They first came to prominence playing rhythm and blues music. After some early lineup changes, the band settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward and bassist John Lodge, which would stay together for most of the band's "classic era" through the late 1960s-early 1970s. Read Full BioThe Moody Blues are an English rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge, and bassist Clint Warwick.
They first came to prominence playing rhythm and blues music. After some early lineup changes, the band settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward and bassist John Lodge, which would stay together for most of the band's "classic era" through the late 1960s-early 1970s. Their second album, Days of Future Passed, which was released in 1967, was a fusion of rock with classical music and established the band as pioneers in the development of art rock and progressive rock. Days Of Future Passed has been described as a "landmark" and "one of the first successful concept albums".
The Moody Blues became known internationally by recordings of songs including "Go Now", "Nights in White Satin", "Tuesday Afternoon", "Question" and "Your Wildest Dreams". The band has been awarded 18 platinum and gold LP’s. The band sold 70 million albums worldwide. The Moody Blues were inducted into the Rock and Roll Hall of Fame in 2018.
The Moody Blues formed in 1964 in Erdington, a suburb of Birmingham in the county of Warwickshire. Ray Thomas, a young John Lodge and (occasionally) Mike Pinder had been members of El Riot & the Rebels. They disbanded when Lodge, the youngest member, went to technical college and Pinder joined the army. Pinder then rejoined Thomas to form the Krew Cats. Back from a disappointing spell in the Hamburg region a few months later, the pair recruited guitarist/vocalist Denny Laine and band manager-turned-drummer Graeme Edge. Pinder and Thomas initially approached their former El Riot bandmate John Lodge about being the bass player, but Lodge declined as he was still in college. They instead recruited bassist Clint Warwick. The five appeared as the Moody Blues for the first time in Birmingham in 1964. The name developed from a hoped-for sponsorship from the M&B Brewery which failed to materialise, the band calling themselves both "The M Bs" and "The M B Five", and was also a subtle reference to the Duke Ellington song "Mood Indigo". In an interview it was revealed that the band was named "Moody Blues" because Mike Pinder was interested in how music changes people's moods and due to the fact that the band was playing blues at the time. Around this time the band were the resident group at the Carlton Ballroom, later to become rock music venue Mothers on Erdington High Street.
The Moody Blues' "rich symphonic sound" influenced groups such as Yes, Genesis, the Electric Light Orchestra and Deep Purple. They also helped make synthesizers and philosophy "part of the rock mainstream".
The Moody Blues are members of the Vocal Group Hall of Fame. In 2013, readers of Rolling Stone Magazine voted for them as one of the ten bands that should be inducted into the Rock and Roll Hall of Fame. Ultimate Classic Rock called them "perennial victims of an unaccountable snubbing" and inducted them into its own Hall of Fame in 2014.
Writing for The Guardian in 2015, Rob Chapman described the band as "psychedelia's forgotten heroes". He stated: "Despite their success, rock critics rarely took the Moody Blues seriously, a pattern that continued for the next 45 years." He also wrote: "Despite the critical disapproval, the best of the Moody Blues music between 1967 and 1970 possessed grace and beauty. Like The Beatles, they understood how pop songs worked as ensemble pieces. None of them were particularly virtuosic or showy as musicians and their music is refreshingly free of the noodling longeurs that characterised the output of their more self-indulgent contemporaries."
In December 2017, the band were announced as inductees for the Rock and Roll Hall of Fame. On 14 April 2018, they were inducted as part of the 2018 class. During his acceptance speech in Cleveland, OH, Justin Hayward said, "If you didn't know already, well we're just a bunch of British guys, but of course to us and to all British musicians, this is the home of our heroes and we all know that..." acknowledging the inspirational role of America's rock and roll icons. During the ceremony, Ray Thomas was included as a star that was lost in the past year.
On 11th November 2021 Graeme Edge died.
Nights in White Satin
The Moody Blues Lyrics
Jump to: Overall Meaning | Line by Line Meaning
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore
'Cause I love you
Yes, I love you
Oh how I love you
Gazing at people, some hand in hand
Just what I'm going through they can't understand
Some try to tell me, thoughts they cannot defend
Just what you want to be, you will be in the end
And I love you
Yes, I love you
Oh how I love you
Oh how I love you
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I've always missed
With these eyes before
Just what the truth is
I can't say any more
'Cause I love you
Yes, I love you
Oh how I love you
Oh how I love you
'Cause I love you
Yes, I love you
Oh how I love you
Oh how I love you
The Moody Blues’ Nights in White Satin is a timeless ballad that is widely recognized for its poetic and ambiguous lyrics. The song is about the narrator's experience of unrequited love, melancholy, and self-discovery. The title of the song, Nights in White Satin, refers to a type of fabric used in high-end clothing, particularly of wedding dresses, that signifies purity, innocence, and transcendence. The song is composed of two distinct sections, the first of which is a slow, melancholic ballad with orchestral strings and a haunting flute, and the second section featuring a robust guitar solo that gives the otherwise delicate song some dynamic range.
The first verse of the song speaks about the narrator's inability to express his feelings to the object of his affection. He refers to letters he has written but never meaning to send, which suggests a sense of regret and longing for things that could have been. The second verse speaks about the narrator's sense of isolation, as he is in a crowd of people yet feels disconnected from them. The imagery used in this verse is significant, as it portrays the narrator as an outsider, watching from afar. The chorus acts as an affirmation of the narrator's feelings for his love interest, despite everything.
Line by Line Meaning
Nights in white satin
The speaker is describing a romantic setting, where they are surrounded by smooth and luxurious white fabrics.
Never reaching the end
The experience of this romance seems infinite and timeless, never reaching a conclusion.
Letters I've written
The speaker has attempted to express their feelings through written words.
Never meaning to send
However, the letters are not intended to be delivered, so they remain private and unsent.
Beauty I'd always missed
In this moment, the speaker is able to see something beautiful that they have been unable to appreciate in the past.
With these eyes before
They are seeing this thing with their own eyes, but it is something they have overlooked or disregarded previously.
Just what the truth is
The speaker is unsure of the reality of their situation, and what they are experiencing may be a fleeting moment of clarity.
I can't say anymore
The speaker is at a loss for words and cannot express their feelings in a clear or certain way.
'Cause I love you
Despite the uncertainty and confusion, the speaker knows that they have deep feelings of love for someone.
Gazing at people, some hand in hand
The speaker observes others around them who are in relationships, holding hands and being affectionate.
Just what I'm going through they can't understand
However, the speaker realizes that these outsiders cannot comprehend the unique feelings and experiences they are having.
Some try to tell me, thoughts they cannot defend
Although others may offer advice or opinions, they are unable to fully articulate why the speaker should think or feel a certain way.
Just what you want to be, you will be in the end
The speaker believes that if one desires something deeply enough, they will ultimately achieve it in due time.
Oh how I love you
The speaker repeats this phrase multiple times, emphasizing the strength of their love for the person they are addressing.
Lyrics © Universal Music Publishing Group
Written by: Justin Hayward
Lyrics Licensed & Provided by LyricFind
Deborah Padgett
I'm 70 years old now and this song still overwhelms me with emotion. I always get goosebumps and will always remember the joys of playing the album over and over and over and over..... It was one of the first exposures to orchestral music for me back then. "Band member Justin Hayward wrote and composed the song at age 19 while touring in Belgium and titled the song after a girlfriend gave him a gift of satin bedsheets. The song itself was a tale of a yearning love from afar, which leads many aficionados to term it as a tale of unrequited love endured by Hayward."
Lyrics
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore
'Cause I love you
Yes I love you
Oh, how I love you
Gazing at people
Some hand in hand
Just what I'm going through
They can't understand
Some try to tell me
Thoughts they cannot defend
Just what you want to be
You will be in the end
And I love you
Yes I love you
Oh, how I love you
Oh, how I love you
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore
Yes I love you
Oh, how I love you
Oh, how I love you
Yes I love you
Yes I love you
Oh, how I love you
Oh, how I love you
Breathe deep the gathering gloom
Watch lights fade from every room
Bed sitter people look back and lament
Another days useless energy spent
Impassioned lovers wrestle as one
Lonely man cries for love and has none
New mother picks up and suckles her son
Senior citizens wish they were young
Cold hearted orb that rules the night
Removes the colors from our sight
Red is gray and yellow white
But we decide which is right
And which is an illusion
Source: Musixmatch
Songwriters: Justin Hayward
Nights In White Satin lyrics © Tyler Music Ltd. C/o Essex Music Int. Ltd., Tyler Music Ltd., Ilfaend Ltd.
Funee man
Nuits en satin blanc
Ne jamais atteindre la fin
Lettres que j'ai écrites
Je n'ai jamais eu l'intention d'envoyer
La beauté qui m'a toujours manqué
Avec ces yeux devant
Juste ce qu'est la vérité
je ne peux plus en dire
'Parce que je t'aime
Oui je t'aime
Oh, comme je t'aime
Regarder les gens
Certains main dans la main
Juste ce que je traverse
Ils ne peuvent pas comprendre
Certains essaient de me dire
Pensées qu'ils ne peuvent pas défendre
Juste ce que tu veux être
Vous serez à la fin
Et je t'aime
Oui je t'aime
Oh, comme je t'aime
Oh, comme je t'aime
Nuits en satin blanc
Ne jamais atteindre la fin
Lettres que j'ai écrites
Je n'ai jamais eu l'intention d'envoyer
La beauté qui m'a toujours manqué
Avec ces yeux devant
Juste ce qu'est la vérité
je ne peux plus en dire
Oui je t'aime
Oh, comme je t'aime
Oh, comme je t'aime
Oui je t'aime
Oui je t'aime
Oh, comme je t'aime
Oh, comme je t'aime
Respirez profondément l'obscurité qui s'accumule
Regardez les lumières s'estomper de chaque pièce
Les gens assis au lit regardent en arrière et se lamentent
Un autre jour d'énergie inutile dépensée
Les amants passionnés luttent comme un seul
L'homme seul pleure d'amour et n'en a pas
La nouvelle mère prend et allaite son fils
Les seniors aimeraient être jeunes
Orbe au cœur froid qui gouverne la nuit
Enlève les couleurs de notre vue
Le rouge est gris et jaune blanc
Mais nous décidons ce qui est juste
Et qui est une illusion
Anita Gross
"Nights in White Satin" is a song by the British rock band The Moody Blues, released in 1967 as a single and later included on the album "Days of Future Passed". The song was written by the band's lead vocalist, Justin Hayward, and it became one of their biggest hits, reaching the top ten in several countries and becoming an enduring classic of the era.
The song's lyrics describe the emotions and thoughts of a man as he reflects on his love for a woman. The imagery is vivid and poetic, evoking a dreamlike atmosphere of darkness, moonlight, and white satin. The song is notable for its haunting melody and intricate orchestration, which features lush strings, flute, and mellotron, an early electronic keyboard that produced a distinctive ethereal sound.
The Moody Blues were one of the pioneers of progressive rock, a genre that combined rock, classical, and other musical styles to create complex, sophisticated music that was popular in the late 1960s and early 1970s. The band's sound was characterized by their use of classical instruments and innovative studio techniques, such as overdubbing and tape loops, which allowed them to create multilayered, textured music that was ahead of its time.
The band was formed in Birmingham, England in 1964, and their early albums were typical of the British Invasion sound of the time. However, they soon began experimenting with new sounds and styles, and "Days of Future Passed", their second album, was a groundbreaking concept album that combined rock music with a symphony orchestra. The album was a critical and commercial success, and it helped to establish the Moody Blues as one of the most innovative and influential bands of the era.
Justin Hayward, who wrote "Nights in White Satin", joined the Moody Blues in 1966, and his distinctive voice and songwriting skills helped to shape the band's sound. Hayward's lyrics were often introspective and poetic, and his songs explored themes of love, loss, and the human condition. "Nights in White Satin" is one of his most enduring compositions, and it remains a beloved classic of rock music.
In conclusion, "Nights in White Satin" is a beautiful, evocative song that captures the mood and spirit of the late 1960s. Its haunting melody, lush orchestration, and poetic lyrics make it a timeless classic of rock music, and it stands as a testament to the creative genius of the Moody Blues and Justin Hayward.
Salva
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore
'Cause I love you
Yes I love you
Oh, how I love you
Gazing at people
Some hand in hand
Just what I'm going through
They can't understand
Some try to tell me
Thoughts they cannot defend
Just what you want to be
You will be in the end
And I love you
Yes I love you
Oh, how I love you
Oh, how I love you
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore
Yes I love you
Oh, how I love you
Oh, how I love you
Yes I love you
Yes I love you
Oh, how I love you
Oh, how I love you
Breathe deep the gathering gloom
Watch lights fade from every room
Bed sitter people look back and lament
Another days useless energy spent
Impassioned lovers wrestle as one
Lonely man cries for love and has none
New mother picks up and suckles her son
Senior citizens wish they were young
Cold hearted orb that rules the night
Removes the colors from our sight
Red is gray and yellow white
But we decide which is right
And which is an illusion
Funee man
@Jeanine Vrancken Nuits en satin blanc
Ne jamais atteindre la fin
Lettres que j'ai écrites
Je n'ai jamais eu l'intention d'envoyer
La beauté qui m'a toujours manqué
Avec ces yeux devant
Juste ce qu'est la vérité
je ne peux plus en dire
'Parce que je t'aime
Oui je t'aime
Oh, comme je t'aime
Regarder les gens
Certains main dans la main
Juste ce que je traverse
Ils ne peuvent pas comprendre
Certains essaient de me dire
Pensées qu'ils ne peuvent pas défendre
Juste ce que tu veux être
Vous serez à la fin
Et je t'aime
Oui je t'aime
Oh, comme je t'aime
Oh, comme je t'aime
Nuits en satin blanc
Ne jamais atteindre la fin
Lettres que j'ai écrites
Je n'ai jamais eu l'intention d'envoyer
La beauté qui m'a toujours manqué
Avec ces yeux devant
Juste ce qu'est la vérité
je ne peux plus en dire
Oui je t'aime
Oh, comme je t'aime
Oh, comme je t'aime
Oui je t'aime
Oui je t'aime
Oh, comme je t'aime
Oh, comme je t'aime
Respirez profondément l'obscurité qui s'accumule
Regardez les lumières s'estomper de chaque pièce
Les gens assis au lit regardent en arrière et se lamentent
Un autre jour d'énergie inutile dépensée
Les amants passionnés luttent comme un seul
L'homme seul pleure d'amour et n'en a pas
La nouvelle mère prend et allaite son fils
Les seniors aimeraient être jeunes
Orbe au cœur froid qui gouverne la nuit
Enlève les couleurs de notre vue
Le rouge est gris et jaune blanc
Mais nous décidons ce qui est juste
Et qui est une illusion
Abelis 🇺🇦
@Private Account
It doesn't sound stupid at all.
It's called empathy.
It is a good sign that you are a good, caring person.
But, be careful!!!
Some people could abuse of your kindness and good heart.
Don't let people do that.
The people who do need your kindness are usually those who are quiet about it.
Abusers will make overt demands of you.
Be kind, but be smart and aware.
Take care!
Jim McIntosh
Timeless classic. I’m now 76 and was 22 when this classic emerged. Still up there with the very best.
Sudharson Dhanarajan
great times the 60's and 70's. I am 69 the music fills me with memories of those times. The best music ever.
Larry Floyd
74 years young. Great music !!!
Kenneth Cheong
✌
Derinda Smith
It's 3/18/2022 and still l8ving it. Love 💘 and light to all
Jennifer Wells
I was 15, I grew up with the best of the best ❤️❤️❤️❤️❤️❤️
Alfonso Adalberto
55 years after the song was published and it continues to sound majestic.
A whole classic.
Cindy McDonald
I was 17 when it came out....loved it then and still do.
María Jesús Solís Hernández
Maravillosa canción de nuestros jóvenes años inolvidable para los de 70 o así
Alan Helgeson
Great music never goes out of date ☺️☺️☺️