Mississippi Sheiks
The Mississippi Sheiks were a popular and influential American guitar and fiddle group of the 1930s. They were notable mostly for playing country blues, but were adept at many styles of popular music of the time.
The Mississippi Sheiks consisted mainly of the Chatmon family, who came from Bolton, Mississippi and were well known throughout the Mississippi Delta. The father of the family had been a "musicianer" (someone with good technical ability on his or her instrument adept at sight-reading written music) during slavery times Read Full BioThe Mississippi Sheiks were a popular and influential American guitar and fiddle group of the 1930s. They were notable mostly for playing country blues, but were adept at many styles of popular music of the time.
The Mississippi Sheiks consisted mainly of the Chatmon family, who came from Bolton, Mississippi and were well known throughout the Mississippi Delta. The father of the family had been a "musicianer" (someone with good technical ability on his or her instrument adept at sight-reading written music) during slavery times, and his children carried on the musical spirit. Their most famous (although by no means permanent) member was Armenter Chatmon - better known as Bo Carter - who managed a successful solo career as well as playing with the Sheiks, which may have contributed to their success.
When the band first recorded in 1930, the line-up consisted of Carter with Lonnie and Sam Chatmon, and Walter Vinson. Charlie McCoy (not to be confused with Charlie McCoy, a later American musician) played later, when Bo Carter and Sam Chatmon ceased playing full time. It was Lonnie Chatmon and Vinson who formed the real center of the group.
Bo Carter's solo work is notable for being sexually suggestive in songs and this is carried on to an extent with the group. They primarily earned their income like Robert Johnson and Skip James. They toured throughout the Southern United States, but also reached as far north as Chicago and New York.
Their first and biggest success was "Sitting on Top of the World" (1930), later to be recorded by Bob Wills (numerous times), Howlin' Wolf, Nat King Cole, Bill Monroe, Harry Belafonte, Frank Sinatra, Bob Dylan, Cream, Grateful Dead, Jeff Healey, John Lee Hooker, Bill Frisell and Jack White, and re-done by Robert Johnson, as "Come On in My Kitchen". The song was also the theme to the film A Face in the Crowd (1957) produced by Elia Kazan and starring Andy Griffith. Throughout their five active years, the Mississippi Sheiks recorded over seventy songs for the Okeh, Paramount and Bluebird labels.
Their last recording session as the Mississippi Sheiks was in 1936. Bo made a few more sessions on his own, but by 1938 he too was dropped. When the band dissolved, the Chatmon brothers gave up music and returned to farming.
The Sheiks and related groups under other names, such as Mississippi Mud Steppers and Blacksnakes, recorded about a hundred sides in the first half of the 1930s, among them original compositions (probably by Vinson) like "The World is Going Wrong" and "I've Got Blood in My Eyes For You" (1931) - both recorded by Bob Dylan - or the topical "Sales Tax" (1934).
Sam Chatmon made more recordings in the 1960s and Walter Vinson contributed three selections (using the Mississippi Sheiks band name) to Riverside's 1961 series, Chicago: The Living Legends.
In 2004, they were inducted in the Mississippi Musicians Hall of Fame. Their 1930 blues single "Sitting on Top of the World" was inducted into the Grammy Hall of Fame in 2008.
In 1978 Rory Gallagher recorded a tribute song "The Mississippi Sheiks" for his Photo Finish album.
In 2009, Black Hen Music released Things About Comin' My Way, a tribute album to the Mississippi Sheiks. The album's seventeen artists include Bruce Cockburn, Bill Frisell, The Carolina Chocolate Drops, Geoff Muldaur, Kelly Joe Phelps and John Hammond.
In 2013 Jack White's Third Man Records teamed up with Document Records to reissue The Complete Recorded Works in Chronological Order of Charley Patton, Blind Willie McTell and The Mississippi Sheiks.
The Mississippi Sheiks consisted mainly of the Chatmon family, who came from Bolton, Mississippi and were well known throughout the Mississippi Delta. The father of the family had been a "musicianer" (someone with good technical ability on his or her instrument adept at sight-reading written music) during slavery times Read Full BioThe Mississippi Sheiks were a popular and influential American guitar and fiddle group of the 1930s. They were notable mostly for playing country blues, but were adept at many styles of popular music of the time.
The Mississippi Sheiks consisted mainly of the Chatmon family, who came from Bolton, Mississippi and were well known throughout the Mississippi Delta. The father of the family had been a "musicianer" (someone with good technical ability on his or her instrument adept at sight-reading written music) during slavery times, and his children carried on the musical spirit. Their most famous (although by no means permanent) member was Armenter Chatmon - better known as Bo Carter - who managed a successful solo career as well as playing with the Sheiks, which may have contributed to their success.
When the band first recorded in 1930, the line-up consisted of Carter with Lonnie and Sam Chatmon, and Walter Vinson. Charlie McCoy (not to be confused with Charlie McCoy, a later American musician) played later, when Bo Carter and Sam Chatmon ceased playing full time. It was Lonnie Chatmon and Vinson who formed the real center of the group.
Bo Carter's solo work is notable for being sexually suggestive in songs and this is carried on to an extent with the group. They primarily earned their income like Robert Johnson and Skip James. They toured throughout the Southern United States, but also reached as far north as Chicago and New York.
Their first and biggest success was "Sitting on Top of the World" (1930), later to be recorded by Bob Wills (numerous times), Howlin' Wolf, Nat King Cole, Bill Monroe, Harry Belafonte, Frank Sinatra, Bob Dylan, Cream, Grateful Dead, Jeff Healey, John Lee Hooker, Bill Frisell and Jack White, and re-done by Robert Johnson, as "Come On in My Kitchen". The song was also the theme to the film A Face in the Crowd (1957) produced by Elia Kazan and starring Andy Griffith. Throughout their five active years, the Mississippi Sheiks recorded over seventy songs for the Okeh, Paramount and Bluebird labels.
Their last recording session as the Mississippi Sheiks was in 1936. Bo made a few more sessions on his own, but by 1938 he too was dropped. When the band dissolved, the Chatmon brothers gave up music and returned to farming.
The Sheiks and related groups under other names, such as Mississippi Mud Steppers and Blacksnakes, recorded about a hundred sides in the first half of the 1930s, among them original compositions (probably by Vinson) like "The World is Going Wrong" and "I've Got Blood in My Eyes For You" (1931) - both recorded by Bob Dylan - or the topical "Sales Tax" (1934).
Sam Chatmon made more recordings in the 1960s and Walter Vinson contributed three selections (using the Mississippi Sheiks band name) to Riverside's 1961 series, Chicago: The Living Legends.
In 2004, they were inducted in the Mississippi Musicians Hall of Fame. Their 1930 blues single "Sitting on Top of the World" was inducted into the Grammy Hall of Fame in 2008.
In 1978 Rory Gallagher recorded a tribute song "The Mississippi Sheiks" for his Photo Finish album.
In 2009, Black Hen Music released Things About Comin' My Way, a tribute album to the Mississippi Sheiks. The album's seventeen artists include Bruce Cockburn, Bill Frisell, The Carolina Chocolate Drops, Geoff Muldaur, Kelly Joe Phelps and John Hammond.
In 2013 Jack White's Third Man Records teamed up with Document Records to reissue The Complete Recorded Works in Chronological Order of Charley Patton, Blind Willie McTell and The Mississippi Sheiks.
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Sitting On Top of the World
Mississippi Sheiks Lyrics
Was all the summer, and all the fall,
Just trying to find my little all in all
But now she's gone, I don't worry
I'm sitting on top of the world
Was in the spring, one summer day
Just when she left me, she's gone to stay
But now she's gone, I don't worry
I'm sitting on top of the world
An' you come here runnin', holdin' up your hand
Can't get me a woman, who can just kill a man
But now she's gone, I don't worry
I'm sitting on top of the world
It have been days, I didn't know your name
Why should I worry and prayer in vain
But now she's gone, I don't worry
I'm sitting on top of the world
Goin' to the station, down in the yard
Gone get me a freight train, worked some, got hard
But now she's gone, I don't worry
I'm sitting on top of the world
The lonesome days, they have gone by
Why should you beg me and say goodbye
But now she's gone, I don't worry
I'm sitting on top of the world
Lyrics © Warner Chappell Music, Inc.
Written by: BOB WILLS
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
slint69
Was all the summer, and all the fall,
Just trying to find my little all in all
But now she's gone, I don't worry
I'm sitting on top of the world
Was in the spring, one summer day
Just when she left me, she's gone to stay
But now she's gone, I don't worry
I'm sitting on top of the world
An' you come here runnin', holdin' up your hand
Can't get me a woman, who can just kill a man
But now she's gone, I don't worry
I'm sitting on top of the world
It have been days, I didn't know your name
Why should I worry and prayer in vain
But now she's gone, I don't worry
I'm sitting on top of the world
Goin' to the station, down in the yard
Gone get me a freight train, worked some, got hard
But now she's gone, I don't worry
I'm sitting on top of the world
The lonesome days, they have gone by
Why should you beg me and say goodbye
But now she's gone, I don't worry
I'm sitting on top of the world
brendo thedude
This is my favorite song of all time. And I dont know why.
slint69
Was all the summer, and all the fall,
Just trying to find my little all in all
But now she's gone, I don't worry
I'm sitting on top of the world
Was in the spring, one summer day
Just when she left me, she's gone to stay
But now she's gone, I don't worry
I'm sitting on top of the world
An' you come here runnin', holdin' up your hand
Can't get me a woman, who can just kill a man
But now she's gone, I don't worry
I'm sitting on top of the world
It have been days, I didn't know your name
Why should I worry and prayer in vain
But now she's gone, I don't worry
I'm sitting on top of the world
Goin' to the station, down in the yard
Gone get me a freight train, worked some, got hard
But now she's gone, I don't worry
I'm sitting on top of the world
The lonesome days, they have gone by
Why should you beg me and say goodbye
But now she's gone, I don't worry
I'm sitting on top of the world
Doctorhamfat
Worked all the summer and all the fall
Flower power
Nice song đź‘Ť
Joshua Stephens
Howlin' Wolf brought me here
Ralph Grey
I like more the song this way, raw, honest, stray, perfect
WytheMan 74
Cream brought me here....
Person A
IDK how this has remained one of my all time favorite songs throughout the years, considering I was born in '93. Best version too, imo
crunkaholic81
Orig versions are always better. very rarely the remake overtakes the original but it can happen if an artist pours passion into a song.
roaringforties
Basically the same melody as "You Gotta Move" performed by Mississippi Fred McDowell
https://www.youtube.com/watch?v=mtlVSedpIRU