Formed in 1988 in Melbourne, Australia, Snog is a primarily the work of mus… Read Full Bio ↴Formed in 1988 in Melbourne, Australia, Snog is a primarily the work of musician David Thrussell, with frequent guest musicians. Musically, they are a fusion of many styles--including industrial, techno, ambient, experimental, even sometimes including country and funk. Lyrically, Snog has strong themes of nihilism, anti-capitalism, anti-fascism, anti-consumerism, individuality and anti-big-brotherism.
The band name is a reference to "kissing and cuddling," which, according to Thrussell, symbolizes the Marxist concept of destroying barriers between people (see the lyrics to "Light, Yet Refreshing")
Their first album, Lies Inc., was released in 1992. Pieter Bourke joined the band soon afterwards, and Dear Valued Customer, which drew heavily on techno influences, was released in 1994. That same year, two sideprojects emerged: Soma was formed by Thrussell and Pieter Bourke, and Thrussell formed solo project Black Lung.
By 1997, the band had largely become a solo project for Thrussell (with guest musicians). Buy Me... I'll Change Your Life was a departure in style, featuring country western-style guitar and a cover of Lee Hazlewood's "Let the Little Flowers Grow". 1999's Third Mall from the Sun offered a unique blend of the style of the previous two albums, along with new influences. This was followed by the remix album Relax into the Abyss.
In 2003, Beyond the Valley of the Proles was released. This album offered a more refined version of the style found on Buy Me. Its 2006 follow-up, Snog Vs. the Faecal Juggernaut of Mass Culture, saw a return to a more electronic sound.
One notable feature about the band is Thrussell's lyrics — almost all songs contain themes of anti-capitalism, anti-fascism, anti-consumerism, individuality, and anti-big-brotherism. Thrussell also often includes references to conspiracy theories in his lyrics and song titles (for example, The Report From Iron Mountain or Rex 84).
The albums Third Mall from the Sun (1999), Relax into the Abyss (2000) and Beyond the Valley of the Proles (2003) featured artwork by Canadian artist Chris Woods, whose paintings lampoon the advertising tactics of major corporations such as McDonald's, The Gap, and Nike.
Discography
Albums
Lies Inc. (1992)
Dear Valued Customer (1994)
Live in the Global Village (limited-edition bonus disc, 1994)
Lies Inc. (limited-edition 2-disc reissue with early material, 1996)
Remote Control (anthology, 1997)
Buy Me...I'll Change Your Life (1997)
Third Mall from the Sun (1999)
Relax Into the Abyss (remixes, 2000)
Beyond the Valley of the Proles (2003)
Your Favourite Electro-Folk Swingers (limited-edition remix CD, 2003)
Sixteen Easy Tunes For The End Times (2-disc greatest hits collection with bonus unreleased material, 2006)
Snog Vs. The Faecal Juggernaut Of Mass Culture (2006)
Singles and EPs
Corporate Slave (1992)
Shop (1992)
Born To Be Mild (1993)
Hey Christian God (1993)
Cliché (1994)
The Future (1995)
Make the Little Flowers Grow (1997)
Hooray!! (1998)
The Ballad (1998)
The Human Germ (1998)
I Snog, Therefore I am (1999)
Justified Homicide (2001)
Crash Crash (Vs. Remixes & Exclusive Tracks CD Single - 2006)
Vs. The Faecal Juggernaut Of Mass Culture (2006)
City EP (2008)
Other
Adventures in Capitalism DVD (2003)
Angst (Movie soundtrack) (2000) (contributed four tracks)
Pearls Before Swine (Movie Soundtrack) (contributed tracks, along side NON and Death in June)
The band name is a reference to "kissing and cuddling," which, according to Thrussell, symbolizes the Marxist concept of destroying barriers between people (see the lyrics to "Light, Yet Refreshing")
Their first album, Lies Inc., was released in 1992. Pieter Bourke joined the band soon afterwards, and Dear Valued Customer, which drew heavily on techno influences, was released in 1994. That same year, two sideprojects emerged: Soma was formed by Thrussell and Pieter Bourke, and Thrussell formed solo project Black Lung.
By 1997, the band had largely become a solo project for Thrussell (with guest musicians). Buy Me... I'll Change Your Life was a departure in style, featuring country western-style guitar and a cover of Lee Hazlewood's "Let the Little Flowers Grow". 1999's Third Mall from the Sun offered a unique blend of the style of the previous two albums, along with new influences. This was followed by the remix album Relax into the Abyss.
In 2003, Beyond the Valley of the Proles was released. This album offered a more refined version of the style found on Buy Me. Its 2006 follow-up, Snog Vs. the Faecal Juggernaut of Mass Culture, saw a return to a more electronic sound.
One notable feature about the band is Thrussell's lyrics — almost all songs contain themes of anti-capitalism, anti-fascism, anti-consumerism, individuality, and anti-big-brotherism. Thrussell also often includes references to conspiracy theories in his lyrics and song titles (for example, The Report From Iron Mountain or Rex 84).
The albums Third Mall from the Sun (1999), Relax into the Abyss (2000) and Beyond the Valley of the Proles (2003) featured artwork by Canadian artist Chris Woods, whose paintings lampoon the advertising tactics of major corporations such as McDonald's, The Gap, and Nike.
Discography
Albums
Lies Inc. (1992)
Dear Valued Customer (1994)
Live in the Global Village (limited-edition bonus disc, 1994)
Lies Inc. (limited-edition 2-disc reissue with early material, 1996)
Remote Control (anthology, 1997)
Buy Me...I'll Change Your Life (1997)
Third Mall from the Sun (1999)
Relax Into the Abyss (remixes, 2000)
Beyond the Valley of the Proles (2003)
Your Favourite Electro-Folk Swingers (limited-edition remix CD, 2003)
Sixteen Easy Tunes For The End Times (2-disc greatest hits collection with bonus unreleased material, 2006)
Snog Vs. The Faecal Juggernaut Of Mass Culture (2006)
Singles and EPs
Corporate Slave (1992)
Shop (1992)
Born To Be Mild (1993)
Hey Christian God (1993)
Cliché (1994)
The Future (1995)
Make the Little Flowers Grow (1997)
Hooray!! (1998)
The Ballad (1998)
The Human Germ (1998)
I Snog, Therefore I am (1999)
Justified Homicide (2001)
Crash Crash (Vs. Remixes & Exclusive Tracks CD Single - 2006)
Vs. The Faecal Juggernaut Of Mass Culture (2006)
City EP (2008)
Other
Adventures in Capitalism DVD (2003)
Angst (Movie soundtrack) (2000) (contributed four tracks)
Pearls Before Swine (Movie Soundtrack) (contributed tracks, along side NON and Death in June)
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Lies Inc./Dear Valued Customer
Snog Lyrics
Bank Gnashing of teeth Stamping of feet I'm on my way to the…
Born To Be Mild There is nothing wrong with you television set. [Sample] Th…
Cliché On this hollow earth In this empty space We all dance to…
Control I've got fear when it's light and I'm walking around, I've…
Corporate Slave The winds will blow The profits go down I'm out of work My…
Dear Valued Customer You'll pray and you'll save With one foot in the grave You'l…
Empires from the cadillac soup-kitchens to the impovserished boardr…
Flesh Can't afford to feed myself Can't afford to breathe Can't af…
Gods and Governments We loathe the darkness that we're breathin' We fear the hol…
Headsand I will cheat like a politician I will lie like the…
Hunter Satellite towers Satanic mills Daytime telly Endless pill…
Invocation To The Fiscal Demon It is a business, yes But a business guided by the…
Langley, Virginia Capitalism's. Invisible. Army. And it's fortress of deceit T…
Love Power And I gave a flower to the a big fat…
Make My Day Go ahead creep and make my day The forces of might…
Manufacturing Consent Man has given a false importance to death. Every animal,…
Naive Giant In the United States of Unreality The people come second to…
One Way Ticket to the Womb maybe you're happy when you're asleep maybe this misery dwel…
Real Wise Yuppie I'm a real wise yuppie and I sold my soul Got…
Reigning Terror From those dark Bolivian skies To Jackie's blood soaked thig…
Shop We've got to find what we've got to find We've got…
Skinhead National action, national front I don't like these little r…
Spermy Man In my house there ain't nothing wrong So just you tell…
Supermarket Dream We've got to find what we've got to find We've got…