I'm far from terrified Cos…
Peter Criss Criss-Roberge I met a lady dressed in black She sure loo…
PIVOT Gang I don't got her number I don't got her number Up and…
Pop Smoke Ah, rr, ayy, ayy, ayy, woo Grrt, bah, lemme see some When…
Pretty Maids Saturday night The kids are back Ready to fight Ready fo…
Priya Hemesh & Geetha Madhuri Sree ramudu lanti gunvanthudu.soumyudu.eka patni vratudu maa…
Rahul Dit-O (Boys) (Girls) 어저껜 꽤나 길게 전활 해놓고 눈을 피해 겨우 짧은 인사뿐인걸 늘 연결이…
Reggae Beat Bad boys Whatcha want, watcha want Whatcha gonna do When she…
Ritu Pathak Earl Baby Take It Easy Jaane Jaan Aaja Sang Udhale Rang…
Saxon Step right up and ring the bell This carousel's going strai…
Sexy Zone Bad boys oh wow Bad boys yeah yeah yeah (yeah) Bad…
SHOW-YA カッコだけの 流行すたりが 今日も 人を 狂わせる 見えない糸 君をあやつる誰かが 声を 殺し 笑ってる ストレスに 神…
Shyne Now tell me who want to fuck with us? Ashes to…
Shyne (ft Barrington Levy) Now tell me who want to fuck with us? Ashes to…
Shyne feat Barrington Levy Now tell me who want to fuck with us? Ashes to…
Soul Bros Bad boys,, whatcha gonna do? Bad boys,, whatcha gonna do? B…
Stormzy Stanaman, he's told me a couple stories about you I'm not…
Stormzy feat. Ghetts & J Hus I know, my cousin Stanaman, he's told me a couple…
Stormzy Ghetts J Hus Stanaman, he's told me a couple stories about you I'm not…
Summer Cem Uh-uh-uh-uh-uh-uh Früher macht' ich keine Frauen klar und h…
T.x.T (Oh!) Whoa-whoa, whoa-whoa (whoa-oh!) (Oh!) Whoa-whoa, whoa-…
Tamara Bubble I just want the bad boys (Bad) boys boys (Bad) Bad…
The Bad Boys [Intro:] [Puff] Bad boy baby, We the last standin' check the…
The Coppers Bad boys, whatcha want Watcha want, whatcha gonna do? When s…
The Jamaican Reggae Boys UH! Bad boys watcha gon, watcha gon, watcha gonna do? When…
The S.C.U.M. Drop that b***** don't fall imma hit that VVS n***** hold…
The Starlite Singers I don't want no fly guy I just want a shy…
The T.V. Band [Intro:] [Puff] Bad boy baby, We the last standin' check the…
the thomas Yeah, uh, uh Turn me up a little bit Yeah kid, Harlem…
Tia Jean Dear Mummy Dear Daddy You have plans for me Oh yeah I …
Tommy Tysper And The Kids Cómo te llama señorita It's so very nice to meet ya I…
Tout de suite sur Frequence3 : Alexandra Burke & Flo Rida (Bad boys, bad boys) Alexandra, girl, I know what you like (…
Tungevaag Raaban Rolled up sleeves and a 24k smile to match his red…
Twenty & Powerflow Mais quelle est la vie d'un caïd de Dakar? Tous célèbrent…
Twisted Sister So we look kinda weird to you Well how do you…
Various Artists Bad Day(壞天氣) Where is the moment we needed the most You kick…
Victoria Justice All the rules you break Make me wanna run, but I…
Victorious Cast All the rules you break Make me wanna run, but I…
Wham! Woo-woo Dear mummy, dear daddy, You had plans for me, I was…
Whitesnake I know you, you know me I'm the black sheep of…
Will Smith - Bad Boys [Intro:] [Puff] Bad boy baby, We the last standin' check the…
Youngan Flippa Will Smith and Martin Lawrence, I′m a bad boy Went and…
Zara Larsson Ohhh Ohh Ohhh Ohhh Ohhhh Ohhhh Ohhh Ohh Ohhh Ohhh Ohhhh…
Райда Бегал по делам, за что ты меня взял? Слышал, люди любят…
♫ Inner Circle Bad boys Whatcha want, watcha want Whatcha gonna do When she…
ポップ・スモーク [feat. Obasi Jackson] Ah, rr, ayy, ayy, ayy, woo Grrt, bah, lemme see some When…
We have lyrics for these tracks by Baccara:
Adelita Si Adelita se fuera con otro Le seguirías la huella sin…
Amoureux La la la... Nuit sur les zones et je dis oui Quand…
Ay I thought I loved a tailor man, Until I saw the…
Baby Why Don't You Reach Out? / Light My Fire Baby, why don't you reach out ? Why don't you, maybe,…
Body Talk I like him (I like him) I'd give him something I…
By 1999 Ecstasy, that's how I feel you feel for me But loving…
Call Me U Call me Up You came to me- a shadow in the…
Call me Up Call me Up You came to me- a shadow in the…
Can Mister Your eyes are full of hesitation Sure makes me wond…
Can't Help Falling In Love Wise men say Only fools rush in But I can't…
Cara Mia Take him in, who's warm and gentle Confidential, sentimental…
Carino Carino Fuerte carino Carino Fuerte carino I'll miss your sm…
Colorado I was only seventeen Just a small town beauty queen When a…
Darling Postcards from Amsterdam, Phone calls from Birmingham, To te…
Devil Sent to Laredo I still remember the piano Playing the same old melodies The…
Don Don't play me a symphony A simple song will do Diamond rin…
Don't Play Me a Symphonie Don't play me a symphony A simple song will do Diamond ring…
Don't Play Me a Symphony Don't play me a symphony A simple song will do Diamond rings…
El Diablo te mando a Laredo Como recuerdo aquel piano Su melancolica canción La multitud…
Feel Me Come on girl with your Sexy sway and disco party Haa haa…
For You For you, for only you I'd like to do so much…
Gimme More Come on girl with your Sexy sway and disco party Haa haa…
Granada Granada,tierra ensangrentada en tardes de toros; Mujier que…
Heart Body And Soul Oooh yeah! Oooh yeah! Heart, body and soul Youve got to giv…
Koochie-Koo Koochie Koo! Never heard about it? Well listen! When do you…
La Bamba Oye, pero qué ritmo, no? Ya empezamos Ay, qué ritmo Nos h…
Light My Fire Baby why don't you reach out? Why don't you maybe reach…
Love You Till I Die Love you till I die I think I'm really gonna love…
Mucho Mucho Baby when we touch Oh how it feel so romantic Dancing clos…
My Kisses Need a Cavalier Since I've looked at you I know we could do Things I've…
Number One Since I can remember I've been dreaming Dreams have been L…
Ohio Dreaming dreaming Boy I've spend my days and night times dr…
Parles-Vous Francais? Wow,hello, you are looking good, Mayte How was the island,…
Parlez Vous Français Wow,hello, you are looking good, Mayte How was the island,…
Parlez- Vous Francais Wow,hello, you are looking good, Mayte How was the island,…
Parlez-Vous Francais Wow,hello, you are looking good, Mayte How was the island,…
Perlez-vous Francais Wow,hello, you are looking good, Mayte How was the island,…
Somewhere in a Paradise The sun is low, It's time to go Gone are the peaceful…
Sorry I Ooh here comes that man again Something in the way he…
Sorry Im A Lady Ooh here comes that man again Something in the way he…
Sorry I´m a lady Ooh here comes that man again Something in the way he…
Sorry, I'm a Lady Hooy here comes that man again something in the way he moves…
Soy tu Venus Aah Aaah-aah-aaah Aah Aaah-aah-aaah One more night A pure d…
Spend the Night Don't wanna go out dancing Don't wanna see the lights Don't …
The Clapping Song Three six nine, the goose drank wine. The monkey chew tobacc…
The Devil Send You to Laredo I still remember the piano Playing the same old melodies The…
The Devil Send You to Lorado I still remember the piano Playing the same old melodies T…
The Devil Sent You To Laredo I still remember the piano Playing the same old melodies The…
The Devil Sent You to Lorado [Rolf Soja/Frank Dostal] I still remember the piano Playing…
Torero Todo el amor te doy Que te hace falta Se…
Touch Me Some kind of magic in your eyes, tells me its…
Why Don't You Reach Out Baby, why don't you reach out ? Why don't you, maybe,…
Why Don't You Reach Out? / Light My Fire Baby why don't you reach out? Why don't you maybe reach…
Woman To Woman You and I We love the same guy Don't it make you…
Yammy Yammy Yammy I got love in my tummy And I feel like a-lovin'…
Yes Sir Mister Your eyes are full of hesitation Sure makes me wonder…
Yes Sir Can Boogie Mister Your eyes are full of hesitation Sure makes me wond…
Yes Sir I can Boggie Mister Your eyes are full of hesitation Sure makes me wonder…
Yes Sir I Can Boogie www.djwitek.prv.pl Mister Your eyes are full of hesitation Sure makes me wond…
Yes Sir I Can Boogie '99 Mister Your eyes are full of hesitation Sure makes me wonder…
Yes Sir I Can Boogie Mister Your eyes are full of hesitation Sure makes me wond…
Yes Sir I Can Buggi Mister Your eyes are full of hesitation Sure makes me wonder…
Yes Sir Ican boogie Mister Your eyes are full of hesitation Sure makes me wond…
Yes Sir, I Can Boogie Mister, Your eyes are full of hesitation, Sure makes me wond…
Yes Sir, I Can Boogie (2005 remix) Mister, your eyes are full of hesitation Sure make me wonder…
Yes, Sir I Can Boogie Mister Your eyes are full of hesitation Sure makes me wonder…
Yummy I got love in my tummy And I feel like a-lovin'…
Yummy Yummy Yummy I got love in my tummy And I feel like a-lovin'…
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Robert Riley
Whenever i hear this song it sounds like it would be good background for a montage in a movie surprised it's never been used. Has a great 80s vibe to it.
David Davies
This song has a special place in Darrell and my hearts well done BACCARA you will have a special place in both our hearts and Darrell and I are up there we will share some Moet and Chandon with you and a laugh......thankx
64214Jose
👏🏻👏🏻🌹🌹😻😻
Denon1970
María Mendiola, te echaré mucho de menos DEP
Robert Riley
This cats ah nobodys fool..... i don't
Mistake to know who's