Lina tullgren
Lina Tullgren is from Southern Maine just over the border of the northernmo… Read Full Bio ↴Lina Tullgren is from Southern Maine just over the border of the northernmost seacoast of New Hampshire. It’s an unexpected location for artistic incubation, but if you grow up anywhere surrounded by family and friends and weirdos interacting at all times with their own interpretations of creative output, osmosis is bound to occur. Shifting in trainings and traditions, the 23 year old eventually found themself a voice with the electric guitar, uniquely flavored and shaped from the many years of fiddle lessons and classical technique. The shifts in genre and in instrumentation are stark, but important. Lina’s morphing interaction with music has mirrored a growing determination to harness their ability to melodically and lyrically express complex emotions.
With 2016’s Wishlist EP – recorded to tape at the apartment of band mate Ty Ueda – Lina proved an ability to craft simple, introspective and succinct songs, each one a pulsing glow leaving you both hollow and whole, alone but never lonely. It is on Lina’s debut album Won that we reap the full rewards of this newfound confidence in expression and rejection of internal hesitation. “The writing doesn’t necessarily get easier, but I feel more comfortable tapping into emotions and going to those places that need to be written about. Won, as it turned out, is the product that I have been hearing and picturing in my head as I write and listen to music.” It is the product of what happens when you push past the fear of what it means to think out loud – to become accountable for your internal struggles by way of manifesting your ideas into songs that are then free to grow apart from you, to exist on their own while always remaining specifically implicative of you. Now backed by a full band, each track manages to remain piercingly intimate, sometimes brief, and always honest, while gaining a wholly new sense of gestation both sonically and lyrically.
“I am all the wiser now that I accept my fate”.
It’s clear throughout that Lina’s awareness of their internal shift is folded into every corner of these songs. The move towards working with a full band, the deliberate force with which their often quaveringly raw vocals are delivered, and the lyrics themselves are all constantly functioning to process and take stock of an updated self. Which is not to say this is an album of concise reflections or black-and-white conclusions. The darkly punctuated “Summer Sleeper” rolls in with one of the more concrete claims Lina presents us with. "On letting go: it's only as good as you want it to be, only as bad as you make it." This is an album insistent on the consideration of perspective above all else.
The album art, a reference to the historical practice of photographing ectoplasm expulsion, acts as a visual representation of the internal changes and newly gained perspectives precipitated by the writing and recording of this debut album. “Writing this record was a lot of looking inward at myself with close eyes. Figuring out what I had to get rid of and what I had to keep. I like the idea of an ectoplasm being something you’re expelling. That you’re getting rid of because it shouldn’t be inside you anymore.”
And at a certain point, growth is not just a process of replacing old selves with new, but often simply an act of expansion. Won in many ways continues to dig through Lina’s preoccupation with the search for home. It’s a deceptively loaded search sewn gracefully into the haunting and sparse track “Face Off." Whatever "home" means - a relationship, a physical space, a mentality, or an emotion - that’s up to the listener. As Lina puts it, “It’s a record for me, but it’s also for everyone else. I don’t claim to be totally emotionally stable, or smart in relationships, or always very conscientious of others, but this record is me reaching out and trying and maybe sometimes I lose but sometimes I win.”
With 2016’s Wishlist EP – recorded to tape at the apartment of band mate Ty Ueda – Lina proved an ability to craft simple, introspective and succinct songs, each one a pulsing glow leaving you both hollow and whole, alone but never lonely. It is on Lina’s debut album Won that we reap the full rewards of this newfound confidence in expression and rejection of internal hesitation. “The writing doesn’t necessarily get easier, but I feel more comfortable tapping into emotions and going to those places that need to be written about. Won, as it turned out, is the product that I have been hearing and picturing in my head as I write and listen to music.” It is the product of what happens when you push past the fear of what it means to think out loud – to become accountable for your internal struggles by way of manifesting your ideas into songs that are then free to grow apart from you, to exist on their own while always remaining specifically implicative of you. Now backed by a full band, each track manages to remain piercingly intimate, sometimes brief, and always honest, while gaining a wholly new sense of gestation both sonically and lyrically.
“I am all the wiser now that I accept my fate”.
It’s clear throughout that Lina’s awareness of their internal shift is folded into every corner of these songs. The move towards working with a full band, the deliberate force with which their often quaveringly raw vocals are delivered, and the lyrics themselves are all constantly functioning to process and take stock of an updated self. Which is not to say this is an album of concise reflections or black-and-white conclusions. The darkly punctuated “Summer Sleeper” rolls in with one of the more concrete claims Lina presents us with. "On letting go: it's only as good as you want it to be, only as bad as you make it." This is an album insistent on the consideration of perspective above all else.
The album art, a reference to the historical practice of photographing ectoplasm expulsion, acts as a visual representation of the internal changes and newly gained perspectives precipitated by the writing and recording of this debut album. “Writing this record was a lot of looking inward at myself with close eyes. Figuring out what I had to get rid of and what I had to keep. I like the idea of an ectoplasm being something you’re expelling. That you’re getting rid of because it shouldn’t be inside you anymore.”
And at a certain point, growth is not just a process of replacing old selves with new, but often simply an act of expansion. Won in many ways continues to dig through Lina’s preoccupation with the search for home. It’s a deceptively loaded search sewn gracefully into the haunting and sparse track “Face Off." Whatever "home" means - a relationship, a physical space, a mentality, or an emotion - that’s up to the listener. As Lina puts it, “It’s a record for me, but it’s also for everyone else. I don’t claim to be totally emotionally stable, or smart in relationships, or always very conscientious of others, but this record is me reaching out and trying and maybe sometimes I lose but sometimes I win.”
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Lina tullgren Lyrics
110717 110717 Give it back all the time you wasted go back to bed …
Bad At Parties BAD AT PARTIES written by: lina tullgren, simon hanes it’s n…
Fitchburg State I let it fall, my heart And as it fell you…
Free Cell FREE CELL staring into my golden dreams staring backwards a…
Golden Babyland GOLDEN BABYLAND in the kitchen melting legos i am sick i am…
Grace My eyes are tired and I'm a liar I wish I…
Home I don't see you And I don't want to I've been thinking…
Older Swing low When you speak, speak low Sing low When you swing,…
Soft Glove 1 SOFT GLOVE knees hurt again but nobody minds i come up with…
Soft Glove 2 SOFT GLOVE knees hurt again but nobody minds i come up with…
Wash well I'm sorry god for all the hearts i've won for the…
Watchdog Do you remember it all as the first time I was…