Stewart's music career began in 1962 when he took up busking with a harmonica. In 1963, he joined The Dimensions as a harmonica player and vocalist. In 1964, Stewart joined Long John Baldry and the All Stars before moving to the Jeff Beck Group in 1967. Joining Faces in 1969, he also maintained a solo career releasing his debut album that year. Stewart's early albums were a fusion of rock, folk music, soul music, and R&B. His third album, 1971's Every Picture Tells a Story, was his breakthrough, topping the charts in the UK, US, Canada and Australia, as did its ballad "Maggie May". His 1972 follow-up album, Never a Dull Moment, also reached number one in the UK and Australia, while going top three in the US and Canada. Its single, "You Wear It Well", topped the chart in the UK and was a moderate hit elsewhere.
After Stewart had a handful more UK top ten hits, the Faces broke up in 1975. Stewart's next few hit singles were ballads with "Sailing", off the 1975 UK and Australian number-one album, Atlantic Crossing, becoming a hit in the UK and the Netherlands (number one), Germany (number four) and other countries, but barely charting in North America. A Night on the Town (1976), his fifth straight chart-topper in the UK, began a three-album run of going number one or top three in the US, Canada, the UK and Australia with each release. That album's "Tonight's the Night (Gonna Be Alright)" spent almost two months at number one in the US and Canada, and made the top five in other countries. Foot Loose & Fancy Free (1977) contained the hit "You're in My Heart (The Final Acclaim)" as well as the rocker "Hot Legs". Blondes Have More Fun (1978) and its disco-tinged "Da Ya Think I'm Sexy" both went to number one in Canada, Australia and the US, with "Da Ya Think I'm Sexy" also hitting number one in the UK and the top ten in other countries. Stewart's albums regularly hit the upper rungs of the charts in the Netherlands throughout the 70s and in Sweden from 1975 onward.
After a disco and new wave period in the late 1970s and early 1980s, Stewart's music turned to a soft rock/middle-of-the-road style, with most of his albums reaching the top ten in the UK, Germany and Sweden, but faring less well in the US. The single "Rhythm of My Heart" was a top five hit in the UK, US and other countries, with its source album, 1991's Vagabond Heart, becoming, at number ten in the US and number two in the UK, his highest-charting album in a decade. In 1993, he collaborated with Bryan Adams and Sting on the power ballad "All for Love", which went to number one in many countries. In the early 2000s, he released a series of successful albums interpreting the Great American Songbook.
In 2008, Billboard magazine ranked him the 17th most successful artist on the "Billboard Hot 100 All-Time Top Artists". A Grammy and Brit Award recipient, he was voted at No. 33 in Q Magazine's list of the Top 100 Greatest Singers of all time. As a solo artist, Stewart was inducted into the US Rock and Roll Hall of Fame in 1994, the UK Music Hall of Fame in 2006, and he was inducted a second time into the US Rock and Roll Hall of Fame in 2012 as a member of Faces.
Full Wikipedia article: https://en.wikipedia.org/wiki/Rod_Stewart
Studio albums
An Old Raincoat Won't Ever Let You Down (1969)
Gasoline Alley (1970)
Every Picture Tells a Story (1971)
Never a Dull Moment (1972)
Smiler (1974)
Atlantic Crossing (1975)
A Night on the Town (1976)
Foot Loose & Fancy Free (1977)
Blondes Have More Fun (1978)
Foolish Behaviour (1980)
Tonight I'm Yours (1981)
Body Wishes (1983)
Camouflage (1984)
Every Beat of My Heart (1986)
Out of Order (1988)
Vagabond Heart (1991)
A Spanner in the Works (1995)
When We Were the New Boys (1998)
Human (2001)
It Had to Be You: The Great American Songbook (2002)
As Time Goes By: The Great American Songbook, Volume II (2003)
Stardust: The Great American Songbook, Volume III (2004)
Thanks for the Memory: The Great American Songbook, Volume IV (2005)
Still the Same... Great Rock Classics of Our Time (2006)
Soulbook (2009)
Once in a Blue Moon: The Lost Album (2010)
Fly Me to the Moon... The Great American Songbook Volume V (2010)
Merry Christmas, Baby (2012)
Time (2013)
Another Country (2015)
Blood Red Roses (2018)
The Tears of Hercules (2021)
Hot Legs
Rod Stewart Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It's gotta be a quarter to four
Is it you again, comin' round for more?
Well, you can love me tonight if you want
But in the morning make sure you're gone
I'm talkin' to you
Hot legs, you're wearin' me out
Hot legs, you can scream and shout
I love you honey
You got a most persuasive tongue
You promise all kinds of fun
But what you don't understand, I'm a working man
I'm gonna need a shot of vitamin E
By the time you're finished with me
I'm talkin' to you
Hot legs, you're an alley cat
Hot legs, you scratch my back
Hot legs, bring your mother too
I love you, honey
Imagine how my daddy felt
In your jet black suspender belt
Seventeen years old,
He's trudging sixty four
You got legs right up to your neck
You're makin' me a physical wreck
I'm talkin' to you
Hot legs in your satin shoes
Hot legs, are you still in school?
Hot legs, you're makin' me a fool
I love you, honey
Hot legs, you're makin' your mark
Hot legs, keep my pencil sharp
Hot legs, keep your hands to yourself
I love you, honey
Hot legs you're wearin' me out
Hot legs you can scream and shout
Hot legs, you're still in school
I love you, honey
Hot legs
Hot legs
Hot legs
Hot legs you're well-equipped
Hot legs oh your pussy's whipped
Hot legs I just love your lips
I love ya
I love ya
I love ya, honey
Hot legs
Hot legs
Hot legs
I love ya honey!
The lyrics to Rod Stewart's "Hot Legs" describe the singer’s experience with a seductive woman who is constantly knocking at his door at early hours of the morning. The song is widely known for its catchy chorus and suggestive lyrics. In the verses, Rod Stewart sings about his encounter with a woman who is not interested in love, but rather wants a physical relationship. He asks her to leave in the morning, giving the audience an indication that the encounter is a one-time thing.
The lyrics give a glimpse into the daily life of a working-class man who has to wake up early every morning for work. The woman's promises of fun do not sway him from his responsibilities. Stewart's father also makes an appearance in the lyrics, with the singer reminiscing about his father's youthful encounter with a woman similar to the one he is singing about. Stewart describes the woman in detail, highlighting her long legs, physical attributes, and flirtatious nature. In the end, he confesses his love for her.
Line by Line Meaning
Who's that knockin' on my door?
Someone's knocking on my door and I wonder who might it be.
It's gotta be a quarter to four
It's almost four in the morning.
Is it you again, comin' round for more?
It seems like you have come back again for more.
Well, you can love me tonight if you want
We can have a night of passion tonight.
But in the morning make sure you're gone
You have to leave in the morning.
I'm talkin' to you
I'm addressing you.
Hot legs, you're wearin' me out
Your seductive moves are exhausting me.
Hot legs, you can scream and shout
You are allowed to express your passion loudly.
Hot legs, are you still in school?
Are you still a schoolgirl?
I love you honey
I love you.
You got a most persuasive tongue
You know how to persuade me with your words.
You promise all kinds of fun
You make promises of various types of fun.
But what you don't understand, I'm a working man
You fail to understand that I have to work in the morning.
I'm gonna need a shot of vitamin E
I will need a shot of energy in the morning.
By the time you're finished with me
After you're done with me.
Hot legs, you're an alley cat
You're like an alley cat, all over me.
Hot legs, you scratch my back
You scratch my back as we make love.
Hot legs, bring your mother too
Does your mother also have hot legs like you?
Imagine how my daddy felt
Imagine how my father must have felt.
In your jet black suspender belt
Wearing that black suspender belt.
Seventeen years old, He's trudging sixty four
My father was only 17 when he had to work so hard.
You got legs right up to your neck
Your legs go all the way up to your neck.
You're makin' me a physical wreck
You're driving me crazy with desire.
Hot legs in your satin shoes
Your satin shoes add to the appeal of your hot legs.
Hot legs, are you still in school?
Are you still in school, or old enough to be with me?
Hot legs, you're makin' me a fool
You're making me lose my mind for you.
Hot legs, you're makin' your mark
You're leaving your mark on me with your hot legs.
Hot legs, keep my pencil sharp
You keep me virile and ready for more.
Hot legs, keep your hands to yourself
Stop teasing and touch me already.
Hot legs you're well-equipped
You're well-endowed, you have big breasts.
Hot legs oh your pussy's whipped
Your genitals are also desirable.
Hot legs I just love your lips
I love your lips, probably your mouth or genital lips.
I love ya
I really love you.
Hot legs
Your hot legs.
Lyrics © Sony/ATV Music Publishing LLC
Written by: ROD STEWART
Lyrics Licensed & Provided by LyricFind