The Los Angeles-based a cappella quintet Sonos has few rules, but those it … Read Full Bio ↴The Los Angeles-based a cappella quintet Sonos has few rules, but those it abides by are ironclad.
“We do our best to defy stereotypes,” says Jessica Freedman. “The whole approach has been to distance ourselves from kitsch,” chimes in Ben McLain. “And we don’t go ‘dow,’” adds Rachel Bearer.
Dow?
“That’s one of the words vocal groups use to emulate an instrument, like a guitar, with a made-up syllable,” Freedman explains. “We steer clear of that in arrangements.”
With a cappella vocal groups proliferating madly on college campuses and infiltrating the mainstream via TV shows like Glee, Sonos couldn’t have emerged at a more propitious time. But the three women (Freedman, Bearer and Katharine Hoye) and three men (McLain, Chris Harrison and Paul Peglar) who produce its tapestry of tones are swimming against the tide of jukebox set lists, doo-wop inflections and collegiate shtick in their quest to take a cappella music to a new, more sensual, more musically adventurous destination.
They’ve already won plaudits from such tastemakers as Chris Douridas of L.A. bellwether station KCRW-FM, who praised Sonos’ “innovative vocal arrangements” and “inspired repertoire, supremely delivered.” “Prepare to be stunned,” advised the U.K. newspaper The Guardian, while Campus Circle lauded their “unaccompanied magnificence.” Beyond admiring the group’s sonic achievements, critics also noted its “sexual tension” (L.A. tastemaker outlet The Deli Magazine) and “sex appeal” (Pasadena Weekly).
On its debut album, SonoSings, the group combines a rich, classically choral sensibility with an ultra-modern repertoire and sonic toolkit. The result is a spellbinding fusion of ancient and contemporary sounds, as songs by the likes of Radiohead (“Everything in Its Right Place”), Sara Bareilles (an a cappella veteran herself, she joins Sonos for a rendition of her “Gravity”), Fleet Foxes (“White Winter Hymnal”), Bon Iver (“Stacks”), Rufus Wainwright (“Oh What a World”), Björk (“Joga”), Imogen Heap (“Come Here Boy”) and other cutting-edge creators are transformed into mesmerizing vehicles for voices only.
The only pre-existing pop megahit in the batch is “I Want You Back,” but the group’s moody, trip-hop rendition radically re-imagines the tune – bringing out the dark, despairing lyrics that were all but negated by the Jackson 5’s bouncy, bubblegum original. With the passing of Michael Jackson, the version serves as an emotional homage.
Harrison produced and mixed the disc (with Gabriel Mann and manager Hugo Vereker, who assembled the group, provided A&R direction on the album and dreamed up the stark reworking of “I Want You Back”); he also handled several arrangements.
“Chris is a freakin’ genius arranger,” enthuses Freedman, “but we all have experience arranging and writing music, and we bring so many diverse backgrounds to the table that we’re greater than the sum of our parts.” Indeed, Freedman, Bearer and Hoye all contributed sterling arrangements to SonoSings. Agrees McLain, “If any of us weren’t what we are, Sonos wouldn’t be Sonos.”
Performing “I Want You Back” and other songs live, Sonos further pushes the envelope with the judicious use of effects pedals, guided by resident “gearhead” Harrison. McLain, in addition to singing leads and harmonies, contributes beatboxing that’s looped into a panoply of polyrhythms. (He developed the latter skill while lying in bed in his small-town California home, listening to hip-hop station KMEL-FM; his first cassette, he volunteers, was Very Necessary by Salt-N-Pepa.) But that’s just the tip of the technological iceberg.
“We’re very comfortable performing purely acoustically,” explains England-born, L.A.-bred Hoye, who attended the famed Berklee School of Music before heading to UCLA, where she met her future co-harmonizers. “But in the studio and playing live with a sound system, we essentially make electronic vocal music. We think of our collection of pedals and loops as the seventh member of the group.”
“When we sing ‘I Want You Back,’ I use an octave pedal,” she adds, referring to a device that splits notes played or sung into two tones an octave apart. “That way, I get to fulfill my fantasy, as an alto, of singing bass. You can hear a bass part, but I’m the only one singing. It confuses people.”
That said, the electronics are a small part of the picture – the Sonos experience is first and foremost about how “You can go from nothing to something just by opening your mouth,” as Cleveland-born Cali transplant Peglar – whose stratospheric range is variously described as “rock tenor” and “ballsy falsetto” by his compatriots, and who’s been spotted playing keyboards on the aforementioned TV series Glee – puts it.
Like almost everything else about the group, its origin and development have been unconventional. “We sort of became a band backwards,” explains elder statesman Harrison. “We formed, rehearsed, made a record and then started performing live.”
The San Diego native – who grew up watching his dad playing in bluegrass bands – sang in the famed UCLA vocal ensemble known as Awaken A Cappella with Bareilles and fellow future Sonos members Freedman (who comes from Santa Rosa, Calif.) and Peglar. The latter two had attended high school in Santa Rosa with McLain.
Bearer – who grew up singing opera in Tulsa, Okla. (“the buckle of the Bible Belt”) – had been kept from pop music by her musical-purist parents, but says singing a cappella changed her life completely. She attended both UCLA and USC, and was a member of celebrated a cappella ensemble SoCal Vocals when she met Harrison, who invited her to audition for the group; after a mere five rehearsals, she flew to New York for a performance.
Rather than bang out the record over a few months, Sonos took its sweet time. “We recorded the Radiohead track nearly three years ago, and we added two new tracks the day before it was mastered,” Freedman reveals. “It spans our entire evolution as a group. We’ve really grown into our own sound and style.”
They performed their first gig at the Santa Rosa high school Freedman, McLain and Peglar had attended together. While their vocal mix clearly delighted the crowd, Peglar recalls, their visual presentation hadn’t yet evolved. “I watched a video of it and promptly deleted it,” he relates, “because it was not what we wanted to present to people.” Some seven months passed before their next show, however, and the group soon developed its signature presentational style – sleek, sexy and confrontational, with an air of mystery not often found in the a cappella world.
Perhaps the ensemble’s most revelatory live moment thus far came in the gorgeously austere confines of a 17th Century London church, where they sang for an audience of fans, friends and industry folk. Performing “White Winter Hymnal” and “Gravity,” particularly, in such a setting, Peglar remembers, “Was kind of a checkpoint, because it was the six of us and the audience, with nothing in the way. I’d never even been overseas, so just being in London was amazing; compounding that was making music with my friends in this incredible church.”
“There’s something organic and mysterious about singing a cappella,” Peglar continues. “It’s beautiful and intangible. It could’ve been centuries earlier with a piece of classical music, but we’re taking something from last year and making it just as haunting and interesting. I think that’s what’s most captivating about us.” Manager Vereker reports that the music-business types in attendance were stunned. “Almost every one of them came up to me afterward,” he says, “and told me they’d never seen anything like it in their lives.”
With its debut album complete at last, the group is prepared to bring its one-of-a-kind vocal blend to the world – and plans to pepper its tour schedule with venues like performing-arts centers, colleges and even living rooms. But whether they’re in a courtyard, a club or a concert hall, Sonos will always seek that intangible, mysterious, intimate fusion of timeless tones and modern meaning – with nary a “dow” to be heard.
Sonos performed on Season 3 of the NBC show "The Sing-Off" and they were eliminated in the 4th episode.
“We do our best to defy stereotypes,” says Jessica Freedman. “The whole approach has been to distance ourselves from kitsch,” chimes in Ben McLain. “And we don’t go ‘dow,’” adds Rachel Bearer.
Dow?
“That’s one of the words vocal groups use to emulate an instrument, like a guitar, with a made-up syllable,” Freedman explains. “We steer clear of that in arrangements.”
With a cappella vocal groups proliferating madly on college campuses and infiltrating the mainstream via TV shows like Glee, Sonos couldn’t have emerged at a more propitious time. But the three women (Freedman, Bearer and Katharine Hoye) and three men (McLain, Chris Harrison and Paul Peglar) who produce its tapestry of tones are swimming against the tide of jukebox set lists, doo-wop inflections and collegiate shtick in their quest to take a cappella music to a new, more sensual, more musically adventurous destination.
They’ve already won plaudits from such tastemakers as Chris Douridas of L.A. bellwether station KCRW-FM, who praised Sonos’ “innovative vocal arrangements” and “inspired repertoire, supremely delivered.” “Prepare to be stunned,” advised the U.K. newspaper The Guardian, while Campus Circle lauded their “unaccompanied magnificence.” Beyond admiring the group’s sonic achievements, critics also noted its “sexual tension” (L.A. tastemaker outlet The Deli Magazine) and “sex appeal” (Pasadena Weekly).
On its debut album, SonoSings, the group combines a rich, classically choral sensibility with an ultra-modern repertoire and sonic toolkit. The result is a spellbinding fusion of ancient and contemporary sounds, as songs by the likes of Radiohead (“Everything in Its Right Place”), Sara Bareilles (an a cappella veteran herself, she joins Sonos for a rendition of her “Gravity”), Fleet Foxes (“White Winter Hymnal”), Bon Iver (“Stacks”), Rufus Wainwright (“Oh What a World”), Björk (“Joga”), Imogen Heap (“Come Here Boy”) and other cutting-edge creators are transformed into mesmerizing vehicles for voices only.
The only pre-existing pop megahit in the batch is “I Want You Back,” but the group’s moody, trip-hop rendition radically re-imagines the tune – bringing out the dark, despairing lyrics that were all but negated by the Jackson 5’s bouncy, bubblegum original. With the passing of Michael Jackson, the version serves as an emotional homage.
Harrison produced and mixed the disc (with Gabriel Mann and manager Hugo Vereker, who assembled the group, provided A&R direction on the album and dreamed up the stark reworking of “I Want You Back”); he also handled several arrangements.
“Chris is a freakin’ genius arranger,” enthuses Freedman, “but we all have experience arranging and writing music, and we bring so many diverse backgrounds to the table that we’re greater than the sum of our parts.” Indeed, Freedman, Bearer and Hoye all contributed sterling arrangements to SonoSings. Agrees McLain, “If any of us weren’t what we are, Sonos wouldn’t be Sonos.”
Performing “I Want You Back” and other songs live, Sonos further pushes the envelope with the judicious use of effects pedals, guided by resident “gearhead” Harrison. McLain, in addition to singing leads and harmonies, contributes beatboxing that’s looped into a panoply of polyrhythms. (He developed the latter skill while lying in bed in his small-town California home, listening to hip-hop station KMEL-FM; his first cassette, he volunteers, was Very Necessary by Salt-N-Pepa.) But that’s just the tip of the technological iceberg.
“We’re very comfortable performing purely acoustically,” explains England-born, L.A.-bred Hoye, who attended the famed Berklee School of Music before heading to UCLA, where she met her future co-harmonizers. “But in the studio and playing live with a sound system, we essentially make electronic vocal music. We think of our collection of pedals and loops as the seventh member of the group.”
“When we sing ‘I Want You Back,’ I use an octave pedal,” she adds, referring to a device that splits notes played or sung into two tones an octave apart. “That way, I get to fulfill my fantasy, as an alto, of singing bass. You can hear a bass part, but I’m the only one singing. It confuses people.”
That said, the electronics are a small part of the picture – the Sonos experience is first and foremost about how “You can go from nothing to something just by opening your mouth,” as Cleveland-born Cali transplant Peglar – whose stratospheric range is variously described as “rock tenor” and “ballsy falsetto” by his compatriots, and who’s been spotted playing keyboards on the aforementioned TV series Glee – puts it.
Like almost everything else about the group, its origin and development have been unconventional. “We sort of became a band backwards,” explains elder statesman Harrison. “We formed, rehearsed, made a record and then started performing live.”
The San Diego native – who grew up watching his dad playing in bluegrass bands – sang in the famed UCLA vocal ensemble known as Awaken A Cappella with Bareilles and fellow future Sonos members Freedman (who comes from Santa Rosa, Calif.) and Peglar. The latter two had attended high school in Santa Rosa with McLain.
Bearer – who grew up singing opera in Tulsa, Okla. (“the buckle of the Bible Belt”) – had been kept from pop music by her musical-purist parents, but says singing a cappella changed her life completely. She attended both UCLA and USC, and was a member of celebrated a cappella ensemble SoCal Vocals when she met Harrison, who invited her to audition for the group; after a mere five rehearsals, she flew to New York for a performance.
Rather than bang out the record over a few months, Sonos took its sweet time. “We recorded the Radiohead track nearly three years ago, and we added two new tracks the day before it was mastered,” Freedman reveals. “It spans our entire evolution as a group. We’ve really grown into our own sound and style.”
They performed their first gig at the Santa Rosa high school Freedman, McLain and Peglar had attended together. While their vocal mix clearly delighted the crowd, Peglar recalls, their visual presentation hadn’t yet evolved. “I watched a video of it and promptly deleted it,” he relates, “because it was not what we wanted to present to people.” Some seven months passed before their next show, however, and the group soon developed its signature presentational style – sleek, sexy and confrontational, with an air of mystery not often found in the a cappella world.
Perhaps the ensemble’s most revelatory live moment thus far came in the gorgeously austere confines of a 17th Century London church, where they sang for an audience of fans, friends and industry folk. Performing “White Winter Hymnal” and “Gravity,” particularly, in such a setting, Peglar remembers, “Was kind of a checkpoint, because it was the six of us and the audience, with nothing in the way. I’d never even been overseas, so just being in London was amazing; compounding that was making music with my friends in this incredible church.”
“There’s something organic and mysterious about singing a cappella,” Peglar continues. “It’s beautiful and intangible. It could’ve been centuries earlier with a piece of classical music, but we’re taking something from last year and making it just as haunting and interesting. I think that’s what’s most captivating about us.” Manager Vereker reports that the music-business types in attendance were stunned. “Almost every one of them came up to me afterward,” he says, “and told me they’d never seen anything like it in their lives.”
With its debut album complete at last, the group is prepared to bring its one-of-a-kind vocal blend to the world – and plans to pepper its tour schedule with venues like performing-arts centers, colleges and even living rooms. But whether they’re in a courtyard, a club or a concert hall, Sonos will always seek that intangible, mysterious, intimate fusion of timeless tones and modern meaning – with nary a “dow” to be heard.
Sonos performed on Season 3 of the NBC show "The Sing-Off" and they were eliminated in the 4th episode.
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Again And Again
Sonos Lyrics
We have lyrics for 'Again And Again' by these artists:
A.d.M.a When you smile my life becomes a ray of light sing…
A1 - You And Me And I was sinking under water Drowning in a memory of…
Accomplice Yeah I don't know exactly It was way back when…
again and again Baby puttin' on for the city Baby, he the realest, Baby…
AK I don't wait for your calls no more I don't pray…
Alter Ahhhhh I have played the part I have all but lost my…
AM & Shawn Lee Ever since You left and went away, waiting for the…
Amorist Thinking ‘bout December, still stuck on forever like yesterd…
Ancient Machine I'm on my way from hollow Going into the light I am…
Annie & the Beekeepers Here comes the rain again Falling on my head like a…
B.B Project 내 눈앞에 이쁜 한 소녀가 서 있어요 맑고 투명한 눈 속엔 절대로…
Basto! Again And Again…
Beds and Beats Watching you in your bed And we're alright I saw you in…
Big Head Todd and The Monsters She takes my hand Takes it around her as she listens…
Bird & Bee Again and again and again Do it again Do it again Again and…
blue desert As I look at my life I've surely been blessed With so…
Bob Mould It began sometime last week The feeling that most everything…
Brave Guys Check 1 2 can you hear me Hoksi algo inni nae…
Bridges Spinning around, spinning around Feeling numb, can't feel Re…
Byron Lee & The Dragonaires Back when I was a child Before life removed all the…
Christian Epidemic I'm slowly being blinded By the unfastened hand of this pla…
Cindy Gomez When the music starts to play My mind just drifts away And…
Cock Sparrer Hey, people down the street don't know what's goin' on. They…
Delandrea Gimme the light, look, i might be blind, can get…
Devin Vasquez I close my eyes and saw you walk in my…
Dex Wilson Baby you been looking like an angel Maybe I been losing…
DJ PV feat. Dominic Balli I suddenly found myself drifting far from the shore I was…
E.sy Kennenga Say the truth I didn't left you You didn't left me…
Eddy & Dus I just met you baby and I fell in love…
Elise Road This is your imagination This ain't how you really feel When…
Exchange Bureau feat. Angelique I've always given little pieces of myself away I thought no…
F.I.N 分开过 所以我 更懂得怎么把双手紧握 犯过错 所以我 更懂得怎么不把你错过 谢谢你 教我体会心动的美 谢谢你 让我学会心…
Fireworks I'm feeling earthquakes A natural disaster Your lips begin…
Friday Night So take a good look at what I'm selling I don't…
G-Fu 軽く触れた指の先だけで ほら いとも容易く殻はくだけてしまう 真実を確かめようとも 愚かさを抱きしめようとも 僕たちが…
Great White Little bitch, little bitch What you gonna do when your hand…
Hellnation Construction all around Once green quickly turning brown …
Henriette Linja You only see me For who I used to be But that’s…
His Name Was Yesterday I know that you would like to see me fall But…
Holly Brook Unlocking metaphors Caches that were safe before Lost their …
Hot Water Tears like falling rain Wash down my window pain All the wat…
I.R.D. They say it's bad again All of my niggas we never…
IZZ How can I be torn from the pages of history?…
James Samantha Never really know what's waiting On the other side When love…
Jason Gray This one goes out to you If you gave all you…
Jewel Listen dear I need you to hear. I cannot disappear I've trie…
Kathleen Regan You said alright, if you could trade a life Be anything…
Keane Was it all in real time Or was it just in…
Kiko & Gino Bayow 23way or No way 4eva 23 We got one coach Free the…
Last Autumn's Dream And so you think this game is over Come back and…
Leah Dizon 漢字： ｢Someday we'll run away、so far away love。 Until…
Lowlife How many more sleepless nights must i pretend to sleep how m…
Lust-O-Rama 偽りのない真っ白な場所なんて 存在するのだろうか? Where is the truth? 見渡せば今日も 矛盾だらけの…
Madina Lake I'm frozen as my life is bursting into flames from…
Manila Grey (North bustin' banger) (Nafsi brought it back to life) Lane…
Midnight Pilot Broke again Hoping for the best case But I know it's probabl…
Mikal Cronin Oh, I got a funny feeling that the words are wheeling…
Mike Garlington and Friends Come in smooth talker Yeah, you've got smooth words Oh, me, …
milet Why? それでも何かがあると思っていた 深い底でただ朝を待っていた 抜け出すための答えは持っていた oh Someb…
moe. Weew! I like this, yeah this definitely gives me that…
Mýa INTRO I've tried so hard to make you understand That it's …
Mya I've tried so hard to make you understand That it's over,…
Mylon LeFevre Sun coming up just across the road Dew is still fresh…
Narou Time is flying by What a beautiful ride This Feels…
No PT Imma hoe I don't know what she see in me Shawty…
No. 9 I'm not the way I used to be The wounds…
No.9 Imma hoe I don't know what she see in me Shawty…
NOA How many times I say the words Again and again and…
OmenXIII Pushin up dasies, feeling complacent I know what I want but…
Opus Again and again The torture in your brain You have to stop…
Paul McCormick Isn't it funny how a moment of weakness Was something I…
Phil Lesh & Friends Come in smooth talker Yeah, you've got smooth words Oh, me, …
Plural Never again My life is fucking insane You thougth you could …
Point of No Return And we say no... This rebellion is not over. Not…
Presence This is the way that things have to be did…
PRINCESSBRI Okay, yeah You always lead me on, I can′t seem to…
Reason to Believe There's something out there stopping me from having fun I'…
Ringworm The more things change, the more they stay the same…
Rise Of The Northstar Yo, yo, yo no motherfucking topic for this one Just a…
Rock All I want Is to live low profile All I need A little…
S.Jin Test of my patience I was never good at waiting Your smile…
Slow It ain’t love to me It don’t come for free And I…
Sons of Rock This was meant to be A beautiful love story But the problem…
Soul & Spirit 重ねすぎた愛 もてあまして 泣き出す体 もう触れないで 今思い出した 痛みこらえて まだなれない夜 眠るむなしさ 深い仲…
Status Quo Once upon a time not so very long ago There wasn't…
Step Forward What goes around, comes back around. A fall from the…
STS & OPUS It's so easy to love you, No matter what the odds…
Sugar & the Raw Aye Rj turn this shit up Bitch it's Clay Raw on…
Sundays & Cybele All I am, all I was Is what you made me I'm…
SWEATCULT These alleys With cracks upon the walls Broken glass You won…
Taproot sick and angered by my friends extremely cold and heartless/…
Tatiana Hazel I don′t know where to turn when times are tough I…
Terry Jacks You lost your way again You always were an easy score And…
the bird an the bee Again and again and again Do it again Do it again Again and…
The Deputies Together again My tears have stopped falling The long lonely…
The Greatest Show on Earth Memories that I should find Breathing in softly to my mind …
The Infinities 世間知らずなのに口だけは達者一丁前 何一つと褒められた事も喜ばせてあげた事もきっとない 「おはよう」「おやすみ」「ただい…
The Lust-O-Rama 偽りのない真っ白な場所なんて 存在するのだろうか? Where is the truth? 見渡せば今日も 矛盾だらけの…
The Narcoleptic Dancers I was born in a land made of magics And i…
The Plague 鍵は君にあげよう 好きなページを開けよ 君はうんざりして行を追うだろう おびただしい数の"Again" 懸命に逃げ続けた…
The Players I spent many a year Holding onto you And I spilled many…
The Seekers feat. Judith Durham Fooled me once and you fooled me twice but I won't…
The Sleep In an instant I've fallen for you again The backslide is…
The Statics Running into you, I almost felt a spark again Igniting Every…
The Umbrellas So where is the piano and the big big bass…
Tiffany Woke up feeling like I was still dreaming Hair a mess…
Tom Waits.... Michael Garlington PHD Well the sun came in my window Wednesday morning And your…
Tomorrow People Im Never Gonna Leave You Lonely Im Never Gonna Let You…
Umbrellas So where is the piano and the big big bass…
Union 13 We're back to haunt you like no one before it's all…
V.2 JYP, 2-P-M Again and again and again and again Again and ag…
Valdi & Valdéz Chorus 1: The night goes on and on and on You…
Various Artists You were once My one companion You were all That mattered Yo…
White Wolf T-Shirt The reflectors point on me A blueish light comes right from…
Wildlife Control Fallin' When we barely met But I can't forget The features o…
Wri Gaddison Zow bow navooda nu wabba nu Renay a comp a cu…
Yella Beezy & Trapboy Freddy Cook that shit up Quay! Oh my gosh, back at it…
You & Me And I was sinking under water Drowning in a memory of…
yozoh Jakku-chakku keudae saengga-ge Eocheol-suga eop-seoyo Mundeu…
ベイビーレイズ もう1度、飛びたとう 夢の欠片、この手に集め まだまだ、とまれない 旅は続くよ 変わりゆく日々に 置いてきぼりにされて…
Keane Was it all in real time Or was it just in…
We have lyrics for these tracks by Sonos:
Ave Maria Ave Maria, gratia plena Ave ave dominus, tecum Santa Maria…
Bittersweet Out Of Line Raise your glasses Think of the times…
Come Here Boy It′s dark in here, visions are flashing into my head As…
Come Thou Fount Of Every Blessing Come thou fount of every blessing Tune my heart to sing…
Coventry Carol Lully, lullay, Thou little tiny Child, By, by, lully, lullay…
Everything In Its Right Place Everything Everything Everything Everything In its right pl…
Gravity Something always brings me back to you. It never takes too…
Hold On I'm ready for you light I'm ready take control I'm ready you…
I Saw Three Ships I saw three ships come sailing in On Christmas Day, on…
I Want You Back I want you back, baby, come back to me I want…
Little Bird Of all the things I find in life No moments better…
O Holy Night O Holy Night, the stars are brightly shining It is the…
Oh What A World Men reading fashion magazines Oh what a world It seems we li…
Re: Stacks This my excavation and today is kumran Everything that happe…
White Winter Hymnal I was following the, I was following the, I was following th…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
gaspitsalison
One of my favorite Bird and the Bees songs, done SO incredibly well! Such talent <3
Caligulette
Very beautiful ! I can't stop listen at it !!!
GriffinGal1991
These guys are fantastic!! Saw them in person just a few days ago!! :)
Peter Root-Wiley
Flawless guys! I love that song and you nailed it!
Fuff Mcduffin
outstanding, great job!
Alicia
Love them!!!!
Amy Riling
this is awesome!
turtleplh44
WOOOW This made me smile!!!
Linda Diel
this makes me have tears in my eyes, but they guy in the Grey Shirt destroys everything with his "moves"
lehman
I like this one the best.