Current Members:
Bryan Erickson (a.k.a. Hexfix93, Disease Factory) - lead vocals, composition, guitar, lyrics, mixing, production, various
Early projects, early changes, and first albums (1990–1995)
In the early 1990s, Erickson and Grigory, both residents of Colorado, brought together their shared interest in creating music to record a series of demos. With the addition of Gary Slaughter and Chris Workman, the group attempted several bands, including Disease Disco Factory, a parody of then-popular Dance group C+C Music Factory. Following a turbulent period for Erickson and Slaughter, Workman left the group. Slaughter and Erickson experimented with two new side-projects, Cyber Christ and Vortex. Cyber Christ explored a harsh and melancholy sound that was a sharp contrast to the group's other projects. When Erickson discovered that the term "Cyber Christ" had been used in the 1992 film The Lawnmower Man, he renamed the band Velvet Acid Christ in honor of a bad acid trip. The Vortex project was merged into Velvet Acid Christ to form one body of work.
In 1994, Workman returned to assist with the band's self-produced gothic-styled demo tape, Fate. Given encouraging response from friends, the band followed up with other self-produced albums, 1994's Pestilence, a dance-oriented album, and 1995's Neuralblastoma, a harder-sounding album.
Erickson, along with friends and minor contributors Steve Bird and Dan Olson, started the brief-lived record label Electro Death Trip (EDT) Records to better promote these recordings. In 1995, the three began distributing hand-made CD copies of Fate, Pestilence, and Neuralblastoma for resale in local music shops.
Label interest, touring, and a troubled rise (1996–2000)
Slaughter and Workman temporarily left the band during the first half of 1996 as Erickson continued the project alone, handing out copies of Velvet Acid Christ's recordings to industry representatives, including musician Bill Leeb of industrial pioneer Front Line Assembly. Leeb passed the music to Thorsten Stroht, a media promoter with European label Off-Beat Records. Off-Beat A&R negotiated a deal with the band.
For their first Off-Beat release, the group submitted 1996's Church of Acid, a compilation of selected tracks from Velvet Acid Christ's first three albums with an additional two new tracks, Disflux and Futile. Church of Acid was well received in Europe, and Futile became a regularly played track in many nightclubs across the continent. In 1997, United States label Pendragon Records released Church of Acid in America, though the two new tracks were removed due to a lack of trademark clearance for television samples used in the songs.
The band's next album, Calling Ov the Dead, was rejected by Off-Beat for not sounding edgy enough, prompting Slaughter's permanent departure. With the assistance of Bird and Olson, the band addressed the label's concerns and released Calling Ov the Dead in late 1997, with American distribution following through Pendragon in 1998. In the process, Erickson had accumulated a substantial financial debt.
With a line-up consisting of Erickson, Stroht and German musician Ingo Beitz, the band toured Europe in 1998 with Off-Beat label-mate Suicide Commando, which attracted the attention of Metropolis Records, the largest industrial label in United States. The parent label of Pendragon, Metropolis distributed the album Neuralblastoma, as a partnership that would endure.
Velvet Acid Christ spent the majority of 1999 in the studio, first collaborating with Germany's Funker Vogt on a remix EP entitled Velvet Acid Christ Vs Funker Vogt: The Remix Assault, then shifting to Velvet Acid Christ's next full-length recording, Fun With Knives. With Workman an occasional contributor, Erickson sought production assistance on Fun With Knives from the bands Luxt and 4th New Army. Fun with Knives, released by Metropolis and new Off-Beat sub-label dependent, became the band's best-selling album. Sales were propelled by the singles Decypher and Fun with Drugs, and by the track Slut, which featured vocals from Luxt's Anna Christine.
In spite of the success of the band, stress had led Erickson into depression and increased drug abuse, which channeled into the creation of the band's next album, Twisted Thought Generator. Simultaneously, the band toured Europe with industrial acts Project X and Stromkern and toured the United States and Canada with bands Din_Fiv and Haujobb. The line-up of the band during this period was unstable. Workman, citing a conversion to Christianity, resigned from the band with a request that his name be retracted from all previous albums. The first leg of the European tour consisted of Erickson, Bird and Stroht; the second leg, Erickson and Olson. The North American tour was performed by Erickson, Stroht and drummer Paul Lipman. With various contributors, Erickson completed Twisted Thought Generator. Due to lingering disputes, he withdrew the band from Dependent Records and submitted the album to Metropolis.
A change of pace, new early material, and beyond (2001– present)
Erickson placed Velvet Acid Christ on a short hiatus in 2001, as he abandoned his dependence on drugs in favour of exercise and a vegan raw foodist diet. Newly clean, Erickson created the 2003 album Hex Angel: Utopia/Dystopia. Though critical response was mixed, Hex Angel: Utopia/Dystopia ranked #1 on Germany's Deutsche Alternative Charts (DAC) for four weeks after its release, and the album's single Pretty Toy reached #18 on the Billboard Alternative Chart during the same year. The album also marked the band's short-lived return to Dependent Records.
Erickson spent 2004 releasing and reissuing some of Velvet Acid Christ's earliest material. With the four-volume compilation series Between the Eyes, the band published a collection of its singles and B-sides, then followed with subsequent re-releases of Fate (Vol. 2), Pestilence (Vol. 3), and Neuralblastoma (Vol. 4). The band also offered free MP3 downloads of Dimension 8 and Oblivion Interface on its website until early 2005. Dimension 8, which had been available as a hidden bonus on Twisted Thought Generator, and Oblivion Interface (informally known as Between the Eyes, Vol. 5) provided fans with previously unheard work from the Cyber Christ-Vortex era of 1991–1994.
In 2005, Erickson collaborated with guitarist Todd Loomis on a new album, Lust for Blood, which was released on September 26, 2006. With Lust for Blood, the crew labored intensively to create a new overall sound while maintaining the band's original characteristics. Following its release, Lust for Blood ranked at the top of Germany's DAC for four weeks; the album's single release, Wound, ranked on the DAC's singles chart for eight weeks and held the #1 position for four weeks.
In 2009, Erickson began to create the next LP with minimal input from Loomis this time when he was working on his project The Twilight Garden. The result was The Art of Breaking Apart, released October 27, 2009. This LP was a tribute to bands like Current 93 and Death in June and brought VAC many new fans while making the others angry at the new direction of the music.
In 2010–2011, Bryan Erickson teamed up with William Anderson of Louisiana. William did a ton of sampling, and Bryan made a bunch of VAC B-sides that turned into Toxic Coma tracks. The project had a revolving door of members, again Bryan being the main constant. They released a LP entitled Satan Rising under Toxic Coma on Metropolis Records. It fused the techno sound of Fun With Knives and the brutal black humor of Toxic Coma. Erickson then began to write more music for future VAC LPs.
In October 2012, Velvet Acid Christ released their tenth LP entitled Maldire. The release marked a return to the dark electronic sound. Erickson formed a live band and toured extensively (2012-2014) to support the album. The latest album entitled Subconscious Landscapes was released October 28, 2014. A remastered Greatest Hits compilation was released by Metropolis Records on May 6, 2016.
Discography:
Studio Albums
1994 - Fate
1994 - Pestilence
1995 - Neuralblastoma
1997 - Calling Ov the Dead
1999 - Fun With Knives
2000 - Twisted Thought Generator
2003 - Hex Angel (Utopia/Dystopia)
2006 - Lust for Blood
2009 - The Art of Breaking Apart
2012 - Maldire
2014 - Subconscious Landscapes
Compilations / Demos / EPs / Singles
1992 - Oblivion Interface (demo re-released in 2004)
1993 - Dimension 8 (demo re-released in 2000)
1996 - Church of Acid (1994-1995 compilation)
1998 - Neuralblastoma (1994-1995 compilation)
1999 - Fun With Razors (remix EP)
1999 - Decipher (maxi-single)
1999 - Fun With Drugs (maxi-single)
1999 - The Remix Wars: Strike 4: Funker Vogt vs. Velvet Acid Christ (remix EP)
2001 - Dial 8 (maxi-single)
2003 - Pretty Toy (maxi-single)
2004 - Between the Eyes Vol. 1 (singles compilation)
2004 - Between the Eyes Vol. 2 (re-release of Fate)
2004 - Between the Eyes Vol. 3 (re-release of Pestilence)
2004 - Between the Eyes Vol. 4 (re-release of Neuroblastoma)
2006 - Wound (maxi-single)
2009 - Caustic Disco (maxi-single)
2016 - Greatest Hits (remastered compilation)
Crushed
Velvet Acid Christ Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
That voice inside you that never goes away.
The haunting feeling that I have to play,
A game of fear soiled in this pain.
These words in my mouth, this blood on my tongue
This is what its like, to come undone.
We are nothing, we are nothing.
Destroyed by a look, torn by the pain
The illusion of love, crying again.
But that's how it hurts when it's in your veins.
The thing inside you on your blackest day,
That voice inside you that makes you say
I've given up hope and I'm lost again
It eats at my heart to the bitter bitter end
Oh no, we are nothing, we are nothing.
Crushed by the curse, bleeding in rain.
Destroyed by a look, torn by the pain.
The illusion of love, crying again.
But that's how it hurts, when you go insane.
Crushed by the curse, torn by the pain.
Destroyed by a look, crying again.
"Crushed" by Velvet Acid Christ is a song that explores the darkness and despair that can consume a person's life. The lyrics describe a feeling of being haunted by something within oneself that never goes away, and the pain and fear that come with it. The song also talks about the illusion of love and how it can lead to more pain and heartbreak, leaving one feeling crushed and destroyed. Despite the bleakness of the lyrics, the song ends with a line that reinforces the idea that we are nothing, which some could interpret as a call to focus on the present moment and find meaning in the small things.
Line by Line Meaning
The thing inside you on your blackest day,
Referring to the inner demons and negative thoughts that plague us during our darkest moments.
That voice inside you that never goes away.
The persistent negative voice inside our minds that seems impossible to silence.
The haunting feeling that I have to play,
The overwhelming feeling of obligation to participate in a game of fear and pain.
A game of fear soiled in this pain.
The game being played is one that is fueled by fear and only leads to further emotional distress.
These words in my mouth, this blood on my tongue
The painful emotions that are so intense they feel like physical sensations inside the body.
This is what its like, to come undone.
The experience of feeling like everything is falling apart and there is no way to stop it.
We are nothing, we are nothing.
The realization that in the grand scheme of things, we are insignificant and powerless.
Crushed by the curse, bleeding in rain.
Feeling overwhelmed and defeated by the negative circumstances in life, as if being crushed under a heavy curse and feeling the pain of it like the sting of rain.
Destroyed by a look, torn by the pain
The feeling of being judged, rejected, or hurt by someone's gaze, resulting in intense emotional anguish.
The illusion of love, crying again.
The disappointment and heartbreak that comes from realizing that what was believed to be love was actually an illusion.
But that's how it hurts when it's in your veins.
The intense pain of emotional turmoil can feel like it has penetrated deep into one's very being, like poison in the veins.
That voice inside you that makes you say
Referring again to the negative inner critic that causes self-doubt and despair.
I've given up hope and I'm lost again
The feeling of complete hopelessness and despair, as if all is lost with no way to find a way out.
It eats at my heart to the bitter bitter end
The feeling that this emotional pain will never go away and will continue to haunt and hurt until the very end.
Oh no, we are nothing, we are nothing.
Reiterating the earlier realization that in the grand scheme of things, we are insignificant and powerless.
But that's how it hurts, when you go insane.
The feeling of losing one's grip on reality and succumbing to the overwhelming chaos and pain of life.
Crushed by the curse, torn by the pain.
An echo of the earlier lines emphasizing the intensity of emotional pain.
Destroyed by a look, crying again.
Another repetition of the earlier lines exploring the idea of being deeply hurt by someone else's judgment or rejection.
Contributed by Adalyn V. Suggest a correction in the comments below.
Juris Yesnno
Только ты мог заставить меня чувствовать
Что я чувствую к тебе прямо сейчас
Но вы все ушли
И это все моя вина
И я пытался это скрыть
Но было бесполезно
Все было разрушено со мной и тобой
Но теперь ты ушел
И я чувствую себя одиноким
Это может быть единственный шанс, который у меня есть
Чтобы ты снова полюбил меня, да
Ты разбил все мои мечты
Мои мечты о тебе
Я пытался заставить тебя любить меня
Каким-то образом это просто не работает
ты раздавил меня
Все, что я хотел, это одна ночь
Думаю, ты не был предназначен для меня
Потому что я знаю, что ты пропустил
Сам я закрыл глаза
Мечтаю обо мне и тебе
Уйти вместе и никогда не возвращаться
Так что теперь, может быть, после того, что ты сделал со мной
Ты приползешь ко мне
Но вы знаете, что?
я не хочу тебя
Это может быть единственный шанс, который у меня есть
Чтобы заставить вас платить, да
Ты разбил все мои мечты
Мои мечты о тебе
Я пытался заставить тебя любить меня
Каким-то образом это просто не работает
ты раздавил меня
Все, что я хотел, это одна ночь
Думаю, ты не был предназначен для меня
Потому что я знаю, что ты пропустил
Да, ты пропустил
Да, ты пропустил 😀
Mercy
I almost forgot what a beautiful song this was. Just ran up on my sadness today and remembered
Crushed 🥺
Juris Yesnno
piano
Naayyuurah
One of my favourites songs ! The music between 2:50 and 3:20 is just mind-blowing, I love it ♥️
T x
So addicted to this beautiful song from this amazing artist.
Greg Torosyan
The guitar in the end is breathtaking. And just like all good thing in life, it fades away...
Mr. Owl
How is it that not everyone loves this music? VAC is genius.
Harakoa
I clearly hear The Cure's influence in this melody... What a beauty...
Juris Yesnno
the qr
Sullen Spooky
The illusion of love, crying again...🥀
The Temple Laboratory
I love seeing Velvet Acid Christ live, I'm pretty sure theyre from Denver too.