In 1977, Bragg formed the punk rock/pub rock band Riff Raff, and toured London's pubs and clubs. The band released a series of singles, which did not receive wide exposure. He also worked in Guy Norris Records in Barking. Bragg became disillusioned with his music career, and in May 1981 joined the British Army as a recruit destined for the Queen's Royal Irish Hussars of the Royal Armoured Corps. After three months, he bought his way out of the army for £175 and returned home, having attended basic training but having never served in a regiment as a soldier.
Bragg began performing frequent concerts and busking around London, playing solo with an electric guitar. His roadie at the time was Andy Kershaw, who became a BBC DJ (Bragg and Kershaw later, in 1989, appeared in an episode of the BBC TV programme, Great Journeys, in which they travelled the Silver Road from Potosí, Bolivia, to the Pacific coast at Arica, Chile). Bragg performing at South by Southwest in 2008.
Bragg's demo tape initially got no response from the record industry, but by pretending to be a television repair man, he got into the office of Charisma Records' A&R man Peter Jenner. Jenner liked the tape, but the company was near bankruptcy and had no budget to sign new artists. Bragg got an offer to record more demos for a music publisher, so Jenner agreed to release them as a record. Life's a Riot with Spy Vs. Spy was released in July 1983 by Charisma's new imprint, Utility. Hearing DJ John Peel mention on-air that he was hungry, Bragg rushed to the BBC with a mushroom biryani, so Peel played a song from Life's a Riot with Spy Vs. Spy although at the wrong speed (since the 12" LP was, unconventionally, cut to play at 45rpm). Peel insisted he would have played the song even without the biryani and later played it at the correct speed.
Within months, Charisma had been taken over by Virgin Records and Jenner, who had been laid off, became Bragg's manager. Stiff Records' press officer Andy Macdonald – who was setting up his own record label, Go! Discs – received a copy of Life's a Riot with Spy Vs. Spy. He made Virgin an offer and the album was re-released on Go! Discs in November 1983.[citation needed] In 1984, he released Brewing Up with Billy Bragg, a mixture of political songs (e.g., "It Says Here") and songs of unrequited love (e.g., "The Saturday Boy"). The following year he released Between the Wars, an EP of political songs that included a cover version of Leon Rosselson's "The World Turned Upside Down" – the EP made the top 20 of the UK Singles Chart and earned Bragg an appearance on Top of the Pops. Bragg later collaborated with Rosselson on the song, "Ballad of the Spycatcher". In 1985, his song "A New England", with an additional verse, became a Top 10 hit in the UK for Kirsty MacColl. After MacColl's early death, Bragg always sang the extra verse in her honour. In 1984–1985 he toured North America.
In 1986, Bragg released Talking with the Taxman about Poetry, which became his first Top 10 album. Its title is taken from a poem by Vladimir Mayakovsky and a translated version of the poem was printed on the record's inner sleeve. Back to Basics is a 1987 collection of his first three releases: Life's A Riot With Spy Vs. Spy, Brewing Up with Billy Bragg, and the Between The Wars EP. Bragg released his fourth album, Workers Playtime, in September 1988. With this album, Bragg added a backing band and accompaniment.
In May 1990, Bragg released the political mini-LP, The Internationale. The songs were, in part, a return to his solo guitar style, but some songs featured more complicated arrangements and included a brass band. The album paid tribute to one of Bragg's influences with the song, "I Dreamed I Saw Phil Ochs Last Night", which is an adapted version of Earl Robinson's song, "I Dreamed I Saw Joe Hill Last Night", itself an adaptation of a poem by Alfred Hayes.
The album Don't Try This at Home was released in September 1991, and included the song, "Sexuality", which reached the UK Singles Chart. Bragg had been persuaded by Go! Discs' Andy and Juliet Macdonald to sign a four-album deal with a million pound advance, and a promise to promote the album with singles and videos.[citation needed] This gamble was not rewarded with extra sales, and the situation put the company in financial difficulty. In exchange for ending the contract early and repaying a large amount of the advance, Bragg regained all rights to his back catalogue.[citation needed] Bragg continued to promote the album with his backing band, The Red Stars, which included his Riff Raff colleague and long-time roadie, Wiggy.
Bragg released the album William Bloke in 1996 after taking time off to help raise his son. Around that time, Nora Guthrie (daughter of American folk artist Woody Guthrie) asked Bragg to set some of her father's unrecorded lyrics to music. The result was a collaboration with the band Wilco and Natalie Merchant (with whom Bragg had worked previously). They released the album Mermaid Avenue in 1998, and Mermaid Avenue Vol. II in 2000. A rift with Wilco over mixing and sequencing the album led to Bragg recruiting his own band, The Blokes, to promote the album. The Blokes included keyboardist Ian McLagan, who had been a member of Bragg's boyhood heroes The Faces. The documentary film Man in the Sand depicts the roles of Nora Guthrie, Bragg, and Wilco in the creation of the Mermaid Avenue albums.
In 2004, Bragg joined Florida ska-punk band Less Than Jake to perform a version of 'The Brightest Bulb Has Burned Out' for the Rock Against Bush compilation.
At the 2005 Beautiful Days Festival in Devon, Bragg teamed up with the Levellers to perform a short set of songs by or associated with The Clash in celebration of Joe Strummer's birthday. Bragg performed guitar and lead vocals on "Police and Thieves", and performed guitar and backing vocals on "English Civil War", and "Police on my Back".
In 2007, Bragg moved closer to his English folk music roots by joining the WOMAD-inspired collective The Imagined Village, who recorded an album of updated versions of traditional English songs and dances and toured through that autumn. Bragg released his album Mr. Love & Justice in March 2008. This was the second Bragg album to be named after a book by Colin MacInnes. In 2008, during the NME Awards ceremony, Bragg sang a duet with British solo act Kate Nash. They mixed up their two greatest hits, Nash playing "Foundations", and Bragg redoing his "A New England". Bragg also collaborated with the poet and playwright, Patrick Jones, who supported Bragg's Tour.
In 2008, Bragg played a small role in Stuart Bamforth's film "A13: Road Movie". Bragg is featured alongside union reps, vicars, burger van chefs and Members of Parliament in a film that explored "the overlooked, the hidden and the disregarded."
He was involved in the play Pressure Drop at the Wellcome Collection in London in April and May 2010. The production, written by Mick Gorden, and billed as "part play, part gig, part installation", featured new songs by Bragg. He performed during the play with his band, and acted as compere.
Bragg curated the Leftfield stage at Glastonbury Festival 2010.
He took part in the Bush Theatre's 2011 project Sixty Six where he has written a piece based upon a chapter of the King James Bible.
Bragg performed a set of the Guthrie songs that he had set to music for Mermaid Avenue during the Hay Literary Festival in June 2012. Mermaid Avenue Vol. III and Mermaid Avenue: The Complete Sessions were also released in early 2012.
On 18 March 2013, Bragg released his latest studio album, five years since Mr. Love & Justice, titled Tooth And Nail. It featured 11 original songs, including one written for the Bush Theatre, and a Woody Guthrie cover. Stylistically, it continues to explore genres of Americana (music) and Alternative country, both of which he has said he has been playing and writing regularly since Mermaid Avenue (1998).
In November 2017, he released all six tracks from the mini-album Bridges Not Walls as downloads and CD through the Billy Bragg website and other sellers, followed by the single Full English Brexit through Cooking Vinyl.
He'll Go Down
Billy Bragg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Resurrected his interest
Clouds so swift, the rain won't lift
He'll wait for you when you change your shift
And he'll go down, he'll drag you on the ground
He'll panic you into attack
He'll tape your calls and play them back (he'll go down)
And he'll go down, he'll drag you on the ground
He'll go down
He'll offer you pretty balloons
They'll burst before they've played a tune (he'll go down)
Oh please don't wear that satin dress
And don't give him your home address
'Cause he'll go down, he'll drag you on the ground
He plays a high fast mighty game (he'll go down)
It always ends up just the same (he'll go down)
Your welcome will be worn out
Your suspicions will be borne out
And he'll go down, he'll drag you on the ground
(He'll go down)
He'll go down
He'll drag you on the ground
He'll go down
He'll drag you on the ground
He'll go down
The song "He'll Go Down" by Billy Bragg and The Blokes is a cautionary tale about a manipulative and abusive person who will do whatever it takes to get what they want. The lyrics describe this person as "drop-dead gorgeous" and someone who has "resurrected his interest," suggesting that they have a history together. However, the rest of the lyrics suggest that this person is not someone to be trusted.
The line "clouds so swift, the rain won't lift" implies a sense of foreboding, and the next line "he'll wait for you when you change your shift" suggests that this person is always watching and waiting for the right moment to strike. The chorus, "he'll go down, he'll drag you on the ground," further emphasizes the danger of being involved with this person.
The verses describe some of the tactics this person may use, such as taping phone calls and playing them back to create panic and desperation in their victim. They may also offer empty promises or gifts that will ultimately disappoint. The repeated refrain of "he'll go down" at the end implies that there will eventually be consequences for this person's actions.
Overall, "He'll Go Down" is a powerful exploration of the dynamics of abusive relationships, and a warning to listeners to stay vigilant and protect themselves from those who would do them harm.
Line by Line Meaning
Drop-dead gorgeous and the rest
This person is extremely attractive, with all other qualities being secondary
Resurrected his interest
He became interested once again
Clouds so swift, the rain won't lift
The storm is severe and is not going to dissipate anytime soon
He'll wait for you when you change your shift
He will patiently wait for the opportune moment when the person is most vulnerable
And he'll go down, he'll drag you on the ground
He will take you down with him, forcefully and without remorse
He'll panic you into attack
He will instill a sense of fear and cause the person to react defensively
He'll tape your calls and play them back (he'll go down)
He will record conversations in secret and use them to manipulate or harm the person
And the next thing you'll be knowing your desperation will be showing
The person will feel increasingly desperate and vulnerable, which will become apparent to others
He'll go down, he'll drag you on the ground
He will take you down with him, forcefully and without remorse
He'll offer you pretty balloons
He will tempt you with superficial offerings
They'll burst before they've played a tune (he'll go down)
His promises and offerings will prove to be empty and meaningless
Oh please don't wear that satin dress
He will try to control the person's appearance and choices
And don't give him your home address
He cannot be trusted with personal information or access to private spaces
'Cause he'll go down, he'll drag you on the ground
He will take you down with him, forcefully and without remorse
He plays a high fast mighty game (he'll go down)
He engages in manipulative behavior that appears powerful and impressive but is ultimately destructive
It always ends up just the same (he'll go down)
His behavior is predictable and has negative consequences
Your welcome will be worn out
His presence will become unwelcome over time
Your suspicions will be borne out
The person's suspicions about his intentions will be confirmed over time
And he'll go down, he'll drag you on the ground
He will take you down with him, forcefully and without remorse
(He'll go down)
He will not succeed in his manipulative efforts over the long term
He'll go down
He will not succeed in his manipulative efforts over the long term
He'll drag you on the ground
He will force others to suffer the consequences of his actions
He'll go down
He will not succeed in his manipulative efforts over the long term
He'll drag you on the ground
He will force others to suffer the consequences of his actions
He'll go down
He will not succeed in his manipulative efforts over the long term
Lyrics © O/B/O APRA AMCOS
Written by: Billy Bragg
Lyrics Licensed & Provided by LyricFind