Lena Mary Calhoun Horne (June 30, 1917 – May 9, 2010) was an American singe… Read Full Bio ↴Lena Mary Calhoun Horne (June 30, 1917 – May 9, 2010) was an American singer, actress, civil rights activist and dancer. She was born in Brooklyn, New York. She had recorded and performed extensively, both independently, and with other jazz notables, including Artie Shaw, Teddy Wilson, Billy Strayhorn, Duke Ellington, Charlie Barnet, Benny Carter, and Billy Eckstine.
In her biography she stated that on the day she was born, her father was in the midst of a card game trying to get money to pay the hospital costs. Her parents divorced while she was still a toddler. Her mother left later in order to find work as an actress and Lena was left in the care of her grandparents. When she was seven her mother returned and the two traveled around the state, which meant that Lena was enrolled in numerous schools (for a time she also attended schools in Florida, Georgia and Ohio). Later she returned to Brooklyn.
She quit school when she was 14 and got her first stage job at 16, dancing and later singing at the famed Cotton Club in Harlem (a renowned theatre in which black performers played before white audiences, immortalized in the film - The Cotton Club (1984)). She was in good hands at the club, especially when people such as Cab Calloway and Duke Ellington took her under their wings and helped her over the rough spots.
Before long her talent resulted in her playing before packed houses. If she had never made a film, her music career would have been enough to have ensured her legendary status in the entertainment industry, but films were icing on the cake. After she made an appearances on Broadway, Hollywood came calling.
At 21 years of age Lena made her first film, The Duke Is Tops (1938). It would be four more years before she appeared in another, Panama Hattie (1942), playing a singer in a nightclub. By now Lena had signed with MGM but, unfortunately for her, the pictures were shot so that her scenes could be cut out when they were shown in the South, since most theatres in the South refused to show films that portrayed blacks in anything other than subservient roles to whites, and most film studios did not want to take a chance on losing that particular source of revenue. Lena did not want to appear in those kinds of stereotyped roles (and who could blame her?).
In 1943 MGM loaned her to 20th Century-Fox to play the role of Selina Rogers in the all-black musical Stormy Weather (1943), which did extremely well at the box-office. Her rendition of the title song became a major hit on the musical charts. In 1943 she appeared in Cabin in the Sky (1943), regarded by many as one of the finest performances of her career. She played Georgia Brown opposite Ethel Waters and Eddie 'Rochester' Anderson in the all-black production. Rumours were rampant that she and Waters just did not get along well, although there was never any mention of the source of the alleged friction. That was not the only feud on that picture, however. Other cast members sniped at one another and it was a wonder the film was made at all. Regardless of the hostilities, the film was released to very good reviews from the ever tough critics. It went a long way in showing the depth of the talent that existed among black performers in Hollywood - especially Lena's.
Lena's musical career flourished, but her film career stagnated. Minor roles in films such as Boogie-Woogie Dream (1944), Words and Music (1948) and Mantan Messes Up (1946) did little to advance her film career, due mainly to the ingrained racist attitudes of the time (even at the height of Lena's musical career, she was often denied rooms at the very hotels in which she performed, because they would not let blacks stay there).
After Meet Me in Las Vegas (1956), Lena left films to concentrate on music and the stage. She returned in 1969, as Claire Quintana in Death of a Gunfighter (1969). Nine years later she returned to the screen again in the all-black musical The Wiz (1978), where she played Glinda the Good Witch. Although that was her last big-screen appearance, she stayed busy in television, appearing in "A Century of Women" (1994) and That's Entertainment! III (1994).
After leaving Hollywood in the1950's, Lena Horne established herself as one of the première nightclub performers of the post-war era. She headlined at clubs and hotels throughout the US, Canada and Europe, including the Sands Hotel in Las Vegas, the Cocoanut Grove in Los Angeles and the Waldorf-Astoria in New York. In 1957, a live album, entitled Lena Horne at the Waldorf-Astoria (At the Waldorf Astoria / At the Sands), became the largest selling record by a female artist in the history of the RCA-Victor label.
From the late 1950s through the 1960s, Horne was a staple of TV variety shows, appearing multiple times on Perry Como's Kraft Music Hall, Ed Sullivan, The Dean Martin Show and The Bell Telephone Hour. Other programs included, The Judy Garland Show, The Hollywood Palace and The Andy Williams Show. Besides two television specials for the BBC (later syndicated in the US), Horne starred in her own US television special in 1969, Monsanto Night Presents Lena Horne. In 1970, she co-starred with Harry Belafonte in the hour long "Harry & Lena" for ABC; in 1973, she co-starred with Tony Bennett in "Tony and Lena." Horne and Bennett subsequently toured the US and UK in a show together. A very memorable appearance was in the 1976 program "America Salutes Richard Rodgers," where she sang a lengthy medley of Rodgers songs with Peggy Lee and Vic Damone. Horne also made several appearances on The Flip Wilson Show.
Additionally, Horne played herself on television programs as The Muppet Show, Sesame Street, and Sanford and Son in the 1970s, as well as a 1985 performance on The Cosby Show and a 1993 appearance on A Different World.
In the summer of 1980, Lena Horne, 63 years old and intent on retiring from show business, embarked on a two month series of benefit concerts sponsored by Delta Sigma Theta. These concerts were represented as Horne's farewell tour, yet her retirement lasted less than a year.
In May 1981, The Nederlander Organization booked Lena Horne for a four week engagement at the newly named Nederlander Theatre (formerly the Trafalgar, the Billy Rose and the National) on West 41st Street in New York City. The show was an instant success and was extended to a full year run, garnering Horne a special Tony award, and two Grammy Awards for the cast recording of her show Lena Horne: The Lady and Her Music. The 333 performance Broadway run closed on Horne's 65 birthday, June 30, 1982. Later that same week, the entire show was performed again and video taped for television broadcast and home video release. The tour began a few days later at Tanglewood (MA) during the 1982 July 4 weekend. "The Lady and Her Music" toured 41 cities in the U.S and Canada through June 17, 1984. It played in London for a month in August and ended its run in Stockholm, Sweden, September 14, 1984.
In 1958, Horne was nominated for a Tony Award for "Best Actress in a Musical" (for her part in the "Calypso" musical Jamaica) In 1981 she received a Special Tony Award for her one-woman show, Lena Horne: The Lady and Her Music. Despite the show's considerable success (Horne still holds the record for the longest-running solo performance in Broadway history), she did not capitalize on the renewed interest in her career by undertaking many new musical projects. A proposed 1983 joint recording project between Horne and Frank Sinatra (to be produced by Quincy Jones) was ultimately abandoned, and her sole studio recording of the decade was 1988's The Men In My Life, featuring duets with Sammy Davis, Jr. and Joe Williams. In 1989, she received the Grammy Lifetime Achievement Award.
The 1990s found Horne considerably more active in the recording studio - all the more remarkable considering she was approaching her 80th year. Following her 1993 performance at a tribute to the musical legacy of her good friend Billy Strayhorn (Duke Ellington's long-time pianist and arranger), she decided to record an album composed largely of Strayhorn's and Ellington's songs the following year, We'll Be Together Again. To coincide with the release of the album, Horne made what would be her final concert performances at New York's Supper Club and Carnegie Hall. That same year, Horne also lent her vocals to a recording of "Embraceable You" on Sinatra's "Duets II" album. Though the album was largely derided by critics, the Sinatra-Horne pairing was generally regarded as its highlight. In 1995, a "live" album capturing her Supper Club performance (Live At The Supper Club) was released and subsequently won a Grammy Award for Best Jazz Vocal Album. In 1998, at the age of 81, Horne released another studio album, entitled Being Myself. Thereafter, Horne essentially retired from performing and largely retreated from public view, though she did return to the recording studio in 2000 to contribute vocal tracks on Simon Rattle's Classic Ellington album.
Had it not been for the prevailing racial attitudes during the time when Lena was just starting her career, her success might have been much bigger, and come much sooner. Even taking those factors into account, Lena Horne was one of the most respected, talented and beautiful performers of all time. She lived in New York City until her death in May of 2010.
In her biography she stated that on the day she was born, her father was in the midst of a card game trying to get money to pay the hospital costs. Her parents divorced while she was still a toddler. Her mother left later in order to find work as an actress and Lena was left in the care of her grandparents. When she was seven her mother returned and the two traveled around the state, which meant that Lena was enrolled in numerous schools (for a time she also attended schools in Florida, Georgia and Ohio). Later she returned to Brooklyn.
She quit school when she was 14 and got her first stage job at 16, dancing and later singing at the famed Cotton Club in Harlem (a renowned theatre in which black performers played before white audiences, immortalized in the film - The Cotton Club (1984)). She was in good hands at the club, especially when people such as Cab Calloway and Duke Ellington took her under their wings and helped her over the rough spots.
Before long her talent resulted in her playing before packed houses. If she had never made a film, her music career would have been enough to have ensured her legendary status in the entertainment industry, but films were icing on the cake. After she made an appearances on Broadway, Hollywood came calling.
At 21 years of age Lena made her first film, The Duke Is Tops (1938). It would be four more years before she appeared in another, Panama Hattie (1942), playing a singer in a nightclub. By now Lena had signed with MGM but, unfortunately for her, the pictures were shot so that her scenes could be cut out when they were shown in the South, since most theatres in the South refused to show films that portrayed blacks in anything other than subservient roles to whites, and most film studios did not want to take a chance on losing that particular source of revenue. Lena did not want to appear in those kinds of stereotyped roles (and who could blame her?).
In 1943 MGM loaned her to 20th Century-Fox to play the role of Selina Rogers in the all-black musical Stormy Weather (1943), which did extremely well at the box-office. Her rendition of the title song became a major hit on the musical charts. In 1943 she appeared in Cabin in the Sky (1943), regarded by many as one of the finest performances of her career. She played Georgia Brown opposite Ethel Waters and Eddie 'Rochester' Anderson in the all-black production. Rumours were rampant that she and Waters just did not get along well, although there was never any mention of the source of the alleged friction. That was not the only feud on that picture, however. Other cast members sniped at one another and it was a wonder the film was made at all. Regardless of the hostilities, the film was released to very good reviews from the ever tough critics. It went a long way in showing the depth of the talent that existed among black performers in Hollywood - especially Lena's.
Lena's musical career flourished, but her film career stagnated. Minor roles in films such as Boogie-Woogie Dream (1944), Words and Music (1948) and Mantan Messes Up (1946) did little to advance her film career, due mainly to the ingrained racist attitudes of the time (even at the height of Lena's musical career, she was often denied rooms at the very hotels in which she performed, because they would not let blacks stay there).
After Meet Me in Las Vegas (1956), Lena left films to concentrate on music and the stage. She returned in 1969, as Claire Quintana in Death of a Gunfighter (1969). Nine years later she returned to the screen again in the all-black musical The Wiz (1978), where she played Glinda the Good Witch. Although that was her last big-screen appearance, she stayed busy in television, appearing in "A Century of Women" (1994) and That's Entertainment! III (1994).
After leaving Hollywood in the1950's, Lena Horne established herself as one of the première nightclub performers of the post-war era. She headlined at clubs and hotels throughout the US, Canada and Europe, including the Sands Hotel in Las Vegas, the Cocoanut Grove in Los Angeles and the Waldorf-Astoria in New York. In 1957, a live album, entitled Lena Horne at the Waldorf-Astoria (At the Waldorf Astoria / At the Sands), became the largest selling record by a female artist in the history of the RCA-Victor label.
From the late 1950s through the 1960s, Horne was a staple of TV variety shows, appearing multiple times on Perry Como's Kraft Music Hall, Ed Sullivan, The Dean Martin Show and The Bell Telephone Hour. Other programs included, The Judy Garland Show, The Hollywood Palace and The Andy Williams Show. Besides two television specials for the BBC (later syndicated in the US), Horne starred in her own US television special in 1969, Monsanto Night Presents Lena Horne. In 1970, she co-starred with Harry Belafonte in the hour long "Harry & Lena" for ABC; in 1973, she co-starred with Tony Bennett in "Tony and Lena." Horne and Bennett subsequently toured the US and UK in a show together. A very memorable appearance was in the 1976 program "America Salutes Richard Rodgers," where she sang a lengthy medley of Rodgers songs with Peggy Lee and Vic Damone. Horne also made several appearances on The Flip Wilson Show.
Additionally, Horne played herself on television programs as The Muppet Show, Sesame Street, and Sanford and Son in the 1970s, as well as a 1985 performance on The Cosby Show and a 1993 appearance on A Different World.
In the summer of 1980, Lena Horne, 63 years old and intent on retiring from show business, embarked on a two month series of benefit concerts sponsored by Delta Sigma Theta. These concerts were represented as Horne's farewell tour, yet her retirement lasted less than a year.
In May 1981, The Nederlander Organization booked Lena Horne for a four week engagement at the newly named Nederlander Theatre (formerly the Trafalgar, the Billy Rose and the National) on West 41st Street in New York City. The show was an instant success and was extended to a full year run, garnering Horne a special Tony award, and two Grammy Awards for the cast recording of her show Lena Horne: The Lady and Her Music. The 333 performance Broadway run closed on Horne's 65 birthday, June 30, 1982. Later that same week, the entire show was performed again and video taped for television broadcast and home video release. The tour began a few days later at Tanglewood (MA) during the 1982 July 4 weekend. "The Lady and Her Music" toured 41 cities in the U.S and Canada through June 17, 1984. It played in London for a month in August and ended its run in Stockholm, Sweden, September 14, 1984.
In 1958, Horne was nominated for a Tony Award for "Best Actress in a Musical" (for her part in the "Calypso" musical Jamaica) In 1981 she received a Special Tony Award for her one-woman show, Lena Horne: The Lady and Her Music. Despite the show's considerable success (Horne still holds the record for the longest-running solo performance in Broadway history), she did not capitalize on the renewed interest in her career by undertaking many new musical projects. A proposed 1983 joint recording project between Horne and Frank Sinatra (to be produced by Quincy Jones) was ultimately abandoned, and her sole studio recording of the decade was 1988's The Men In My Life, featuring duets with Sammy Davis, Jr. and Joe Williams. In 1989, she received the Grammy Lifetime Achievement Award.
The 1990s found Horne considerably more active in the recording studio - all the more remarkable considering she was approaching her 80th year. Following her 1993 performance at a tribute to the musical legacy of her good friend Billy Strayhorn (Duke Ellington's long-time pianist and arranger), she decided to record an album composed largely of Strayhorn's and Ellington's songs the following year, We'll Be Together Again. To coincide with the release of the album, Horne made what would be her final concert performances at New York's Supper Club and Carnegie Hall. That same year, Horne also lent her vocals to a recording of "Embraceable You" on Sinatra's "Duets II" album. Though the album was largely derided by critics, the Sinatra-Horne pairing was generally regarded as its highlight. In 1995, a "live" album capturing her Supper Club performance (Live At The Supper Club) was released and subsequently won a Grammy Award for Best Jazz Vocal Album. In 1998, at the age of 81, Horne released another studio album, entitled Being Myself. Thereafter, Horne essentially retired from performing and largely retreated from public view, though she did return to the recording studio in 2000 to contribute vocal tracks on Simon Rattle's Classic Ellington album.
Had it not been for the prevailing racial attitudes during the time when Lena was just starting her career, her success might have been much bigger, and come much sooner. Even taking those factors into account, Lena Horne was one of the most respected, talented and beautiful performers of all time. She lived in New York City until her death in May of 2010.
Today I Love Everybody
Lena Horne Lyrics
We have lyrics for these tracks by Lena Horne:
'Deed I Do Do I want you? Oh my! Do I Honey, deed…
A Fine Romance A fine romance with no kisses A fine romance, my friend,…
A Foggy Day I was a stranger in the city Out of…
After You Though with joy I should be reeling That at last you…
Ain Life is short brother, Ain't it the truth? And there is no…
Ain't Got Nothin' But The Blues Ain't got the change of a nickel Ain't got no bounce…
Ain't It de Truth Life is short short brother Ain't it de truth? And there i…
Ain't It the Truth Life is short brother, Ain't it the truth? And there is no…
Ain’t It the Truth Life is short brother, Ain't it the truth? And there is no…
And I Love Him Oh I love to love But my baby just loves…
Any Place I Hang My Hat Is Home Free and easy, that's my style Howdy-do me, watch me smile …
Any Place I Hang My Hats Is Home Free and easy, that's my style Howdy-do me, watch me smile F…
As Long As I Live Maybe I can't live to love you as long as…
As You Desire Me If someone makes you cry and you're feeling blue Let me…
At Long Last Love Is it an earthquake or simply a shock? Is it the…
Autumn in New York Autumn in new york Why does it seem so inviting Autumn in…
Baby Won't You Please Come Home Baby won't you please come home Cause your daddy's all alon…
Beal Street Blues I've seen the lights of gay Broadway, Old Market Street…
Best Things in Life Are Free The moon belongs to everyone The best things in life are…
Bewitched After one whole quart of brandy, Like a daisy I'm awake. Wit…
Bewitched Bothered and Bewildered After one whole quart of brandy, Like a daisy I'm awake. W…
Bill One one summer's day, Sun was shinin' fine, The lady love of…
Black Is Black Is Black is sky so stars can shine Tiger's stripes an…
But Beautiful Love is funny or it's sad, Or it's quiet or…
By Myself The party's over, the game is ended, the dreams I…
Call Me Darling Call me darlin', call me sweetheart, call me dear, Thrill me…
Can Oh listen, sister I love my mister man and I can't…
Can’t Help Lovin’ Dat Man Oh listen, sister I love my mister man and I can't…
Careless Love Love, oh love, oh careless love You've fly through my head…
Come To Baby I took a choo-choo-choo-choo Fast as I could take a choo-cho…
Come To Baby Do I took a choo-choo-choo-choo Fast as I could take a choo-ch…
Cuckoo In The Clock There they were, there they were, He was baby-talkin' her, A…
Curtain Music 'Stormy Weather' bows Don't know why There's no sun up in the sky Stormy weather…
Darn That Dream Darn that dream I dream each night You say you love me…
Dat Oh listen, sister I love my mister man and I can't…
Day Follows Day Day in, day out The same old hoodoo follows me about The…
Deed I Do Do I want you? Oh my! Do I Honey, deed…
Diga Diga Do Zulu man is feelin' blue Gear his heart beat a little…
Do Nothin Do nothin' till you hear from me Pay no attention to…
Do Nothin' 'Til You Hear From Me Someone told someone and someone told you But they wouldn't…
Do Nothing 'Till You Hear From Me Someone told someone and someone told you But they wouldn't …
Don Tear a star from out the sky And the sky…
Don’t Take Your Love from Me Tear a star from out the sky, And the sky feels…
Embraceable You Just one look at you My heart grew tipsy in me You…
Every Little Bit Hurts Every little bit hurts Every little bit hurts Every night …
Falling In Love WIth Love Falling in love with love is falling for make-believe Fallin…
Feelin' Good Birds flying high You know how I feel Sun in the sky You…
Fine Romance A fine romance with no kisses A fine romance, my friend,…
Frankia & Johnny Frankie and Johnny were sweethearts, Boy, how they could lo…
Frankie and Johnny Frankie and Johnny were sweethearts, Boy, how they could lov…
From This Moment From this moment on, You for me dear, Only two for tea…
Fun To Be Fooled You say you love me; I know from the past; You mean…
Get Out of Town The farce was ended, The curtains drawn, And I at least pret…
Girl From Ipanema Tall and tan and young and lovely The girl from Ipanema…
Give Me Love Tear a star from out the sky And the sky…
Glad to Be Unhappy Fools rush in, so here I am Awfully glad to be…
Good For Nothin It's gonna rain any minute There's not a star in sight Thi…
Good for Nothin' Joe It's gonna rain any minute There's not a star in sight Thing…
Good-For-Nothin' Joe It's gonna rain any minute There's not a star in sight Thi…
Great Day When skies were dark Came Noah's ark Amen When lions roare…
Haunted Town At 3 a.m I looked out the window Foreboding figures called…
Have Yourself A Merry Little Christmas Have yourself a merry little Christmas Let your heart be li…
He Loves Me Tear a star from out the sky And the sky…
Hello Young Lovers When I think of Tom I think about a night When the…
Honey I the Honeycomb What have I got that the others ain't That always seems…
Honey In the Honeycomb What have I got that the others ain't That always seems…
Honeysuckle Rose Honey, honey, Oh, honey, listen to my plea Every honeybee …
Honeysuckle Rose Room Honey, honey, Oh, honey, listen to my plea Every honeyb…
How Do You Do You do something to me Something that simply mystifies me Te…
How Long as This Been Going On I could cry salty tears Where have I been all…
How Long Has This Been Going O I could cry salty tears Where have I been all…
How Long Has This Been Going On I could cry salty tears Where have I been all…
I When days are long and nights are lonely And all my…
I Ain The poets say that all who love are blind But I'm…
I Ain't got Nothin' but the Blues Ain't got the change of a nickel Ain't got no bounce…
I Can't Give You Anything But Love Gee, but it's tough to be broke, kid. It's not a…
I Concentrate on You Whenever skies look gray to me And trouble begins to brew, W…
I Didn't Know About You I ran around, with my own little crowd The usual laughs,…
I Feel So Smoochie I feel so smoochie When I hold your hand and look…
I Get the Blues When It Rains It was raining, dear, when I met you You smiled, the…
I Got a Name I got rhythm I got music I got my man Who could ask…
I Got a Right to Sing the Blues I got a right to sing the blues I got a…
I Got It Bad The poets say that all who love are blind But I'm…
I Got It Bad And That Ain The poets say that all who love are blind But I'm…
I Got It Bad And That Ain't Good The poets say that all who love are blind But I'm…
I Got Rhythm I got rhythm I got music I got my man Who could ask…
I Got Rhythm (Take the Lead remix) I got rhythm I got music I got my man…
I Got Rhythm ) I got rhythm I got music I got my man Who could ask…
I Gotta Right to Sing the Blue I got a right to sing the blues I got a…
I Hadn't Anyone Till You I hadn't anyone till you, I was a lonely one 'til…
I Have Dreamed I have dreamed that your arms are lovely And I have…
I Let a Song Go Out of My Heart I let a song go out of my heart It was…
I Love Paris Oh I love to love But my baby just loves…
I Love to Love Love is real, real is love Love is feeling, feeling love Lov…
I Only Have Eyes for You My love must be a kind of blind love I can't…
I Surrender Pride, sad, splendid liar, Sworn enemy of love Kept my…
I Surrender, Dear Pride, sad, splendid liar, Sworn enemy of love Kept my lips …
I Take to You I'll get by As long as I have you Though there be…
I Understand Why do you go on pretending You know you want to…
I Wanna Be Around I wanna be around to pick up the pieces When somebody…
I Wanna Be Loved I wanna be loved with inspiration I wanna be loved starting…
I Want A Little Doggie I'm a very ordinary man Trying to work out life's happy…
i wants to stay here I wants to stay here but I ain't worthy You is…
I Wish I Was Back In My Baby's Arms I wish I was back in my baby′s arms. I wish…
I Wish I'd Met You you lived two blocks down and i never even knew…
I'd Do Anything Another day is going by I'm thinking about you all the…
I'll Be Around This is our fork in the road Love's last episode There's…
I'll Do Anything You hold a life there in your hands You probably don't…
I'll Get By I'll get by As long as I have you Though there be…
I'll Wind Blow ill wind, blow away Let me rest today You're blowin' …
I'm Beginning to see The Light I never cared much for moonlit skies I never wink back…
I'm Glad There Is You Said I many times Love is allusion A feeling result of confu…
I'm Gonna Sit Right Down and Write Myself a Letter I'm gonna sit right down and write myself a letter And…
I'm Through With Love I'm through with love I'll never fall again Said "Adieu" to …
I've Got The World On A String I've got the world on a string, sittin' on a…
I've Got To Have You You came smilin' softly, shyly movin' Easy as a dream up…
I've Got To Have You - Live;2004 Digital Remaster You came smilin' softly, shyly movin' Easy as a dream up…
I've Grown Accustomed to His Face Damn! Damn! Damn! Damn! I've grown accustomed to her face. S…
If You Believe Brothers And sisters Listen You non-believers, listen You b…
If You Can Dream If you can dream The world's a better place by far If…
Ill Wind Blow ill wind, blow away Let me rest today You're blowin' me…
Imagination Magic mirror come and search my heart Can you tell me…
In Love in Vain It's only human for anyone to want to be in…
In My Life There are places I'll remember All my life, though some hav…
Is It Always Like This Oh she can wait, For what I can give, She knows what…
It It's love, it's love Well, who would have thought it? If t…
It Ain't Necessarily So It ain't necessarily so It ain't necessarily so De things da…
It Could Happen to You Hide your heart from sight, Lock your dreams at night, It …
It Had Better Be Tonight Meglio stasera, baby, go go go! Or as we natives say,…
It Might as Well Be Spring I'm as restless as a willow in a windstorm I'm as…
It's A Mad Mad Mad Mad World I'm mad about the boy And I know it's stupid to…
It's All Right With Me It's the wrong time, and the wrong place Though your face…
It's Anybody's Spring You think that money is everything And yet it's anybody's Sp…
It's Love It's love, it's love Well, who would have thought it? If thi…
It's Mad Mad Mad! I'm mad about the boy And I know it's stupid to…
It’s Love It's love, it's love Well, who would have thought it? If t…
Jingle All the Way Dashing through the snow In a one horse open sleigh O'er the…
Joy The other day, I met a girl named Joy She said,…
Just In Time I was resting comfortably, face down in the gutter Life was…
Just One of Those Things I'm sorry to say I didn't know her name The fact…
Just Squeeze Me Want you to know I go for your squeezin' Want you…
Lady Is a Tramp She gets too hungry for dinner at eight She likes…
Lena Love of my life, life of my love I used…
Let Oh the weather outside is frightful But the fire is so…
Let It Snow! Let It Snow! Let It Snow Oh the weather outside is frightful But the fire is so…
Let It Snow! Let It Snow! Let It Snow! Oh the weather outside is frightful But the fire is so…
Let Me Love You If someone makes you cry and you're feeling blue Let me…
and many more tracks by Lena Horne.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found