PENTAGONIC was a freeform improvisation duo formed in 2000 in Bishkek,Kyrgy… Read Full Bio ↴PENTAGONIC was a freeform improvisation duo formed in 2000 in Bishkek,Kyrgyzstan, that used occasional non-linear composition and recording methods. Emphasis on complicating matters of rhythm, melody and (dis)harmony, combining delirium with psychosis and spontaneity with higher-dimensional coherence.
Now defunct, PENTAGONIC explored the limits of their own minds and expertise to create noisy symphonic fugues existing entirely on their own terms. Chords materialised from the apparent maelstrom of dislocated sound, building into soundscapes of subtle melody to create a pleasantly out-of-time, and sometimes disturbing aural experience.
MR BLACK
Guitar, Noise, FX master/ slave, non-rhythmic bassage, ashtray, wind-conductor on "Session", general abstractions, pre-production.
MR RED
Bass, clean guitar (except on Art Gallery) and frettapping, Didgeridoo vocals, occasional keys.
PENTAGONIC was formed in 2000 by Mr Black and Mr Red with help from numerous hand-picked shamanic aides, Seamus their white-haired guru, The Void, friends and other assorted friends.
The partnership dissolved in 2002; Mr Black taking his noise-pop sensibilities with him to never find later use, moving away from the haphazard heavy psych towards an expansive mathcore-esque style / gave up on music after realising neither he or anyone else could ever hope to surpass the magic that was PENTAGONIC / got a job and things, none of which really fit into the PENTAGONIC style. Mr Red learnt to play the bass properly too and also got a job but mostly found satisfaction playing the piano for his mum.
They briefly reformed in 2002 but this was sadly short-lived and produced only a few tracks of note because someone had misplaced "the vibe", before splitting up for good in 2002 when they realised they'd influenced a whole new generation who had taken their sounds in new, scary directions.
Side-projects:
Silver Hammer was Mr Black's outlet for his infrequent power metal urges and variations on the Top Gun theme. Sometime collaborators included greg.
Unknown and other projects that never really had names or at least none that can be recalled and only exist in highly rare one-pressing demo form.
Bishkek
Now defunct, PENTAGONIC explored the limits of their own minds and expertise to create noisy symphonic fugues existing entirely on their own terms. Chords materialised from the apparent maelstrom of dislocated sound, building into soundscapes of subtle melody to create a pleasantly out-of-time, and sometimes disturbing aural experience.
MR BLACK
Guitar, Noise, FX master/ slave, non-rhythmic bassage, ashtray, wind-conductor on "Session", general abstractions, pre-production.
MR RED
Bass, clean guitar (except on Art Gallery) and frettapping, Didgeridoo vocals, occasional keys.
PENTAGONIC was formed in 2000 by Mr Black and Mr Red with help from numerous hand-picked shamanic aides, Seamus their white-haired guru, The Void, friends and other assorted friends.
The partnership dissolved in 2002; Mr Black taking his noise-pop sensibilities with him to never find later use, moving away from the haphazard heavy psych towards an expansive mathcore-esque style / gave up on music after realising neither he or anyone else could ever hope to surpass the magic that was PENTAGONIC / got a job and things, none of which really fit into the PENTAGONIC style. Mr Red learnt to play the bass properly too and also got a job but mostly found satisfaction playing the piano for his mum.
They briefly reformed in 2002 but this was sadly short-lived and produced only a few tracks of note because someone had misplaced "the vibe", before splitting up for good in 2002 when they realised they'd influenced a whole new generation who had taken their sounds in new, scary directions.
Side-projects:
Silver Hammer was Mr Black's outlet for his infrequent power metal urges and variations on the Top Gun theme. Sometime collaborators included greg.
Unknown and other projects that never really had names or at least none that can be recalled and only exist in highly rare one-pressing demo form.
Bishkek
Mushroom
PENTAGONIC Lyrics
We have lyrics for 'Mushroom' by these artists:
Can What I saw – mushroom head What I saw – mushroom head What…
Can - Tago Mago (1971) I saw mushroom head Well, I saw mushroom head Well, I saw…
Can - Topic I saw mushroom head Well, I saw mushroom head Well, I saw…
High And Mighty Color Bite it! Bite it! Kajire! Kajire! Shan! Shanpinion! Bajiru!…
Inner Wave My spores been growing by the day and My days been…
Laughing Colors YesterdayI thanked the sun For almost everything he'd done C…
Lil Darkie When I was, uh, taking that medication, I lost interest…
LIVING ROOM - Can I saw mushroom head Well, I saw mushroom head Well, I saw…
Majiko 誰かを愛するその事実は ずっと近くにあると思ってた 曖昧な形で誤魔化している こんな想いに意味など無いのに 独りにまみ…
Mushroom They're here! They're here!…
Poor Jim You're lying on the floor, screaming quiet. You've seen it…
SA'RA CHARISMATA CHORUS: Get up, get your Mushroom Get the key in The next…
Steve Benjamins Mushroom, my love Grow in secret, hidden, retreating Light f…
The Jesus a Mary Chain When I saw, sky's were red I was born and I…
The Jesus and Mary Chain When I saw, sky's were red I was born and I…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@ratel417
여러명이 부르던 관람차를 키노 혼자 부름에도 전혀 이상하지 않고 오히려 키노 방식대로 부르니 완전 색다른 느낌이었습니다.
원래 관람차는 둘이 이별하는 상황에서 이 사랑을 못 끝내겠다고 붙잡고 결국에는 다시 만나는 것을 암시하는거 같다면
키노가 부르는 상황은 혼자 절절하여 떠나가는 사람을 그리워 하고 아파하며 혼자서 사랑을 끝내지 못한 느낌이에요.
0:24 이미 이별이 코 앞에 둔걸 알고 조금이라도 더 같이 있기위해 달려가는 듯 하여 더 마음이 아파요 ㅠㅠ
01:19 보컬 포지션임에도 불구하고 싱잉랩을 자기식대로 부르는게 너무 인상적이에요!
02:06 제발 다시 돌아와달라고 부르는데 감정이입 돼서 저도 같이 애절해졌어요.
한소절 한소절마다 감정을 실으며 부르고 무엇보다 표정연기가 잘 보여서 원곡은 조금 밝은 느낌이 있었다면 키노 혼자 부르는 노래는 좀 더 잔잔하고 아련한 느낌입니다.
@sollhhyunni
🍄 1:01
"그대만 있다면 그걸로 충분해요"
라는 가사가 너무 이쁘고 팬 사랑이 넘치는 키노가
꼭 팬들을 위해 하는 말 처럼 들려서 너무 좋았습니다
🍄 1:42
노래의 몰입을 하는 키노가 이뻐 보였고, 따뜻한
색감의 배경과 분위기 너무 완벽했던 후렴인거
같았습니다 ! 이 "관람차" 라는 곡은 작사작곡 키노
인데 키노가 만든 노래이니 만큼 곡 분위기도 잘
알고있다는게 느껴졌고 편곡도 애절하게 바꿔
저의 심장을 녹여버렸습니다 ••
🍄 2:16
펜타곤 노래에서는 자주 들어볼 수 없는 키노의
싱잉랩 ..! 키노는 춤 노래 랩 다 잘하는 만능 재주꾼 인데 오직 키노의 목소리로만 노래,랩을 들을 수 있어 너무 좋았고 목소리를 낮게 내어 분위기가 더 집중 될 수 있었던거 같습니다
🍀팬들한테 선물 같은 노래를 불러준 키노야
항상 고맙고 혼자 이렇게 꽉찬 무대를 소화할때
마다 되게 대견하고 고맙기도 해 이번 머쉬룸
라이브를 통해 키노의 새로운 모습도 많이 봤어!
늘 고맙고 사랑해🍀
🔥예쁜 세트를 꾸며주시고 키노를 불러준 머쉬룸
라이브 너무너무 감사합니다 앞으로 또 기회가 있다면 다른 펜타곤 멤버는 물론 키노도 한번 더 불러주세요! 머쉬룸 라이브 최고!!!🔥
@user-lk2yp5zz1n
제가 펜타곤 노래 중에 관람차 제일 많이 듣는거 어떻게 알고 준비 해주셨는지...어느 쪽으로 절 하면 될까요? 확실히 이 노래를 만든 작곡가라 그런지 이 노래를 가장 잘 이해하고 잘 표현할 수 있는것 같아요. 원곡보다 더 아련한 느낌🥺🥺 펜타곤의 관람차가 아닌 키노의 관람차는 또 색다른 느낌이라 너무 좋아요..♡ (진짜 맨날 들음)
00:17~
여기는 그냥 키노가 잘생겼어요..
01:20~
싱잉랩 부분을 키노의 스타일로 정말 잘 녹여낸 부분이라고 생각해요. 원래 솔로곡이었던 것 처럼 보컬 부분과 랩 부분이 너무 자연스럽게 이어지고 뒤에 깔리는 우석이 목소리도 분위기랑 넘넘 잘어울려요ㅜㅜ
02:28
키노의 come back to me를 듣고 안돌아올 사람이 있나요...?? 일단 전 어디 가지도 않았는데 다시 돌아왔습니다...(컴백투미만 500번 돌려본 여성) 강형구 유죄...죄명:사람 홀려서 못빠져나가게 함
이제 당분간은 키노 관람차만 듣고 살아야겠어요😍😍
@username18723
KINOOO U DESERVE THE WHOLE WORLD AND THE WHOLE UNIVERESE 💙🌎💫
@odetodsr4405
kino's version of sparkling night sounds really reallyy good ~~
@andiniakuina8838
2:28 Kino : "Come back to me! "
Me : Crying out loud T T (I'm melting...)
@jenifferjj
his voice is soo beautiful
@Nejues126
This version will always make me cry my eyes out
@wonbinnnie
형구 너무 예쁘다 진짜루 ,, 어떻게 이런 곡을 만들었어 울애기 !!! 🥹🫶🏻👏🏻
@78HannaH78
This version has sent me straight to heaven😭💕
@one_million_twenty_two
솔로 키노도 기다리게 만드는 영상이야.. 관람차 편곡버전도 진짜 최고다
@penta90nmultitalented56
Kino is talented singer and composer, handsome and charisma😍
@sevde8169
I love this version more than the original one.❤️
I’m sorry pentagon.🥲