South Park is a critically acclaimed award-winning satirical animated sitco… Read Full Bio ↴South Park is a critically acclaimed award-winning satirical animated sitcom created by Trey Parker and Matt Stone. The series revolves around four boys and their exploits in and around the titular Colorado town. The show became infamous for its profanity and dark, surreal humor that satirizes a wide range of topics.
South Park commonly makes use of carnivalesque and absurdist techniques, numerous running gags, violence, sexual content, offhand pop-cultural references, and satirical portrayal of celebrities.
Early episodes tended to be shock value-oriented and featured more slapstick-style humor. While social satire had been used on the show occasionally earlier on, it became more prevalent as the series progressed, with the show retaining some of its focus on the boys' fondness of scatological humor in an attempt to remind adult viewers "what it was like to be eight years old.” Parker and Stone also began further developing other characters by giving them larger roles in certain storylines and began writing plots as parables based on religion, politics, and numerous other topics. This provided the opportunity for the show to spoof both extreme sides of contentious issues while lampooning both liberal and conservative points of view. Parker and Stone describe themselves as "equal opportunity offenders", whose main purpose is to "be funny" and "make people laugh", while stating that no particular topic or group of people be exempt from mockery and satire.
Parker and Stone insist that the show is still more about "kids being kids" and "what it's like to be in [elementary school] in America", stating that the introduction of a more satirical element to the series was the result of the two adding more of a "moral center" to the show so that it would rely less on simply being crude and shocking in an attempt to maintain an audience. While profane, Parker notes that there is still an "underlying sweetness" aspect to the child characters, and Time described the boys as "sometimes cruel but with a core of innocence." Usually, the boys or other characters pondered over what transpired during an episode and conveyed the important lesson taken from it with a short monologue. During earlier seasons, this speech commonly began with a variation of the phrase "You know, I've learned something today...".
Since its debut in August 13, 1997, 309 episodes of South Park have been broadcast. It debuted with great success, consistently earning the highest ratings of any basic cable program. Subsequent ratings have varied but it remains one of Comedy Central's highest-rated shows and is slated to air new episodes through 2022. Since 2000, each episode has typically been written and produced in the week preceding its broadcast, with Parker serving as the primary writer and director. South Park has received numerous accolades, including five Primetime Emmy Awards, a Peabody Award, and numerous inclusions in various publications' lists of greatest television shows. The show's popularity resulted in a feature-length theatrical film, South Park: Bigger, Longer & Uncut which was released in June 1999, less than two years after the show's premiere, and became a commercial and critical success, and garnered a nomination for an Academy Award. In 2013, TV Guide ranked South Park the tenth Greatest TV Cartoon of All Time. The show follows the exploits of four boys, Stan Marsh, Kyle Broflovski, Eric Cartman, and Kenny McCormick. The boys live in the fictional small town of South Park, located within the real-life South Park basin in the Rocky Mountains of central Colorado. The town is also home to an assortment of frequent characters such as students, families, elementary school staff, and other various residents, who tend to regard South Park as a bland, quiet place to live. Prominent settings on the show include the local elementary school, bus stop, various neighborhoods and the surrounding snowy landscape, actual Colorado landmarks, and the shops and businesses along the town's main street, all of which are based on the appearance of similar locations in Fairplay, Colorado.
Stan is portrayed as the everyman of the group, as the show's website describes him as an "average, American 4th grader". Kyle is the lone Jew among the group, and his portrayal in this role is often dealt with satirically. Stan is modeled after Parker, while Kyle is modeled after Stone. They are best friends, and their friendship, symbolically intended to reflect Parker and Stone's friendship, is a common topic throughout the series. Eric Cartman (usually nicknamed by his surname only) is loud, obnoxious, and amoral, often portrayed as an antagonist. His anti-Semitic attitude has resulted in a progressive rivalry with Kyle, although the deeper reason is the strong clash between Kyle's strong morality and Cartman's complete lack of such. Kenny, who comes from a poor family, wears his parka hood so tightly that it covers most of his face and muffles his speech. During the show's first five seasons, Kenny died in nearly every episode before returning in the next with little-to-no definitive explanation given. He was written out of the show's sixth season in 2002, re-appearing in the season finale. Since then, Kenny's death has been seldom used by the show's creators. During the show's first 58 episodes, the boys were in the third grade. In the season four episode "4th Grade" (2000), they entered the fourth grade, and have remained there ever since.
Plots are often set in motion by events, ranging from the fairly typical to the supernatural and extraordinary, which frequently happen in the town. The boys often act as the voice of reason when these events cause panic or incongruous behavior among the adult populace, who are customarily depicted as irrational, gullible, and prone to vociferation. The boys are also frequently confused by the contradictory and hypocritical behavior of their parents and other adults, and often perceive them as having distorted views on morality and society. Each episode opens with a tongue-in-cheek all persons fictitious disclaimer: "All characters and events in this show—even those based on real people—are entirely fictional. All celebrity voices are impersonated.....poorly. The following program contains coarse language and due to its content it should not be viewed by anyone."
South Park was the first weekly program to be rated TV-MA, and is generally intended for adult audiences. The boys and most other child characters use strong profanity, with only the most taboo words being bleeped during a typical broadcast. Parker and Stone perceive this as the manner in which real-life small boys speak when they are alone.
South Park commonly makes use of carnivalesque and absurdist techniques, numerous running gags, violence, sexual content, offhand pop-cultural references, and satirical portrayal of celebrities.
Early episodes tended to be shock value-oriented and featured more slapstick-style humor. While social satire had been used on the show occasionally earlier on, it became more prevalent as the series progressed, with the show retaining some of its focus on the boys' fondness of scatological humor in an attempt to remind adult viewers "what it was like to be eight years old." Parker and Stone also began further developing other characters by giving them larger roles in certain storylines, and began writing plots as parables based on religion, politics, and numerous other topics. This provided the opportunity for the show to spoof both extreme sides of contentious issues, while lampooning both liberal and conservative points of view. Parker and Stone describe themselves as "equal opportunity offenders", whose main purpose is to "be funny" and "make people laugh", while stating that no particular topic or group of people be exempt from mockery and satire.
Parker and Stone insist that the show is still more about "kids being kids" and "what it's like to be in [elementary school] in America", stating that the introduction of a more satirical element to the series was the result of the two adding more of a "moral center" to the show so that it would rely less on simply being crude and shocking in an attempt to maintain an audience. While profane, Parker notes that there is still an "underlying sweetness" aspect to the child characters, and Time described the boys as "sometimes cruel but with a core of innocence." Usually, the boys or other characters pondered over what transpired during an episode and conveyed the important lesson taken from it with a short monologue. During earlier seasons, this speech commonly began with a variation of the phrase "You know, I've learned something today...".
Parker and Stone met in film class at the University of Colorado in 1992 and discovered a shared love of Monty Python, which they often cite as one of their primary inspirations. They created an animated short entitled The Spirit of Christmas. The film was created by animating construction paper cutouts with stop motion, and features prototypes of the main characters of South Park, including a character resembling Cartman but named "Kenny", an unnamed character resembling what is today Kenny, and two near-identical unnamed characters who resemble Stan and Kyle. Fox Broadcasting Company executive and mutual friend Brian Graden commissioned Parker and Stone to create a second short film as a video Christmas card. Created in 1995, the second The Spirit of Christmas short resembled the style of the later series more closely. To differentiate between the two homonymous shorts, the first short is often referred to as Jesus vs. Frosty, and the second short as Jesus vs. Santa. Graden sent copies of the video to several of his friends, and from there it was copied and distributed, including on the internet, where it became one of the first viral videos.
As Jesus vs. Santa became more popular, Parker and Stone began talks of developing the short into a television series about four children residing in the fictional Colorado town of South Park. Fox eagerly agreed to meet with the duo about the show's premise, having pride itself with edgier products such as Cops, The Simpsons, and The X-Files. However, during the meeting at the Fox office in Century City, disagreements between the two creators and the network began to arise, mainly over the latter's refusal to air a show that included a supporting talking stool character named Mr. Hankey. Some executives at 20th Century Fox Television (which was to produce the series) agreed with its then-sister network's stance on Mr. Hankey and repeatedly requested Parker and Stone to remove the character in order for the show to proceed. Refusing to their demands, the duo cut ties with Fox and its sister companies all together and began shipping the series somewhere else.
The two then entered negotiations with both MTV and Comedy Central. Parker preferred the show be produced by Comedy Central, fearing that MTV would turn it into a kids show. When Comedy Central executive Doug Herzog watched the short, he commissioned for it to be developed into a series. Parker and Stone assembled a small staff and spent three months creating the pilot episode "Cartman Gets an Anal Probe". South Park was in danger of being canceled before it even aired when the show fared poorly with test audiences, particularly with women. However, the shorts were still gaining more popularity over the Internet, and Comedy Central ordered a run of six episodes. South Park debuted with "Cartman Gets an Anal Probe" on August 13, 1997. all episodes of South Park except for the pilot episode (which was produced using cutout animation) are created with the use of software, primarily Autodesk Maya. As opposed to the pilot, which took three months to complete, and other animated sitcoms, which are traditionally hand-drawn by companies in South Korea in a process that takes roughly eight to nine months, individual episodes of South Park take significantly less time to produce. Using computers as an animation method, the show's production staff were able to generate an episode in about three weeks during the first seasons. Now, with a staff of about 70 people, episodes are typically completed in one week, with some in as little as three to four days. Nearly the entire production of an episode is accomplished within one set of offices, which were originally at a complex in Westwood, Los Angeles, California and are now part of South Park Studios in Culver City, California. Parker and Stone have been the show's executive producers throughout its entire history. Debbie Liebling, who was Senior Vice President of original programming and development for Comedy Central, also served as an executive producer during the show's first five seasons, coordinating the show's production efforts between South Park Studios and Comedy Central's headquarters in New York City. During its early stages, finished episodes of South Park were hastily recorded to D-2 to be sent to Comedy Central for airing in just a few days' time. Scripts are not written before a season begins. Production of an episode begins on a Thursday, with the show's writing consultants brainstorming with Parker and Stone. Former staff writers include Pam Brady, who has since written scripts for the films Hot Rod, Hamlet 2, and Team America: World Police (with Parker and Stone), and Nancy Pimental, who served as co-host of Win Ben Stein's Money and wrote the film The Sweetest Thing after her tenure with the show during its first three seasons. Television producer and writer Norman Lear, an idol of both Parker and Stone, served as a guest writing consultant for the season seven (2003) episodes "Cancelled" and "I'm a Little Bit Countrt.” Starting with season 12, Saturday Night Live actor and writer Bill Hader served as a creative consultant and co-producer.
After exchanging ideas, Parker will write a script, and from there the entire team of animators, editors, technicians, and sound engineers will each typically work 100–120 hours in the ensuing week. Since the show's fourth season (2000), Parker has assumed most of the show's directorial duties, while Stone relinquished his share of the directing to focus on handling the coordination and business aspects of the production. On Wednesday, a completed episode is sent to Comedy Central's headquarters via satellite uplink, sometimes just a few hours before its air time of 10 PM Eastern Time.
Parker and Stone state that subjecting themselves to a one-week deadline creates more spontaneity amongst themselves in the creative process, which they feel results in a funnier show. The schedule also allows South Park to both stay more topical and respond more quickly to specific current events than other satiric animated shows. One of the earliest examples of this was in the season four (2000) episode "Quintuplets 2000", which references the United States Border Patrol's raid of a house during the Elián González affair, an event which occurred only four days before the episode originally aired.The season nine (2005) episode "Best Friends Forever" references the Terri Schiavo case, and originally aired in the midst of the controversy and less than 12 hours before she died. A scene in the season seven (2003) finale "It's Christmas in Canada" references the discovery of dictator Saddam Hussein in a "spider hole" and his subsequent capture, which happened a mere three days prior to the episode airing. The season 12 (2008) episode "About Last Night..." revolves around Barack Obama's victory in the 2008 presidential election, and aired less than 24 hours after Obama was declared the winner, using segments of dialogue from Obama's real victory speech.
On October 16, 2013, the show failed to meet their production deadline for the first time ever, after a power outage on October 15 at the production studio prevented the episode, season 17's "Goth Kids 3: Dawn of the Posers", from being finished in time. The episode was rescheduled to air a week later on October 23, 2013. In July 2015, South Park was renewed through 2019; extending the show through season 23 with 307 episodes overall. On September 12, 2019, the show was renewed for seasons 24 through 26 until 2022. The show's style of animation is inspired by the paper cut-out cartoons made by Terry Gilliam for Monty Python's Flying Circus, of which Parker and Stone have been lifelong fans. Construction paper and traditional stop motion cutout animation techniques were used in the original animated shorts and in the pilot episode. Subsequent episodes have been produced by computer animation, providing a similar look to the originals while requiring a fraction of the time to produce. Before computer artists begin animating an episode, a series of animatics drawn in Toon Boom are provided by the show's storyboard artists.
The characters and objects are composed of simple geometrical shapes and primary and secondary colors. Most child characters are the same size and shape, and are distinguished by their clothing, hair and skin colors, and headwear. Characters are mostly presented two-dimensionally and from only one angle. Their movements are animated in an intentionally jerky fashion, as they are purposely not offered the same free range of motion associated with hand-drawn characters. Occasionally, some non-fictional characters are depicted with photographic cutouts of their actual head and face in lieu of a face reminiscent of the show's traditional style. Canadians on the show are often portrayed in an even more minimalist fashion; they have simple beady eyes, and the top halves of their heads simply flap up and down when the characters speak.
When the show began using computers, the cardboard cutouts were scanned and re-drawn with CorelDRAW, then imported into PowerAnimator, which was used with SGI workstations to animate the characters. The workstations were linked to a 54-processor render farm that could render 10 to 15 shots an hour. Beginning with season five, the animators began using Maya instead of PowerAnimator. The studio now runs a 120-processor render farm that can produce 30 or more shots an hour.
PowerAnimator and Maya are high-end programs mainly used for 3D computer graphics, while co-producer and former animation director Eric Stough notes that PowerAnimator was initially chosen because its features helped animators retain the show's "homemade" look. PowerAnimator was also used for making some of the show's visual effects, which are now created using Motion, a newer graphics program created by Apple, Inc. for their Mac OS X operating system. The show's visual quality has improved in recent seasons, though several other techniques are used to intentionally preserve the cheap cutout animation look.
A few episodes feature sections of live-action footage, while others have incorporated other styles of animation. Portions of the season eight (2004) premiere "Good Times with Weapons" are done in anime style, while the season 10 episode "Make Love, Not Warcraft" is done partly in machinima. The season 12 episode "Major Boobage", a homage to the 1981 animated film Heavy Metal, implements scenes accomplished with rotoscoping.
Parker and Stone voice most of the male South Park characters. Mary Kay Bergman voiced the majority of the female characters until her death in November 1999. Mona Marshall and Eliza Schneider succeeded Bergman, with Schneider leaving the show after its seventh season (2003). She was replaced by April Stewart, who, along with Marshall, continues to voice most of the female characters. Bergman was originally listed in the credits under the alias Shannen Cassidy to protect her reputation as the voice of several Disney and other kid-friendly characters. Stewart was originally credited under the name Gracie Lazar, while Schneider was sometimes credited under her rock opera performance pseudonym Blue Girl.
Other voice actors and members of South Park's production staff have voiced minor characters for various episodes, while a few staff members voice recurring characters; supervising producer Jennifer Howell voices student Bebe Stevens, co-producer and storyboard artist Adrien Beard voices Token Black, who was the school's only African-American student until the introduction of Nichole in "Cartman Finds Love", writing consultant Vernon Chatman voices an anthropomorphic towel named Towelie, and production supervisor John Hansen voices Mr. Slave, the former gay lover of Mr. Garrison. Throughout the show's run, the voices for toddler and kindergarten characters have been provided by various small children of the show's production staff.
When voicing child characters, the voice actors speak within their normal vocal range while adding a childlike inflection. The recorded audio is then edited with Pro Tools, and the pitch is altered to make the voice sound more like that of a fourth grader.
Isaac Hayes voiced the character of Chef, an African-American, soul-singing cafeteria worker who was one of the few adults the boys consistently trusted. Hayes agreed to voice the character after being among Parker and Stone's ideal candidates, which also included Lou Rawls and Barry White. Hayes, who lived and hosted a radio show in New York during his tenure with South Park, recorded his dialogue on a digital audio tape while a director gave directions over the phone, after which the tape would be shipped to the show's production studio in California. After Hayes left the show in early 2006, the character of Chef was killed off in the season 10 (2006) premiere "The Return of Chef". Parker says that the varying uses of music is of utmost importance to South Park. Several characters often play or sing songs in order to change or influence a group's behavior, or to educate, motivate, or indoctrinate others. The show also frequently features scenes in which its characters have disapproving reactions to the performances of certain popular musicians.
Adam Berry, the show's original score composer, used sound synthesis to simulate a small orchestra, and frequently alluded to existing famous pieces of music. Berry also used signature acoustic guitar and mandolin cues as leitmotifs for the show's establishing shots. After Berry left in 2001, Jamie Dunlap and Scott Nickoley of the Los Angeles-based Mad City Production Studios provided the show's original music for the next seven seasons. Since 2008, Dunlap has been credited as the show's sole score composer. Dunlap's contributions to the show are one of the few that are not achieved at the show's own production offices. Dunlap reads a script, creates a score using digital audio software, and then e-mails the audio file to South Park Studios, where it is edited to fit with the completed episode.
In addition to singing in an effort to explain something to the children, Chef would also sing about things relevant to what had transpired in the plot. These songs were original compositions written by Parker, and they were performed by Hayes in the same sexually suggestive R&B style he had used during his own music career. The band DVDA, which consists of Parker and Stone, along with show staff members Bruce Howell and D.A. Young, performed the music for these compositions and, until the character's death on the show, were listed as "Chef's Band" in the closing credits.
Rick James, Elton John, Meat Loaf, Joe Strummer, Ozzy Osbourne, Primus, Rancid, and Ween all guest starred and briefly performed in the season two (1998) episode "Chef Aid". Korn debuted their single "Falling Away from Me" as guest stars on the season three (1999) episode "Korn's Groovy Pirate Ghost Mystery". The show's theme song was a musical score performed by the band Primus, with the lyrics alternately sung by the band's lead singer, Les Claypool, and the show's four central characters during the opening title sequence. Kenny's muffled lines are altered after every few seasons. His lines are usually sexually explicit in nature, such as his original lines, "I like girls with big fat titties, I like girls with deep vaginas".
The end credits music, which is an instrumental, slower tempo version of the opening theme song.
The original unaired opening composition was originally slower and had a length of 40 seconds. It was deemed too long for the opening sequence. So Parker and Stone sped up it for the show's opening, having the band's lead singer Claypool re-record his vocals. The instrumental version of the original composition, though, is often played during the show's closing credits and is wordless.
The opening song played in the first four seasons (and the end credits in all seasons) has a folk rock instrumentation with bass guitar, trumpets and rhythmic drums. Its beat is fast in the opening and leisurely in the closing credits. It is in the minor key and it features a tritone or a diminished fifth, creating a melodic dissonance, which captures the show's surrealistic nature. In the latter parts of season 4 and season 5, the opening tune has an electro funk arrangement with pop qualities. Seasons 6–9 have a sprightly bluegrass instrumentation with a usage of banjo and is set in the major key. For the later seasons, the arrangement is electro rock with a breakbeat influence, which feature electric guitars backed up by synthesized, groovy drumbeats.
The opening theme song has been remixed three times during the course of the series, including a remix performed by Paul Robb. In 2006, the theme music was remixed with the song "Whamola" by Colonel Les Claypool's Fearless Flying Frog Brigade, from the album Purple Onion.
When South Park debuted, it was a huge ratings success for Comedy Central and is seen as being largely responsible for the success of the channel, with Herzog crediting it for putting the network "on the map".
The show's first episode, "Cartman Gets an Anal Probe", earned a Nielsen rating of 1.3 (980,000 viewers), at the time considered high for a cable program. The show instantly generated buzz among television viewers, and mass viewing parties began assembling on college campuses. By the time the eighth episode, "Starvin' Marvin", aired — three months after the show debuted — ratings and viewership had tripled, and South Park was already the most successful show in Comedy Central's history. When the tenth episode "Damien" aired the following February, viewership increased another 33 percent. The episode earned a 6.4 rating, which at the time was over 10 times the average rating earned by a cable show aired in prime time. The ratings peaked with the second episode of season two, "Cartman's Mom Is Still a Dirty Slut", which aired on April 22, 1998. The episode earned an 8.2 rating (6.2 million viewers) and, at the time, set a record as the highest-rated non-sports show in basic cable history. During the spring of 1998, eight of the ten highest-rated shows on basic cable were South Park episodes.
The success of South Park prompted more cable companies to carry Comedy Central and led it to its becoming one of the fastest-growing cable channels. The number of households that had Comedy Central jumped from 9.1 million in 1997 to 50 million in June 1998. When the show debuted, the most Comedy Central had earned for a 30-second commercial was US$7,500. Within a year, advertisers were paying an average of US$40,000 for 30 seconds of advertising time during airings of South Park in its second season, while some paid as much as US$80,000.
By the third season (1999), the series' ratings began to decrease. The third-season premiere episode drew 3.4 million viewers, a dramatic drop from the 5.5 million of the previous season's premiere. Stone and Parker attributed this drop in the show's ratings to the media hype that surrounded the show in the previous year, adding that the third season ratings reflected the show's "true" fan base. The show's ratings dropped further in its fourth season (2000), with episodes averaging just above 1.5 million viewers. The ratings eventually increased, and seasons five through nine consistently averaged about 3 million viewers per episode. Though its viewership is lower than it was at the height of its popularity in its earliest seasons, South Park remains one of the highest-rated series on Comedy Central. The season 14 (2010) premiere gained 3.7 million viewers, the show's highest-rated season premiere since 1998. In 2016, a New York Times study of the 50 TV shows with the most Facebook Likes found that "perhaps unsurprisingly, South Park ... is most popular in Colorado".
In 2004, Channel 4 voted South Park the third-greatest cartoon of all time. In 2007, Time magazine included the show on its list of the "100 Best TV Shows of All Time", proclaiming it as "America's best source of rapid-fire satire for [the past] decade". The same year, Rolling Stone declared it to be the funniest show on television since its debut 10 years prior. In 2008, South Park was named the 12th-greatest TV show of the past 25 years by Entertainment Weekly, while AOL declared it as having the "most astute" characters of any show in history when naming it the 16th-best television comedy series of all time. In 2011, South Park was voted number one in the 25 Greatest Animated TV Series poll by Entertainment Weekly. The character of Cartman ranked 10th on TV Guide's 2002 list of the "Top 50 Greatest Cartoon Characters", 198th on VH1's "200 Greatest Pop Culture Icons", 19th on Bravo's "100 Greatest TV Characters" television special in 2004, and second on MSNBC's 2005 list of TV's scariest characters behind Mr. Burns from The Simpsons. In 2006, Comedy Central received a Peabody Award for South Park's "stringent social commentary" and "undeniably fearless lampooning of all that is self-important and hypocritical in American life”. In 2013, the Writers Guild of America ranked South Park at number 63 among the "101 Best-Written Shows Ever". Also in 2013, TV Guide listed the show at number 10 among the "60 Greatest Cartoons of All Time". In 2019, the series was ranked 42nd on The Guardian newspaper's list of the 100 best TV shows of the 21st century.
South Park won the CableACE Award for Best Animated Series in 1997, the last year the awards were given out. In 1998, South Park was nominated for the Annie Award for Outstanding Achievement in an Animated Primetime or Late Night Television Program. It was also nominated for the 1998 GLAAD Award for Outstanding TV – Individual Episode for "Big Gay Al's Big Gay Boat Ride".
South Park has been nominated for the Emmy Award for Outstanding Animated Program sixteen times (1998, 2000, 2002, 2004–2011, and 2013–2017). The show has won the award for Outstanding Animated Program (For Programming Less Than One Hour) four times, for the 2005 episode "Best Friends Forever", the 2006 episode "Make Love, Not Warcraft", the 2009 episode "Margaritaville", and the 2012 episode "Raising the Bar". The “Imaginationland” trilogy of episodes won the Emmy Award for Outstanding Animated Program (For Programming One Hour or More) in 2008.
South Park commonly makes use of carnivalesque and absurdist techniques, numerous running gags, violence, sexual content, offhand pop-cultural references, and satirical portrayal of celebrities.
Early episodes tended to be shock value-oriented and featured more slapstick-style humor. While social satire had been used on the show occasionally earlier on, it became more prevalent as the series progressed, with the show retaining some of its focus on the boys' fondness of scatological humor in an attempt to remind adult viewers "what it was like to be eight years old.” Parker and Stone also began further developing other characters by giving them larger roles in certain storylines and began writing plots as parables based on religion, politics, and numerous other topics. This provided the opportunity for the show to spoof both extreme sides of contentious issues while lampooning both liberal and conservative points of view. Parker and Stone describe themselves as "equal opportunity offenders", whose main purpose is to "be funny" and "make people laugh", while stating that no particular topic or group of people be exempt from mockery and satire.
Parker and Stone insist that the show is still more about "kids being kids" and "what it's like to be in [elementary school] in America", stating that the introduction of a more satirical element to the series was the result of the two adding more of a "moral center" to the show so that it would rely less on simply being crude and shocking in an attempt to maintain an audience. While profane, Parker notes that there is still an "underlying sweetness" aspect to the child characters, and Time described the boys as "sometimes cruel but with a core of innocence." Usually, the boys or other characters pondered over what transpired during an episode and conveyed the important lesson taken from it with a short monologue. During earlier seasons, this speech commonly began with a variation of the phrase "You know, I've learned something today...".
Since its debut in August 13, 1997, 309 episodes of South Park have been broadcast. It debuted with great success, consistently earning the highest ratings of any basic cable program. Subsequent ratings have varied but it remains one of Comedy Central's highest-rated shows and is slated to air new episodes through 2022. Since 2000, each episode has typically been written and produced in the week preceding its broadcast, with Parker serving as the primary writer and director. South Park has received numerous accolades, including five Primetime Emmy Awards, a Peabody Award, and numerous inclusions in various publications' lists of greatest television shows. The show's popularity resulted in a feature-length theatrical film, South Park: Bigger, Longer & Uncut which was released in June 1999, less than two years after the show's premiere, and became a commercial and critical success, and garnered a nomination for an Academy Award. In 2013, TV Guide ranked South Park the tenth Greatest TV Cartoon of All Time. The show follows the exploits of four boys, Stan Marsh, Kyle Broflovski, Eric Cartman, and Kenny McCormick. The boys live in the fictional small town of South Park, located within the real-life South Park basin in the Rocky Mountains of central Colorado. The town is also home to an assortment of frequent characters such as students, families, elementary school staff, and other various residents, who tend to regard South Park as a bland, quiet place to live. Prominent settings on the show include the local elementary school, bus stop, various neighborhoods and the surrounding snowy landscape, actual Colorado landmarks, and the shops and businesses along the town's main street, all of which are based on the appearance of similar locations in Fairplay, Colorado.
Stan is portrayed as the everyman of the group, as the show's website describes him as an "average, American 4th grader". Kyle is the lone Jew among the group, and his portrayal in this role is often dealt with satirically. Stan is modeled after Parker, while Kyle is modeled after Stone. They are best friends, and their friendship, symbolically intended to reflect Parker and Stone's friendship, is a common topic throughout the series. Eric Cartman (usually nicknamed by his surname only) is loud, obnoxious, and amoral, often portrayed as an antagonist. His anti-Semitic attitude has resulted in a progressive rivalry with Kyle, although the deeper reason is the strong clash between Kyle's strong morality and Cartman's complete lack of such. Kenny, who comes from a poor family, wears his parka hood so tightly that it covers most of his face and muffles his speech. During the show's first five seasons, Kenny died in nearly every episode before returning in the next with little-to-no definitive explanation given. He was written out of the show's sixth season in 2002, re-appearing in the season finale. Since then, Kenny's death has been seldom used by the show's creators. During the show's first 58 episodes, the boys were in the third grade. In the season four episode "4th Grade" (2000), they entered the fourth grade, and have remained there ever since.
Plots are often set in motion by events, ranging from the fairly typical to the supernatural and extraordinary, which frequently happen in the town. The boys often act as the voice of reason when these events cause panic or incongruous behavior among the adult populace, who are customarily depicted as irrational, gullible, and prone to vociferation. The boys are also frequently confused by the contradictory and hypocritical behavior of their parents and other adults, and often perceive them as having distorted views on morality and society. Each episode opens with a tongue-in-cheek all persons fictitious disclaimer: "All characters and events in this show—even those based on real people—are entirely fictional. All celebrity voices are impersonated.....poorly. The following program contains coarse language and due to its content it should not be viewed by anyone."
South Park was the first weekly program to be rated TV-MA, and is generally intended for adult audiences. The boys and most other child characters use strong profanity, with only the most taboo words being bleeped during a typical broadcast. Parker and Stone perceive this as the manner in which real-life small boys speak when they are alone.
South Park commonly makes use of carnivalesque and absurdist techniques, numerous running gags, violence, sexual content, offhand pop-cultural references, and satirical portrayal of celebrities.
Early episodes tended to be shock value-oriented and featured more slapstick-style humor. While social satire had been used on the show occasionally earlier on, it became more prevalent as the series progressed, with the show retaining some of its focus on the boys' fondness of scatological humor in an attempt to remind adult viewers "what it was like to be eight years old." Parker and Stone also began further developing other characters by giving them larger roles in certain storylines, and began writing plots as parables based on religion, politics, and numerous other topics. This provided the opportunity for the show to spoof both extreme sides of contentious issues, while lampooning both liberal and conservative points of view. Parker and Stone describe themselves as "equal opportunity offenders", whose main purpose is to "be funny" and "make people laugh", while stating that no particular topic or group of people be exempt from mockery and satire.
Parker and Stone insist that the show is still more about "kids being kids" and "what it's like to be in [elementary school] in America", stating that the introduction of a more satirical element to the series was the result of the two adding more of a "moral center" to the show so that it would rely less on simply being crude and shocking in an attempt to maintain an audience. While profane, Parker notes that there is still an "underlying sweetness" aspect to the child characters, and Time described the boys as "sometimes cruel but with a core of innocence." Usually, the boys or other characters pondered over what transpired during an episode and conveyed the important lesson taken from it with a short monologue. During earlier seasons, this speech commonly began with a variation of the phrase "You know, I've learned something today...".
Parker and Stone met in film class at the University of Colorado in 1992 and discovered a shared love of Monty Python, which they often cite as one of their primary inspirations. They created an animated short entitled The Spirit of Christmas. The film was created by animating construction paper cutouts with stop motion, and features prototypes of the main characters of South Park, including a character resembling Cartman but named "Kenny", an unnamed character resembling what is today Kenny, and two near-identical unnamed characters who resemble Stan and Kyle. Fox Broadcasting Company executive and mutual friend Brian Graden commissioned Parker and Stone to create a second short film as a video Christmas card. Created in 1995, the second The Spirit of Christmas short resembled the style of the later series more closely. To differentiate between the two homonymous shorts, the first short is often referred to as Jesus vs. Frosty, and the second short as Jesus vs. Santa. Graden sent copies of the video to several of his friends, and from there it was copied and distributed, including on the internet, where it became one of the first viral videos.
As Jesus vs. Santa became more popular, Parker and Stone began talks of developing the short into a television series about four children residing in the fictional Colorado town of South Park. Fox eagerly agreed to meet with the duo about the show's premise, having pride itself with edgier products such as Cops, The Simpsons, and The X-Files. However, during the meeting at the Fox office in Century City, disagreements between the two creators and the network began to arise, mainly over the latter's refusal to air a show that included a supporting talking stool character named Mr. Hankey. Some executives at 20th Century Fox Television (which was to produce the series) agreed with its then-sister network's stance on Mr. Hankey and repeatedly requested Parker and Stone to remove the character in order for the show to proceed. Refusing to their demands, the duo cut ties with Fox and its sister companies all together and began shipping the series somewhere else.
The two then entered negotiations with both MTV and Comedy Central. Parker preferred the show be produced by Comedy Central, fearing that MTV would turn it into a kids show. When Comedy Central executive Doug Herzog watched the short, he commissioned for it to be developed into a series. Parker and Stone assembled a small staff and spent three months creating the pilot episode "Cartman Gets an Anal Probe". South Park was in danger of being canceled before it even aired when the show fared poorly with test audiences, particularly with women. However, the shorts were still gaining more popularity over the Internet, and Comedy Central ordered a run of six episodes. South Park debuted with "Cartman Gets an Anal Probe" on August 13, 1997. all episodes of South Park except for the pilot episode (which was produced using cutout animation) are created with the use of software, primarily Autodesk Maya. As opposed to the pilot, which took three months to complete, and other animated sitcoms, which are traditionally hand-drawn by companies in South Korea in a process that takes roughly eight to nine months, individual episodes of South Park take significantly less time to produce. Using computers as an animation method, the show's production staff were able to generate an episode in about three weeks during the first seasons. Now, with a staff of about 70 people, episodes are typically completed in one week, with some in as little as three to four days. Nearly the entire production of an episode is accomplished within one set of offices, which were originally at a complex in Westwood, Los Angeles, California and are now part of South Park Studios in Culver City, California. Parker and Stone have been the show's executive producers throughout its entire history. Debbie Liebling, who was Senior Vice President of original programming and development for Comedy Central, also served as an executive producer during the show's first five seasons, coordinating the show's production efforts between South Park Studios and Comedy Central's headquarters in New York City. During its early stages, finished episodes of South Park were hastily recorded to D-2 to be sent to Comedy Central for airing in just a few days' time. Scripts are not written before a season begins. Production of an episode begins on a Thursday, with the show's writing consultants brainstorming with Parker and Stone. Former staff writers include Pam Brady, who has since written scripts for the films Hot Rod, Hamlet 2, and Team America: World Police (with Parker and Stone), and Nancy Pimental, who served as co-host of Win Ben Stein's Money and wrote the film The Sweetest Thing after her tenure with the show during its first three seasons. Television producer and writer Norman Lear, an idol of both Parker and Stone, served as a guest writing consultant for the season seven (2003) episodes "Cancelled" and "I'm a Little Bit Countrt.” Starting with season 12, Saturday Night Live actor and writer Bill Hader served as a creative consultant and co-producer.
After exchanging ideas, Parker will write a script, and from there the entire team of animators, editors, technicians, and sound engineers will each typically work 100–120 hours in the ensuing week. Since the show's fourth season (2000), Parker has assumed most of the show's directorial duties, while Stone relinquished his share of the directing to focus on handling the coordination and business aspects of the production. On Wednesday, a completed episode is sent to Comedy Central's headquarters via satellite uplink, sometimes just a few hours before its air time of 10 PM Eastern Time.
Parker and Stone state that subjecting themselves to a one-week deadline creates more spontaneity amongst themselves in the creative process, which they feel results in a funnier show. The schedule also allows South Park to both stay more topical and respond more quickly to specific current events than other satiric animated shows. One of the earliest examples of this was in the season four (2000) episode "Quintuplets 2000", which references the United States Border Patrol's raid of a house during the Elián González affair, an event which occurred only four days before the episode originally aired.The season nine (2005) episode "Best Friends Forever" references the Terri Schiavo case, and originally aired in the midst of the controversy and less than 12 hours before she died. A scene in the season seven (2003) finale "It's Christmas in Canada" references the discovery of dictator Saddam Hussein in a "spider hole" and his subsequent capture, which happened a mere three days prior to the episode airing. The season 12 (2008) episode "About Last Night..." revolves around Barack Obama's victory in the 2008 presidential election, and aired less than 24 hours after Obama was declared the winner, using segments of dialogue from Obama's real victory speech.
On October 16, 2013, the show failed to meet their production deadline for the first time ever, after a power outage on October 15 at the production studio prevented the episode, season 17's "Goth Kids 3: Dawn of the Posers", from being finished in time. The episode was rescheduled to air a week later on October 23, 2013. In July 2015, South Park was renewed through 2019; extending the show through season 23 with 307 episodes overall. On September 12, 2019, the show was renewed for seasons 24 through 26 until 2022. The show's style of animation is inspired by the paper cut-out cartoons made by Terry Gilliam for Monty Python's Flying Circus, of which Parker and Stone have been lifelong fans. Construction paper and traditional stop motion cutout animation techniques were used in the original animated shorts and in the pilot episode. Subsequent episodes have been produced by computer animation, providing a similar look to the originals while requiring a fraction of the time to produce. Before computer artists begin animating an episode, a series of animatics drawn in Toon Boom are provided by the show's storyboard artists.
The characters and objects are composed of simple geometrical shapes and primary and secondary colors. Most child characters are the same size and shape, and are distinguished by their clothing, hair and skin colors, and headwear. Characters are mostly presented two-dimensionally and from only one angle. Their movements are animated in an intentionally jerky fashion, as they are purposely not offered the same free range of motion associated with hand-drawn characters. Occasionally, some non-fictional characters are depicted with photographic cutouts of their actual head and face in lieu of a face reminiscent of the show's traditional style. Canadians on the show are often portrayed in an even more minimalist fashion; they have simple beady eyes, and the top halves of their heads simply flap up and down when the characters speak.
When the show began using computers, the cardboard cutouts were scanned and re-drawn with CorelDRAW, then imported into PowerAnimator, which was used with SGI workstations to animate the characters. The workstations were linked to a 54-processor render farm that could render 10 to 15 shots an hour. Beginning with season five, the animators began using Maya instead of PowerAnimator. The studio now runs a 120-processor render farm that can produce 30 or more shots an hour.
PowerAnimator and Maya are high-end programs mainly used for 3D computer graphics, while co-producer and former animation director Eric Stough notes that PowerAnimator was initially chosen because its features helped animators retain the show's "homemade" look. PowerAnimator was also used for making some of the show's visual effects, which are now created using Motion, a newer graphics program created by Apple, Inc. for their Mac OS X operating system. The show's visual quality has improved in recent seasons, though several other techniques are used to intentionally preserve the cheap cutout animation look.
A few episodes feature sections of live-action footage, while others have incorporated other styles of animation. Portions of the season eight (2004) premiere "Good Times with Weapons" are done in anime style, while the season 10 episode "Make Love, Not Warcraft" is done partly in machinima. The season 12 episode "Major Boobage", a homage to the 1981 animated film Heavy Metal, implements scenes accomplished with rotoscoping.
Parker and Stone voice most of the male South Park characters. Mary Kay Bergman voiced the majority of the female characters until her death in November 1999. Mona Marshall and Eliza Schneider succeeded Bergman, with Schneider leaving the show after its seventh season (2003). She was replaced by April Stewart, who, along with Marshall, continues to voice most of the female characters. Bergman was originally listed in the credits under the alias Shannen Cassidy to protect her reputation as the voice of several Disney and other kid-friendly characters. Stewart was originally credited under the name Gracie Lazar, while Schneider was sometimes credited under her rock opera performance pseudonym Blue Girl.
Other voice actors and members of South Park's production staff have voiced minor characters for various episodes, while a few staff members voice recurring characters; supervising producer Jennifer Howell voices student Bebe Stevens, co-producer and storyboard artist Adrien Beard voices Token Black, who was the school's only African-American student until the introduction of Nichole in "Cartman Finds Love", writing consultant Vernon Chatman voices an anthropomorphic towel named Towelie, and production supervisor John Hansen voices Mr. Slave, the former gay lover of Mr. Garrison. Throughout the show's run, the voices for toddler and kindergarten characters have been provided by various small children of the show's production staff.
When voicing child characters, the voice actors speak within their normal vocal range while adding a childlike inflection. The recorded audio is then edited with Pro Tools, and the pitch is altered to make the voice sound more like that of a fourth grader.
Isaac Hayes voiced the character of Chef, an African-American, soul-singing cafeteria worker who was one of the few adults the boys consistently trusted. Hayes agreed to voice the character after being among Parker and Stone's ideal candidates, which also included Lou Rawls and Barry White. Hayes, who lived and hosted a radio show in New York during his tenure with South Park, recorded his dialogue on a digital audio tape while a director gave directions over the phone, after which the tape would be shipped to the show's production studio in California. After Hayes left the show in early 2006, the character of Chef was killed off in the season 10 (2006) premiere "The Return of Chef". Parker says that the varying uses of music is of utmost importance to South Park. Several characters often play or sing songs in order to change or influence a group's behavior, or to educate, motivate, or indoctrinate others. The show also frequently features scenes in which its characters have disapproving reactions to the performances of certain popular musicians.
Adam Berry, the show's original score composer, used sound synthesis to simulate a small orchestra, and frequently alluded to existing famous pieces of music. Berry also used signature acoustic guitar and mandolin cues as leitmotifs for the show's establishing shots. After Berry left in 2001, Jamie Dunlap and Scott Nickoley of the Los Angeles-based Mad City Production Studios provided the show's original music for the next seven seasons. Since 2008, Dunlap has been credited as the show's sole score composer. Dunlap's contributions to the show are one of the few that are not achieved at the show's own production offices. Dunlap reads a script, creates a score using digital audio software, and then e-mails the audio file to South Park Studios, where it is edited to fit with the completed episode.
In addition to singing in an effort to explain something to the children, Chef would also sing about things relevant to what had transpired in the plot. These songs were original compositions written by Parker, and they were performed by Hayes in the same sexually suggestive R&B style he had used during his own music career. The band DVDA, which consists of Parker and Stone, along with show staff members Bruce Howell and D.A. Young, performed the music for these compositions and, until the character's death on the show, were listed as "Chef's Band" in the closing credits.
Rick James, Elton John, Meat Loaf, Joe Strummer, Ozzy Osbourne, Primus, Rancid, and Ween all guest starred and briefly performed in the season two (1998) episode "Chef Aid". Korn debuted their single "Falling Away from Me" as guest stars on the season three (1999) episode "Korn's Groovy Pirate Ghost Mystery". The show's theme song was a musical score performed by the band Primus, with the lyrics alternately sung by the band's lead singer, Les Claypool, and the show's four central characters during the opening title sequence. Kenny's muffled lines are altered after every few seasons. His lines are usually sexually explicit in nature, such as his original lines, "I like girls with big fat titties, I like girls with deep vaginas".
The end credits music, which is an instrumental, slower tempo version of the opening theme song.
The original unaired opening composition was originally slower and had a length of 40 seconds. It was deemed too long for the opening sequence. So Parker and Stone sped up it for the show's opening, having the band's lead singer Claypool re-record his vocals. The instrumental version of the original composition, though, is often played during the show's closing credits and is wordless.
The opening song played in the first four seasons (and the end credits in all seasons) has a folk rock instrumentation with bass guitar, trumpets and rhythmic drums. Its beat is fast in the opening and leisurely in the closing credits. It is in the minor key and it features a tritone or a diminished fifth, creating a melodic dissonance, which captures the show's surrealistic nature. In the latter parts of season 4 and season 5, the opening tune has an electro funk arrangement with pop qualities. Seasons 6–9 have a sprightly bluegrass instrumentation with a usage of banjo and is set in the major key. For the later seasons, the arrangement is electro rock with a breakbeat influence, which feature electric guitars backed up by synthesized, groovy drumbeats.
The opening theme song has been remixed three times during the course of the series, including a remix performed by Paul Robb. In 2006, the theme music was remixed with the song "Whamola" by Colonel Les Claypool's Fearless Flying Frog Brigade, from the album Purple Onion.
When South Park debuted, it was a huge ratings success for Comedy Central and is seen as being largely responsible for the success of the channel, with Herzog crediting it for putting the network "on the map".
The show's first episode, "Cartman Gets an Anal Probe", earned a Nielsen rating of 1.3 (980,000 viewers), at the time considered high for a cable program. The show instantly generated buzz among television viewers, and mass viewing parties began assembling on college campuses. By the time the eighth episode, "Starvin' Marvin", aired — three months after the show debuted — ratings and viewership had tripled, and South Park was already the most successful show in Comedy Central's history. When the tenth episode "Damien" aired the following February, viewership increased another 33 percent. The episode earned a 6.4 rating, which at the time was over 10 times the average rating earned by a cable show aired in prime time. The ratings peaked with the second episode of season two, "Cartman's Mom Is Still a Dirty Slut", which aired on April 22, 1998. The episode earned an 8.2 rating (6.2 million viewers) and, at the time, set a record as the highest-rated non-sports show in basic cable history. During the spring of 1998, eight of the ten highest-rated shows on basic cable were South Park episodes.
The success of South Park prompted more cable companies to carry Comedy Central and led it to its becoming one of the fastest-growing cable channels. The number of households that had Comedy Central jumped from 9.1 million in 1997 to 50 million in June 1998. When the show debuted, the most Comedy Central had earned for a 30-second commercial was US$7,500. Within a year, advertisers were paying an average of US$40,000 for 30 seconds of advertising time during airings of South Park in its second season, while some paid as much as US$80,000.
By the third season (1999), the series' ratings began to decrease. The third-season premiere episode drew 3.4 million viewers, a dramatic drop from the 5.5 million of the previous season's premiere. Stone and Parker attributed this drop in the show's ratings to the media hype that surrounded the show in the previous year, adding that the third season ratings reflected the show's "true" fan base. The show's ratings dropped further in its fourth season (2000), with episodes averaging just above 1.5 million viewers. The ratings eventually increased, and seasons five through nine consistently averaged about 3 million viewers per episode. Though its viewership is lower than it was at the height of its popularity in its earliest seasons, South Park remains one of the highest-rated series on Comedy Central. The season 14 (2010) premiere gained 3.7 million viewers, the show's highest-rated season premiere since 1998. In 2016, a New York Times study of the 50 TV shows with the most Facebook Likes found that "perhaps unsurprisingly, South Park ... is most popular in Colorado".
In 2004, Channel 4 voted South Park the third-greatest cartoon of all time. In 2007, Time magazine included the show on its list of the "100 Best TV Shows of All Time", proclaiming it as "America's best source of rapid-fire satire for [the past] decade". The same year, Rolling Stone declared it to be the funniest show on television since its debut 10 years prior. In 2008, South Park was named the 12th-greatest TV show of the past 25 years by Entertainment Weekly, while AOL declared it as having the "most astute" characters of any show in history when naming it the 16th-best television comedy series of all time. In 2011, South Park was voted number one in the 25 Greatest Animated TV Series poll by Entertainment Weekly. The character of Cartman ranked 10th on TV Guide's 2002 list of the "Top 50 Greatest Cartoon Characters", 198th on VH1's "200 Greatest Pop Culture Icons", 19th on Bravo's "100 Greatest TV Characters" television special in 2004, and second on MSNBC's 2005 list of TV's scariest characters behind Mr. Burns from The Simpsons. In 2006, Comedy Central received a Peabody Award for South Park's "stringent social commentary" and "undeniably fearless lampooning of all that is self-important and hypocritical in American life”. In 2013, the Writers Guild of America ranked South Park at number 63 among the "101 Best-Written Shows Ever". Also in 2013, TV Guide listed the show at number 10 among the "60 Greatest Cartoons of All Time". In 2019, the series was ranked 42nd on The Guardian newspaper's list of the 100 best TV shows of the 21st century.
South Park won the CableACE Award for Best Animated Series in 1997, the last year the awards were given out. In 1998, South Park was nominated for the Annie Award for Outstanding Achievement in an Animated Primetime or Late Night Television Program. It was also nominated for the 1998 GLAAD Award for Outstanding TV – Individual Episode for "Big Gay Al's Big Gay Boat Ride".
South Park has been nominated for the Emmy Award for Outstanding Animated Program sixteen times (1998, 2000, 2002, 2004–2011, and 2013–2017). The show has won the award for Outstanding Animated Program (For Programming Less Than One Hour) four times, for the 2005 episode "Best Friends Forever", the 2006 episode "Make Love, Not Warcraft", the 2009 episode "Margaritaville", and the 2012 episode "Raising the Bar". The “Imaginationland” trilogy of episodes won the Emmy Award for Outstanding Animated Program (For Programming One Hour or More) in 2008.
Nowhere To Run
South Park Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Fuck that shit, you know what I'm sayin'?
I'm a give a shout out to my niggas
I ain't givin' a shout to no-fuckin'-body, fuck that
Big Baby Jesus in the mother fucking house
Know what I'm sayin'?
Unh, come on
I don't walk, I stalk, livin' foul like pork
Shuttin' down underground streets of New York
Hawk is what them niggas call me, 'cause they all be
Suckin' my dick and on my mother fucking balls, G
I know the half, so I laugh wit' 'em
Blood bath went I let the fuckin' rap hit 'em
Full clip, but only half did 'em
That's all it took, another crook
Taken out over a dirty look
I bag game with niggas I leave shot dead
You're only taken a piss from me with hot led
You know my style faggot, 'cause I'm always schemin'
In jail, niggas holdin' a sink screamin'
Police, but you got no peace
Yo, was that you big man, and alot mo' grease
All I gets is pounds, you ain't want none of this
Back streets are like track meets 'cause I be runnin' this
Ain't nowhere to run ('cause I be runnin' this)
Ain't nowhere to hide (come on)
Ain't nowhere to go ('cause I be runnin' this)
Reaper saved your soul (come on)
Surroned by the colors, I see crimson, black and blue (come on)
Locking open doors again, I'm still afraid of you
(straight up, mother fucker)
Light to dark, then light again, I always thought I knew (come on)
Young to old and young again, what's left for me to do? (straight up)
Center of the universe, collecting me in time (come on)
I'm falling down upon the earth, and singing truth in rhyme (come on)
If I was a rolling stone, I'd roll until I'm through (come on)
And if I was a garden I would bloom in black for you
(Dirt Dog in effect)
Ain't nowhere to run ('cause I be runnin' this)
Ain't nowhere to hide (come on)
Ain't nowhere to go ('cause I be runnin' this)
Reaper saved your soul (come on)
ahhhh, yi yi yi yi (come on)
Ain't nowhere to run ('cause I be runnin' this)
Ain't nowhere to hide (come on)
Ain't nowhere to go ('cause I be runnin' this)
Reaper saved your soul (come on)
ha ha ha ha ha ha ha
What you mother fuckers invented
Is the craziest nigga that ever been invented
ha ha ha ha ha
Most know, don't front on Ol' Dity Bastard
ha ha ha ha
I call on Jesus
There's no obstacles that you have to jump
There's no walls that you have to climb
This is real, this is elementary dear
Elementary, Watson, Elementary
ahhhhh
I ain't no pictue on your fore wall, necklace wearin' beard
You don't want this money till it's rich
Buy my album, coded by Dirty, set you free
Go against the grain, I got the p
I know you don't recognize me now
I dunked your tongue
How many lightening bulbs do it take to light up a fuck mode?
Brothers, people, you'd better get the fuck off of me
We don't need it, it gets more ugly
Fools tryin' to bust their ass
Tryin' to get away from me when I said my real name
I call myself in the niggas butthole
All the same, all the same, all the same
Ain't nowhere to run
Ain't nowhere to hide
Ain't nowhere to go
Reaper saved your soul
ahhh yi yi yi yi
What, mother fucker?
Don't try to psychology my shit, mother fucker
'cause you'll never psychology it, mother fucker
Never, never, never, mother fucker, never
I'm a give a shout out to my niggas
I ain't givin' a shout to no-fuckin'-body, fuck that
Big Baby Jesus in the mother fucking house
Know what I'm sayin'?
Unh, come on
I don't walk, I stalk, livin' foul like pork
Hawk is what them niggas call me, 'cause they all be
Suckin' my dick and on my mother fucking balls, G
I know the half, so I laugh wit' 'em
Blood bath went I let the fuckin' rap hit 'em
Full clip, but only half did 'em
That's all it took, another crook
Taken out over a dirty look
I bag game with niggas I leave shot dead
You're only taken a piss from me with hot led
You know my style faggot, 'cause I'm always schemin'
In jail, niggas holdin' a sink screamin'
Police, but you got no peace
Yo, was that you big man, and alot mo' grease
All I gets is pounds, you ain't want none of this
Back streets are like track meets 'cause I be runnin' this
Ain't nowhere to run ('cause I be runnin' this)
Ain't nowhere to hide (come on)
Ain't nowhere to go ('cause I be runnin' this)
Reaper saved your soul (come on)
Surroned by the colors, I see crimson, black and blue (come on)
Locking open doors again, I'm still afraid of you
(straight up, mother fucker)
Light to dark, then light again, I always thought I knew (come on)
Young to old and young again, what's left for me to do? (straight up)
Center of the universe, collecting me in time (come on)
I'm falling down upon the earth, and singing truth in rhyme (come on)
If I was a rolling stone, I'd roll until I'm through (come on)
And if I was a garden I would bloom in black for you
(Dirt Dog in effect)
Ain't nowhere to run ('cause I be runnin' this)
Ain't nowhere to hide (come on)
Ain't nowhere to go ('cause I be runnin' this)
Reaper saved your soul (come on)
ahhhh, yi yi yi yi (come on)
Ain't nowhere to run ('cause I be runnin' this)
Ain't nowhere to hide (come on)
Ain't nowhere to go ('cause I be runnin' this)
Reaper saved your soul (come on)
ha ha ha ha ha ha ha
What you mother fuckers invented
Is the craziest nigga that ever been invented
ha ha ha ha ha
Most know, don't front on Ol' Dity Bastard
ha ha ha ha
I call on Jesus
There's no obstacles that you have to jump
There's no walls that you have to climb
This is real, this is elementary dear
Elementary, Watson, Elementary
ahhhhh
I ain't no pictue on your fore wall, necklace wearin' beard
You don't want this money till it's rich
Buy my album, coded by Dirty, set you free
Go against the grain, I got the p
I know you don't recognize me now
I dunked your tongue
How many lightening bulbs do it take to light up a fuck mode?
Brothers, people, you'd better get the fuck off of me
We don't need it, it gets more ugly
Fools tryin' to bust their ass
Tryin' to get away from me when I said my real name
I call myself in the niggas butthole
All the same, all the same, all the same
Ain't nowhere to run
Ain't nowhere to hide
Ain't nowhere to go
Reaper saved your soul
ahhh yi yi yi yi
What, mother fucker?
Don't try to psychology my shit, mother fucker
'cause you'll never psychology it, mother fucker
Never, never, never, mother fucker, never
The song "Nowhere to Run" by Ol' Dirty Bastard, which was featured in the sixth season of South Park, is a rap about living in the underground streets of New York. The lyrics paint a gritty picture of life on the streets, with ODB boasting about his reputation as a scheming criminal who is always one step ahead of the police.
The first verse shows ODB's confidence and arrogance, as he proclaims himself "Big Baby Jesus" and boasts about how he has complete control over the streets of New York. He brags about how people call him "Hawk" because they all suck his dick and worship him. He then talks about his violent tendencies, saying that he leaves people shot dead and that his enemies should beware because he is always scheming.
The chorus ("Ain't nowhere to run, ain't nowhere to hide, ain't nowhere to go, Reaper saved your soul") reinforces ODB's message that he is in complete control and that there is no escaping his wrath. The verses that follow describe ODB's experiences with being surrounded by different colors (crimson, black, and blue) and how he is constantly falling down but always manages to pick himself back up.
Overall, the song is a powerful commentary on life in the inner city and the struggles of those who live there. It paints a gritty picture of those who are forced to survive by their wits and their willingness to take risks, and it is a powerful reminder of the harsh realities faced by many in our society.
Line by Line Meaning
Fuck that shit, you know what I'm sayin'?
I don't care about anyone, I'm not giving anyone a shout out.
I'm a give a shout out to my niggas
I'm going to give a shout out to my friends.
I ain't givin' a shout to no-fuckin'-body, fuck that
I refuse to give a shout out to anyone else.
Big Baby Jesus in the mother fucking house
ODB is present and ready to perform.
Know what I'm sayin'?
Do you understand me?
I don't walk, I stalk, livin' foul like pork Shuttin' down underground streets of New York Hawk is what them niggas call me, 'cause they all be Suckin' my dick and on my mother fucking balls, G I know the half, so I laugh wit' 'em Blood bath went I let the fuckin' rap hit 'em Full clip, but only half did 'em That's all it took, another crook Taken out over a dirty look I bag game with niggas I leave shot dead You're only taken a piss from me with hot led You know my style faggot, 'cause I'm always schemin' In jail, niggas holdin' a sink screamin' Police, but you got no peace Yo, was that you big man, and a lot mo' grease All I gets is pounds, you ain't want none of this Back streets are like track meets 'cause I be runnin' this
I am the boss, I act like it, and everyone around me is subject to my schemes and power.
Ain't nowhere to run ('cause I be runnin' this) Ain't nowhere to hide (come on) Ain't nowhere to go ('cause I be runnin' this) Reaper saved your soul (come on)
You can't escape me, I'm in charge of everything.
Surrounded by the colors, I see crimson, black and blue (come on) Locking open doors again, I'm still afraid of you (straight up, mother fucker) Light to dark, then light again, I always thought I knew (come on) Young to old and young again, what's left for me to do? (straight up) Center of the universe, collecting me in time (come on) I'm falling down upon the earth, and singing truth in rhyme (come on) If I was a rolling stone, I'd roll until I'm through (come on) And if I was a garden I would bloom in black for you (Dirt Dog in effect)
I'm surrounded by the colors of pain and fear, and even though I've been through the light and dark, I still don't know what to do with my life.
ahhhh, yi yi yi yi (come on)
Expressing emotional pain and distress.
What you mother fuckers invented Is the craziest nigga that ever been invented Most know, don't front on Ol' Dity Bastard I call on Jesus There's no obstacles that you have to jump There's no walls that you have to climb This is real, this is elementary dear Elementary, Watson, Elementary ahhhhh
ODB is the most outrageous, unique musician and performance artist around, and he doesn't believe in any barriers or limitations.
I ain't no pictue on your fore wall, necklace wearin' beard You don't want this money till it's rich Buy my album, coded by Dirty, set you free Go against the grain, I got the p I know you don't recognize me now I dunked your tongue How many lightening bulbs do it take to light up a fuck mode? Brothers, people, you'd better get the fuck off of me We don't need it, it gets more ugly Fools tryin' to bust their ass Tryin' to get away from me when I said my real name I call myself in the niggas butthole All the same, all the same, all the same
I'm unique and unconventional, and I refuse to be part of the commercialized music industry.
What, mother fucker? Don't try to psychology my shit, mother fucker 'cause you'll never psychology it, mother fucker Never, never, never, mother fucker, never
Don't try to analyze or change me, I'll always be myself.
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: JACK BLADES, RICK RUBIN, OL' DIRTY BASTARD, KEN JORDAN, SCOTT KIRKLAND, OZZY OSBOURNE, DMX
Lyrics Licensed & Provided by LyricFind
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@matthews9285
I was 9 too when South Park came out; I also had this album, loved it! So many great songs/skits
Kyles Mom
Chocolate Salty Balls
Kenny’s Dead (Master P)
Brad Logan (“California Sun Has Sunk”, absolute banger)
Come Sail Away (feat Cartman)
Last year I introduced my (then 9 year old) to South Park and she loved it.Honestly I get a kick out of the fact we watch it together (just…not every episode 😂 I definitely skip a few)
@davidfrias7868
RIP DMX, I got this album when i was 9 and remembered being blown away by it! This track specifically was very diversed and versatile, musically speaking. Brings back so many memories. 🙃
@kamenanew9867
RIP indeed, this is still a banger
@matthews9285
I was 9 too when South Park came out; I also had this album, loved it! So many great songs/skits
Kyles Mom
Chocolate Salty Balls
Kenny’s Dead (Master P)
Brad Logan (“California Sun Has Sunk”, absolute banger)
Come Sail Away (feat Cartman)
Last year I introduced my (then 9 year old) to South Park and she loved it.Honestly I get a kick out of the fact we watch it together (just…not every episode 😂 I definitely skip a few)
@Razgriz85
Now it's RIP DMX and Meatloaf, who contributed to this album.
@iseeeverything
this song is still badass. even after 25 years, more people should hear this song, seriously
@rontennis6569
Yeah is it just me or is it a masterpiece
A banger that went over everyone's heads.
@MissSallyB1
it took 20-odd years but I have now finally heard this completely uncensored.
@unknownnln9172
Finally lol I was lucky I had the explicit album when I was a kid. Got it off my buddy from school
@Sports5561
My album had the advisory and everything but this song was still edited I was so upset.
@imaferretmaster
@@unknownnln9172 yeah there were actually three fucking versions, edited, dirty, and completely uncensored, and that version is real hard to find.