Gary Numan (born Gary Anthony James Webb on 8 March 1958) is an influential… Read Full Bio ↴Gary Numan (born Gary Anthony James Webb on 8 March 1958) is an influential English singer, composer, and musician. Most widely known for his chart-topping 1979 hits "Are 'Friends' Electric?" (when in Tubeway Army) and "Cars", Numan achieved his peak of mainstream popularity in the late 70s and early 80s but maintains a loyal cult following. Numan, whose signature sound consists of heavy synthesizer hooks fed through guitar effects pedals, is considered a pioneer of commercial electronic music.
Both Numan's music and his transgressive public image are known for his sense of alien coldness and embrace of avant-garde influences. Becoming of the founding fathers of electronic-based pop music, Numan's reach extends far beyond his lone American hit, “Cars,” which still stands as one of the defining new wave singles. That seminal track helped usher in the synthpop era on both sides of the Atlantic, especially his native England, where he was a genuine pop star and consistent hit-maker during the early 80s. Even after new wave had mostly petered out, Numan’s influence continued to make itself felt. His dark, paranoid vision, theatrically icy persona, and clinical, robotic sound were echoed strongly in the work of many goth rock and (especially) industrial artists during the past several decades. For his part, Numan just kept on recording, and, by the late 90s, he’d become a hip name to drop. Prominent alternative rock bands have covered his hits, with Numan himself playing live with Nine Inch Nails briefly to much acclaim, and a goth-flavored brand of industrial-type music christened darkwave looks to him as its mentor.
Numan was born Gary Anthony James Webb on March 8, 1958, in Hammersmith, West London, U.K. A shy child, music brought him out of his shell; he began playing guitar in his early teens and played in several short-lived bands. Inspired by the amateurism of the punk movement, he joined a punk rock group called "The Lasers" in 1976. The following year, he and bassist Paul Gardiner split off to form a new group, dubbed "Tubeway Army", with drummer Bob Simmonds. They recorded a couple of singles under futuristic pseudonyms (Valerium [or Valerian], Scarlett, and Rael, respectively) that attempted to match their new interest in synthesizers. Scrapping that idea, Webb rechristened himself Gary Numan and replaced Simmonds with his uncle Jess Lidyard. Thus constituted, "Tubeway Army" cut a set of "punk-meets-Kraftwerk" demos for Beggars Banquet in early 1978. That work ended up being released several years later as 'The Plan'.
That summer, Numan sang a TV commercial jingle for jeans, and toward the end of the year the group’s debut album, 'Tubeway Army', appeared. Chiefly influenced by Kraftwerk and David Bowie’s Berlin-era collaborations with Brian Eno, the album also displayed Numan’s fascination with the electronic, experimental side of glam rock (such as in some works by Roxy Music and Ultravox) and Krautrock (such as in some works by Can). He also drew much influence from transgressive science fiction writers such as Philip K. Dick, people who challenged conventional thinking through exploring the affects of new technology.
The group’s second album, 'Replicas', was released in early 1979. Its accompanying single, “Are ‘Friends’ Electric?", was a left-field smash, topping the UK charts and sending 'Replicas' to number one on the album listings as well. The record also included “Down in the Park", an oft-covered song that stands as one of Numan’s most 'gothic' outings.
Numan had become a star overnight, despite critical distaste for any music so heavily reliant on synthesizers, and he formed a larger backing band that replaced "Tubeway Army", keeping Gardiner on bass. "The Pleasure Principle" was released in the fall of 1979 and spawned Numan’s international hit “Cars”, which reached the American Top Ten and hit number one in the UK; the album also became Numan’s second straight British number one. He put together a hugely elaborate, futuristic stage show and went on a money-losing tour, and also began to indulge his hobby as an amateur pilot with his newfound wealth.
Numan returned in the fall of 1980 with "Telekon", his third straight chart-topping album in Britain, and scored two Top Ten hits with “We Are Glass” and “I Die: You Die”; “This Wreckage” later reached the Top 20.
In 1981, Numan announced his retirement from live performance, playing several farewell concerts just prior to the release of "Dance". While "Dance" and its lead single, “She’s Got Claws”, were both climbing into the British Top Ten, Numan attempted to fly around the world, but in a bizarre twist was arrested in India on suspicion of spying and smuggling. The charges were dropped, although authorities confiscated his plane. His retirement proved short-lived, but when he returned in 1982 with "I, Assassin", some of his popularity had dissipated - perhaps because of the retirement announcement, perhaps because the charts were overflowing with synthpop, much of which was already expanding on Numan’s early innovations (which were starting to sound repetitive). "I, Assassin" was another Top Ten album, and “We Take Mystery (To Bed)” another major hit, but in general Numan’s singles were starting to slip on the charts; the title track of 1983’s "Warriors" became his last British Top Twenty hit (excluding reissues and collaborations).
Numan and Beggars Banquet subsequently parted ways, and Numan formed his own Numa label, kicking things off with "Berserker" in late 1984. Sadly, longtime collaborator "Paul Gardiner" died earlier that year from a drug overdose. 1985’s "The Fury" became the final Numan album to reach the British Top 30. Over the next few years, Numan collaborated occasionally with "Shakatak’s" Bill Sharpe, releasing four singles and one album from 1985-1989.
Following 1986’s "Strange Charm", Numan signed with IRS, but the relationship was fraught with discord from the start. IRS forced Numan to change the title of 1988’s "Metal Rhythm" to "New Anger" for his first North American release since 1981 (and also remixed several tracks), refused to release his soundtrack for the film "The Unborn", and would not fund any supporting tours for "New Anger" or 1991’s "Outland". When his contract expired, Numan returned to Numa for 1992’s "Machine + Soul".
1994 brought the release of the industrial-tinged "Sacrifice", the first glimmering of Numan’s return to critical favor and underground hipness. Over the next few years, bands like "Hole", "The Foo Fighters", and "Smashing Pumpkins" covered Numan songs in concert, and Marilyn Manson recorded “Down in the Park” for the B-side of the “Lunchbox” single; moreover, "Nine Inch Nails" cited Numan as an important influence. With his fan base refreshed and expectations raised, Numan delved deeper into gothic, metal-tinged industrial dance on 1997’s "Exile". However, he didn’t truly hit his stride in this newly adopted style until 2000’s "Pure", which was acclaimed as his best work in years and expanded his cult following into new territory.
In 2003, Numan enjoyed fleeting chart success once again with the "Gary Numan vs Rico" single “Crazier”, reaching No.13 in the U.K. chart. Rico, who is an up and coming artist from Glasgow, also worked on the remix album "Hybrid" which featured reworkings of older songs in a more contemporary industrial style. In 2004 Numan took control of his own business affairs again, launching the label Mortal Records and releasing a series of live DVDs as a precursor to his highly anticipated new studio album, "Jagged" which was released on 13 March 2006. An album launch gig took place at "The Forum, London" on 18 March 2006. Numan announced a UK tour commencing in April 2006 and plans to tour other countries, including the USA, during the year in support of the release. Numan also to launched a "Jagged" website to showcase the new album.
Numan contributed vocals to four tracks on the April 2007 release of Ade Fenton’s debut solo album "Artificial Perfect" on his new industrial/electronic label Submission, including songs “The Leather Sea”, “Slide Away”, “Recall” and the first single to be taken from the album, “Healing”. The second single to be released in the UK was “The Leather Sea” on July 30, 2007.
In 2008, he released a double CD remix album "Jagged Edge", based around 2006’s critically acclaimed "Jagged", co-produced with Ade Fenton. The pair are currently in the studio working on Numan’s 18th studio album "Splinter", due for release in 2009.
While Numan is known for his electronic music innovations, he prefers real instruments. He explained in an interview with Songfacts: "I didn't go the technology route wholeheartedly, the way Kraftwerk had done. I considered it to be a layer. I added to what we already had, and I wanted to merge that. There's plenty of things about guitar players, and bass players, and songs I really love that I didn't particularly want to get rid of. The only time I did get rid of guitars was on Pleasure Principle, and that was in fact a reaction to the press. I got a huge amount of hostility from the British press, particularly, when I first became successful. And Pleasure Principle was the first album I made after that success happened. I became successful in the early part of '79 and Pleasure Principle came out in the end of '79, in the UK, anyway. And there was a lot of talk about electronic music being cold and weak and all that sort of stuff. So I made Pleasure Principle to try to prove a point, that you could make a contemporary album that didn't have guitar in it, but still had enough power and would stand up well. That's the only reason that album didn't have guitar in it. But apart from that one album they've all had guitars - that was the blueprint."
The official website can be found here: www.garynuman.co.uk
Both Numan's music and his transgressive public image are known for his sense of alien coldness and embrace of avant-garde influences. Becoming of the founding fathers of electronic-based pop music, Numan's reach extends far beyond his lone American hit, “Cars,” which still stands as one of the defining new wave singles. That seminal track helped usher in the synthpop era on both sides of the Atlantic, especially his native England, where he was a genuine pop star and consistent hit-maker during the early 80s. Even after new wave had mostly petered out, Numan’s influence continued to make itself felt. His dark, paranoid vision, theatrically icy persona, and clinical, robotic sound were echoed strongly in the work of many goth rock and (especially) industrial artists during the past several decades. For his part, Numan just kept on recording, and, by the late 90s, he’d become a hip name to drop. Prominent alternative rock bands have covered his hits, with Numan himself playing live with Nine Inch Nails briefly to much acclaim, and a goth-flavored brand of industrial-type music christened darkwave looks to him as its mentor.
Numan was born Gary Anthony James Webb on March 8, 1958, in Hammersmith, West London, U.K. A shy child, music brought him out of his shell; he began playing guitar in his early teens and played in several short-lived bands. Inspired by the amateurism of the punk movement, he joined a punk rock group called "The Lasers" in 1976. The following year, he and bassist Paul Gardiner split off to form a new group, dubbed "Tubeway Army", with drummer Bob Simmonds. They recorded a couple of singles under futuristic pseudonyms (Valerium [or Valerian], Scarlett, and Rael, respectively) that attempted to match their new interest in synthesizers. Scrapping that idea, Webb rechristened himself Gary Numan and replaced Simmonds with his uncle Jess Lidyard. Thus constituted, "Tubeway Army" cut a set of "punk-meets-Kraftwerk" demos for Beggars Banquet in early 1978. That work ended up being released several years later as 'The Plan'.
That summer, Numan sang a TV commercial jingle for jeans, and toward the end of the year the group’s debut album, 'Tubeway Army', appeared. Chiefly influenced by Kraftwerk and David Bowie’s Berlin-era collaborations with Brian Eno, the album also displayed Numan’s fascination with the electronic, experimental side of glam rock (such as in some works by Roxy Music and Ultravox) and Krautrock (such as in some works by Can). He also drew much influence from transgressive science fiction writers such as Philip K. Dick, people who challenged conventional thinking through exploring the affects of new technology.
The group’s second album, 'Replicas', was released in early 1979. Its accompanying single, “Are ‘Friends’ Electric?", was a left-field smash, topping the UK charts and sending 'Replicas' to number one on the album listings as well. The record also included “Down in the Park", an oft-covered song that stands as one of Numan’s most 'gothic' outings.
Numan had become a star overnight, despite critical distaste for any music so heavily reliant on synthesizers, and he formed a larger backing band that replaced "Tubeway Army", keeping Gardiner on bass. "The Pleasure Principle" was released in the fall of 1979 and spawned Numan’s international hit “Cars”, which reached the American Top Ten and hit number one in the UK; the album also became Numan’s second straight British number one. He put together a hugely elaborate, futuristic stage show and went on a money-losing tour, and also began to indulge his hobby as an amateur pilot with his newfound wealth.
Numan returned in the fall of 1980 with "Telekon", his third straight chart-topping album in Britain, and scored two Top Ten hits with “We Are Glass” and “I Die: You Die”; “This Wreckage” later reached the Top 20.
In 1981, Numan announced his retirement from live performance, playing several farewell concerts just prior to the release of "Dance". While "Dance" and its lead single, “She’s Got Claws”, were both climbing into the British Top Ten, Numan attempted to fly around the world, but in a bizarre twist was arrested in India on suspicion of spying and smuggling. The charges were dropped, although authorities confiscated his plane. His retirement proved short-lived, but when he returned in 1982 with "I, Assassin", some of his popularity had dissipated - perhaps because of the retirement announcement, perhaps because the charts were overflowing with synthpop, much of which was already expanding on Numan’s early innovations (which were starting to sound repetitive). "I, Assassin" was another Top Ten album, and “We Take Mystery (To Bed)” another major hit, but in general Numan’s singles were starting to slip on the charts; the title track of 1983’s "Warriors" became his last British Top Twenty hit (excluding reissues and collaborations).
Numan and Beggars Banquet subsequently parted ways, and Numan formed his own Numa label, kicking things off with "Berserker" in late 1984. Sadly, longtime collaborator "Paul Gardiner" died earlier that year from a drug overdose. 1985’s "The Fury" became the final Numan album to reach the British Top 30. Over the next few years, Numan collaborated occasionally with "Shakatak’s" Bill Sharpe, releasing four singles and one album from 1985-1989.
Following 1986’s "Strange Charm", Numan signed with IRS, but the relationship was fraught with discord from the start. IRS forced Numan to change the title of 1988’s "Metal Rhythm" to "New Anger" for his first North American release since 1981 (and also remixed several tracks), refused to release his soundtrack for the film "The Unborn", and would not fund any supporting tours for "New Anger" or 1991’s "Outland". When his contract expired, Numan returned to Numa for 1992’s "Machine + Soul".
1994 brought the release of the industrial-tinged "Sacrifice", the first glimmering of Numan’s return to critical favor and underground hipness. Over the next few years, bands like "Hole", "The Foo Fighters", and "Smashing Pumpkins" covered Numan songs in concert, and Marilyn Manson recorded “Down in the Park” for the B-side of the “Lunchbox” single; moreover, "Nine Inch Nails" cited Numan as an important influence. With his fan base refreshed and expectations raised, Numan delved deeper into gothic, metal-tinged industrial dance on 1997’s "Exile". However, he didn’t truly hit his stride in this newly adopted style until 2000’s "Pure", which was acclaimed as his best work in years and expanded his cult following into new territory.
In 2003, Numan enjoyed fleeting chart success once again with the "Gary Numan vs Rico" single “Crazier”, reaching No.13 in the U.K. chart. Rico, who is an up and coming artist from Glasgow, also worked on the remix album "Hybrid" which featured reworkings of older songs in a more contemporary industrial style. In 2004 Numan took control of his own business affairs again, launching the label Mortal Records and releasing a series of live DVDs as a precursor to his highly anticipated new studio album, "Jagged" which was released on 13 March 2006. An album launch gig took place at "The Forum, London" on 18 March 2006. Numan announced a UK tour commencing in April 2006 and plans to tour other countries, including the USA, during the year in support of the release. Numan also to launched a "Jagged" website to showcase the new album.
Numan contributed vocals to four tracks on the April 2007 release of Ade Fenton’s debut solo album "Artificial Perfect" on his new industrial/electronic label Submission, including songs “The Leather Sea”, “Slide Away”, “Recall” and the first single to be taken from the album, “Healing”. The second single to be released in the UK was “The Leather Sea” on July 30, 2007.
In 2008, he released a double CD remix album "Jagged Edge", based around 2006’s critically acclaimed "Jagged", co-produced with Ade Fenton. The pair are currently in the studio working on Numan’s 18th studio album "Splinter", due for release in 2009.
While Numan is known for his electronic music innovations, he prefers real instruments. He explained in an interview with Songfacts: "I didn't go the technology route wholeheartedly, the way Kraftwerk had done. I considered it to be a layer. I added to what we already had, and I wanted to merge that. There's plenty of things about guitar players, and bass players, and songs I really love that I didn't particularly want to get rid of. The only time I did get rid of guitars was on Pleasure Principle, and that was in fact a reaction to the press. I got a huge amount of hostility from the British press, particularly, when I first became successful. And Pleasure Principle was the first album I made after that success happened. I became successful in the early part of '79 and Pleasure Principle came out in the end of '79, in the UK, anyway. And there was a lot of talk about electronic music being cold and weak and all that sort of stuff. So I made Pleasure Principle to try to prove a point, that you could make a contemporary album that didn't have guitar in it, but still had enough power and would stand up well. That's the only reason that album didn't have guitar in it. But apart from that one album they've all had guitars - that was the blueprint."
The official website can be found here: www.garynuman.co.uk
Airline
Gary Numan Lyrics
We have lyrics for 'Airline' by these artists:
Realo Elle a viré tous les number, anh Fall in love dans…
Realo & koboi Elle a viré tous les number, anh Fall in love dans…
Yaro La bonbonne dans la soute J'passe les détecteurs de métaux L…
We have lyrics for these tracks by Gary Numan:
'u' Got The Look You walked in I woke up I've never seen a pretty girl…
(Interval 1) I saw him turn on Like a machine in the park Saying…
1999 I was dreamin' when I wrote this Forgive me if it…
A Child With the Ghost Nothing I can say Can make your picture talk I feel so…
A Game Called Echo Here we play games Like turning men into boys And everyone m…
A Prayer For the Unborn So, I prayed... But you weren't listening. Making miracles? …
A Question of Faith I'll crawl for you Hurt if you want to I'll be the…
A Seed Of A Lie I'm a ghost in the dark and I'm yours. I belong…
A Shadow Falls on Me Every time I felt that I understand A shadow falls on…
A Subway Called 'You Here we are We drift like gas On someone else's bed I pay…
Absolution I would swim across oceans Just to talk with you I would…
Aircrash Bureau Hello, I'm the aircrash bureau I bet you're so surprised to…
All Across The Nation Somewhere in the city There's a struggle going on Someone's …
America I'm in a car And I'm over you I'm a passenger And I'm…
An Alien Cure So I wandered like Jesus Like an alien cure Searching for my…
Ancients All I know is you're not with me, Like me. All I…
And It All Began with You I know your voice And the words you speak lie I know…
Are You are you are Hopefully mistaken Like old ties You'll soon…
Are "Friends" Electric It's cold outside And the paint's peeling off of my walls Th…
Are You Real No one's alive You could almost be me What do you mean "O…
Are You Real? No one's alive You could almost be me What do you mean "Oh,…
Are ‘Friends’ Electric? It's cold outside And the paint's peeling off of my walls Th…
Basic J Jo the waiter spilling wine Over some ex-friends of mine I…
Basic J. Jo the waiter spilling wine Over some ex-friends of mine In …
Bed Of Thorns I am waiting in the dark Waiting for a dark light To…
Before You Hate It Here it comes again That old familiar pain Here it comes aga…
Berserker (I've been waiting for you Do you want to come Do you…
Betrayed You were young, so I breathed for you You were pure,…
Big Black Sea I left a rose at the bottom of the big…
Big Noise Transmission Did I ever tell you what happened before? I was walking…
Bleed Love seems all I want Love seems all I need Love seems…
Blind I Put my fear back in its box And I Put…
Blue Eyes Well you're pretty quick to say you love me But I've…
Bombers Look up I hear the scream of sirens on the…
Boys Like Me Listen Zara Boys like me We get used to Things like you …
Broken If you had seen You'd understand If you had seen You'll brea…
Call Out the Dogs Here am I Like a target in flesh One more time For you…
Cars Here in my car I feel safest of all I can lock…
Check It Something isn't right I get the feeling I'm not driving So…
Child With the Ghost Nothing I can say Can make your picture talk I feel so…
Cold Metal Rhythm Gary Numan - Cold Metal Rhythm lyrics Metal rhythm Cold and…
Cold Warning Something is here I can hear them breathe Something is here …
Complex They won't come back You know it's always the same And they'…
Confession Listen up This is confession This machine motion is sure to …
Conversation Oh it's so easy When parts take over My conversation Is noth…
Crash Don't things change Don't we all What's it like to crash? T…
Crazier The more I take a look inside, the more I'm…
crazies Here in my room Where the paint dries like your face I'm…
Creatures I need it The sex skin habit You could just crawl out And…
Crime of Passion Streetcar is rusting The tracks are all gone You're far too …
Critics You could say I'm pretentious You could say I'm the nazz Y…
Cry I don't cry Or forget I'll cut my picture on your heart No…
Cry the Clock Said Why cry now It's over Feelings change How are you How am I C…
Dance When I think of what he's done I can dance, dance,…
Dark I've been waiting here Waiting for faith And the word to fal…
Dark Sunday You're like poison You smile at me Talk of love. 'He' will f…
Dead Heaven Thought I was asleep Lost to dreams I was dying in a…
Dead Sun Rising We come; we go; we can remember "The Dark" No songs;…
Deadliner So I close my eyes and drift into sleep But something…
Desire Is this desire Or a disease? If I surrender Will you come…
Devious I remember one girl Saw her again in a magazine Front cover,…
Devotion Charm up, strange down Old face, new sound. Same kick, same …
Do You Need Service Do you need the service Do you need to call me…
Do You Need the Service? Do you need the service Do you need to call me…
Do Your Best See the strange boy keeping to the shadows He's a very…
Dominion Day In my darkness I hear Jesus crying In my darkness I see chil…
Don't Call My Name Don't look for me Don't call my name Don't wait for time Don…
Down in the Park Down in the park Where the mach-men meet the machines And pl…
Dream Killer So I've seen my future And I've seen dream killers And I've…
Emotion Look up Look down I've seen it all before I need emotion Lo…
Empty Bed Empty Heart You let me down How cold love can be I've…
Engineers All that we are Is all that we need to be All…
Every Day I Die The problems of need I need you Obscene dreams in Rusty b…
Everyday I Die The problems of need I need you Obscene dreams in Rusty beds…
Everything Comes Down to This This isn't easy, but it's what I believe Something is broke…
Exhibition Applicant, I am Clean young flesh Cubicles, we merge And me …
Exile I heard it in my sleep A voice more dead than…
Face to Face What's it like to be face to face with me? Playing…
Fade Out 1930 Fadeout 1930 era I never really tried you out But all my…
Films I don't like the film I don't like the film Play it…
Fold I fold your letter All lies, all cold I fold my memories My…
For The Rest Of My Life Look around. Do you see? Everything is fading Everything jus…
Friends See the strange boy keeping to the shadows He's a very…
From Russia Infected Seen the man? New disease Everybody's infected. Seen the ma…
Generator We generate heat We generate emotion We generate a feeling T…
Ghost Nation We live in a wind swept hell Where dust and death…
God Only Knows I was waiting for something I was listening to my breathing …
Halo Who hasn't made A big mistake Betrayed a love Or turned to h…
Haunted And I can not be saved Not by you Not by God I…
Hear Am I Do you regret the words you never said? Do you feel…
Heart Does she make you laugh? Does she make you cry? Does she…
Heaven Thought I was asleep Lost to dreams I was dying in a…
Here Am I Do you regret the words you never said? Do you feel…
Here in the Black Here in the black there's a feeling of loss But it's…
Hunger Tell you a story 'Bout a friend of mine Woke up in…
Hybrid Hey, bitch (Bitch) [x10] I want to feel I want to f…
I Am Dust We we're dust in a world Of grim obsession. We…
I Am Render I'm up here You're down there Call me the baitman I'm scream…
I Am Screaming Do you regret the words you never said? Do you feel…
I Assassin We are assassins We are not evil We act with reason and…
I Can I've been there and seen it I've been up and down And…
I Can't Breathe I'm scared to sleep, I'm scared to dream I'm scared to…
I Can't Stop I've been there and seen it I've been up and down And…
I Cant Breathe I'm scared to sleep, I'm scared to dream I'm scared to…
I Die You Die This is not love This is not even worth a point…
I Die : You Die This is not love This is not even worth a point…
I Die You Die This is not love This is not even worth a point…
I Don't Believe Love is unsafe I'm sure Wrong love, Wrong time, Wrong move. …
I Dream of Wires I am the final silence The last electrician alive And they c…
I Listen To My Voice Listen to my voice And please try to understand The one you…
I Nearly Married a Human [Very faint vocals:] I nearly married a human I nearly marri…
I Still Remember So you've gone Singing some old love song I've nothing more …
I Wonder And sometimes, When I'm lonely, I think of you And I wonder …
I'm An Agent Send in eyes Thought's of crashing, all those pictures Send …
I'm On Automatic This is metal rhythm A new song on the Radio Some new…
Ice I'm playing at ice But I'm finding it hard She didn't break…
Icehouse I'm playing at ice But I'm finding it hard She didn't brea…
In a Dark Place Something calls me From a dark place And so I pray every…
In a Glass House I've seen love I've seen hate I've seen all the emotion God…
Innocence Bleeding Do you believe in Heaven? That man's soul is eternal? Our pr…
Intruder I could listen to you scream Pretty music to my ears I…
Is This World Not Enough? Is this world not enough? Tell me, will you stop When everyt…
It Must Have Been Years A radio plays `White Christmas' It's been doing that for yea…
I’m an Agent Send in eyes Thought's of crashing, all those pictures Sen…
Jagged They say I'm unforgiven and I have to pay Like I'm…
Jo The Waiter Jo the waiter worked for me Serving wine in basement bars …
Like a Refugee Treated like a refugee Never seems to be a place for…
Listen To My Voice Listen to my voice And please try to understand The one you…
Listen to the Sirens "Flow my tears" the new police song The slogan of peace…
Little Invitro I can't believe That you're gone and we're alone I can't bel…
London Times London times Hear they were the golden times Captured all th…
Losing Myself In You You will always be mine If I never let you out…
Lost So are we over? Is this our end of days? Are we…
Love And Napalm Call me Deadliner Nothing in here but dust. Are you afraid d…
Love Hurt Bleed Love seems all I want Love seems all I need Love seems…
Love Is Like Clock Law This heart is empty I've barely hidden memories I've found a…
Love Isolation These are words Just for you Only words But it's all I can…
Love Like Anthrax I've seen enough of life, Enough to last a lifetime. I've se…
Love Needs No Disguise She dances He watches She sighs Remember Love needs no disgu…
M. E And m.e. I eat dust We're all so run down I'd call…
M.E And m.e. I eat dust We're all so run down I'd call…
M.E. And m.e. I eat dust We're all so run down I'd call…
Machine & Soul She likes film Pictures too A friend of mine Something new …
Magic When I sleep I slide into Some heaven But no one is there. …
ME And m.e. I eat dust We're all so run down I'd call…
Me I Disconnect From You The alarm rang for days You could tell from conversations …
Me! I Disconnect From You The alarm rang for days You could tell from conversations I …
Mean Street My friends have Been demoted to Stay Second class Someone t…
Melt Sometimes I wonder if God laughs at me I hear His…
Mercy Oh no I should have told you Be carfeful what you wish…
Metal We're in the building Where they make us grow And I'm fright…
Metal Beat Nobody knew me so I bought some time. An hour or…
Miracles I don't believe in miracles I don't believe in forgiving I d…
Moral These new romantics are oh so boring I could swear I've…
Music for Chameleons At 4 o'clock we land And I'll wave my flag for…
and many more tracks by Gary Numan.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found