Alfred Éric Leslie Satie (Honfleur, 17 May 1866–Paris, 1 July 1925) was a F… Read Full Bio ↴Alfred Éric Leslie Satie (Honfleur, 17 May 1866–Paris, 1 July 1925) was a French composer, pianist, and writer.
Over the years, Erik Satie was described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism, and ambient music. As well as taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in a film, in 1924's Entr'acte by the French filmmaker René Clair.
Satie appears to have been the avant-garde to half of the avant-garde movements of the twentieth century. He was in contact with Tristan Tzara, the initiator of the Dada movement. He got to know the other Dadaists, such as Francis Picabia (later to become a Surrealist), André Derain, Marcel Duchamp and Man Ray. Satie contributed to the Dadaist publication 391. In the first months of 1922, he was surprised to find himself entangled in the argument between Tzara and André Breton. Satie originally sided with Tzara, but managed to maintain friendly relations with most players in both camps.
Satie is today regarded as a key modernist composer. As well as influencing contemporaries such as Claude Debussy, who orchestrated two of Satie's Gymnopédies, Maurice Ravel, and a group of composers known as the Les Six, his tendency towards simplicity and repetition continue to inform modern avant-garde genres.
Over the years, Erik Satie was described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism, and ambient music. As well as taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in a film, in 1924's Entr'acte by the French filmmaker René Clair.
Satie appears to have been the avant-garde to half of the avant-garde movements of the twentieth century. He was in contact with Tristan Tzara, the initiator of the Dada movement. He got to know the other Dadaists, such as Francis Picabia (later to become a Surrealist), André Derain, Marcel Duchamp and Man Ray. Satie contributed to the Dadaist publication 391. In the first months of 1922, he was surprised to find himself entangled in the argument between Tzara and André Breton. Satie originally sided with Tzara, but managed to maintain friendly relations with most players in both camps.
Satie is today regarded as a key modernist composer. As well as influencing contemporaries such as Claude Debussy, who orchestrated two of Satie's Gymnopédies, Maurice Ravel, and a group of composers known as the Les Six, his tendency towards simplicity and repetition continue to inform modern avant-garde genres.
Brahms: Rhapsody in G minor Op.79 No.2
Erik Satie Lyrics
We have lyrics for these tracks by Erik Satie:
Je te Veux Valse Ik begrijp dat je twijfelt Dit is te mooi Je zei ooit…
Je te Veux: Valse Ik begrijp dat je twijfelt Dit is te mooi Je zei ooit…
Sports et divertissements: 21. Le Tennis Dahulu terasa indah Tak ingin lupakan Bermesraan s′lalu jadi…
Variations on Je Te Veux Ik begrijp dat je twijfelt Dit is te mooi Je zei ooit…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Sergei Rachmaninov
I've never heard a song in G minor that sounded so happy. beautiful.
nix2025
song?
Eliza
@Hunter lol
Hunter
@Emperor Jimmu the comment was written by Rachmaninoff himself, what did you expect? 😂
Will Ortiz
As I have already mentioned, your musical choices are wonderful. I enjoy all the performances you feature. Best regards...Will
Balla Arnold
Classical music is underrated
Dylonely
Way too
Chris Shelvin
Thanks so much for this piece it's one of my favorites, and please do rachmaninoff's moment musicaux no. 4 that is my absolute favorite
Zeh Para
that's a pretty good piece, wow. Eitherway, would you consider doing slava makovsky's we are the champions arrangement?
Mark Aleksandr Filatov
Can you do the first movement of this piece as well please?