The title track «Pangea» - the first single from their upcoming album - shows a band who can still write anthems in Norwegian, and that easily can play at both big festival stages and at small village parties.
Kråkesølv’s music is still anchored in two guitars, bass, drums and lyrics written in their own dialect. But this time they have forced themselves to paint with a broader brush. «Pangea» shows a band challenging staid frameworks, and they are moving into landscapes that bands like Dungen and Radiohead have plowed before. But, as always, Kråkesølv land safely on their own Northern Norwegian feet.
The reason why Kråkesølv now are taking a different direction than before, is mainly due to their producer, Lars Horntveth (Jaga Jazzist, Susanne Sundfør). In addition to producing, he has contributed in many ways, with giving good advice, with being a motivator and with playing instruments like piano, mellotron and vibraphone. Throughout the entire recording process, Horntveth has also been offering them fresh coffee and fiery cheers.
Their lyrics have the same melancholy character that has coloured Kråkesølv’s universe since their debut album, and they continue to make connections between interpersonal and universal matters.
Nådeløst klar
Kråkesølv Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
som føltes litt for sann
før ho stabla sæ på beinan
og skylte det ned med vann
ho lista sæ stille inn på badet
og granska sæ sjøl der ho sto
i lyset fra taklampa
og isinga fra flisan
visst va det fristanes å røm
sovevogn på første tog
og bare slumre sæ igjennom
nok en indre monolog
men hårstrikken satt liksom litt for stramt og
kroppen va så kvapsat og rar
ungan va våken i stua
og dagen lå der nådeløst klar
These lyrics from Kråkesølv's song "Nådeløst klar" tell the story of a woman waking up from a dream that felt too real. She slowly regains consciousness and struggles to get on her feet, finding solace in washing away her thoughts with water. She enters the bathroom quietly, examining herself in the mirror under the cold light of the overhead lamp.
The first paragraph sets the scene with the woman waking up from a dream that left her feeling unsettled. The dream was so vivid that it seemed more like reality, making it difficult for her to separate the two. As she gathers her wits, she pours water over herself, symbolically cleansing her mind and erasing the remnants of the dream. This act could also be interpreted as a way for her to ground herself in reality after a potentially confusing or distressing experience.
In the second paragraph, the woman tiptoes into the bathroom, possibly trying to avoid waking anyone else in the household. As she stands in front of the mirror, she scrutinizes herself, analyzing her appearance and perhaps searching for any visible traces of the dream or its impact on her. The dim light from the ceiling lamp and the frost on the bathroom tiles create a cold and detached atmosphere, emphasizing the woman's introspection and isolation in that moment.
The third paragraph introduces the temptation to escape from reality. The woman contemplates the allure of running away, catching the first train and escaping into the comfort of a sleeper car. This desire to flee could be seen as a way for her to evade the challenges and complexities of her waking life. However, reality pulls her back, as indicated by the uncomfortable tightness of the hair tie and the sensations of fatigue and oddity in her body. These physical sensations underline the contrast between her desire for escapism and the limitations and responsibilities she faces.
The final paragraph reveals that there is a child awake in the living room, signaling the woman's parental duties and the presence of everyday life pressing upon her. The day stretches ahead of her, unforgiving in its clarity. The adjective "nådeløst" meaning "relentless" or "unforgiving," suggests that the day holds challenges she must face head-on. Despite any desire to escape, she understands that she must confront the day and fulfill her duties, accepting the realities of her life that are now laid out before her.
Line by Line Meaning
Ho våkna sakte fra en drøm
She slowly woke up from a dream
som føltes litt for sann
that felt a bit too real
før ho stabla sæ på beinan
before she stumbled out of bed
og skylte det ned med vann
and washed it down with water
ho lista sæ stille inn på badet
she quietly tiptoed into the bathroom
og granska sæ sjøl der ho sto
and examined herself in the mirror
i lyset fra taklampa
in the light from the ceiling lamp
og isinga fra flisan
and the frost on the tiles
visst va det fristanes å røm
indeed it was tempting to escape
sovevogn på første tog
sleeper car on the first train
og bare slumre sæ igjennom
and just doze off
nok en indre monolog
another inner monologue
men hårstrikken satt liksom litt for stramt og
but the hair tie felt a bit too tight and
kroppen va så kvapsat og rar
the body felt weak and strange
ungan va våken i stua
the child was awake in the living room
og dagen lå der nådeløst klar
and the day lay there mercilessly clear
Lyrics © O/B/O APRA AMCOS
Written by: Kristoffer Magnus Nohr Unstad
Lyrics Licensed & Provided by LyricFind
Liudmila Fedorova
Denne sangen er så fantastisk! <3
Amalie-Marie Arvesen
we are blessed -
takk skal du ha, kråkesølv!
denne sangen er så fin!
Sıla Öztürk
what an awesome song❤️😍
neongul
Beste på nye skiva. Kristoffer sine låter er alltid de mest interessante.
Øyvind Liland
Veldig enig! - Det er noe ekstra med hans låter. Et litt eget univers av tekster og melodier, med en litt melankolsk skjørhet.
quantif1edlasagna
my favorite song from kråkesølv :)