Mr.Children is one of the most popular bands in Japan. They made their major debut in 1992 with the release of their first album, "EVERYTHING", but it wasn't until one of their singles was used as a drama theme song, like their fourth single "Cross Road", that they started getting noticed. They got their big break in 1994 with the release of their fifth single, "innocent world", which made record sales and earned the Japan Record Award in 1994. Their fourth album, "Atomic Heart", which was released in the same year, is still their top selling album to date. Since then, all their singles have been number one hits in the Oricon charts like "Tomorrow never knows" and "Namonaki-uta", and many of them became million sellers, and they've produced other noteworthy albums.
In 1997, they took a long vacation, and came back to the Japanese music scene the next year with the single "Owari-naki-tabi."
Their sound is essentially a blend of light pop and classic rock. But due to the band's inclination to experiment with various music styles, their sound is constantly evolving. They have delved into various types of rock as well as jazz, blues, folk, country, and dance. Despite this constant change, however, their music has progressed successfully, proving them to be a versatile band that can last.
The main force behind the band is their singer and songwriter, Kazutoshi Sakurai, who composes almost all of their songs. The rest of the band include Kenichi Tahara on guitar, Keisuke Nakagawa on bass, and Hideya Suzuki (Jen) on drums and backing vocals. They also have supporting musicians on keyboards, guitar, brass instruments (trumpet and saxophone), and computer programming for their tours because they usually embellish their recordings.
It must be noted that a good part of what makes Mr.Children's songs unique is Sakurai's remarkable vocal ability. His vocal range is higher than the typical male range, and he sings with a noticeable Western style. Also, it is because he is influenced by the great classic rock artists of the '60s and '70s (in particular, the Beatles and the Rolling Stones) that the band's music usually has a classic rock feel. But being the vocalist of the band doesn't prevent him from sometimes sharing guitar solos with Tahara, or playing them by himself. He also plays the piano and harmonica proficiently.
Tahara and Nakagawa are the quietest members of the group, often choosing to remain in the background when the band appears on TV shows. Jen seems to be the most extroverted member who takes his top off onstage at any opportunity. He also always matches Sakurai's sense of humor. They are all very talented musicians who make vital contributions to the band.
On December 31, 2004, their song "Sign," was again awarded the Japan Record Award, ten years after the first.
Mr. Children has a long-time association with the Toys Factory record label.
安らげる場所
Mr.Children Lyrics
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僕はただそれを見ているだけ 君を想って
何処からか愛しさが 胸に込み上げたなら
セーターなど着てなくても そっと温もる
僕はなぜ繰り返す別れを受け入れてきたんだろう?
その謎が君と出会い ちょっと解けた
君はただそれを見ていればいい
一番安らげる場所で
人はなぜ幸せを 闇雲に求めてしまうんだろう?
何より大事な物も守れずに
この恋の行き先に 何があるかは知らない
ただ静かに手を取っては 永遠にと願う
いつも君と二人で
The lyrics of Mr.Children's song "Anjirageru Basho" paint a vivid picture of a quiet evening in October, where the streets are reflected in a lonely manner as dusk falls. The singer watches this scene unfold, thinking of someone special - perhaps a love interest or a close companion. The mention of warmth seeping into the heart despite not even wearing a sweater suggests a deep emotional connection and the ability of emotions to provide comfort in times of solitude.
The lyrics ponder why the singer has always accepted and faced repeated partings throughout their life. This contemplation is sparked by the encounter with the person they hold dear, indicating that this special person may have provided insights or healing that shed light on this enduring mystery. It suggests that love and significant relationships can challenge us to confront our own patterns and beliefs, offering the potential for growth and self-discovery.
The imagery of constructing a lighthouse in the dark, lonely sea of solitude symbolizes the desire to create a beacon of hope and security amidst feelings of isolation. The singer encourages the listener, possibly the person they care about, to simply observe the lighthouse as it shines brightly, offering a sense of peace and tranquility. This image conveys the idea of finding solace and stability in the presence of a loved one, highlighting the importance of emotional support and companionship in navigating life's challenges.
The lyrics also touch on the perennial human quest for happiness and the tendency to seek it in uncertain or misguided ways. Despite this universal pursuit, the singer reflects on the inability to protect what is truly valuable in the midst of this pursuit, hinting at the fragility of relationships and the need to prioritize what truly matters. The uncertainty of where this love will lead is acknowledged, but there is a hopeful longing for a future together, expressed through the simple gesture of holding hands and wishing for eternity with the beloved person. This sentiment encapsulates the enduring bond and shared journey of two individuals, symbolizing a deep connection and the yearning for lasting happiness and companionship.
Lyrics © O/B/O APRA AMCOS
Written by: Kazutoshi Sakurai
Lyrics Licensed & Provided by LyricFind
ゆいハル
歌：Mr.Children
作詞：KAZUTOSHI SAKURAI
作曲：KAZUTOSHI SAKURAI
十月の夕暮れが寂しげに街を映す
僕はただそれを見ているだけ 君を想って
何処からか愛しさが胸に込み上げたなら
セーターなど着てなくても そっと温もる
僕はなぜ繰り返す別れを受け入れてきたんだろう?
その謎が君と出会い ちょっと解けた
孤独とゆう暗い海に ひとつの灯台を築こう
君はただそれを見ていればいい
一番安らげる場所で
人はなぜ幸せを闇雲に求めてしまうんだろう?
何より大事な物も守れずに
この恋の行き先に何があるかは知らない
ただ静かに手を取っては 永遠にと願う
いつも君と二人で
ゆいハル
歌：Mr.Children
作詞：KAZUTOSHI SAKURAI
作曲：KAZUTOSHI SAKURAI
十月の夕暮れが寂しげに街を映す
僕はただそれを見ているだけ 君を想って
何処からか愛しさが胸に込み上げたなら
セーターなど着てなくても そっと温もる
僕はなぜ繰り返す別れを受け入れてきたんだろう?
その謎が君と出会い ちょっと解けた
孤独とゆう暗い海に ひとつの灯台を築こう
君はただそれを見ていればいい
一番安らげる場所で
人はなぜ幸せを闇雲に求めてしまうんだろう?
何より大事な物も守れずに
この恋の行き先に何があるかは知らない
ただ静かに手を取っては 永遠にと願う
いつも君と二人で
ホーリーナイト
君はただそれを見てれば良い、一番安らげる場所で
って皮肉に聞こえた
ふう
ありがとうございます！
blind songs
Mr.Childrenの数ある曲の中では、地味で目立たない曲かもしれないけど、私の人生には深く刻まれている一曲。
本当の名曲っていうのは、こう言う曲の事をいうのかもしれない。
TNGN
この曲ライブで聴けたら人生の15%はもう満たされる
マジシャンてるお
15％って相当だな！ｗ
いつか夢かなえばいいなあ
ソフィーちゃん
この曲ほんと好き！ライブで聞きたい
nonstop life
よくhallelujahが最後でよかったとか聞くけど、俺はこの曲こそがQのシメに相応しいと思う
ぐーなー
この曲がQを締めくくるのがいいんだよな
竜田揚げの化身
個性派揃いのアルバム「Q」を聴いてきて興奮気味になっている精神を一気に落ち着かせてくれる、ある意味最強の曲