It is widely accepted that Jamaican musicians Osbourne "King Tubby" Ruddock, and Lee "Scratch" Perry pioneered the style in the 1960s and early 1970s. Ruddock and Perry each called upon the mixing desk as an instrument, with the deejay or "selector" playing the role of the artist or performer. These early 'dub' examples can be looked upon as the prelude to many dance and pop music genres.
Today, the word 'dub' is used widely to describe the re-formatting of music of various genres into typically instrumental, rhythm-centric adaptations.
Character
Dub music is characterized as a "version" or "double" of an existing song, often instrumental, using B-sides of 45 RPM records and typically emphasizing the drums and bass for a sound popular in local sound systems. The instrumental tracks are typically drenched in sound processing effects such as echo, reverberation, part vocal and extra percussion, with most of the lead instruments and vocals dropping in and out of the mix. Another hallmark of the dub sound is the massive low-pitched bass guitar. The music sometimes features processed sound effects and other noises, such as birds singing, thunder and lightning, water flowing, and producers shouting instructions at the musicians. It can be further augmented by live DJs. The many-layered sounds with varying echoes and volumes are often said to create soundscapes, or sound sculptures, drawing attention to the shape and depth of the space between sounds as well as to the sounds themselves. There is usually a distinctly organic characteristic of the music, even though the effects are electronically created.
Often these tracks are used for "toasters" rapping heavily-rhymed and alliterative lyrics. These are called "DJ Versions". As opposed to hip hop terminology, in reggae music, the person with the microphone is called the "DJ" or "deejay", elsewhere referred to as the "MC". (Abbreviating "Master of Ceremonies", "Microphone Commander" or "Mic Control"; this term varies regionally and demographically). Additionally in reggae, the person choosing the music and operating the turntables is the "selector" (elsewhere called the DJ).
A major reason for producing multiple versions was economic: a record producer could use a recording he owned to produce numerous versions from a single studio session. A version was also an opportunity for a producer or remix engineer to experiment and vent their more creative side. The version was typically the B-side of a single, with the A-side dedicated to making a popular hit, and B-side for experimenting and providing something for DJs to talk over. In the 1970s, LP albums of dub tracks were produced, often simply the dub version of an existing vocal LP, but sometimes a selection of dubbed up instrumental tracks for which no vocals existed.
History
Dub music evolved from early instrumental reggae music and "versions" that incorporated fairly primitive reverb and echo sound effects.
In 1968, Kingston, Jamaica sound system operator Ruddy Redwood went to Duke Reid's Treasure Isle studio to cut a one-off dub plate. Engineer Byron Smith left the vocal track out by accident, but Redwood kept the result and played it at his next dance with his deejay Wassy toasting over the rhythm.
Errol Thompson engineered the first strictly instrumental reggae album entitled The Undertaker by Derrick Harriott and the Crystalites released in 1970. This innovative album credits "Sound Effects" to Derrick Harriott.
Whilst some have tried to attribute the "invention" of dub music to just one person, by 1973, instrumental reggae "versions" from various studios had evolved into "dub" as a sub genre of reggae. Through the simultaneous efforts of several independent Jamaican innovators, these competitive engineers and producers worked hard to leapfrog each other with each subsequent dub release with no single person being able to claim all the credit for the origination of "dub" as a genre.
In 1973, at least two producers, Lee "Scratch" Perry and the Aquarius studio engineer/producer team of Herman Chin and Errol Thompson simultaneously recognized that there was an active market for this new "dub" sound and consequently they started to release the first strictly 100% dub albums. Lee Perry released Blackboard Jungle Dub in the Spring of 1973. It is considered a landmark recording of this genre.
In 1975, Keith Hudson released his classic Pick A Dub, widely considered to have been the first deliberately thematic dub album, with tracks specifically mixed in the dub style for the purpose of appearing together on an LP; and King Tubby released his two debut albums King Tubby Meets the Upsetter at the Grass Roots of Dub and Surrounded by the Dreads at the National Arena.
Work
Rihanna Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He said me haffi work, work, work, work, work, work
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
So me put in work, work, work, work, work, work
When you ah gon' learn, learn, learn, learn, learn?
Me nuh care if him hurt, hurt, hurt, hurt, hurting
Dry, me ah desert him
No time to have you lurking
Him ah go act like he nuh like it
You know I dealt with you the nicest
Nuh body touch me you nuh righteous
Nuh badda, text me in a crisis
I believed all of your dreams, adoration
You took my heart and my keys and my patience
You took my heart on my sleeve for decoration
You mistaken my love I brought for you for foundation
All that I wanted from you was to give me
Something that I never had
Something that you've never seen
Something that you've never been, mm
But I wake up and act like nothing's wrong
Just get ready fi work, work, work, work, work, work
He said me haffi work, work, work, work, work, work
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
So me put in work, work, work, work, work, work
Na, na, na, na, na, na
When you ah gon' learn, learn, learn, learn, learn, learn?
Before the tables turn, turn, turn, turn, turn, turn
Beg you something, please
Baby don't you leave
Don't leave me stuck here in the streets, uh huh
If I get another chance to
I will never, no never neglect you
I mean who am I to hold your past against you?
I just hope that it gets to you
I hope that you see this through
I hope that you see this true
What can I say?
Please recognize I'm tryin', babe
I haffi work, work, work, work, work, work
He said me haffi work, work, work, work, work, work
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
So me put in work, work, work, work, work, work
When you ah gon' learn, learn, learn, learn, learn
Me nuh care if him hurt, hurt, hurt, hurt, hurting
Yeah, okay
You need to get done, done, done, done at work, come over
We just need to slow the motion
Don't give that away to no one
Long distance, I need you
When I see potential I just gotta see it through
If you had a twin, I would still choose you
I don't wanna rush into it, if it's too soon
But I know you need to get done, done, done, done
If you come over
Sorry if I'm way less friendly
I got niggas tryna end me, oh, yeah
I spilled all my emotions tonight, I'm sorry
Rollin', rollin', rollin', rollin', rollin'
How many more shots until you're rollin'?
We just need a face to face
You could pick the time and the place
You spent some time away
Now you need to forward
And give me all the work, work, work, work, work, work
He said me haffi work, work, work, work, work, work
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
So me put in work, work, work, work, work, work
When you ah gon' learn, learn, learn, learn, learn
Me nuh care if him hurt, hurt, hurt, hurt, hurting
Mm
Mm
Work, work, work, work, work, work
Mm
Rihannaβs song Work is a dancehall, reggae-pop track that features Canadian rapper Drake. The songβs lyrics revolve around the theme of a relationship that requires effort from both parties involved. In the chorus, Rihanna repeats "work" six times, which serves to emphasize the importance of putting in the time and effort to make a relationship work. The song also touches on some of the challenges of a relationship, such as a significant otherβs past and jealousy. The lyrics address the challenges head-on, with Rihanna stating that she hopes her partner will see the truth of their love for each other and that theyβll work through any problems.
The lyrics of Work are notable for their minimalist style, with repetition playing a significant role. The song also features a strong Jamaican patois that makes it stand out from Rihannaβs other songs. The lyrics are deliberately ambiguous and rely heavily on the listener's interpretation. In the song, Rihanna explores themes of passion, sex, love, and loyalty, giving it a raw and authentic feel.
The track's beat is heavily influenced by dancehall music, with a driving bassline and a syncopated rhythm. The songβs music video was directed by Director X and was filmed in Toronto's Real Jerk restaurant. It features Rihanna and Drake dancing and singing together in a dimly lit room. The video also features the singer performing some of her signature dance moves, further emphasizing the songβs tropical and dancehall-influenced vibes.
Line by Line Meaning
Work, work, work, work, work, work
I need to put in effort and work hard.
He said me haffi work, work, work, work, work, work
He told me that I have to work hard.
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
He saw me do bad things.
So me put in work, work, work, work, work, work
So I worked hard to make up for my mistakes.
When you ah gon' learn, learn, learn, learn, learn?
When will you finally understand?
Me nuh care if him hurt, hurt, hurt, hurt, hurting
I don't care if he's in pain.
Dry, me ah desert him
I am abandoning him.
No time to have you lurking
I don't have time for your sneaky behavior.
Him ah go act like he nuh like it
He will pretend that he doesn't like it.
You know I dealt with you the nicest
I was always kind to you.
Nuh body touch me you nuh righteous
No one can judge me because they're not righteous themselves.
Nuh badda, text me in a crisis
Don't bother texting me when you're in trouble.
I believed all of your dreams, adoration
I trusted and supported all of your aspirations.
You took my heart and my keys and my patience
You took advantage of my love and generosity.
You taken my heart on my sleeve for decoration
You used my emotions as a way to make yourself look good.
You mistaken my love I brought for you for foundation
You misunderstood my love as being the basis for our relationship.
All that I wanted from you was to give me
I only wanted you to give me something.
Something that I never had
Something that I've never experienced before.
Something that you've never seen
Something that you've never witnessed before.
Something that you've never been, mm
Something that you've never been before.
But I wake up and act like nothing's wrong
I pretend that everything is fine even though things are not.
Na, na, na, na, na, na
Just a vocalization with no specific meaning.
Before the tables turn, turn, turn, turn, turn, turn
Before the situation changes and the roles are reversed.
Beg you something, please
Please do something for me.
Baby don't you leave
Don't leave me alone.
Don't leave me stuck here in the streets, uh huh
Don't leave me stranded and helpless.
If I get another chance to
If I have another opportunity.
I will never, no never neglect you
I promise to never ignore you.
I mean who am I to hold your past against you?
Who am I to judge you based on your past actions?
I just hope that it gets to you
I hope that my message reaches you.
I hope that you see this through
I hope you continue with what you're doing.
I hope that you see this true
I hope you understand that I'm being sincere.
What can I say?
I don't know what to say.
Please recognize I'm tryin', babe
Please understand that I'm making an effort.
Yeah, okay
Just a casual phrase with no real significance.
You need to get done, done, done, done at work, come over
You need to finish your work and then come over.
We just need to slow the motion
We need to take things slowly and calmly.
Don't give that away to no one
Don't tell anyone about us.
Long distance, I need you
Even though we're apart, I still want you.
When I see potential I just gotta see it through
When I see a promising opportunity, I have to pursue it.
If you had a twin, I would still choose you
I would still choose you even if you had an identical twin.
I don't wanna rush into it, if it's too soon
I don't want to move too quickly if it's not the right time.
But I know you need to get done, done, done, done
But I know that you need to finish your work.
Sorry if I'm way less friendly
I'm sorry if I'm not being as friendly as usual.
I got niggas tryna end me, oh, yeah
People are trying to harm me.
I spilled all my emotions tonight, I'm sorry
I shared all my feelings with you tonight, I apologize if it was too much.
Rollin', rollin', rollin', rollin', rollin'
Just a repetitive, rhythmic phrase with no real meaning.
How many more shots until you're rollin'?
How many more drinks until you're drunk?
We just need a face to face
We need to have a conversation in person.
You could pick the time and the place
You could choose when and where we meet.
You spent some time away
You were gone for a while.
Now you need to forward
Now you need to move forward.
Mm
Just a vocalization with no specific meaning.
Lyrics Β© Universal Music Publishing Group, Sony/ATV Music Publishing LLC, MONTE MOIR MUSIC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Jahron Brathwaite, Matthew Samuels, Aubrey Graham, Allen Ritter, Robyn Fenty, Marco Moir, Rupert Thomas
Lyrics Licensed & Provided by LyricFind
@francesfelix9213
Work, work, work, work, work, work
He said me haffi work, work, work, work, work, work
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
So me put in work, work, work, work, work, work
When you ah gon' learn, learn, learn, learn, learn?
Me nuh care if him hurt, hurt, hurt, hurt, hurting
Dry, me ah desert him
No time to have you lurking
Him ah go act like he nuh like it
You know I dealt with you the nicest
Nuh body touch me you nuh righteous
Nuh badda, text me in a crisis
I believed all of your dreams, adoration
You took my heart and my keys and my patience
You took my heart on my sleeve for decoration
You mistaken my love I brought for you for foundation
All that I wanted from you was to give me
Something that I never had
Something that you've never seen
Something that you've never been, mmh
But I wake up and act like nothing's wrong
Just get ready fi work, work, work, work, work, work
He said me haffi work, work, work, work, work, work
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
So me put in work, work, work, work, work, work
Na, na, na, na, na, na
When you ah gon' learn, learn, learn, learn, learn, learn?
Before the tables turn, turn, turn, turn, turn, turn
Beg you something, please
Baby don't you leave
Don't leave me stuck here in the streets, uh huh
If I get another chance to
I will never, no never neglect you
I mean who am I to hold your past against you?
I just hope that it gets to you
I hope that you see this through
I hope that you see this true
What can I say?
Please recognize I'm tryin', babe
I haffi work, work, work, work, work, work
He said me haffi work, work, work, work, work, work
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
So me put in work, work, work, work, work, work
When you ah gon' learn, learn, learn, learn, learn
Me nuh care if him hurt, hurt, hurt, hurt, hurting
Yeah, okay
You need to get done, done, done, done at work, come over
We just need to slow the motion
Don't give that away to no one
Long distance, I need you
When I see potential I just gotta see it through
If you had a twin, I would still choose you
I don't wanna rush into it, if it's too soon
But I know you need to get done, done, done, done
If you come over
Sorry if I'm way less friendly
I got niggas tryna end me, oh, yeah
I spilled all my emotions tonight, I'm sorry
Rollin', rollin', rollin', rollin', rollin'
How many more shots until you're rollin'?
We just need a face to face
You could pick the time and the place
You spent some time away
Now you need to forward
And give me all the work, work, work, work, work, work
He said me haffi work, work, work, work, work, work
He see me do mi dirt, dirt, dirt, dirt, dirt, dirt
So me put in work, work, work, work, work, work
When you ah gon' learn, learn, learn, learn, learn
Me nuh care if him hurt, hurt, hurt, hurt, hurting
Mmmh
Mmmh
Work, work, work, work, work, work
Mmmh
@marwingillett1452
The fact that this is 8 years old is so wild.
I hate how fast time flies π
@Kucing-ustadZ-epep
Same
@Andrefane32
Same
@graciatumba1994
Me too π₯Ί
@KiaraBaros
π’π’π’
@captaing6481
frr
@lmPeely
Its April 2024, let's see how many legends are listening to this incredible songπ§
@oceanebleunuit
Meeeeee !!!
@zinebamadah6097
bro the song is still fireπ₯
@trillian8844
meπ