J-Live started his career by releasing solid 12" such as "Longevity", "Braggin' Writes", and "Hush the Crowd", which earned him a spot in The Source's "Unsigned Hype" column.
Recorded mostly at J's own Triple Threat Studios in Philadelphia, The Hear After actually seems to have taken on a life of its own. Guest vocalist on the album, include up and coming artist, Kola Rock, Cvees, and the soulful sounds of Virgin recording artist, Dwele. The album features production by Floyd the Locsmif (Atl), Hezekiah, James Poysner (Philly), Probe DMS, Fire Dept., (NYC), Oddisee (DC), and J-Live himself. "The title is a play on words. People think of the here after as the after life or somewhere you go when you die. Like heaven or hell. Me personally, I see heaven as being at peace with yourself while you're alive. I see hell as the path you choose in life as opposed to a place you go after death. The album is called The Hear After because I'm at peace with myself musically, and I've been through hell to get that way. This is what you "hear after" all that has transpired so far. This is what I've been working to accomplish since the last album."
Like J's last two full length records, The Best Part and All of the Above, The Hear After covers a wide range of thoughts and emotions both musically and with its subject matter. "If you were to look at the whole thing, you would see a story line about an artist trying to maintain and expand his career and still be there for his family. That was the biggest struggle while making the record, and its no coincidence that it's a theme that becomes obvious listening to it. But there are songs about almost every aspect of my life from growing up in the city, to raising kids, touring heavy, building and teaching, politics, party and bullshit. I can't just spit about one thing for a whole record. That's not my style."
J-Live has been rhyming and mixing since the age of 12 but he has made much more of a name for himself as an MC than as a DJ. "I definitely focus on rhyming more. Growing up doing both it was easier on the pockets to be an MC. Records and equipment can get expensive. But I love spinning." One of the highlights of his entertaining live show is when he rhymes and beat juggles on the turntables simultaneously, performing his classic, "Braggin' Writes." J-Live is also known to produce beats.
J-Live has always used music to get his messages across. He explains, "I grew up listening to everything from BDP to NWA, to PE [[artist]Public Enemy], Slick Rick, Big Daddy Kane, Nice and Smooth. Whether the music was pimped out, gangsta, militant or whatever, rappers had something important to say to kids like me. And I listened intently. As a 5%er, I can't imagine how much of an influence hip hop had on the way I see the world."
Case in point, J's favorite song on the album, "Audio Visual" is so descriptive it's a song "in 3-D". From the quirky, key accents to the thick-ass bottom running throughout the song, J-Live paints a colorful, picture of his life on and off the mic. "Brooklyn Public" is his ode to his days as an educator. Earlier in his career, J-Live taught middle school English/Language Arts in Brooklyn for a few years.
Making music for the walkmans as well as the Jeeps, J-Live made a mature, sonically sophisticated album. "I feel like I represent hip hop's middle class. Seems like everybody's either crying broke or screaming rich or both. I try to speak to the people in between. The everyday hard working fun loving hip hop heads."
Year Formed: 1995
Official Site: http://www.j-livemusic.com/
Stir of Echoes
J-Live Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ayo, the hotter the summer, the cooler the fall
The lesser you stress her, the quicker she call
Now whether you short, or whether she tall
The later you bust, the louder she bawl
Now that was for them, this is for y'all
The more for the little store, the less for the mall
The smarter your plan, the better for all
United we stand, divided we fall
The quicker they come, the harder they fall
You straddle defense, pickin' a brawl
You loved by none, hated by all
See eloquent words, never the wise
Keeping it simple, teaching it real
Live by the sword, die by the sword
Swinging for justice, fuck how you feel
Rappers with deals, tuck in they shines
Fuck the chains, I'm talkin' 'bout rhymes
Maybe they got 'em and maybe they don't
Maybe they spit 'em and maybe they won't
Nevertheless, fuckin' with mine
Never the best, better with time
Movin' the body, sparkin' the mind
Keepin' the real heads pressin' rewind
[Hook]
I feel good! Ahoooooooo! About Hip-Hop! (x4)
I feel good!
[Verse 2]
Ayo, you feelin' the song, you happy it's yours
You diggin' the cadence, you heard it before
You know it's the freak for many emcees
Maybe ya Kool Keith or maybe it's Breeze
Maybe ya Flava Flav or maybe it's Meli Mel
Or Maybe it's Run or maybe it's L.L.
I'm makin' it mine, ya dissin' it fine
Don't take it too personal, it's only a rhyme
A minute has passed, a sucker was born
One minute you're here, next minute you're gone
If you can predict the shit I'ma say
Initial my name, you know that it's justice
I saw your mistake, don't take it too far
Take kindness for weakness, the man for a star
With either extreme, you're mentally dead,
Take heed to the words, J-Live has just spoken
Ya did it again, you thought I was jokin'
You tryin' to fix, but you know it is broken
You need to sit back, nod your head to the track
And check out the lyrics so you can react
Like this!
[Hook]
[Interlude - Woman Speaking]
Okay, just relax, get very comfortable
Relax, trust me, close your eyes, now just listen for a moment
Listen to the sounds of the room around you
Remember that you are in a studio, a recording studio,
With your name on one mat
You're in the mic booth, you look around
It's one huge empty mic booth
You notice that the walls are painted in black
The mic is black, the windows tinted black
And all you can see is a very old computer screen
Five letters flashing on and off
You can barely see what the letters spell
You lean closer to the screen, the letters become clearer
And the word is rhyme
[Verse 3]
Ayo I'm trapped in the mind of a mad man literally
It's not a metaphor kid, pay attention
Reporting to you live from this first dimension
In the real crowded room, I just want some attention
And since you lack the bright, like high beams at night
The silence of the noise is deafenin' to hear
My lack long vision is the jack of a position
But I can't tell if I'm in the front of the rear
Formless I don't know if I'm a circle or square
Let alone solid liquid or air
I'm completing myself
But can't confirm or deny if I'm actually here
That's quite a fucked-up predicament, yeah
I fell at home but I gotta escape
This paradox in a box, I'm intent to solve this mystery
I'm made up of dreams and nightmares
Soliloquies, dialogues, arguments
Fantasies, memories, imagery, symmetry, alcohol, history
Love, life, death, joy, remorse and sympathy
Actions, wishes, reactin' and hopin'
But everytime the beat comes the door opens
The out-of-our-body experience is showing me
Jettin' from the exit, the entrance, the outlet
I'm strapplin' through veins, blood vessels and muscle tissue
Till it goes pitch black, and I still don't know if I'm out yet
I wake up from the blackout, finish with the race
Confined in a two-dimensional blank space
Looking back on my original birth place
Now taking the shape of a young black face
Parts of my physical erased and replaced
What was sight and sound is now feel and taste
I **tal a fruit punch laced with toothpaste
I'm shot from a cannon with amazing grace
My identity revealed with the mystery solved
I see my purpose in life as I travel through time
Ridin' the beat through audio wires recording venaire
Waves hit your minds, I'm a J-Live rhyme
The lyrics of J-Live's song "Stir of Echoes" are rapped with an intense and reflective tone, presenting insightful observations of life, society, and the rap industry. The first verse makes use of metaphors to express the value of simplicity over complexity, the importance of planning ahead, and the strength of unity. The hook is a repeated exclamation of how good it feels to be immersed in hip-hop culture. In the second verse, the lyrics acknowledge the roots of rap music and its diverse range of influences and artists. J-Live infuses personal commentary, encouraging listeners to appreciate the art of rhyme, respect different styles, and avoid taking things too seriously. The last verse is a surreal, introspective stream of consciousness, depicting a journey through different dimensions, self-discovery, and the power of creative expression.
Line by Line Meaning
Ayo, the hotter the summer, the cooler the fall
The more difficulty you face, the greater the relief and calm that follows
The lesser you stress her, the quicker she call
The less pressure you put on someone, the more likely they are to respond
Now whether you short, or whether she tall
Regardless of physical differences between people
The later you bust, the louder she bawl
The longer you wait to achieve something, the more impactful and dramatic the result
Now that was for them, this is for y'all
The previous lines were addressing specific individuals, now the focus is on the audience as a whole
The more for the little store, the less for the mall
Supporting small businesses benefits the community more than supporting large corporations
The smarter your plan, the better for all
Having intelligent and well-thought-out plans benefits everyone involved
You fail in the plan, you plannin' to fall
If you don't succeed in executing your plans, you are setting yourself up for failure
United we stand, divided we fall
When people come together and work together, they are stronger than when they are divided
The quicker they come, the harder they fall
The more rapidly something or someone rises to power, the more significant their downfall will be
You straddle defense, pickin' a brawl
Being defensive and looking for conflict
You loved by none, hated by all
Feeling unloved and disliked by everyone around
See eloquent words, never the wise
Simply speaking intelligently doesn't necessarily equate to wisdom
Keeping it simple, teaching it real
Choosing simplicity in communication to convey genuine and truthful messages
Live by the sword, die by the sword
The consequences of one's actions will come back to them
Swinging for justice, fuck how you feel
Fighting for what is right and fair, regardless of others' opinions or emotions
Rappers with deals, tuck in they shines
Successful rappers prioritize their craft and skills over material possessions
Fuck the chains, I'm talkin' 'bout rhymes
Emphasizing the importance of lyrical content and skill over flashy jewelry or status symbols
Maybe they got 'em and maybe they don't
Some rappers may possess the skills, while others may not
Maybe they spit 'em and maybe they won't
Some rappers may choose to showcase their skills, while others may not
Nevertheless, fuckin' with mine
Regardless of others' opinions or actions, the artist's work should be respected
Never the best, better with time
While not claiming to be the absolute best, the artist believes they continually improve over time
Movin' the body, sparkin' the mind
The music evokes physical movement and stimulates the mind intellectually
Keepin' the real heads pressin' rewind
Appealing to genuine hip-hop enthusiasts who appreciate the art and replay the music
I feel good! Ahoooooooo! About Hip-Hop! (x4)
Expressing a positive and enthusiastic feeling towards hip-hop
Ayo, you feelin' the song, you happy it's yours
If you're enjoying and connecting with the song, you feel a sense of ownership and happiness
You diggin' the cadence, you heard it before
Appreciating the rhythm and flow of the song, possibly recognizing the familiar style
You know it's the freak for many emcees
Acknowledging that the song's uniqueness and quality appeals to a wide range of rappers
Maybe ya Kool Keith or maybe it's Breeze
Referencing well-known emcees with distinctive styles
Maybe ya Flava Flav or maybe it's Meli Mel
Referencing influential hip-hop figures from the past
Or Maybe it's Run or maybe it's L.L.
Mentioning iconic artists from hip-hop history
I'm makin' it mine, ya dissin' it fine
Taking ownership of the song, accepting criticism with indifference
Don't take it too personal, it's only a rhyme
Encouraging listeners to not take lyrics personally, as they are just part of an artistic expression
A minute has passed, a sucker was born
Time has moved on, implying that someone foolish has come into existence
One minute you're here, next minute you're gone
Life is unpredictable and can change rapidly
If you can predict the shit I'ma say
The artist challenges anyone who claims to know what they will say next
Initial my name, you know that it's justice
By using the singer's initials, one can associate them with the pursuit of fairness and righteousness
I saw your mistake, don't take it too far
The singer noticed someone's error, advising them not to dwell on it excessively
Take kindness for weakness, the man for a star
Mistaking someone's kindness as a sign of weakness and underestimating their abilities
With either extreme, you're mentally dead
Adopting extreme viewpoints or thoughts can lead to closed-mindedness and intellectual stagnation
Take heed to the words, J-Live has just spoken
Paying attention and considering the message conveyed by J-Live's words
Ya did it again, you thought I was jokin'
Repeating past mistakes, underestimating the singer's seriousness
You tryin' to fix, but you know it is broken
Attempting to repair a situation or relationship that is already damaged and beyond repair
You need to sit back, nod your head to the track
Taking a step back, appreciating the music, and reflecting on it
And check out the lyrics so you can react
Examining the lyrics and responding to them in one's own way
[Interlude - Woman Speaking]
Transitioning to a spoken interlude featuring a woman's voice in the recording studio
Okay, just relax, get very comfortable
Encouraging the listener to calm down and get into a relaxed state
Relax, trust me, close your eyes, now just listen for a moment
Advising the listener to trust the artist, close their eyes, and focus on the music and words
Listen to the sounds of the room around you
Drawing attention to the ambient sounds in the room, creating a sense of immersion
Remember that you are in a studio, a recording studio
Reminding the listener of their physical location and the nature of the recording
With your name on one mat
A personalized mat in the studio, indicating their presence and involvement in the recording
You're in the mic booth, you look around
The listener is situated inside the soundproof microphone booth, exploring their surroundings
It's one huge empty mic booth
The mic booth is devoid of other objects or people, emphasizing solitude and focus
You notice that the walls are painted in black
Observing the black walls of the booth, creating a sense of isolation and intensity
The mic is black, the windows tinted black
Describing the color scheme of the microphone and the tinted windows, enhancing the atmosphere
And all you can see is a very old computer screen
The only visible object is an old computer screen, adding to the vintage and nostalgic vibes
Five letters flashing on and off
A sequence of five letters repeatedly illuminating and darkening on the screen
You can barely see what the letters spell
The letters are difficult to discern, creating an air of mystery
You lean closer to the screen, the letters become clearer
The listener leans towards the screen, allowing the letters to become more legible
And the word is rhyme
The letters form the word 'rhyme,' linking back to the art form of hip-hop and the focus on lyricism in the song
Ayo I'm trapped in the mind of a mad man literally
The singer feels confined within their own mind, which is chaotic and unpredictable
It's not a metaphor kid, pay attention
Emphasizing that this is not a figurative expression but a literal description of their state of mind
Reporting to you live from this first dimension
Presenting their experiences and thoughts as if broadcasting from a different reality or dimension
In the real crowded room, I just want some attention
Despite being in a crowded place, the artist desires recognition and acknowledgement from others
And since you lack the bright, like high beams at night
Addressing individuals who lack intelligence or understanding
The silence of the noise is deafenin' to hear
Despite the surrounding noise, the silence and lack of understanding is more disturbing and noticeable
My lack long vision is the jack of a position
The singer's limited foresight puts them in a disadvantageous position
But I can't tell if I'm in the front of the rear
The artist is unsure of their location and relevance in relation to others
Formless I don't know if I'm a circle or square
Feeling shapeless, uncertain, and lacking a defined identity
Let alone solid liquid or air
Not having a clear substance or tangible form
I'm completing myself
Attempting to define and understand oneself fully
But can't confirm or deny if I'm actually here
Having doubts about one's existence and the reality of their presence
That's quite a fucked-up predicament, yeah
Acknowledging the challenging and unsettling situation the singer finds themselves in
I fell at home but I gotta escape
Feeling comfortable yet compelled to break free from their current state of mind
This paradox in a box, I'm intent to solve this mystery
Determinedly trying to resolve and understand the contradictory nature of their situation
I'm made up of dreams and nightmares
Composed of both positive aspirations and fears
Soliloquies, dialogues, arguments
Engaging in internal conversations and debates within their mind
Fantasies, memories, imagery, symmetry, alcohol, history
A diverse range of thoughts and influences that shape their perception and understanding
Love, life, death, joy, remorse and sympathy
Various emotions and experiences that contribute to their complex mental state
Actions, wishes, reactin' and hopin'
Engaging in actions, expressing desires, and responding to external stimuli
But everytime the beat comes the door opens
When the music begins, a sense of opportunity and creativity arises
The out-of-our-body experience is showing me
Feeling disconnected from oneself, gaining different perspectives and insights
Jettin' from the exit, the entrance, the outlet
Moving swiftly between different points, exploring various aspects of their mind
I'm strapplin' through veins, blood vessels and muscle tissue
Metaphorically traveling through the inner workings of the body, exploring its complexity
Till it goes pitch black, and I still don't know if I'm out yet
Continuing the journey through darkness and uncertainty, unsure of reaching an endpoint
I wake up from the blackout, finish with the race
Emerging from the confusion and chaos, completing a personal journey or struggle
Confined in a two-dimensional blank space
Feeling limited and constrained within a flat and featureless environment
Looking back on my original birth place
Reflecting on one's roots and origins
Now taking the shape of a young black face
Manifesting as a black person, symbolizing identity and representation
Parts of my physical erased and replaced
Having aspects of one's physical appearance changed or altered
What was sight and sound is now feel and taste
Experiencing the world primarily through touch and taste, shifting sensory perception
I **tal a fruit punch laced with toothpaste
Describing a peculiar and unexpected combination of flavors, representing unusual experiences
I'm shot from a cannon with amazing grace
Moving forward explosively and gracefully, propelled by determination and talent
My identity revealed with the mystery solved
Understanding and embracing one's true identity after unraveling the enigma within
I see my purpose in life as I travel through time
Finding meaning and direction in their existence as they journey through different moments and phases
Ridin' the beat through audio wires recording venaire
Picturing the flow of music travelling through cables and capturing the essence of the moment being recorded
Waves hit your minds, I'm a J-Live rhyme
The singer's words resonate and impact the listener's thoughts and consciousness, representing J-Live's artistry
Contributed by James K. Suggest a correction in the comments below.