Eric Wainaina (born 28 August 1973) is a Kenyan Kora Award-winning singer-s… Read Full Bio ↴Eric Wainaina (born 28 August 1973) is a Kenyan Kora Award-winning singer-songwriter whose career was launched with his debut album, Sawa Sawa, in 2001. Wainaina's music is a blend of Kenyan Benga rhythm and East African guitars, with some modern harmony.

Wainaina first stepped into the world of music with Five Alive, a gospel a cappella group. Five Alive consisted of Victor Seii, Bob Kioko, Chris Kamau, and David Mageria, who was replaced by Joe Kiragu. They drew their musical influence from Ladysmith Black Mambazo and Take 6. Dominating Kenya's airwaves in 1995, Five Alive released their debut album ‘Five Alive’ in 1996, and even went on to tour Europe the same year. His experience with the group convinced Wainaina to pursue a professional career in music. In 1996 he performed and appeared in the video for Get in the Driver’s Seat, a song commissioned by the United Nations Drug Control Programme for a highly successful anti-drug campaign spanning 20 countries. This not only set the stage for his eventual emergence as a solo artist, but also got him into the social concern and activism that characterizes much of his music

When the group disbanded in 1997, Wainaina went on to join the Berklee College of Music in Boston—USA, from which he graduated with a degree in Music, majoring in Songwriting and Record Engineering. He graduated with honours.

During his years at Berklee, Wainaina and his band traveled to different parts of the country to perform, as well as holding regular shows in Boston. Together with his producer, Christian Kaufmann, he worked to produce a sound that would be distinctively Kenyan both in the music and the content of the lyrics. In order to do this, he made sure that he released a new track every time he returned home for vacation, This was well received by his growing fanbase, with his performance at Kenya's 'Beats of the Season’ concert in December 2000 being watched live by 15,000 fans and broadcast nationally.

His notable releases include 'Kenya Only', a song that instantly made him Kenya's favourite modern musician. After the 1998 terrorist bombing in Nairobi where over 200 Kenyans lost their lives, 'Kenya Only' was adopted as the unofficial song of mourning, receiving extensive radio and TV airplay nation-wide. His adaptation of a Kikuyu folk tune 'Ritwa Riaku' was added to the playlist of every radio station in the nation soon after.

Wainaina returned to the top of Kenya's musical agenda after he released 'Nchi ya Kitu Kidogo' (‘Land of Small Things’ in Kiswahili)[refers to small bribes that once were required to get the most ordinary things done] in 2001, a song that launched his crusade against rampant corruption in the country. With the chart success of 'Nchi ya Kitu Kidogo', Wainaina received international accolades. Transparency International (Kenya) supported him as an artist who would help educate people on the negativity of corruption, appointing him an ambassador. He was also appointed Ambassador for the NGO MS Kenya, Kenya Human Rights Commission and by the Kenya National Commission on Human Rights for his commitment to fighting the abuses to justice through music. This anthem against corruption (Nchi ya Kitu Kidogo) was not so highly appreciated in all quarters, however, with the government of the day putting up resistance to it by refusing to air it on the national broadcaster, Kenya Broadcasting Corporation. In one instance several attempts were made to keep him from performing at a national event, the Kenya Music Festival, including intimidation and attempts to switch off his microphone.

Following the suspicious death of Father Anthony Kaiser in 2003 , Wainaina was commissioned by the Mill Hill Fathers to write a song about this. This became Ukweli, a call for justice despite efforts that were being made to cover up the true nature of Father Kaiser’s death, which was reported as suicide despite strong evidence to the contrary.

In 2001, Africa Almanac.com listed him amongst the top 100 Africans of the year 2000, which included high profile names such as Nelson Mandela, Joseph Kabila, Yash Pal Ghai, Baaba Maal and Ousmane Sembène. His first record, Sawa Sawa, released in 2001, remains one of the highest-selling solo albums in the country.

Wainaina returned home from Berklee in August 2002 after his graduation with two degrees. He was also honored with the Jack Maher award for his exceptional performance as a songwriter. The annual award is given to students who have been recognized for their potential to become leaders in the international music industry.

Wainaina's music receives international appeal. He received the MNET (South Africa) award for favourite male vocalist in February 2001, and was one of the first Kenyans to receive an award for Best East African Artist at the pan-African 7th Annual KORA All Africa Music Awards on 2nd November 2002. He is also the only Kenyan artist to have performed live at the KORA ceremony. He was nominated for another KORA Award in 2003, and in 2005 he received his third Kora nomination, this time for the prestigious Artist of the Decade award.

In 2002, he played at the launch of the International Criminal Court at the UN Headquarters in New York, presided over by Kofi Annan. He has toured in Switzerland for 4 consecutive years and has performed at Holland’s Festival Mundial (2003) as well as Harare International Festival of the Arts(HIFA) (2003), receiving outstanding reviews for both performances. He also performed at the 2004 Sauti za Busara festival in Zanzibar, a celebration of East African Music.

In December 2004 Wainaina premiered a 21- song musical theatre piece, “Lwanda, Man of Stone”, based on a local folk story. One of the first of its kind in Kenya, the show ran for a hugely successful theatre season, and a concert version of the same show continues to be performed at major cultural events. A contemporary adaptation of this musical, 'Lwanda-A Ghetto Story" had a very successful run at the GoDown Arts Centre, Nairobi, in December 2006. Plans are underway to find a permanent home for 'Lwanda' in Nairobi.

Together with Mumbi Kaigwa and Andrea Kalima, Eric co-wrote and arranged the music for Kigezi Ndoto, a Kenyan play written and directed by Kaigwa, which went on tour in Europe under the auspices of the World Theatre Music Festival- 2006. He has also written the music for Owen & Mzee, an upcoming documentary about the touching story of an unusual friendship between a tortoise and a baby hippo at the Kenyan coast. This documentary is based on a best-selling children’s book by the same name.

Wainaina was involved in the 2006 launch of Kenya’s National Civic Education Program (NCEP II), Uraia, which aims at fostering a mature political culture in Kenya: a culture in which citizens are able to exercise their rights and responsibilities—and to participate effectively in the broadening of democracy. Wainaina also performed at the inaugural Nairobi-hosted North Sea Jazz Festival in February 2006, and at the Holland-based version of the same in July 2006.

December 2006 saw the release of "Twende, Twende", his second solo album. At the 2007 Kisima Music Awards Wainaina won three categories: Afro-fusion, best song and best video from Kenya [1]. He was among 100 most influential Kenyans as selected by The Standard newspaper in August 2007

Brand New Day
Eric Wainaina Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

See people that I've never met
As I walk in San Francisco
Seems we've nothing in common
But that's not true I know

Cause I ride the couch
I surf the bed
I want to live

Outside my head
Looks might betray me
Language can fail me
I'm telling you wake me
I need you to take me

To a brand new day
(Hey! Hey!)
Brand new day
(Hey! Hey!)
Brand new day
(Hey! Hey!)
Brand new day
(Hey! Hey!)

Sitting on the Underground
With people stopped in time
But I know that we're connected
Through this universal rhyme

Cause I ride the couch
I surf the bed
I want to live
Outside my head
Looks might betray me
Language can fail me
I'm telling you wake me
I need you to take me

To a brand new day
Hey! Hey!
Brand new day
Hey! Hey!
Brand new day
Hey! Hey!
Brand new day
Hey! Hey!

Check in to my hometown
People coming down
For the party on the streets
DJ's got em on dere feet
Hands are in the air
Nairobi to Times Square
No matter our race or faith
In music we feel no pain

We all ride the couch
We surf the bed
We all have to listen
To what's being said
Looks might betray you
Language can fail you
I'm hear to wake you
I'm here to take you

To a brand new day
Hey! Hey!
Brand new day
Hey! Hey!
Brand new day
Hey! Hey!
Brand new day
Hey! Hey!

(I ride the couch)
Brand new day
(I surf the bed)
Brand new day
(But I want to live)
Brand new day
(Outside her head)
Brand new day
(Looks might betray me)
Brand new day
(Language can fail me)
Brand new day
(I'm telling you wake me)
Brand new day
(I need you to take me)

To a brand new day
Hey! Hey!

Overall Meaning

The lyrics of Eric Wainaina's song "Brand New Day" convey a sense of connection and unity among people from diverse backgrounds. In the first verse, the singer reflects on encountering strangers in San Francisco and realizing that despite apparent differences, they share common experiences and desires. The repetition of "ride the couch" and "surf the bed" suggests a desire to break free from the limitations of one's own mind and explore new perspectives. The singer acknowledges the potential for misunderstandings due to appearances and language barriers, emphasizing the importance of being awakened and guided by others to a brighter future represented by a "brand new day."

The second verse paints a picture of shared humanity on the Underground, where people may seem disconnected but are actually united by a universal rhythm. The imagery of being stuck in time highlights the longing for meaningful connections and the need to break free from mental constraints. The chorus reinforces the theme of renewal and hope, with the repeated chants of "Brand new day" signaling a fresh start and a sense of optimism for the future.

The third verse shifts the focus to the singer's hometown, where a vibrant party atmosphere brings together a diverse crowd. The mention of Nairobi to Times Square highlights the global reach of music and its power to transcend boundaries of race and faith. The celebratory mood reflects the joy and freedom found in collective experiences, where music serves as a unifying force that erases pain and divisions.

The final chorus brings the message full circle, emphasizing the shared human experience of seeking liberation from mental constraints and embracing new possibilities. The repetition of phrases like "ride the couch," "surf the bed," and "outside my head" underscores the desire for growth and connection. The singer extends a hand to others, offering to wake them up and lead them towards a brighter future symbolized by a "brand new day." Overall, the lyrics of "Brand New Day" speak to the universal yearning for unity, understanding, and renewal in the face of diversity and challenges.

Line by Line Meaning

See people that I've never met
Encountering unfamiliar faces in a new environment

As I walk in San Francisco
Reflecting on experiences in a new city

Seems we've nothing in common
Initial perception of differences

But that's not true I know
Realization of shared humanity

Cause I ride the couch
Seeking comfort and familiarity

I surf the bed
Floating in thoughts and dreams

I want to live
Desire for new experiences

Outside my head
Moving beyond self-imposed limitations

Looks might betray me
Initial impressions can be misleading

Language can fail me
Communication barriers exist

I'm telling you wake me
Request for a wake-up call

I need you to take me
Seeking guidance towards a new perspective

To a brand new day
Embracing new beginnings

(Hey! Hey!)
Energetic expression of excitement

Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: ELIOT JOHN KENNEDY, TIMOTHY JOHN LEVER, MIKE PERCY, TIMOTHY DANIEL WOODCOCK

Lyrics Licensed & Provided by LyricFind

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