http://www.myspace.com/joeandwillask
http://www.joeandwillask.com/
Joe and Will met in 2005, both coming from very different musical backgrounds. Joe was releasing drum and bass 12” records while Will came from the hard house and trance scenes. Their name describes their relentless passion to constantly explore genres of music, and represent their different influences within their own characteristic sound that they have become so well known for. Read Full Biohttp://www.myspace.com/joeandwillask
http://www.joeandwillask.com/
Joe and Will met in 2005, both coming from very different musical backgrounds. Joe was releasing drum and bass 12” records while Will came from the hard house and trance scenes. Their name describes their relentless passion to constantly explore genres of music, and represent their different influences within their own characteristic sound that they have become so well known for.
They started collaborating in 2007, and almost immediately drew attention from local DJs at respected nights such as Trash, as well as club promoters and indie labels. Their residencies at underground club nights soon moved into playing at some of the hottest nights in London; Matter, Trailer Trash, Durrr, Club NME, Boombox, Scala, Ministry of Sound, the Egg to name a few, as well as gigs across the UK, Berlin, Florence, Milan, Budapest, Bucharest, Lille, and Ghent..
Meanwhile their productions have been equally well received. Coming across with dirt and cutting edge production and an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, they win over fans from the band/ indie scene, as easily as diehard clubbers. They inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to SoulWax, Chemical Brothers, DIM and Popof.
The duo signed to Andrew Friendly’s Gulp Communications in 2008, and have released three EPs worth of material, appearing in the Cool Cuts Chart, and bringing a wide fanbase to themselves including Brodinski who said “My favourite producers of the moment”, Kris Menace, Vicarious Bliss, Casper C, Acid Jacks, AutoKratz, Dark Globe, Jody Wisternoff, Cazals, Matik, Virgin Tears to name a few. They went on to remix a wide array of artists, from the highly blogged Mystery Jets remix, to La Roux on Kitsune/Polydor, Revolver (EMI), The Bell, Jupiters Heroes, Acid Girls, Revolver, Franz & Shape, Division Kent (Sony), Circuit Freq, Milke and Atomizer. There are many other remixes in progress for the likes of Ministry of Sound, and EMI’s new priority band ‘Hockey.’
Joe and Will perform live, as well as DJing. As DJs they are adaptable who like to play to any crowd but their heart lies in techno and minimal on big systems. Live, their setup consists of the pair playing a set of their own material using laptops and midi controllers. The set is hard, and energetic with a balance of musicality to win over the indie crowds as easily as the techno crowds, hailing back to the start of warehouse rave with it’s raw energy and fist pumping breakdowns. Just witness the indie crowd at Club NME go absolutely mental to two lads behind laptops, and you quickly realise this is music that’s connecting on a primal level, with enough raw energy, guts and musicality to win over virtually any audience. And therein lies the answer to what Joe and Will asked.
http://www.joeandwillask.com/
Joe and Will met in 2005, both coming from very different musical backgrounds. Joe was releasing drum and bass 12” records while Will came from the hard house and trance scenes. Their name describes their relentless passion to constantly explore genres of music, and represent their different influences within their own characteristic sound that they have become so well known for. Read Full Biohttp://www.myspace.com/joeandwillask
http://www.joeandwillask.com/
Joe and Will met in 2005, both coming from very different musical backgrounds. Joe was releasing drum and bass 12” records while Will came from the hard house and trance scenes. Their name describes their relentless passion to constantly explore genres of music, and represent their different influences within their own characteristic sound that they have become so well known for.
They started collaborating in 2007, and almost immediately drew attention from local DJs at respected nights such as Trash, as well as club promoters and indie labels. Their residencies at underground club nights soon moved into playing at some of the hottest nights in London; Matter, Trailer Trash, Durrr, Club NME, Boombox, Scala, Ministry of Sound, the Egg to name a few, as well as gigs across the UK, Berlin, Florence, Milan, Budapest, Bucharest, Lille, and Ghent..
Meanwhile their productions have been equally well received. Coming across with dirt and cutting edge production and an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, they win over fans from the band/ indie scene, as easily as diehard clubbers. They inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to SoulWax, Chemical Brothers, DIM and Popof.
The duo signed to Andrew Friendly’s Gulp Communications in 2008, and have released three EPs worth of material, appearing in the Cool Cuts Chart, and bringing a wide fanbase to themselves including Brodinski who said “My favourite producers of the moment”, Kris Menace, Vicarious Bliss, Casper C, Acid Jacks, AutoKratz, Dark Globe, Jody Wisternoff, Cazals, Matik, Virgin Tears to name a few. They went on to remix a wide array of artists, from the highly blogged Mystery Jets remix, to La Roux on Kitsune/Polydor, Revolver (EMI), The Bell, Jupiters Heroes, Acid Girls, Revolver, Franz & Shape, Division Kent (Sony), Circuit Freq, Milke and Atomizer. There are many other remixes in progress for the likes of Ministry of Sound, and EMI’s new priority band ‘Hockey.’
Joe and Will perform live, as well as DJing. As DJs they are adaptable who like to play to any crowd but their heart lies in techno and minimal on big systems. Live, their setup consists of the pair playing a set of their own material using laptops and midi controllers. The set is hard, and energetic with a balance of musicality to win over the indie crowds as easily as the techno crowds, hailing back to the start of warehouse rave with it’s raw energy and fist pumping breakdowns. Just witness the indie crowd at Club NME go absolutely mental to two lads behind laptops, and you quickly realise this is music that’s connecting on a primal level, with enough raw energy, guts and musicality to win over virtually any audience. And therein lies the answer to what Joe and Will asked.
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Lose It
Joe and Will Ask? Lyrics
We have lyrics for 'Lose It' by these artists:
Air Don't lose it, don't lose it I won't come home 'Cause you…
Alex Greenwald Yeah, I said too much again Yeah, I pushed too hard…
Atreyu Standing on the edge, Battle in my head, I'm dying to know…
Austra Don't wanna lose you, don't wanna lose Don't wanna lose you,…
Austra [OST "Lost girl"] Don’t wanna lose you Don’t wanna lose Don’t wanna lose yo…
Ben Alessi Baby you a wild, wild one like that Got ya sippin…
Ben l'Oncle Soul Everyday you're on my mind But I can't get away from…
Cartel Well it's that time It's that time again Well it's all com…
Charli Baltimore Uh huh, yeah, yeah Uh huh, yeah, Storch Uh, uh huh, yeah …
ExEDE She's keep me waiting, Keeping it vacant, all her attention,…
Flume Put away your inhibitions Let the beast in you just get…
Flume & Vic Mensa Put away your inhibitions Let the beast in you just get…
French Montana feat. Lil Wayne & Rick Ross What’s Gucci my nigga? What’s Louis my killa? I feel like I…
Jozeemo I got chickens looking at me from the left and…
Kane Brown Yeah That lit up, ringing, buzzing good-for-nothin' phone i…
Little Brother [Jozeemo] I got chickens looking at me from the left and…
Little Jackie Exercise your right to enjoy life, you don't need an invitat…
MADEINTYO Oh Yeah, yeah, yeah, yeah, yeah I'm bout to lose it, oh I'm…
Mark Ronson Yeah, I said too much again Yeah, I pushed too hard…
Mark Ronson The Business Intl Yeah, I said too much again Yeah, I pushed too hard…
Mohombi Like a champion, be a champion When we lose it, aha! We…
Oh Wonder Downtown we let it go Sunset high and our bodies low Blood…
Oh Wonder (Jerry Folk Remix) Downtown we let it go Sunset high and our bodies low Blood…
Quavo Yeah, she lookin' like a movie, yeah (Woo, bad, yeah) I…
Sebastian Mikael You're here and tryina hold it together, You wanna let it…
Supergrass Don't lose it, don't lose it I won't come home 'Cause you…
SWMRS When I first saw you I made a mixtape I didn't…
The Business Intl Mark Ronson Yeah, I said too much again Yeah, I pushed too hard…
The Cartel Well it's that time It's that time again Well it's all com…
Tiffany Gouche When I first saw you All my love came crashing down I…
We have lyrics for these tracks by Joe and Will Ask?:
Single You might have seen me hangin' 'round I never miss one…
Warm it Up When a train comes, I don't know what to do I'm…
The lyrics can frequently be found in the comments below, by filtering for lyric videos or browsing the comments in the different videos below.
EDENSmusic
Imagine being in a room with all four of these legends
Tyler DeMamiel
The key is to pretend like you don't know them because hey they might be tryna prank u lol
monkz.nguyen9 BONE DUST
I would make them all laugh actually ..LOL
Sarahlovee
Dream come true
ZenDerPyx
ype
KK_GAMER 117
If they came in i would probably look at them with wide eyes and then look away and try to play it cool, then when they start doing ridiculous things i would probably lose it and start laughing to the point where i couldn't breathe XD
cellphonekid2
“It’s fine Tonka“ is one of the best moments in the history of the show.
Tachanka
tachanka
Taylor
@DustinIsCool Is it ever ok to say “nice boobies”? Yes. Is it ever ok to say “nice titties”? Also yes. As long as the word doesn’t refer to the female breasts.
Grant Alexander
I wish he would have said "tonks" instead, but it is a great moments.