White Christmas
Otis Redding Lyrics
I, I'm dreaming, dreaming of a white, white Christmas, y'all
Just like the one that I used to know, oh
Honey, it's where the treetops, treetops glisten
Little bitty, little bitty, little bitty children
They trying to listen
To hear, before the sleigh bells that are ringing in the snow
I want to tell you one more time what I'm thinking about
I'm dreaming of a white Christmas, yeah
With every Christmas card that I write you, oh
May your days, may your days
Be so merry, merry and bright
Oh darling I wished all of them
One more thing
And may all, all of your Christmases
And be all, and be all of your Christmases
Baby may your days, may your days
Be merry, merry, so merry and bright
Lord have mercy, I wished all of 'em honey
And may all your Christmases
Be so white
Have mercy, all the white
I'm dreaming of a white Christmas
I'm dreaming, dreaming of a white, white Christmas
Baby, baby, Lord I'm dreaming, dreaming of a Christmas
Yeah, baby, Merry Christmas
Lyrics © DistroKid, Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC
Written by: Irving Berlin
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee. Read Full BioOtis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee.
Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
RHINO
Celebrate the holiday season in style with this timeless playlist of Christmas favorites old and new: 100 Greatest Christmas Songs Ever 🎅🎄 https://wea.lnk.to/xmas
Renee Hawkyns
This is the best version of this song. I love Otis Redding.
Ann Fears
Best version, 12-28-21
Lucy W. McMellan
Absolutely!!!❤
Sam Gerard
My parents use to dance to this song when we played it on Christmas Day..This is one beautiful song and soulful
John
By far my favorite version of this song. Amazing how Otis managed to take a classic and completely redefine it, and make it his own.
alan michael tomaylla guzman
I love this song!
Empress of Gospel
This is the best version of this song!
rubberneck9
Otis is always fantastic and empathic. For me, this version is tinged with some wistfulness and longing, reminding me that Christmas can be really hard for some people. It has been for me in the past, and likely will again at some point in the future, and I think Otis knew that too. Beautiful.
Katherine D
I'm glad you said that because Christmas can be very emotional, especially with the overwhelming pressure to be happy in this season. I have always found this song wistful and a bit melancholy- but beautiful.