The Fania All-Stars was an illustrious and widely distinguished musical ens… Read Full Bio ↴The Fania All-Stars was an illustrious and widely distinguished musical ensemble established in 1968 by composer Johnny Pacheco as a showcase for the leading musicians and singers of the record label Fania Records, the leading salsa record company of the time.
In 1964, Fania Records was founded in New York City by Jerry Masucci, an Italian-American lawyer with a love for Latin melodies, and Johnny Pacheco, a talented composer and bandleader born in the Dominican Republic. Jerry Masucci later bought out his partner Johnny Pacheco from Fania Entertainment Group Ltd. and was sole owner for many years until his death in December 1997.
Throughout the early years, Fania used to distribute its records to music aficionados around New York City, even going as far as selling their products out of the trunks of cars. But eventually good word-of-mouth and immense success from Johnny Pacheco's Cañonaso recording would lead the label to develop its roster. Masucci and Pacheco, now executive negotiator and musical director, respectively, began acquiring fresh and creative NYC artists like Bobby Valentín, Larry Harlow and Ray Barreto.
Similar to Pacheco, most of these new talents were residents of the city's barrios and boroughs, that had moved to the city from their homelands and brought their music along. Thus, Fania and it's All-Stars were results of this era of musical renaissance and understanding among the countless cultures of NYC. They created tunes using a variety of genres available in this melting pot, including those of salsa, boogalu, Cuban Jazz and Latin R&B.
In 1968, with Fania Records garnering more acclaim and a troupe of emerging artists, Jerry Masucci and Johnny Pacheco decided to create an ensemble of the most well-known and innovative Fania artists, a continuously-revolving line-up of entertainers known as the Fania All-Stars.
During the 1970s, the star-studded group became renowned worldwide for their spectacular one-of-a-kind musical performances. Because of this, it is no surprise that their music was primarily captured and lives on today through a series of best-selling live recordings.
Among the most treasured of these recordings is the legendary arrangement "Fania All Stars: Live At The Cheetah, Volumes 1 and 2." The set, recorded in 1971 and produced a year later by Fania's own keyboard player Larry Harlow, exhibits the entire All-Star family performing before a capacity audience in New York's Cheetah Lounge. The volumes went on to become the biggest-selling Latin albums ever produced by one group from one concert. To this day, they are is still considered by many as the essence of Latin music.
Following sell-out concerts in Puerto Rico, Chicago and Panama, the All-Stars embarked on their first appearance at New York's Yankee Stadium on August 24th, 1973. The Stars performed before an unprecedented crowd of 63,000 spectators in a concert that highlighted the talents of Ray Barretto, Willie Colón, Larry Harlow, Johnny Pacheco, Roberto Roena, Bobby Valentín, and Jorge Santana (younger brother of Carlos Santana), among others. In the days leading up to the concert, it was anticipated that the event would revolutionize the music business similar to how the Beatles did in the early 1960s. In fact, when the All-Stars returned to Yankee Stadium in 1975, they became ingrained in history. This time, the highlighted acts included Celia Cruz, Hector Lavoe, Cheo Feliciano, Ismael Miranda, Justo Betancourt, Ismael Quintana, Pete “El Conde” Rodriguez, Bobby Cruz and Santos Colón. That year, "Live at Yankee Stadium" was included in the second set of 50 recordings in the List of recordings preserved in the United States National Recording Registry, solidifying the All-Stars as "culturally, historically, and aesthetically significant."
Just a few months before, in 1974, the All Stars had performed in Zaire, Africa, at the 80,000-seat Stadu du Hai in Kinshasa. This unforgettable spectacle was captured on film by Gast and released as "Live In Africa" ("Salsa Madness" in the UK). This Zairean appearance occurred along with James Brown and others at a music festival held in conjunction with the Mohammed Ali/George Foreman heavyweight title fight. Footage of the performance was also included in the 2008 documentary "Soul Power".
In an attempt to attain a wider market for salsa, Fania made a deal with Columbia Records in the US for a series of crossover albums by the All Stars. The first project was the lukewarm "Delicate & Jumpy" (1976), in which Steve Winwood united with the All Stars' Pacheco, Valentin, Barreto and Roena. It was also in 1976 that the Fania All Stars made their sole UK appearance. They produced a memorable sell-out concert at London’s Lyceum Ballroom, with Steve Winwood guesting.
In 1978 the All-Stars released "Live," a fully-blown version of the band recorded in concert at New York's Madison Square Garden in September of that year.
In 1979, Fania All-Stars travelled to Havana, Cuba, to participate in the historic Havana Jam festival that took place between 2-4 March, alongside Rita Coolidge, Kris Kristofferson, Stephen Stills, the CBS Jazz All-Stars, the Trio of Doom, Billy Swan, Bonnie Bramlett, Mike Finnegan, Weather Report, and Billy Joel, plus an array of Cuban artists such as Irakere, Pacho Alonso, Tata Güines and Orquesta Aragón. Their performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79.
That same year saw the release of "Crossover," the All-Stars' last Columbia Records album, as well as "Havana Jam on Fania," which came from a concert recorded in Havana on March 2nd.
The first signs of recession appeared in 1980, when Fania suffered setbacks including an unsuccessful movie, tension from artists with unpaid royalties, and failed distribution deals with Columbia and Atlantic Records at boosting salsa into the mainstream US market. In addition, the New York salsa scene, which had always been vital to the success of the label, was gradually succumbing to the rise of merengue from Dominican Republic and salsa romantica from Puerto Rico. As the decade ended, the All-Stars recorded fewer albums together, and it was pretty visible that the genre -- and the star-studded group that propelled it -- had reached the end of its golden age.
Although the Fania-All Stars troupe eventually reached a low during the late 1980s, many of the members continued to have individual success in their solo careers. Most notably, Hector Lavoe became an icon in the world of salsa, as people became enchanted both by his music and his tragic life story. In 2007, two films about Lavoe were released, including one produced by actress Jennifer Lopez and salsa star Marc Anthony.
Celia Cruz continued making hits until her death in 2003. In fact, Cruz gained popularity and renewed attention from younger generations throughout the new millennium, and her last singles became the biggest of her entire career. During these years, she was the recipient of numerous Grammy awards, was invited to perform alongside Aretha Franklin at the 2001 VH1 Divas concert, and just months before her passing, Univision presented a special tribute concert featuring over a dozen Latin music performers. After her death in New Jersey, her body was first laid in state in downtown Miami's Freedom Tower--where a quarter of a million people paid their final respects--and was then returned to New York City where tens of thousands of fans paid tribute to her in St. Patrick's Cathedral.
Willie Colon continued producing hits with Ruben Blades and as a solo artist. His latest album was released in 2007, and he currently works for Mayor Michael Bloomberg of New York City.
In 2008, Cheo Feliciano celebrated his 50 years in the music industry by hosting a spectacular concert at Madison Square Garden, where Mayor Bloomberg declared July 20th "Cheo Feliciano Day" in New York.
Today, only a few of the original All-Stars remain alive, as many have passed away in recent years. Nevertheless, their vigorous legacy is one that will live on for many generations. Having sold millions of records and fostered an enthusiastic following of fans throughout the globe, the legendary Fania All-Stars continue to be treasured and recognized as the quintessential Latin band of all time. Already, their music has transcended newer and contemporary genres like bachata and reggaeton. The music created by the All-Stars continues to entertain old and young fans alike, and they are as popular on the radio as they were back in the 70s. Interest in the iconic group has not declined, as albums, concerts, films and videos continue to be produced about the golden years of salsa.
During their extended and illustrious history, the New York City-based Fania All-Stars took their provocative and stirring rhythms on a journey throughout the world, and left music lovers enchanted with a remarkable collection of memorable performances that will capture the hearts and souls of listeners for many generations to come.
In 1964, Fania Records was founded in New York City by Jerry Masucci, an Italian-American lawyer with a love for Latin melodies, and Johnny Pacheco, a talented composer and bandleader born in the Dominican Republic. Jerry Masucci later bought out his partner Johnny Pacheco from Fania Entertainment Group Ltd. and was sole owner for many years until his death in December 1997.
Throughout the early years, Fania used to distribute its records to music aficionados around New York City, even going as far as selling their products out of the trunks of cars. But eventually good word-of-mouth and immense success from Johnny Pacheco's Cañonaso recording would lead the label to develop its roster. Masucci and Pacheco, now executive negotiator and musical director, respectively, began acquiring fresh and creative NYC artists like Bobby Valentín, Larry Harlow and Ray Barreto.
Similar to Pacheco, most of these new talents were residents of the city's barrios and boroughs, that had moved to the city from their homelands and brought their music along. Thus, Fania and it's All-Stars were results of this era of musical renaissance and understanding among the countless cultures of NYC. They created tunes using a variety of genres available in this melting pot, including those of salsa, boogalu, Cuban Jazz and Latin R&B.
In 1968, with Fania Records garnering more acclaim and a troupe of emerging artists, Jerry Masucci and Johnny Pacheco decided to create an ensemble of the most well-known and innovative Fania artists, a continuously-revolving line-up of entertainers known as the Fania All-Stars.
During the 1970s, the star-studded group became renowned worldwide for their spectacular one-of-a-kind musical performances. Because of this, it is no surprise that their music was primarily captured and lives on today through a series of best-selling live recordings.
Among the most treasured of these recordings is the legendary arrangement "Fania All Stars: Live At The Cheetah, Volumes 1 and 2." The set, recorded in 1971 and produced a year later by Fania's own keyboard player Larry Harlow, exhibits the entire All-Star family performing before a capacity audience in New York's Cheetah Lounge. The volumes went on to become the biggest-selling Latin albums ever produced by one group from one concert. To this day, they are is still considered by many as the essence of Latin music.
Following sell-out concerts in Puerto Rico, Chicago and Panama, the All-Stars embarked on their first appearance at New York's Yankee Stadium on August 24th, 1973. The Stars performed before an unprecedented crowd of 63,000 spectators in a concert that highlighted the talents of Ray Barretto, Willie Colón, Larry Harlow, Johnny Pacheco, Roberto Roena, Bobby Valentín, and Jorge Santana (younger brother of Carlos Santana), among others. In the days leading up to the concert, it was anticipated that the event would revolutionize the music business similar to how the Beatles did in the early 1960s. In fact, when the All-Stars returned to Yankee Stadium in 1975, they became ingrained in history. This time, the highlighted acts included Celia Cruz, Hector Lavoe, Cheo Feliciano, Ismael Miranda, Justo Betancourt, Ismael Quintana, Pete “El Conde” Rodriguez, Bobby Cruz and Santos Colón. That year, "Live at Yankee Stadium" was included in the second set of 50 recordings in the List of recordings preserved in the United States National Recording Registry, solidifying the All-Stars as "culturally, historically, and aesthetically significant."
Just a few months before, in 1974, the All Stars had performed in Zaire, Africa, at the 80,000-seat Stadu du Hai in Kinshasa. This unforgettable spectacle was captured on film by Gast and released as "Live In Africa" ("Salsa Madness" in the UK). This Zairean appearance occurred along with James Brown and others at a music festival held in conjunction with the Mohammed Ali/George Foreman heavyweight title fight. Footage of the performance was also included in the 2008 documentary "Soul Power".
In an attempt to attain a wider market for salsa, Fania made a deal with Columbia Records in the US for a series of crossover albums by the All Stars. The first project was the lukewarm "Delicate & Jumpy" (1976), in which Steve Winwood united with the All Stars' Pacheco, Valentin, Barreto and Roena. It was also in 1976 that the Fania All Stars made their sole UK appearance. They produced a memorable sell-out concert at London’s Lyceum Ballroom, with Steve Winwood guesting.
In 1978 the All-Stars released "Live," a fully-blown version of the band recorded in concert at New York's Madison Square Garden in September of that year.
In 1979, Fania All-Stars travelled to Havana, Cuba, to participate in the historic Havana Jam festival that took place between 2-4 March, alongside Rita Coolidge, Kris Kristofferson, Stephen Stills, the CBS Jazz All-Stars, the Trio of Doom, Billy Swan, Bonnie Bramlett, Mike Finnegan, Weather Report, and Billy Joel, plus an array of Cuban artists such as Irakere, Pacho Alonso, Tata Güines and Orquesta Aragón. Their performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79.
That same year saw the release of "Crossover," the All-Stars' last Columbia Records album, as well as "Havana Jam on Fania," which came from a concert recorded in Havana on March 2nd.
The first signs of recession appeared in 1980, when Fania suffered setbacks including an unsuccessful movie, tension from artists with unpaid royalties, and failed distribution deals with Columbia and Atlantic Records at boosting salsa into the mainstream US market. In addition, the New York salsa scene, which had always been vital to the success of the label, was gradually succumbing to the rise of merengue from Dominican Republic and salsa romantica from Puerto Rico. As the decade ended, the All-Stars recorded fewer albums together, and it was pretty visible that the genre -- and the star-studded group that propelled it -- had reached the end of its golden age.
Although the Fania-All Stars troupe eventually reached a low during the late 1980s, many of the members continued to have individual success in their solo careers. Most notably, Hector Lavoe became an icon in the world of salsa, as people became enchanted both by his music and his tragic life story. In 2007, two films about Lavoe were released, including one produced by actress Jennifer Lopez and salsa star Marc Anthony.
Celia Cruz continued making hits until her death in 2003. In fact, Cruz gained popularity and renewed attention from younger generations throughout the new millennium, and her last singles became the biggest of her entire career. During these years, she was the recipient of numerous Grammy awards, was invited to perform alongside Aretha Franklin at the 2001 VH1 Divas concert, and just months before her passing, Univision presented a special tribute concert featuring over a dozen Latin music performers. After her death in New Jersey, her body was first laid in state in downtown Miami's Freedom Tower--where a quarter of a million people paid their final respects--and was then returned to New York City where tens of thousands of fans paid tribute to her in St. Patrick's Cathedral.
Willie Colon continued producing hits with Ruben Blades and as a solo artist. His latest album was released in 2007, and he currently works for Mayor Michael Bloomberg of New York City.
In 2008, Cheo Feliciano celebrated his 50 years in the music industry by hosting a spectacular concert at Madison Square Garden, where Mayor Bloomberg declared July 20th "Cheo Feliciano Day" in New York.
Today, only a few of the original All-Stars remain alive, as many have passed away in recent years. Nevertheless, their vigorous legacy is one that will live on for many generations. Having sold millions of records and fostered an enthusiastic following of fans throughout the globe, the legendary Fania All-Stars continue to be treasured and recognized as the quintessential Latin band of all time. Already, their music has transcended newer and contemporary genres like bachata and reggaeton. The music created by the All-Stars continues to entertain old and young fans alike, and they are as popular on the radio as they were back in the 70s. Interest in the iconic group has not declined, as albums, concerts, films and videos continue to be produced about the golden years of salsa.
During their extended and illustrious history, the New York City-based Fania All-Stars took their provocative and stirring rhythms on a journey throughout the world, and left music lovers enchanted with a remarkable collection of memorable performances that will capture the hearts and souls of listeners for many generations to come.
Aqui el que Baila Gana
Fania All Stars Lyrics
We have lyrics for 'Aqui el que Baila Gana' by these artists:
Andy Montañez Que es lo que pasa aquí aha Que es lo que…
Juan Formell & Los Van Van Qué es lo que pasa aquí? Qué es lo que pasa…
Juan Formell Y Los Van Van Que es lo que pasa aqui eeee Que es lo que…
Juan Forwell & Los Van Van Que es lo que pasa aquí? Ehh Que es lo…
Los Van Van Que es lo que pasa aquí? Ehh Que es lo que…
Los Van Van & Juan Formell Que es lo que pasa aquí? Ehh Que es lo…
Pedrito Calvo ¿Que es lo que pasa aqui? Ehh! ¿Que es lo que…
We have lyrics for these tracks by Fania All Stars:
Anacaona Anacaona, india de raza cautiva Anacaona, de la región prim…
Azuquita Mami (Azuquita mami, azuquita pa' ti azuquita mami, azuquita pa'…
Azuquita Mami (feat. Pupi Legarreta, Héctor Zarzuela, Leopoldo Pineda & Juancito Torres) [Live] (Azuquita mami, azuquita pa' ti Azuquita mami, azuquita pa' …
Bamboleo Cuando el amor llega así, de esta manera Uno no tiene…
Bemba Colora En la llanura habanera Entre madrugas y guines En la llanura…
Bilongo Bilongo, Mandinga Onpote Estoy tan enamorao' de la negra To…
Borinquen Tiene Montuno En el ritmo del tambor Y el repique del bongó fué…
Cara De Payaso Cara de Payaso Boca de Payaso y Pinta de Payaso Fue mi final…
Cocinando Cocinando suave puchunga cocinando Cocinando suave puchunga …
Coro Miyar Que dificil es trabajar... en la villa del señor, Porque no…
Cuando Tell me when will you be mine Tell me quando quando…
Cucala Cúcala, cúcala, cúcala Cúcala, cúcala, cuca, cúcala, que ell…
Don't You Worry About A Thing Everybody's got a thing But some don't know how to…
El Raton Mi gato se esta quejando Que no puede vacilar Si donde qui…
El Rey De La Puntualidad Nosotros somos buenos compañeros Con mucho gusto le vamo'a …
Ella Fue She was the one She was the one She was the one She…
Estrellas De Fania I be on it all night, man I be on…
Guantanamera Guajira guantanamera Guantanamera Guajira guantanamera Yo s…
If This World Were Mine If this world were mine, I'd place at your feet All…
Inolvidable Over time, I've been building My castle of love Just for two…
Isla del Encanto Cuando la luna cae sobre tus palmeras y en tus playas…
Juan Pachanga O, le, le, a, la, la, la, le Son las cinco…
La Borinquena La tierra de Borinquen donde he nacido yo es un jardín flori…
La Palabra Adiós Adiós, es tan fácil la palabra adiós, aunque deje tras…
Mi Debilidad Mi debilidad Tu eres mi debilidad La que me consume y no…
Mi Gente Mi Gente Mi gente ¡Ustedes! Lo más grande de este mundo Sie…
Noche En invierno tu calor yo fui Tu sombra en verano ardiente…
Pedro Navaja Por la esquina del viejo barrio lo vi pasar Con el…
Picadillo The day without the shining sun Is a day without your…
Por Eso Yo Canto Salsa Yo canto salsa porque en la salsa Yo encuentro siempre lo…
Quiero Saber Quiero saber Que no me importa de ti Y conocer Un nuevo amor…
Quítate la Máscara (feat. Adalberto Santiago) [Live] Quitate la mascara) Alalae (Quitate la mascara) Belimbele (Q…
Quitate Tu Quitate tu pa' ponerme yo, quitate tu Quitate tu pa' ponerm…
Sin Tu Carino Sin tu cariño no tengo sol y me falta cielo…
Ublabadu Ngai tongdam nem hing hiu hiau lai na thuah lai aw…
Vamonos Pa'l Monte (vamonos pal monte pal monte pa huarachar vamonos pal monte…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Dario Javier Leon
Muévanse, muchachos muévanse con ganas !!!! Qué sabor , la salsa es lo más sublime para el cuerpo divertir
Renzo Eduardo Clériga Silva
Cómo pegó esta versión en algunas radios limeñas en 1998, además ésta era una de las últimas grabaciones de la Fania All Stars. Aunque después de ponerse de moda la timba cubana en esa época, varias de esas emisoras decidieron difundir la versión original de Los Van Van.
Jose Martin jhosep martin
CON CUIDAO QUE LA FANIA VA APRETARR !! 💃🕺🏽🍺🎼🇵🇪🇵🇷 LA ORQUESTA DE LA FANIA ESTA BIEN DURA!! 🇵🇷🇵🇪🎼🍺💃🕺🏽🔥
Isabel RR
Wow!!😍💃🏽 a bailar se ha dicho!🎉❤
Jorge Báez Vargas
Yo creo que esta versión triunfó porque tiene una estructura más acoplada a la salsa que la gente está acostumbrada a escuchar, y obviamente por la calidad de músicos que tiene la Fania y la voz de Andy.
Sin embargo, el trío de Juan Formell, César Pedroso y José Luis Quintana, en mi opinión, es imbatible. Los Van Van siempre buscaron una sonoridad distinta basada en los instrumentos electrónicos. Específicamente en esa canción (la original) hay una combinación entre sintetizador y trombones que es sencillamente espectacular, por no hablar de todo lo demás. Y además, la voz de Pedrito Calvo tampoco se queda atrás. Para mí esta es una versión excelente, pero no mejor que la original.
HardRock GlamMetal
Me gusta el rock clásico pero esto es una obra de arte, la única salsa que me gusta es esta
Creditomejora Reynosa
QUE CHULADA !!!...ESTO ES UNA SALVAJADA DE RITMO Y SABOR !!
Juanita C
Al fin , encuentro esta canción me encanta esta versión de Andy Montañez, excelente !
Didier Barros
Qué existe otra.versión
Bryan LC
+Didier Raul si la de los van van de cuba pero esta de aqui es mas sabrosa