1) John Towner Willi… Read Full Bio ↴There are at least five artists with this name;
1) John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. With a career spanning over six decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinematic history, including those of the Star Wars series, Jaws, Close Encounters of the Third Kind, Superman, E.T. the Extra-Terrestrial, the Indiana Jones series, the first two Home Alone films, Hook, the first two Jurassic Park films, Schindler's List, and the first three Harry Potter films. He has a very distinct sound that mixes romanticism, impressionism and atonal music with complex orchestration. The classical music critic Marcus Paus argues that Williams' "satisfying way of embodying complex dissonances and avant-garde techniques within a larger tonal framework" makes him "one of the great composers of any century".
Williams has been associated with director Steven Spielberg since 1974, composing music for all but three of his feature films. Other works by Williams include theme music for the 1984 Summer Olympic Games, NBC Sunday Night Football, "The Mission" theme used by NBC News and Seven News in Australia, the television series Lost in Space and Land of the Giants, and the incidental music for the first season of Gilligan's Island. Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops's principal conductor from 1980 to 1993, and is currently the orchestra's laureate conductor.
Williams has won 24 Grammy Awards, seven British Academy Film Awards, five Academy Awards, and four Golden Globe Awards. With 51 Academy Award nominations, Williams is the second most-nominated individual, after Walt Disney. In 2005, the American Film Institute selected Williams's score to 1977's Star Wars as the greatest American film score of all time. The soundtrack to Star Wars was additionally preserved by the Library of Congress into the National Recording Registry for being "culturally, historically, or aesthetically significant". Williams was inducted into the Hollywood Bowl's Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004 and the AFI Life Achievement Award in 2016. Williams composed the score for eight of the top 20 highest-grossing films at the U.S. box office (adjusted for inflation).
John Towner Williams was born on February 8, 1932 in Floral Park, New York, to Esther (née Towner) and Johnny Williams, a jazz percussionist who played with the Raymond Scott Quintet. Williams has said of his lineage, "My father was a Maine man—we were very close. My mother was from Boston. My father's parents ran a department store in Bangor, Maine, and my mother's father was a cabinetmaker. [...] People with those roots are not inclined to be lazy."
Williams married Barbara Ruick, an American actress and singer, in 1956. Together they had three children: Jennifer (b. 1956), Mark Towner Williams (b. 1958), and Joseph (b. 1960), who is the lead singer of Toto. The two remained married until her death in 1974. In 1980, Williams married Samantha Winslow, a photographer.
2) John Christopher Williams is a classical guitar player.
Born in Melbourne, Australia, on 24 April 1941, to an English father (Len Williams) and an Australian-Chinese mother, Williams was taught initially by his father. At the age of twelve he went to Italy to study under "The Maestro," Andrés Segovia. Later, he attended the Royal College of Music in London, studying piano because the school did not have a guitar department at the time. Upon graduation, he was offered the opportunity to create such a department. He seized the opportunity and ran it for the first two years. Williams has maintained links with the College (and with the Northern College in Manchester) ever since.
Williams is best known as a classical guitarist, but has explored many different musical traditions. He has collaborated with Julian Bream and Paco Peña and was a member of the fusion group Sky. He is also a composer and arranger.
Williams has commissioned guitar concertos from composers such as Stephen Dodgson, André Previn, Patrick Gowers, Richard Harvey, and Steve Gray. He has also worked with composers from his native Australia, including Phillip Houghton, Peter Sculthorpe, Ross Edwards (composer), and Nigel Westlake, to produce guitar works that capture the spirit of his homeland.
He enjoyed a worldwide hit single with his recording of Cavatina by Stanley Myers, used as the theme tune to the Oscar-winning film The Deer Hunter (1979). The piece had originally been written for piano, for another film ten years earlier, The Walking Stick (1970) but re-written for guitar and expanded by Myers at Williams' invitation. In 1973, Cleo Laine wrote lyrics and recorded the song "He Was Beautiful" accompanied by John Williams. A year later, it was a top-five UK hit single for Iris Williams (no relation).
At the invitation of producer Martin Lewis he created a highly acclaimed classical-rock fusion duet with celebrated rock guitarist Pete Townshend of Townshend's anthemic "Won't Get Fooled Again" for the 1979 Amnesty International benefit show The Secret Policeman's Ball. The duet was featured on the resulting album and the film version of the show – bringing Williams to the broader attention of the rock audience.
The relationship with Lewis led to Williams' classical-rock fusion band Sky being invited to give the first-ever rock concert to be held at Westminster Abbey – a benefit concert for Amnesty that Lewis produced in February 1981.
He is visiting professor at the Royal Academy of Music, London.
Williams and his artist wife Kathy Panama reside in London and Australia.
3) John Williams
John Williams is internationally regarded as one of the foremost players of Irish music today. With five All-Ireland titles to his credit, John is the only American-born competitor ever to win first place in the "senior concertina" category. His additional talents on flute, button accordion, bodhran, and piano distinguish him as a much sought after multi-instrumentalist in the acoustic scene around the world.
Born and raised on the Southwest Side of Chicago, John spent his summers during college on the Southwest coast of Ireland in his father’s village of Doolin, Co. Clare. Like Chicago, Doolin became a major musical crossroads for John and countless other local and international musicians to meet and exchange music. Gigging every night in the pubs of Doolin and Lisdoonvarna soon led to performances in Galway, Cork, Dublin, Belfast, Paris, Britanny, Zurich, and New York City (bio http://www.johnwilliamsmusic.com/bio.htm).
3) John Williams
A blues/jazz guitarist in Seattle, Washington, whose music is available at Magnatune.com (bio http://magnatune.com/artists/john_williams).
3) John Knowles Williams
An experimental/indie musician. Music is available at sweetnuthin.letsneverdie.net/Music/My_Recordings/ or www.myspace.com/JohnKWilliams.
Good Morning Blues
John Williams Lyrics
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Good morning heartache, thought we said goodbye last night
I turned and tossed until it seemed you had gone
But here you are with the dawn
Wish I'd forget you, but you're here to stay
It seems I met you when my love went away
Now everyday I start by saying to you
Stop haunting me now
Can't chase you no how
Just leave me alone
I've got those Monday blues
Straight through Sunday blues
Good morning heartache, here we go again
Good morning heartache, you're the one who knew me when
Might as well get used to you hanging around
Good morning heartache, sit down
Stop haunting me now
Can't chase you no how
Just leave me alone
I've got those Monday blues
Straight through Sunday blues
Good morning heartache, here we go again
Good morning heartache, you're the one who knew me when
Might as well get used to you hanging around
Good morning heartache, sit down
In "Good Morning Blues," John Williams captures the feeling of waking up to heartache and despair. The song begins with the singer acknowledging the presence of heartache, addressing it as a familiar and gloomy sight. However, there is a hint of surprise in the lyrics, as the singer believed they had said goodbye to heartache the previous night. The restlessness of the night is highlighted as the singer mentions tossing and turning, hoping to rid themselves of heartache, only to find it lingering with the dawn.
The second verse expresses the longing to forget heartache, but it remains a constant companion. The lyrics suggest that heartache entered the singer's life when their love went away, implying a connection between heartache and the end of a relationship. The repetition of "Good morning heartache, what's new" demonstrates a resigned acceptance of heartache's presence and a willingness to face it every day.
The bridge section emphasizes the singer's plea for heartache to leave them alone. They express the burden of heartache by referring to the "Monday blues" and the continuous sadness felt from Monday through Sunday. The repetition of "here we go again" and "might as well get used to you hanging around" further reinforce the idea that heartache is an unwelcome but persistent visitor in the singer's life.
Line by Line Meaning
Good morning heartache, you old gloomy sight
I am greeted by the familiar presence of heartache, a sad and depressing feeling that has been with me for a long time.
Good morning heartache, thought we said goodbye last night
I believed I had finally bid farewell to heartache, but it has returned as soon as the night ended.
I turned and tossed until it seemed you had gone
I tried to rid myself of heartache by tossing and turning in bed, hoping it would disappear.
But here you are with the dawn
However, heartache persists and greets me with the arrival of a new day.
Wish I'd forget you, but you're here to stay
I long to forget about heartache, but unfortunately, it is a constant companion that refuses to leave.
It seems I met you when my love went away
Heartache entered my life when my beloved departed, and it has remained by my side ever since.
Now everyday I start by saying to you
Each day begins with me acknowledging heartache's presence and addressing it directly.
Good morning heartache, what's new
I sarcastically greet heartache every morning, implying that I expect new ways for it to torment me.
Stop haunting me now
I plead for heartache to stop tormenting me, to no avail.
Can't chase you no how
No matter how hard I try, I cannot escape the grasp of heartache.
Just leave me alone
I desperately ask heartache to leave me in peace and stop causing me pain.
I've got those Monday blues
I am stuck in a state of sadness and melancholy, reminiscent of the gloominess often associated with Mondays.
Straight through Sunday blues
These blues persist throughout the entire week, extending from Sunday to Sunday.
Good morning heartache, here we go again
Once more, heartache greets me in the morning, signaling the beginning of another day full of emotional turmoil.
Good morning heartache, you're the one who knew me when
Heartache has been with me from the past, deeply understanding the pain I have experienced.
Might as well get used to you hanging around
Since heartache seems to be a constant presence in my life, I might as well accept its perpetual existence.
Good morning heartache, sit down
I acknowledge heartache's presence once again and suggest that it takes a seat, symbolizing my resignation to its presence.
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Ervin Drake, Dan Fisher, Irene Higginbotham Padellan
Lyrics Licensed & Provided by LyricFind