Nicolas Godin studied architecture at the École nationale supérieure d'architecture de Versailles, and Jean-Benoît Dunckel studied mathematics, before forming a band in 1995. Before founding Air (erroneously considered as an acronym of Amour, Imagination, Rêve, which translates to Love, Imagination, Dream), Dunckel and Godin played together in the band Orange with others such as Alex Gopher, Xavier Jamaux and Jean de Reydellet. The former two subsequently contributed to remixes of tracks recorded by Air.
Initially Godin worked alone, recording a demo with members of Funkadelic as his backing band before releasing his first entirely solo effort, "Modular Mix", which featured production by Étienne de Crécy.
Career
After making several remixes for other acts in the first half of the 1990s, Air recorded its first EP, Premiers Symptômes, in 1995. The band released its first album, Moon Safari, in 1998. Its first single, "Sexy Boy", was heavily played on alternative radio stations. The album received universal acclaim and became an international success. In 1999, Air composed the score The Virgin Suicides to Sofia Coppola's debut film of the same name; in 2012, Air wrote its second score to Georges Méliès' Le voyage dans la lune.
Other works
Air has often collaborated with Coppola. Air drummer and former Redd Kross member Brian Reitzell put together the soundtrack to 2003's Lost in Translation, including one original contribution by Air titled "Alone in Kyoto". The soundtrack for Coppola's October 2006 film Marie Antoinette featured a track by Air ("Il Secondo Giorno"). Air wrote and played the music of the album 5:55 by Anglo-French actress and singer Charlotte Gainsbourg, which was released in August 2006. Air has recorded a DJ mix album, Late Night Tales: Air, for Azuli Records' Late Night Tales series. The release was initially scheduled for October 2005, but was delayed several times. It finally was released, complete with a new sleeve design, in September 2006. Darkel, a solo album by Dunckel, was released that same year.
City Reading (Tre Storie Western) (2003) started as an idea for a collaboration with contemporary Italian writer Alessandro Baricco, known for his unusual characterizations and lyrical, poetic style. Baricco contacted Air in summer 2002 with the idea to marry narration of texts from his book City with live original musical accompaniment. The performance premiered live in November 2002 at Rome's Teatro Valle and was deemed such a success that both parties resolved to make a full studio recording.
Influences and musical style
Air is associated with a variety of musical styles: electronica, space pop, dream pop, progressive rock, downtempo, chillout, trip hop, ambient, electronic pop and space rock. Dunckel grew up listening to both classical and electronic music, especially Kraftwerk. He later took an interest in what he called the "English dark rock" of Siouxsie and the Banshees and Joy Division, while being a fan of David Bowie, Iggy Pop and Lou Reed. Brian Eno and Cluster were two of the electronic acts who inspired him the most. He cites among his favorite artists: Maurice Ravel for classical music, François de Roubaix for music soundtracks and Siouxsie and the Banshees for pop music. Dunckel shared with Godin a special liking for the music of Michel Legrand, Philip Glass and Grace Jones. During his childhood, Godin was fascinated by the Beatles before later discovering the soul of Sly and the Family Stone. The duo were influenced by progressive rock pioneers Pink Floyd.
Air uses many of its studio instruments (like Moog synthesizers, the Korg MS-20, Wurlitzer and Vocoder) on stage, where their ability to improvise is more clearly highlighted. The band performs the well-known tracks from the albums live as extended or altered versions. Air often collaborates (both in the studio and live) with artists like Beth Hirsch (Moon Safari), Françoise Hardy ("Jeanne"), Jean-Jacques Perrey ("Cosmic Bird"), Gordon Tracks ("Playground Love" and "Easy Going Woman" – Gordon Tracks is a pseudonym of the French singer Thomas Mars from Phoenix), Beck (10 000 Hz Legend) and Jean-Michel Jarre ("Close Your Eyes" from Jarre's Electronica 1: The Time Machine). They also invited Dave Palmer on their 2004 tour and drummer Earl Harvin, Vincent Taurelle and Steve Jones on their 2007 tour.
Studio albums
Moon Safari (1998)
10 000 Hz Legend (2001)
Talkie Walkie (2004)
Pocket Symphony (2007)
Love 2 (2009)
Le voyage dans la lune (2012)
Soundtrack albums
The Virgin Suicides (2000)
Music for Museum (2014)
Extended plays
Premiers Symptômes (1997)
Collaborative albums
City Reading (Tre Storie Western) (2003)
Mix and remix albums
Everybody Hertz (2002)
Late Night Tales (2006)
Compilation albums
Twentyears (2016)
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Air is one of the many aliases of Pete Namlook. He has been releasing ambient music under this name since the release of an eponymous album in 1993.
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Japanese noise rock, Air is an alias of Koji Kurumatani first released album Wear Off in 1996.
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Air is a late 90s Indonesian Pop band that became popular with their "Bintang" song.
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Air was a jazz trio with its roots steeped in Chicago's Association for the Advancement of Creative Musicians (AACM), and was formed originally in 1971. The jazz trio Air formed from within the Muhal Richard Abrams Sextet, which was active on the Chicago scene contemporaneously with the birth and growth of the AACM and groups such as the Art Ensemble of Chicago. Henry Threadgill on reeds, hubcaphone, and percussion; Fred Hopkins on bass, and Steve McCall on drums formed the trio when Threadgill was commissioned by Columbia College to score and adapt Scott Joplin's work for a performance honoring Joplin's centenary (Joplin's birth has been established now as sometime in 1868) and a rebirth of interest in the noted ragtime composer. All three men were Air signs in the zodiac, and so adopted the name.
They performed first around Chicago, while maintaining residency with Muhal Abrams group, which also featured Kalaparusha Maurice McIntyre and Wallace McMillan, both reed players. The Air "brand" remained a side project until all three reunited in New York in 1975, and began recording under that name for India Navigation, Nessa, Black Saint, and Novus. The trio broke up when Steve McCall left in the early 1980s, and when Pheroan Aklaff joined in 1982, they recorded as New Air, and recorded several albums under that name, including Air Show No. 1 in 1986, which featured Cassandra Wilson on vocals. Andrew Cyrille ultimately replaced akLaff before the band eventually was superceded by the burgeoning careers of its members: Threadgill with his groups Sextett and Very Very Circus, and Hopkins as the go-to bassist for Threadgill, David Murray, and Hamiet Bluiett. McCall's health forced his retirement from touring around 1980, and the dynamic drummer and effusive and gracious man who was a cofounder of the AACM with Muhal Abrams and Fred Anderson, died of a stroke in 1989.
This Air is listed as Air (4) on Discogs and is also been identified on last.fm as Air (Fred Hopkins, Steve McCall, Henry Threadgill) and Air with Fred Hopkins, Steve Mccall, Henry Threadgill (sic: McCall's name misspelt), and possibly also other alternative spellings of the group's name exist.
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Air was a psychedelic folk rock band featuring Googie and Tom Coppola, John Siegler and Mark Rosengarden. They released their first self titled album in 1971.
It's A Beautiful Day
Air Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
メロディーのない歌が満ち溢れてる
太陽が1日を始める
姿を見ながらシンクする
自分のグルーヴをアイドリング
混沌とした未来をにらむ
まるで今生まれたばかりのよう
1971きっとこんな
Thank you for forefathers
Hey, it's a beautiful day
Thank you for forefathers
夜明けが街を包む時
誘われたように大きく深呼吸
太陽と風をこの胸に
戯らせて微笑みの中に招く
Let's have a race
to the top of hill
あの丘から眺めた世界の成り立ち
2004瞳を照らす
Hey, it's a beautiful day
Thank you for forefathers
Hey, it's a beautiful day
Thank you for forefathers
Hey, what's new?
あるわけないでも昨日の夜
どこにも存在しない新しい
自分だけの言葉を創った
裸足で街の感触を楽しんで
あの丘に今日も登った
同じようで同じじゃない日々の
2004雲ひとつない
Hey, it's a beautiful day
Thank you for forefathers
Hey, it's a beautiful day
Thank you for forefathers
Hey, it's a beautiful day
Thank you for forefathers
Hey, it's a beautiful day
It's a beautiful day
The lyrics to Air's song "It's A Beautiful Day" are expressing a deep appreciation for the simple joys of life that can often be taken for granted. The song opens with a question in Japanese, "Good morning よく眠れた?" (Did you sleep well?) which sets the tone of the song as upbeat and optimistic. The line "メロディーのない歌が満ち溢れてる" (A song without a melody is overflowing) could symbolize the possibility for creativity and individual expression in a world that may seem chaotic or structured. The line "太陽が1日を始める 姿を見ながらシンクする" (The sun begins the day as I gaze and think) reflects on the beauty of nature and the powerful effect it can have on the psyche.
The chorus repeats "Hey, it's a beautiful day. Thank you for forefathers" implying a sense of gratitude for those who have come before us and paved the way for the luxuries and freedoms of modern life. The second verse delves into the concept of self-discovery and creating a path that is personal and unique. "あるわけないでも昨日の夜 どこにも存在しない新しい 自分だけの言葉を創った" (I created my own words that didn’t exist last night even though it wasn’t possible) suggests the idea of finding oneself by breaking free from societal expectations and forging a new identity. The song concludes with the repetition of the chorus, reaffirming the message of appreciation and gratitude for life’s simple pleasures.
Line by Line Meaning
Good morning よく眠れた?
Did you sleep well?
メロディーのない歌が満ち溢れてる
Songs without melodies are all around
太陽が1日を始める
The sun starts a new day
姿を見ながらシンクする
Reflecting while watching it
自分のグルーヴをアイドリング
Idling and finding your own groove
混沌とした未来をにらむ
Staring at a chaotic future
まるで今生まれたばかりのよう
As if just born today
1971きっとこんな
Surely it was like this in 1971
Hey, it's a beautiful day
Hey, it's a beautiful day
Thank you for forefathers
Thank you, ancestors
夜明けが街を包む時
When dawn covers the city
誘われたように大きく深呼吸
Taking a big deep breath as if invited to
太陽と風をこの胸に
Taking the sun and the wind in your heart
戯らせて微笑みの中に招く
Invite them to play in a smile
Let's have a race
Let's race
to the top of hill
to the top of the hill
あの丘から眺めた世界の成り立ち
The composition of the world seen from that hill
2004瞳を照らす
Shining in 2004
Hey, it's a beautiful day
Hey, it's a beautiful day
Thank you for forefathers
Thank you, ancestors
Hey, what's new?
Hey, what's new?
あるわけないでも昨日の夜
Even though there's no reason, last night
どこにも存在しない新しい
Creating something new that doesn't exist anywhere
自分だけの言葉を創った
Creating your own words
裸足で街の感触を楽しんで
Enjoying the feeling of the city barefooted
あの丘に今日も登った
Climbing that hill today too
同じようで同じじゃない日々の
Days that seem the same but are not
2004雲ひとつない
Clear skies in 2004
Hey, it's a beautiful day
Hey, it's a beautiful day
Thank you for forefathers
Thank you, ancestors
Hey, it's a beautiful day
Hey, it's a beautiful day
Thank you for forefathers
Thank you, ancestors
Hey, it's a beautiful day
Hey, it's a beautiful day
It's a beautiful day
It's a beautiful day
Lyrics © O/B/O APRA AMCOS
Written by: AIR
Lyrics Licensed & Provided by LyricFind