Eric Wainaina (born 28 August 1973) is a Kenyan Kora Award-winning singer-s… Read Full Bio ↴Eric Wainaina (born 28 August 1973) is a Kenyan Kora Award-winning singer-songwriter whose career was launched with his debut album, Sawa Sawa, in 2001. Wainaina's music is a blend of Kenyan Benga rhythm and East African guitars, with some modern harmony.
Wainaina first stepped into the world of music with Five Alive, a gospel a cappella group. Five Alive consisted of Victor Seii, Bob Kioko, Chris Kamau, and David Mageria, who was replaced by Joe Kiragu. They drew their musical influence from Ladysmith Black Mambazo and Take 6. Dominating Kenya's airwaves in 1995, Five Alive released their debut album ‘Five Alive’ in 1996, and even went on to tour Europe the same year. His experience with the group convinced Wainaina to pursue a professional career in music. In 1996 he performed and appeared in the video for Get in the Driver’s Seat, a song commissioned by the United Nations Drug Control Programme for a highly successful anti-drug campaign spanning 20 countries. This not only set the stage for his eventual emergence as a solo artist, but also got him into the social concern and activism that characterizes much of his music
When the group disbanded in 1997, Wainaina went on to join the Berklee College of Music in Boston—USA, from which he graduated with a degree in Music, majoring in Songwriting and Record Engineering. He graduated with honours.
During his years at Berklee, Wainaina and his band traveled to different parts of the country to perform, as well as holding regular shows in Boston. Together with his producer, Christian Kaufmann, he worked to produce a sound that would be distinctively Kenyan both in the music and the content of the lyrics. In order to do this, he made sure that he released a new track every time he returned home for vacation, This was well received by his growing fanbase, with his performance at Kenya's 'Beats of the Season’ concert in December 2000 being watched live by 15,000 fans and broadcast nationally.
His notable releases include 'Kenya Only', a song that instantly made him Kenya's favourite modern musician. After the 1998 terrorist bombing in Nairobi where over 200 Kenyans lost their lives, 'Kenya Only' was adopted as the unofficial song of mourning, receiving extensive radio and TV airplay nation-wide. His adaptation of a Kikuyu folk tune 'Ritwa Riaku' was added to the playlist of every radio station in the nation soon after.
Wainaina returned to the top of Kenya's musical agenda after he released 'Nchi ya Kitu Kidogo' (‘Land of Small Things’ in Kiswahili)[refers to small bribes that once were required to get the most ordinary things done] in 2001, a song that launched his crusade against rampant corruption in the country. With the chart success of 'Nchi ya Kitu Kidogo', Wainaina received international accolades. Transparency International (Kenya) supported him as an artist who would help educate people on the negativity of corruption, appointing him an ambassador. He was also appointed Ambassador for the NGO MS Kenya, Kenya Human Rights Commission and by the Kenya National Commission on Human Rights for his commitment to fighting the abuses to justice through music. This anthem against corruption (Nchi ya Kitu Kidogo) was not so highly appreciated in all quarters, however, with the government of the day putting up resistance to it by refusing to air it on the national broadcaster, Kenya Broadcasting Corporation. In one instance several attempts were made to keep him from performing at a national event, the Kenya Music Festival, including intimidation and attempts to switch off his microphone.
Following the suspicious death of Father Anthony Kaiser in 2003 , Wainaina was commissioned by the Mill Hill Fathers to write a song about this. This became Ukweli, a call for justice despite efforts that were being made to cover up the true nature of Father Kaiser’s death, which was reported as suicide despite strong evidence to the contrary.
In 2001, Africa Almanac.com listed him amongst the top 100 Africans of the year 2000, which included high profile names such as Nelson Mandela, Joseph Kabila, Yash Pal Ghai, Baaba Maal and Ousmane Sembène. His first record, Sawa Sawa, released in 2001, remains one of the highest-selling solo albums in the country.
Wainaina returned home from Berklee in August 2002 after his graduation with two degrees. He was also honored with the Jack Maher award for his exceptional performance as a songwriter. The annual award is given to students who have been recognized for their potential to become leaders in the international music industry.
Wainaina's music receives international appeal. He received the MNET (South Africa) award for favourite male vocalist in February 2001, and was one of the first Kenyans to receive an award for Best East African Artist at the pan-African 7th Annual KORA All Africa Music Awards on 2nd November 2002. He is also the only Kenyan artist to have performed live at the KORA ceremony. He was nominated for another KORA Award in 2003, and in 2005 he received his third Kora nomination, this time for the prestigious Artist of the Decade award.
In 2002, he played at the launch of the International Criminal Court at the UN Headquarters in New York, presided over by Kofi Annan. He has toured in Switzerland for 4 consecutive years and has performed at Holland’s Festival Mundial (2003) as well as Harare International Festival of the Arts(HIFA) (2003), receiving outstanding reviews for both performances. He also performed at the 2004 Sauti za Busara festival in Zanzibar, a celebration of East African Music.
In December 2004 Wainaina premiered a 21- song musical theatre piece, “Lwanda, Man of Stone”, based on a local folk story. One of the first of its kind in Kenya, the show ran for a hugely successful theatre season, and a concert version of the same show continues to be performed at major cultural events. A contemporary adaptation of this musical, 'Lwanda-A Ghetto Story" had a very successful run at the GoDown Arts Centre, Nairobi, in December 2006. Plans are underway to find a permanent home for 'Lwanda' in Nairobi.
Together with Mumbi Kaigwa and Andrea Kalima, Eric co-wrote and arranged the music for Kigezi Ndoto, a Kenyan play written and directed by Kaigwa, which went on tour in Europe under the auspices of the World Theatre Music Festival- 2006. He has also written the music for Owen & Mzee, an upcoming documentary about the touching story of an unusual friendship between a tortoise and a baby hippo at the Kenyan coast. This documentary is based on a best-selling children’s book by the same name.
Wainaina was involved in the 2006 launch of Kenya’s National Civic Education Program (NCEP II), Uraia, which aims at fostering a mature political culture in Kenya: a culture in which citizens are able to exercise their rights and responsibilities—and to participate effectively in the broadening of democracy. Wainaina also performed at the inaugural Nairobi-hosted North Sea Jazz Festival in February 2006, and at the Holland-based version of the same in July 2006.
December 2006 saw the release of "Twende, Twende", his second solo album. At the 2007 Kisima Music Awards Wainaina won three categories: Afro-fusion, best song and best video from Kenya [1]. He was among 100 most influential Kenyans as selected by The Standard newspaper in August 2007
Wainaina first stepped into the world of music with Five Alive, a gospel a cappella group. Five Alive consisted of Victor Seii, Bob Kioko, Chris Kamau, and David Mageria, who was replaced by Joe Kiragu. They drew their musical influence from Ladysmith Black Mambazo and Take 6. Dominating Kenya's airwaves in 1995, Five Alive released their debut album ‘Five Alive’ in 1996, and even went on to tour Europe the same year. His experience with the group convinced Wainaina to pursue a professional career in music. In 1996 he performed and appeared in the video for Get in the Driver’s Seat, a song commissioned by the United Nations Drug Control Programme for a highly successful anti-drug campaign spanning 20 countries. This not only set the stage for his eventual emergence as a solo artist, but also got him into the social concern and activism that characterizes much of his music
When the group disbanded in 1997, Wainaina went on to join the Berklee College of Music in Boston—USA, from which he graduated with a degree in Music, majoring in Songwriting and Record Engineering. He graduated with honours.
During his years at Berklee, Wainaina and his band traveled to different parts of the country to perform, as well as holding regular shows in Boston. Together with his producer, Christian Kaufmann, he worked to produce a sound that would be distinctively Kenyan both in the music and the content of the lyrics. In order to do this, he made sure that he released a new track every time he returned home for vacation, This was well received by his growing fanbase, with his performance at Kenya's 'Beats of the Season’ concert in December 2000 being watched live by 15,000 fans and broadcast nationally.
His notable releases include 'Kenya Only', a song that instantly made him Kenya's favourite modern musician. After the 1998 terrorist bombing in Nairobi where over 200 Kenyans lost their lives, 'Kenya Only' was adopted as the unofficial song of mourning, receiving extensive radio and TV airplay nation-wide. His adaptation of a Kikuyu folk tune 'Ritwa Riaku' was added to the playlist of every radio station in the nation soon after.
Wainaina returned to the top of Kenya's musical agenda after he released 'Nchi ya Kitu Kidogo' (‘Land of Small Things’ in Kiswahili)[refers to small bribes that once were required to get the most ordinary things done] in 2001, a song that launched his crusade against rampant corruption in the country. With the chart success of 'Nchi ya Kitu Kidogo', Wainaina received international accolades. Transparency International (Kenya) supported him as an artist who would help educate people on the negativity of corruption, appointing him an ambassador. He was also appointed Ambassador for the NGO MS Kenya, Kenya Human Rights Commission and by the Kenya National Commission on Human Rights for his commitment to fighting the abuses to justice through music. This anthem against corruption (Nchi ya Kitu Kidogo) was not so highly appreciated in all quarters, however, with the government of the day putting up resistance to it by refusing to air it on the national broadcaster, Kenya Broadcasting Corporation. In one instance several attempts were made to keep him from performing at a national event, the Kenya Music Festival, including intimidation and attempts to switch off his microphone.
Following the suspicious death of Father Anthony Kaiser in 2003 , Wainaina was commissioned by the Mill Hill Fathers to write a song about this. This became Ukweli, a call for justice despite efforts that were being made to cover up the true nature of Father Kaiser’s death, which was reported as suicide despite strong evidence to the contrary.
In 2001, Africa Almanac.com listed him amongst the top 100 Africans of the year 2000, which included high profile names such as Nelson Mandela, Joseph Kabila, Yash Pal Ghai, Baaba Maal and Ousmane Sembène. His first record, Sawa Sawa, released in 2001, remains one of the highest-selling solo albums in the country.
Wainaina returned home from Berklee in August 2002 after his graduation with two degrees. He was also honored with the Jack Maher award for his exceptional performance as a songwriter. The annual award is given to students who have been recognized for their potential to become leaders in the international music industry.
Wainaina's music receives international appeal. He received the MNET (South Africa) award for favourite male vocalist in February 2001, and was one of the first Kenyans to receive an award for Best East African Artist at the pan-African 7th Annual KORA All Africa Music Awards on 2nd November 2002. He is also the only Kenyan artist to have performed live at the KORA ceremony. He was nominated for another KORA Award in 2003, and in 2005 he received his third Kora nomination, this time for the prestigious Artist of the Decade award.
In 2002, he played at the launch of the International Criminal Court at the UN Headquarters in New York, presided over by Kofi Annan. He has toured in Switzerland for 4 consecutive years and has performed at Holland’s Festival Mundial (2003) as well as Harare International Festival of the Arts(HIFA) (2003), receiving outstanding reviews for both performances. He also performed at the 2004 Sauti za Busara festival in Zanzibar, a celebration of East African Music.
In December 2004 Wainaina premiered a 21- song musical theatre piece, “Lwanda, Man of Stone”, based on a local folk story. One of the first of its kind in Kenya, the show ran for a hugely successful theatre season, and a concert version of the same show continues to be performed at major cultural events. A contemporary adaptation of this musical, 'Lwanda-A Ghetto Story" had a very successful run at the GoDown Arts Centre, Nairobi, in December 2006. Plans are underway to find a permanent home for 'Lwanda' in Nairobi.
Together with Mumbi Kaigwa and Andrea Kalima, Eric co-wrote and arranged the music for Kigezi Ndoto, a Kenyan play written and directed by Kaigwa, which went on tour in Europe under the auspices of the World Theatre Music Festival- 2006. He has also written the music for Owen & Mzee, an upcoming documentary about the touching story of an unusual friendship between a tortoise and a baby hippo at the Kenyan coast. This documentary is based on a best-selling children’s book by the same name.
Wainaina was involved in the 2006 launch of Kenya’s National Civic Education Program (NCEP II), Uraia, which aims at fostering a mature political culture in Kenya: a culture in which citizens are able to exercise their rights and responsibilities—and to participate effectively in the broadening of democracy. Wainaina also performed at the inaugural Nairobi-hosted North Sea Jazz Festival in February 2006, and at the Holland-based version of the same in July 2006.
December 2006 saw the release of "Twende, Twende", his second solo album. At the 2007 Kisima Music Awards Wainaina won three categories: Afro-fusion, best song and best video from Kenya [1]. He was among 100 most influential Kenyans as selected by The Standard newspaper in August 2007
Bolingo
Eric Wainaina Lyrics
We have lyrics for 'Bolingo' by these artists:
Bolingo BOLINGO LOVE Jasmin Apu sista What kind of game you play si…
Carlyto Lassa O Nkolo nakosenga na yo Ngolu bolingo eee Na yo Nkolo…
Fiston Mbuyi Bolingo nde kombo nayo Ya Yesu eee Yesu na nga osambua po…
Franglish (La muerte) Yeah Yeah Bébé, on va faire comment Si tu casse…
Frank Edwards Bolingo eh eh x2 Yeah yeah Bolingo bolingo eh eh eh Bolingo…
Frère Carlyto O Nkolo nakosenga no bolingo eee Na yo Nkolo Yesu Na koluka…
Isso Isso motema na Nathalie Makoma Mais esque ba koko Rumba rnb …
JayMax Elle m'a dit ce soir reste la bien gentiment Je veux…
Joel Mbuyi Yolele oh Yesu eh Bayemba bolingo ya mokili pe ba yemba…
Jupiter & Okwess Ça va saravá bien Ça va como saravá Vida é bem vivida…
Kanda Bongo Man Iyo, uh I want to cry Ya Monique tika kolela bo…
La Bouche [Chorus] Oo-oao-oao-oo Oo-oao-oaao-oo Oo-oao-oao-oo Oo-oao-o…
La Bouche feat Melanie Thornton [Chorus] Oo-oao-oao-oo Oo-oao-oaao-oo Oo-oao-oao-oo Oo-o…
La Bouche feat. Melanie Thornton [Chorus] Oo-oao-oao-oo Oo-oao-oaao-oo Oo-oao-oao-oo Oo-oao-o…
La Bouche ft Melanie Thornton [Chorus] Oo-oao-oao-oo Oo-oao-oaao-oo Oo-oao-oao-oo Oo-o…
Lartiste Juste quelques minutes, j'ai capté Tous ses petits vices, dé…
Les Héritiers Céleste Bolingo na Nzambe E tangisi nga mayi ya misu Yango nde na…
LORD LOMBO Aujourd’hui il y a une fête ici Ici dans mon cœur…
Makoma Isso Motema na Nathalie Makoma eh (Isso Motema and Nathalie …
We have lyrics for these tracks by Eric Wainaina:
Adhiambo Umoja ni fahari yetu Undugu ndio nguvu Chuki na ukabila H…
Brand New Day See people that I've never met As I walk in San…
Daima Umoja ni fahari yetu Undugu ndio nguvu Chuki na ukabila Hatu…
Dek Dek Dek In a made up language In a made up time I met…
Don't Bury Me Nilikukosea nini ukanichukia Nilikukosea nini ukanichukia …
Dunia Ina Mambo Shetani akamwuliza Mtakatifu Petero Umewahi kuangalia huko c…
Fancy Car Mr. Politician, it's good to see you again It's been so long…
Fly Away Together Can we fly away together? Tell no one don't leave a…
Found Me a Lover She wears gym clothes on a Monday She says her prayers…
Fungeni Macho Tulifunga macho kuomba Tuliibiwa ardhi Bendera ya Mungu ilip…
Hii Ngoma Hii ngoma ni ya babangu Wimbo ni wa mzee wangu Ye hupenda…
Hold Me Down I surrender This isn't love it's torture Done being champion…
Impossible It's not easy loving you I get this feeling that this…
Isn't It Funny Isn't it funny Isn't it strange I wanted to love you then Yo…
Joka Kutoka Kwale, hadi Kampala Mwendo wa joka siyo haraka Kutoka…
Mabawa Siku za mwizi ni arobaini Na mchumba wangu amenitoroka Alini…
Mariana mariana mariana, nimechoka kusota nimeamua leo ni leo, nitab…
Mashaka I believe the struggles going to end someday Then I will…
Miili Yetu Tuchezecheze kama mwali wa moto Tusongesonge kama miti kwa u…
Nani Nani Nani mjinga Nani mjinga Basi, nani mjinga Nani mjinga Haki,…
Nchi ya Kitu Kidogo Mzee alisema hakuna cha bure huo msemo tunautafsiri kinyume …
Now That's a Fire Smoking cigarettes and drinking some wine We're checking out…
Okay Hey hey hey hey! Its not the same since you run…
On Fire Smoking cigarettes and drinking some wine We're checking out…
Other People's Lives You live and you learn you can't please everybody Infact the…
Rain On You How do you lead the match when it just rains…
Ritwa Riaku Ndendire kurio ni nyamu mwendwa ngwetereire Ndendire kurio n…
Sawa Sawa I wake up early in the morning And hear the birds…
Selina Selina Nyambok, you′re so beautiful Sitamruhusu akuchape Nam…
Tabasamu Sioni wala sisikii Penzi lako lanitia wazimu Nishike mkono w…
Talk About You Don't talk about no history Don't talk about geography Talk …
Too Far from Home When I lie next to you Under this silver moon I'm as…
Twende Twende Bongo thinas Bongo thinas Zunguka Zunguzuka neni Kuja nami …
Want You Want You How can you wear that When you know I'm feeling this We've…
Who Is to Blame? The policemen are taking position The students are looking f…
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