As a rock and roll, rhythm & blues, soul, blues, jazz, country and pop musician he helped to shape the sound of rhythm & blues.
He brought a soulful sound to everything from country music ("I Can't Stop Loving You") to rock and roll ("Mess Around"), to pop standards to a now-iconic rendition of "America the Beautiful." Frank Sinatra called him "the only genius in the business."
Ray Charles was born in Albany, Georgia on September 23, 1930. He was the son of Aretha Williams, a share cropper, and Bailey Robinson, a railroad repair man, mechanic and handyman. The two were never married. The family moved to Greenville, Florida, when Ray was an infant. Bailey had three more families, leaving Aretha to raise the family on her own.
Ray Charles was not born blind. He started to lose his sight somewhere at the age of five. He was rendered totally blind by the age of seven. Charles never knew exactly why he lost his sight, though there are sources that suggest his blindness was due to glaucoma, and some other sources suggest that Ray began to lose his sight from an infection caused by soapy water to his eyes which was left untreated. He attended school at the Florida School for the Deaf and the Blind in St. Augustine, Florida from 1937-1945 where he developed his musical gift that he is known and remembered for today. His father died when he was ten, followed by his mother five years later.
In school, he was taught only classical music, but he wanted to play what he heard on the radio, jazz and blues. After his mother died, Charles did not return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Charles moved to Orlando, then Tampa, where he played "with a hillbilly band called The Florida Playboys." This is where Charles began his reputation of always wearing sunglasses that were made by designer Billy Stickles.
Charles had always played for other people, but he wanted a band that was his own. He decided to leave Florida for a large city, but Chicago and New York City were too big. He moved to Seattle in 1947 and soon started recording, first for the label Swing Time Records, achieving his first hit with the 1949 "Confession Blues". The song soared to #2 on the R&B charts. He followed his first recording with his only other hit with Swingtime, "Baby, Let Me Hold Your Hand" in 1951. It hit #5 on the R&B charts. He then signed with Ahmet Ertegün at Atlantic Records a year later. When he entered show business, his name was shortened to Ray Charles to avoid confusion with boxer Sugar Ray Robinson.
Breakthrough period with Atlantic Records
Almost immediately after signing with Atlantic, Charles scored his first hit singles with the label with "It Should Have Been Me" and the Ertegün-composed "Mess Around", both making the charts in 1953. But it was Charles' "I Got A Woman" (composed with band mate Renald Richard) that brought the musician to national prominence.
The song reached the top of Billboard's R&B singles chart in 1955 and from there until 1959, Charles would have a series of R&B chart-toppers including "This Little Girl of Mine", "Lonely Avenue", "Mary Ann", "Drown in My Own Tears" and "The Night Time (Is the Right Time)", which were compiled on his Atlantic releases Hallelujah, I Love Her So, Yes Indeed!, and The Genius Sings the Blues. Charles was often cited for using his voice like a saxophone, most notably by the prominent critic Victor Bollo. During this time of transition, he recruited a young girl group from Philadelphia named The Cookies as his background singing group, recording with them in New York and changing their name to the Raelettes in the process.
Crossover success
In 1959, Charles crossed over to top 40 radio with the release of his impromptu blues number, "What'd I Say", which was initially conceived while Charles was in concert. The song would reach number 1 on the R&B list and would become Charles' first top ten single on the pop charts, peaking at number 6. Charles would also record The Genius of Ray Charles, before leaving Atlantic for a more lucrative deal with ABC Records in 1959.
Hit songs such as "Georgia On My Mind" (US #1), "Hit the Road Jack" (US #1) and "Unchain My Heart" (US #9) helped him transition to pop success and his landmark 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. He also had major pop hits in 1963 with "Busted" (US #4) and "Take These Chains From My Heart" (US #8), and also scoring a Top 20 hit four years later, in 1967, with "Here We Go Again" (US #15) (which would later be duetted with Norah Jones in 2004).
Later years
In 1965, Charles was arrested for possession of heroin, a drug to which he had been addicted for nearly 20 years. It was his third arrest for the offence, but he avoided jail time after kicking the habit in a clinic in Los Angeles. He spent a year on parole in 1966, when his single "Crying Time" reached #6 on the charts.
During the late 1960s and into the 1970s, Charles' releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, with Charles performing it on the floor of the state legislature. He also had success with his unique version of "America the Beautiful."
In November 1977 Charles appeared as the host of NBC's Saturday Night Live. In the 1980s a number of other events increased Charles' recognition among young audiences. He made a cameo appearance in the popular 1980 film The Blues Brothers. In 1985, "The Right Time" was featured in the episode "Happy Anniversary" of The Cosby Show on NBC. The next year in 1986, he sang America The Beautiful at Wrestlemania 2. In a Pepsi Cola commercial of the early 1990s, Charles popularized the catchphrase "You Got the Right One, Baby!" plus he helped in the song "We Are the World" a touching song for USA for Africa.
Despite his support of Martin Luther King, Jr. in the 1960s and his support for the American Civil Rights Movement, Charles courted controversy when he toured South Africa in 1981, during an international boycott of the country because of its apartheid policy.
Charles recorded a cover version of the Japanese band Southern All Stars' song "Itoshi no Ellie" as "Ellie My Love" for a Suntory TV advertisement, reaching #3 on Japan's Oricon chart. Eventually, it sold more than 400,000 copies, and became that year's best-selling single performed by a Western artist for the Japanese music market.
Besides winning 17 Grammy Awards in his career (include five posthumous ones), Charles was also honored in many other ways. In 1979, he was one of the first honorees of the Georgia State Music Hall of Fame being recognized for being a musician born in the state. Ray's version of "Georgia On My Mind" was made into the official state song for Georgia. In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986. He received the Kennedy Center Honors in 1986. In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame. Also in 2004, Rolling Stone Magazine ranked him #10 on their list of the 100 Greatest Artists of All Time.
The Grammy Awards of 2005 were dedicated to Charles.
On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano.
On December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame.
Ray Charles Post Office Building
In 2005, the U.S. postal facility located at 4960 W. Washington Blvd., in Los Angeles, California, was designated the Ray Charles Post Office Building.
On August 24, 2005, the United States Congress honored Charles by dedicating and renaming the former West Adams Station post office in Los Angeles the "Ray Charles Station".
Charles has also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 performed for Bill Clinton's first inauguration.
In the late '80s and early '90s, Charles made appearances on The Super Dave Osbourne Show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. At the height of his newfound fame in the early nineties, Charles did guest vocals for quite a few projects. He also appeared (with Chaka Khan) on long time friend Quincy Jones' hit "I'll Be Good to You" in 1990, from Jones' album Back on the Block.
Following Jim Henson's death in 1990, Ray Charles appeared in the one-hour CBS tribute, The Muppets Celebrate Jim Henson. He gave a short speech about the deceased, stating that Henson "took a simple song and a piece of felt and turned it into a moment of great power". Charles was referring to the song "It's Not Easy Being Green", which Charles later performed with the rest of the Muppet cast in a tribute to Henson's legacy.
During the sixth season of Designing Women, Ray Charles vocally performed "Georgia On My Mind", rather than the song being rendered by other musicians without lyrics as in the previous five seasons
During his life he received eight honorary doctorates, the last from Dillard University in New Orleans in 2003. Later that same year, he performed his 10,000th career concert at the Greek Theater in Los Angeles.
Charles finalized "Genius Loves Company" a duets album in 2004, which posthumously became the best selling album of his career. Norah Jones, B.B. King, Willie Nelson, Michael McDonald, Bonnie Raitt, Gladys Knight, Johnny Mathis and James Taylor are just a few of the notable artists involved with the project.
Charles was awarded the prestigious "President's Merit Award" from the Grammy(r) organization and was named a City of Los Angeles "Cultural Treasure" by LA Mayor James Hahn during "African American Heritage Month" in a ceremony that he attended. He also received the NAACP Image Awards' "Hall of Fame Award."
Charles died in July 2004 in California. Three months later, his biopic "Ray" opened in theaters. The performance of Jamie Foxx as Ray gave him an Oscar for best lead performance in a feature film.
Recently, a series of slot machines were designed in Charles' name for the visually handicapped and the legendary performer was also named a "living legend" by the Library of Congress.
Charles once told an interviewer from USA Today, "Music to me is just like breathing. I have to have it. It's part of me."
I Chose To Sing The Blues
Ray Charles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
'Cause I'm good with the cards
I could have been a lover
Breakin' other's hearts
And I feel so silly
Bettin' on the dice
And a lover seldom sees
The same girl twice
That's why I chose (that's why I chose)
I chose to sing the blues, yes I did
Now, I could have been a doctor
Helping the sick
And I could have been a lawyer
But you know that ain't my stick
'Cause I feel so bad
If a patient didn't do well
And I feel just as bad
To leave a client in jail
And that is why (that is why)
That's why I chose (that's why I chose)
I chose to sing the blues
[Sax solo]
Now a man has a lot
That he could present
Just to think I could have been
President
But I can't understand
What politicians say
So I want to talk to you
In my own little way
And that is why (that is why)
That's why I chose (that's why I chose)
I chose to sing the blues
Yes I did, friends
Don't you know what I mean
I like what I'm doin'
You know, I like the blues
Everybody understands
What I mean when I say
Something like this here
Unnnnnnn-hoo
Yeah
Yeah-hoo
That's what I'm talkin' 'bout when I sing
In "I Chose to Sing the Blues," Ray Charles reflects on the choices he has made in his life and why he ultimately chose to pursue music and specifically the blues. He acknowledges that he has the skills to be a gambler or a lover but notes the negative consequences that come with those occupations. He also mentions that he could have been a doctor or lawyer, but ultimately did not feel a strong enough pull towards those professions. Instead, he chose to sing the blues because he enjoys the genre and finds that it is a form of communication that allows him to connect with others.
The lyrics highlight the importance of following one's passion and doing what makes them happy. Charles recognizes that he could have pursued more traditional and socially respected professions, but ultimately felt called to express himself through music. He also emphasizes the power of music as a form of communication, describing it as a way to speak to people in his own little way.
Overall, "I Chose to Sing the Blues" is a reflection on Charles's life choices and how those choices have led him to where he is today. It is a celebration of following one's passions and the power of music to connect individuals.
Line by Line Meaning
I could have been a gambler
I had the ability to play and win games of chance
'Cause I'm good with the cards
I had the talent to play card games well
I could have been a lover
I had the opportunity to have romantic relationships
Breakin' other's hearts
I had the potential to hurt others through my actions
And I feel so silly
I feel foolish
Bettin' on the dice
Taking risks in games of chance
And a lover seldom sees
One who is always in love never sees the same person twice
The same girl twice
A specific example of how a lover does not see the same person twice
And that is why (that is why)
This is the reason why I made the choice I did
That's why I chose (that's why I chose)
This is why I made the decision I did
I chose to sing the blues, yes I did
I chose to express myself through the blues
Now, I could have been a doctor
I had the potential to become a medical professional
Helping the sick
I could have had a career treating ill patients
And I could have been a lawyer
I could have pursued a legal career
But you know that ain't my stick
That is not my preferred occupation
'Cause I feel so bad
I would feel guilty
If a patient didn't do well
I would feel responsible for a patient's illness or death
And I feel just as bad
I would feel the same level of guilt
To leave a client in jail
I would feel responsible if a client was unfairly convicted and jailed
Now a man has a lot
A person has many potential paths in life
That he could present
A person could choose many different careers and lifestyles
Just to think I could have been
It is interesting to consider the other options that were available to me
President
I could have even run for president
But I can't understand
I do not comprehend
What politicians say
I am not able to understand the language and actions of politicians
So I want to talk to you
I prefer to communicate with others on a more personal level
In my own little way
I like to communicate in my own style and manner
Yes I did, friends
This is the decision I made, my companions
Don't you know what I mean
Do you not understand my intentions?
I like what I'm doin'
I enjoy my current activities
You know, I like the blues
I particularly enjoy expressing myself through this musical genre
Everybody understands
The blues is a musical form that is universally relatable
What I mean when I say
The words that I speak and sing have clear meanings
Something like this here
An example of a bluesy phrase
Unnnnnnn-hoo
A bluesy vocalization
Yeah
An exclamation of agreement or enjoyment
Yeah-hoo
A more exuberant exclamation of agreement or enjoyment
That's what I'm talkin' 'bout when I sing
This is what I am expressing through my music
Lyrics © Sony/ATV Music Publishing LLC
Written by: JIMMY HOLIDAY, RAY CHARLES
Lyrics Licensed & Provided by LyricFind
Anthony S
wish you could hear the bass line in this.. so brilliant. That's Carol Kaye, understated.. team player
Phillip Beckman
How did you get the sound so clear? I bought the cd about 13 years ago and it was fuzzy.
franco salgado
carol kaye on bass