Born into a poor family in Maceió (capital of Alagoas, Northeast Brazil), Djavan formed the group Luz, Som, Dimensão (LSD - "Light, Sound, Dimension"), playing Beatles covers. In 1973 Djavan moved to Rio de Janeiro and started singing in local nightclubs. After competing in several festivals he gained attention and recorded the album A Voz, o Violão e a Arte de Djavan in 1976. The album included the song "Flor de Lis" which became one of his most memorable hits. Albums that followed included his other musical influence, African music, and additional hits followed like "Açaí", "Sina" and "Samurai", which featured Stevie Wonder's harmonica. His best known compositions are: "Meu Bem Querer", "Oceano", "Faltando um Pedaço", "Esquinas", "Seduzir", "Pétala", "Lilás", "A Ilha", "Fato Consumado", "Álibi", "Azul" and "Serrado".
His songs have been recorded by Al Jarreau, Carmen McRae, The Manhattan Transfer, and, in Brazil by Gal Costa, Dori Caymmi, Nana Caymmi, Lenine, João Bosco, Chico Buarque, Daniela Mercury, Ney Matogrosso, Dominguinhos, Caetano Veloso, Maria Bethânia, Johnny Alf, and other artists. The 1988 Epic Records single, "Stephen's Kingdom", featured a guest appearance from Stevie Wonder.
In 1999, his live concert double-volume album, Ao Vivo, has sold 1.2 million copies and the song, "Acelerou" became the Best Brazilian song of the year at 2000 Latin Grammy Awards.
http://en.wikipedia.org/wiki/Djavan
Dor E Prata
Djavan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Prata é lei
Dor é nylon bis
Amor é vidro
Eu e Deus
Crescer é como trair
De repente amanhecer
Viver é mais que crescer
É querer achar o fim
Do saber, da lei, da vida
Do nada
De tudo, de si
Pão é ouro
Prata é lei
Dor é nailon bis
Amor é vidro
Eu e deus
Crescer é como trair
De repente amanhecer
Já na hora de partir pra vida
Viver é mais que crescer
É querer achar o fim
Do saber, da lei, da vida
Do nada
De tudo, de si
In these lyrics, Djavan reflects on the various facets of life and how they all interconnect. He starts by stating that bread is like gold, and silver is like law - emphasizing their importance and value in society. Then he compares pain to nylon, a synthetic material known for its strength and durability - suggesting that pain can be overwhelming and prolonged. Finally, he compares love to glass, highlighting its fragility and potential for breakage.
The second verse discusses the inevitability of growth and change, using the metaphor of "trading" one's old self for a new one. Djavan acknowledges the difficulty of this process, but emphasizes the importance of embracing it and moving forward. He then expands on the idea of "living" versus simply "growing" - suggesting that true living involves seeking knowledge and understanding of oneself, of the world, and of the laws by which we live.
Overall, this song is a meditation on the complexities of life and the journey towards self-knowledge and growth. Djavan's use of metaphors highlights the different aspects of life and their interconnectedness.
Line by Line Meaning
Pão é ouro
Bread is invaluable.
Prata é lei
Silver is a symbol of power and authority.
Dor é nylon bis
Pain is a temporary and synthetic feeling that can be overcome.
Amor é vidro
Love is fragile and can easily be shattered.
Eu e Deus
I am nothing without God.
Crescer é como trair
Growing up is like betraying the innocence and naivety of childhood.
De repente amanhecer
Suddenly, a new day begins.
Já na hora de partir pra vida
It's already time to embark on the journey of life.
Viver é mais que crescer
Living is more than just growing up.
É querer achar o fim
Do saber, da lei, da vida
Do nada
De tudo, de si
It's about seeking the answers to the end of knowledge, law, life, nothingness, everything, and oneself.
Contributed by Anna V. Suggest a correction in the comments below.