Suite No. 1 in G Major for Solo Cello, BWV 1007: V. Menuet I - Menuet II
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 โ 28 July 1750) was a … Read Full Bio ↴Johann Sebastian Bach (31 March [O.S. 21 March] 1685 โ 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. Having become an orphan at age 10, he lived for five years with his eldest brother, after which he continued his musical formation in Lรผneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mรผhlhausen and, for longer stretches of time, at courts in Weimarโwhere he expanded his repertoire for the organโand Kรถthenโwhere he was mostly engaged with chamber music. From 1723 he was employed as Thomaskantor (cantor at St. Thomas) in Leipzig. He composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726 he published some of his keyboard and organ music. In Leipzig, as had happened in some of his earlier positions, he had a difficult relation with his employer, a situation that was little remedied when he was granted the title of court composer by the Elector of Saxony and King of Poland in 1736. In the last decades of his life he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750.
Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.
Throughout the 18th century Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals and websites exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including for instance the Air on the G String, and of recordings, for instance three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.
The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. Having become an orphan at age 10, he lived for five years with his eldest brother, after which he continued his musical formation in Lรผneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mรผhlhausen and, for longer stretches of time, at courts in Weimarโwhere he expanded his repertoire for the organโand Kรถthenโwhere he was mostly engaged with chamber music. From 1723 he was employed as Thomaskantor (cantor at St. Thomas) in Leipzig. He composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726 he published some of his keyboard and organ music. In Leipzig, as had happened in some of his earlier positions, he had a difficult relation with his employer, a situation that was little remedied when he was granted the title of court composer by the Elector of Saxony and King of Poland in 1736. In the last decades of his life he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750.
Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.
Throughout the 18th century Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals and websites exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including for instance the Air on the G String, and of recordings, for instance three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.
Suite No. 1 in G Major for Solo Cello BWV 1007: V. Menuet I
Johann Sebastian Bach Lyrics
We have lyrics for these tracks by Johann Sebastian Bach:
Air Erbarme dich, mein Gott, um meiner Zรคhren willen! Schaue h…
Air on a G String C21 Miscellaneous Hanging on a String I can't sleep I'm inco…
Ave Maria Ave Maria (De Bach e Gounod) Ave Maria Gratia plena Domin…
Cantata "Christ lag in Todesbanden" BWV 4: 6. Versus 5: "Hier ist das rechte Osterlamm" ะกัะพะน! ะะพะบะฐ ะตัั ะฝะต ะฒัะบะปััะตะฝ ัะฒะตั ะฏ ั ะพัั ััะปััะฐัั ะพัะฒะตั ะกะบะฐะถะธ,…
Cantata "Du Hirte Israel hรถre" BWV 104: 1. Chor: Du Hirte Israel hรถre ะกัะพะน! ะะพะบะฐ ะตัั ะฝะต ะฒัะบะปััะตะฝ ัะฒะตั ะฏ ั ะพัั ััะปััะฐัั ะพัะฒะตั ะกะบะฐะถะธ,…
Cantata "Du Hirte Israel hรถre" BWV 104: 5. Arie: Beglรผckte Herde Jesu Schafe ะกัะพะน! ะะพะบะฐ ะตัั ะฝะต ะฒัะบะปััะตะฝ ัะฒะตั ะฏ ั ะพัั ััะปััะฐัั ะพัะฒะตั ะกะบะฐะถะธ,…
Cantata 147: Jesus bleibet meine Freude Jesus bleibet meine Freude Meines Herzens Trost und Saft Ju…
Choral: Herzliebster Jesu was hast du verbrochen I and II Herzliebster Jesu, was hast du verbrochen, Daร man …
Choral: Herzliebster Jesu, was hast du verbrochen I and II Herzliebster Jesu, was hast du verbrochen, Daร man …
Herz und Mund und Tat und Leben Herz und Mund und Tat und Leben Muss von Christo Zeugnis…
Jesu bleibet meine Freude Jesus bleibet meine Freude Meines Herzens Trost und Saft Ju…
Jesu Joy Of Man's Desiring Jesus, joy of man's desiring Holy wisdom, love most bright D…
Jesu meine Freude Jesus bleibet meine Freude Meines Herzens Trost und Saft Ju…
Jesu, Joy of Man's Desiring Jesus, joy of man's desiring Holy wisdom, love most bright D…
Jesus bleibet meine freud Jesus bleibet meine Freude Meines Herzens Trost und Saft Ju…
Jesus bleibet meine Freude Jesus bleibet meine Freude Meines Herzens Trost und Saft J…
Largo BWV 1056 Hope, can be misleading Just like the boy who falls in…
Mass in B minor BWV 232: I. Kyrie: Kyrie eleison Kyrie Eleison Kyrie Eleison Kyrie Eleison Kyrie Eleison Kyri…
ไธปใใไบบใฎๆใฟใฎๅใณใ (ๆไผใซใณใฟใผใฟใใ) ใคใจในใใ็งใใกใๆใๅใณใฎๆ นๆบ ่ใชใ็ฅๆตใใใฃใจใ่ผใใใๆ ใใชใใซๅผใๅฏใใใใ็งใใกใฎ้ญใฏ ๅงๅใฎๅ ใธๅฐใใใ…
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@jonec6496
Something about 2 just gives me chills every time...so good..thank you.
@wood-side-story
Such a beautiful cellist and her playing is exquisite ๐ถโค
@yebinolove5179
This sounds much better than I could ever play. Amazing ๐คฉ!!
@dperrico3
Bravissimo ๐ป๐ป
@jennamaykim9167
Beautiful playing. Thanks for uploading.
@Mandala84
Really nice and elegant ! Bravo ! Afterwards, It-s difficult for me to play this pieces... avec sรฉrรฉnitรฉ .! But i'am trying
@yetkinerdogan9859
Bravo amazing playing ๐๐๐๐
@art77cl
Stupendo!!!!โคโค
@ccavinod
Beautiful playing.
@revsolution
This is lovely!