Denny Doherty, Cass Elliot, John Phillips, and Michelle Phillips formed the group in New York after previous folk groups (The Mugwumps, The New Journeymen) failed. The foursome hit it big immediately after forming The Mamas & the Papas with "California Dreamin'", still their most recognizable and enduring song (The group's early history is amusingly chronicled in the song "Creeque Alley").
The name of the band was inspired by a daytime television talk show. Before the group recorded their debut album If You Can Believe Your Eyes and Ears, the band was known for a short time as The Magic Circle. Wanting an easier name to remember, they were sitting around their house (which all four band members initially shared) brainstorming on a new name. Someone switched on the TV and a talk show was on with a Hells Angel. The first thing they heard was: "Now hold on there, Hoss. Some people call our women cheap, but we just call them our Mamas." Cass jumped up and exclaimed, "Yeah! I want to be a Mama!" Michelle chimed in that she wanted to be a "Mama" too. John and Denny looked at each other and John said, "Papas? Okay, problem solved." And the band had a new name.
In interviews, former band members confide that their recording sessions (and lifestyles) were usually heavily drug-laden, with large reserves of marijuana and other popular 1960s drugs on hand. They even admit that their young children, also usually present at recording sessions, openly witnessed their drug activities. Said drug usage clearly contributed to inter-group tensions.
John Phillips had married Michelle Gilliam back on December 31, 1962, long before the formation of the band. Early on in the band's history, when they were still "The Magic Circle", Michelle and Doherty began an affair in 1965. They were able to keep it secret from the other two band members for quite some time. During a trip to Mexico, Doherty revealed his affair to Elliot, who was furious (since she was secretly in love with Doherty). Soon afterwards, John Phillips caught Michelle and Doherty in the act and moved out of the house.
John could not stand to live with Michelle afterwards and so moved back in with Doherty. At this point Michelle fled into the arms of Gene Clark of The Byrds (friends and rivals of The Mamas & the Papas). After one concert where Michelle blew kisses to front-row-seated Clark, John said he could not stand to perform with Michelle any longer. Consulting both their attorney Abe Somer as well as their label Dunhill Records, the band then drafted a formal statement kicking Michelle out of the group in June 1966.
At this point they hired a new band member to replace Michelle, Jill Gibson, girlfriend of their producer Lou Adler. Gibson was already a singer/songwriter who had performed on several Jan and Dean albums. In fact, she had once been involved with Jan Berry for seven years before becoming romantically linked to Adler. Gibson was however not known as a strong singer, but learned to sing Michelle's parts within three weeks while the band was in London, England. Jill Gibson's vocals are featured on the band's second album The Mamas & the Papas, except for two tracks that include Michelle. Gibson's most important asset, however, was that she was a good replacement for Michelle: long blond hair, slim figure, pretty face, good voice, etc. Shortly after recording and touring with Gibson, it became apparent that some fans were not happy with the substitution while others did not mind. Afterwards, largely due to John, the band reintroduced Michelle to the lineup in late August 1966. Gibson received an undisclosed lump sum for her part and later would admit to feeling betrayed by John Phillips.
Michelle and John reconciled and bought a home together in Bel Air, while the band tried to forge ahead. Things seemed fine for a while (at least they pretended they were). The group recorded their third album Deliver, which became a huge hit, and during this same time Denny was drinking heavily trying to forget Michelle. He still had a hard time seeing her back with John. Eventually the band closed the first ever Monterey International Pop Festival in June 1967, but performed dismally. John Phillips, Michelle Phillips and Lou Adler organized the festival, and according to interviews with the members of the group, they were all so caught up in the festival they never got around to rehearsing. That, combined with Denny Doherty's last minute arrival from Canada, created an unmemorable performance.
The band tried to work on another album (to which they were contractually bound). After making no progress, they decided to take a trip in October of 1967, to Europe to spark their creativity. While in England at a party thrown by Dunhill Records, their record label, Elliot was talking to Mick Jagger. John approached them and made an insulting remark about her in front of the guests. Disgusted and humiliated, she stormed out of the party and quit the band. Their record company released a Greatest Hits compilation as a stopgap measure. Cass was contractually bound for the band's next LP, and therefore appeared on The Papas & the Mamas, the group's fourth album.
The band broke up in July 1968. In a rare interview, after the group's break up, with Rolling Stone magazine, Cass admitted she wanted to go solo and that this is what had caused the official break up of the band.
Cass Elliot started a very successful solo career and toured the U.S. and Europe, becoming popular with hits such as "Make Your Own Kind of Music." In reviewing their contracts, the record company decided the band owed them one more album. After about a year apart, the band regrouped and released their final album People Like Us in 1971. They disbanded in 1972.
While on tour, Elliot died of a heart attack on July 29, 1974 (not from choking on a ham sandwich, as is sometimes reported). John Phillips died of heart failure on March 18, 2001. Michelle Phillips went on to a successful acting career, appearing in the 1973 movie Dillinger as well in the television drama Knots Landing, among others. Denny Doherty went on to host a popular variety show in Canada. Denny Doherty died on January 19, 2007. His sister Frances Arnold said the singer-songwriter died at his home in Mississauga, a city just west of Toronto, after a short illness. Michelle Phillips is now the only surviving member of the band.
John's eldest daughter from his first marriage, Mackenzie Phillips, had a moderately successful career as an actress in the mid-70s, having first appeared in George Lucas's hit film American Graffiti (1973) and then in the successful TV series One Day at a Time, but found her success so overshadowed by her problems with drug addiction—habits that she had shared personally with her father—that by 1979 her career had effectively ended due to her inability to work. She had been in the spotlight in recent days for her tell-all book in which she reveals that she has consensual sex with her father, John Phillips, for a period of over ten years, ending when she was around eighteen. John and Michelle's daughter, Chynna, would go on to form the band Wilson Phillips along with Carnie Wilson and Wendy Wilson (the daughters of Beach Boys' Brian Wilson), with whom she's been friends since infancy. John's youngest daughter, Bijou Phillips, is a successful actress and model.
The Mamas & the Papas were inducted to the Rock & Roll Hall of Fame in 1998 and into the Vocal Group Hall of Fame in 2000.
In recent years, entirely new, succeeding incarnations of The Mamas & the Papas have toured small cities nationwide—most notably featuring Spanky McFarlane and Scott McKenzie as part of the lineup—but none of them have the spirit and impact of the original group that John Phillips helped to build.
The "In" Crowd
The Mamas & the Papas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I go where the in crowd goes
I'm in with the in crowd
And I know what the in crowd knows
Any time of the year, don't you hear?
Dressin' fine, makin' time
We breeze up and down the street
We get respect from the people we meet
They know the in crowd is out of sight
I'm in with the in crowd
I know every latest dance
When you're in with the in crowd
It's so easy to find romance!
Any time of the year, don't you hear?
If it's square, we ain't there
We make every minute count
Our share is always the biggest amount
Other guys imitate us,
But the original is still the greatest
In crowd!
Any time of the year, don't you hear?
Spendin' cash, talkin' trash
I'll show you a real good time
Come on with me and leave your troubles behind
I don't care where you've been,
You ain't been no where 'til you been in...
With the in crowd
With the in crowd
In crowd!
In crowd!
The Mamas & the Papas's song The "In" Crowd is a celebratory ode to being part of the fashionable, contemporary crowd in society. The first person point of view suggests that the singer is among the elite, hobnobbing with popular people who are always in vogue. The singer emphasizes that it is not only the clothes that matter but also the stance and attitudes that signal belongingness. They are always dressed stylishly and are knowledgeable about the latest trends, which they share and discuss with others. The song indicates that being a part of the elite has many perks like getting respect and being well-regarded wherever they go. They live a life of leisure, where they dress fine, make time, and breeze up and down the streets. The general attitude is that being in the "in crowd" gives the individuality, status, and even opportunities for romance.
Line by Line Meaning
I'm in with the in crowd
I am part of the popular group of people.
I go where the in crowd goes
I follow the popular places and activities chosen by my group.
And I know what the in crowd knows
I am aware of the secrets and information known by the popular group.
Any time of the year, don't you hear?
We are always trendy, no matter the season.
Dressin' fine, makin' time
We dress stylishly and have enough free time to enjoy ourselves.
We breeze up and down the street
We casually and confidently stroll around town.
We get respect from the people we meet
Others admire and give us positive attention when they see us.
They make way day or night
Others move aside for us, both during daytime and nighttime.
They know the in crowd is out of sight
Others are aware that our group is exclusive and hard to join.
I know every latest dance
I am well-versed in the newest and most popular dances.
When you're in with the in crowd
It's easy to attract love interests because being part of our group is desirable.
If it's square, we ain't there
We avoid old-fashioned and uncool places or activities.
We make every minute count
We prioritize having fun and living life to the fullest.
Our share is always the biggest amount
We are always the ones enjoying the most and having the most fun.
Other guys imitate us,
Some people try to be like us and follow what we do.
But the original is still the greatest
We are the original and unbeatable group.
Spendin' cash, talkin' trash
We spend a lot of money and boast about our experiences.
I'll show you a real good time
I can guarantee a fun and enjoyable experience if you join us.
Come on with me and leave your troubles behind
Follow me and forget about your worries.
You ain't been no where 'til you been in...
You haven't truly experienced life until you have been part of...
With the in crowd
Our group of popular and trendy people.
In crowd!
We are the exclusive and desirable popular group that everyone wishes they could be part of.
Lyrics © Warner/Chappell Music, Inc., HAL LEONARD CORPORATION
Written by: BILLY PAGE
Lyrics Licensed & Provided by LyricFind
@kristopher1799
Mama Cass is unparalleled!!! Fab vocals throughout this song and other tracks on this great album. My mother let me listen to her copy and I was hooked, easily. No regrets.
@Pamcakes1981
My mom had this album and it was one of my favorites songs on it. Thanks for the great memories as my childhood ROCKED!
@larrynones3353
great rendition! I discovered this song on a road trip from FL to PA and played it over and over again!
@davidcarson2834
I was rocking out to this in the early part of summer 2014.
@thelasttaarakian
lol summer of 2013 for me when I grabbed the record for $1! good times
@benoitpellet1657
Damn, Cass Elliot had a voice!
@Manfredo2208
Music of the time in that good music were produced.
@mthivier
Didn't know that they did a cover of this song. Dobie Gray had the hit, and Petula Clark also did a great version, but this is also very nice. I always liked the songs where Cass sang lead.
@brotftheyhaveusernamesnow
Mar Thivierge Cass’ voice was very pretty and fitting to every song genre, be it her earlier folk career, or her later pop work with the Mama’s and the Papa’s. A beautiful vocal range lost much too soon.
@BegoneJonah
Man, could she ever belt.