Tis Panagias Ta Krinakia
Kostas Makedonas Lyrics
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Κι εγώ πιάστηκα
Τι πόνο κρύβαν και καημό
Δε φαντάστηκα
Κορμί που πόθο λαχταρά
Μεσ το σώμα σου
Κουρελιασμένα μου πανιά
Μεσ το στρώμα σου
Χαρέσ κι ελπίδεσ μου
Τησ άνοιξησ που χάθηκαν
Τησ παναγίασ τα κρινάκια
Πωσ μαράθηκαν
Δαιμονισμένα θαύματα
Τα δυο χείλη σου
Φύκια στιλπνά ακρογιαλιάσ
Μπροσ στην πύλη σου
Κορμιά στησ άμμου το χαλί
Μεσ στ' αρώματα
Γεύση αρμύρασ το φιλί
Καίει τα χρώματα
These lyrics are from the song "Tis Panagias Ta Krinakia" by Kostas Makedonas. The song talks about the intense emotions and experiences the singer has with their loved one. Let's break down the lyrics into four long paragraphs for better understanding.
In the first paragraph, the lyrics describe the eyes of the loved one as two waves. The singer becomes captivated by them and gets drawn in. They express their surprise at the hidden pain and sorrow that the loved one conceals. The loved one's body is described as something that arouses desire, and the singer desires to be close to their body. The imagery of sails is used to depict the loved one's body, metaphorically suggesting movement and beauty.
The second paragraph mentions the singer's joy and hope that were lost during springtime. The reference to "Tis Panagias ta krinakia" refers to the lilies of the Virgin Mary, emphasizing their sacred nature. The singer implies that even these holy flowers wilted, highlighting the depth of their sorrow and disappointment.
Moving on to the third paragraph, the lyrics describe the loved one's lips as demon-like miracles. The mention of shiny algae by the shore signifies the allure and enchantment in their presence. The singer sees their bodies as a carpet on the sand, surrounded by delightful fragrances. The taste of saltiness in their kiss is emphasized, suggesting the intensity and passion of their connection, which has the power to ignite vibrant colors.
Overall, these lyrics explore the intensity of emotions and experiences shared between the singer and their loved one. They describe the captivating nature of the loved one's eyes and body, as well as the sorrow and disappointment that have affected the singer's sense of joy and hope. The powerful and passionate connection between the two is symbolized by the image of the loved one's lips and the taste of the sea in their kiss.
Line by Line Meaning
Δυο κύματα τα μάτια σου
Your eyes are like two waves
Κι εγώ πιάστηκα
And I got caught
Τι πόνο κρύβαν και καημό
What pain and sorrow they hide
Δε φαντάστηκα
I never imagined
Κορμί που πόθο λαχταρά
A body that longs for desire
Μεσ το σώμα σου
Within your body
Κουρελιασμένα μου πανιά
My sails torn apart
Μεσ το στρώμα σου
Inside your bed
Χαρέσ κι ελπίδεσ μου
My joy and hope
Τησ άνοιξησ που χάθηκαν
Lost in the spring
Τησ παναγίασ τα κρινάκια
The lilies of the Virgin Mary
Πωσ μαράθηκαν
How they withered
Δαιμονισμένα θαύματα
Enchanted miracles
Τα δυο χείλη σου
Your two lips
Φύκια στιλπνά ακρογιαλιάσ
Shiny seaweeds on the shore
Μπροσ στην πύλη σου
In front of your gate
Κορμιά στησ άμμου το χαλί
Bodies on the sand carpet
Μεσ στ' αρώματα
Amidst the scents
Γεύση αρμύρασ το φιλί
The taste of salt in the kiss
Καίει τα χρώματα
It burns the colors
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Χρήστος Καραστέργιος
Συγχαρητήρια για την σημαντική αυτή ερμηνεία!
Nina Kampouri
Πανέμορφο!
Anna Patounakis
This is beautiful! Can somebody please translate for the Ellinoamerikanakia? I only understand a little bit of it! Thank you!
Nina Kampouri
This is a love song.
"Hey, you, leader of the dancers listen:
Please, make the dance line fold up and spread again,
because I want to see how tall and elegant the dancing young girls are.
And I want to see the maiden I love,
to see who is holding her hand.
Oh, I see him, he is a neighbor , an enemy of mine!
Let him hold it and be happy
till the next Sunday
when I will be engaged to her...."
Νικολαος Ντριτσας
@Nina Kampouri αν ηξερες στ αληθεια το τραγουδι, αυτο ουσιαστικα ειναι τραγουδι ολοκαυτωματος, θανατου... ερωτικο αλλα, η ιστορια του ειναι πολυ βαρια απ τα αιματα...
george avras
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