Jed Danyel Kurzel (born 1976) is an Australian singer-songwriter-guitarist … Read Full Bio ↴Jed Danyel Kurzel (born 1976) is an Australian singer-songwriter-guitarist and film composer. He is a founding member of The Mess Hall, a blues rock duo. His older brother Justin Kurzel is a film director and screenwriter.
Kurzel was born in 1976 and, with his older brother Justin Kurzel (born 1974), grew up in Gawler, South Australia. Their father, Zdzislaw Kurzel (1946–2006), was from Poland and had migrated to Australia in 1960, where he became a taxi driver. In the 1990s Kurzel moved to Sydney, where Justin was studying at the National Institute of Dramatic Art (NIDA).
In 2001 Kurzel on lead vocals and guitar, Anthony Johnsen on drums and a bass guitarist formed a blues-rock group, the Mess Hall in Sydney – the bass guitarist soon left but was not replaced, they continued as a duo. Kurzel recalled "When the clubs asked us where our bass player was, we used to lie and say he was sick." Their debut album The Mess Hall was released in June 2003. In early 2004 Johnsen was replaced by Cec Condon on drums and vocals. Their third album Devils Elbow (October 2007) won the Australian Music Prize.
In 2000 Kurzel composed the film score for the short subject, Sammy Blue, at the Australian Film, Television and Radio School, with Kim Farrant directing.[9][10] He worked for Farrant again: providing the score for Naked on the Inside (2006), a feature film documentary on body image. In 2009 he composed music for Castor & Pollux, a short film, directed by Ben Briand.
In 2011 Kurzel provided the music score for the directorial debut feature film by Justin, Snowtown. At the APRA-AGSC Screen Music Awards of 2011 Kurzel won Feature Film Score of the Year. It was nominated for Australian Film Institute Award for Best Original Music Score. The related soundtrack album was nominated for ARIA Award for Best Original Soundtrack, Cast or Show Album in that same year.
Kurzel also wrote the scores for Son of a Gun, Slow West and the documentary All This Mayhem. In 2015, he worked again with his brother on Macbeth, followed by Assassin's Creed in 2016. He replaced Harry Gregson-Williams as the composer of Alien Covenant.
Kurzel was born in 1976 and, with his older brother Justin Kurzel (born 1974), grew up in Gawler, South Australia. Their father, Zdzislaw Kurzel (1946–2006), was from Poland and had migrated to Australia in 1960, where he became a taxi driver. In the 1990s Kurzel moved to Sydney, where Justin was studying at the National Institute of Dramatic Art (NIDA).
In 2001 Kurzel on lead vocals and guitar, Anthony Johnsen on drums and a bass guitarist formed a blues-rock group, the Mess Hall in Sydney – the bass guitarist soon left but was not replaced, they continued as a duo. Kurzel recalled "When the clubs asked us where our bass player was, we used to lie and say he was sick." Their debut album The Mess Hall was released in June 2003. In early 2004 Johnsen was replaced by Cec Condon on drums and vocals. Their third album Devils Elbow (October 2007) won the Australian Music Prize.
In 2000 Kurzel composed the film score for the short subject, Sammy Blue, at the Australian Film, Television and Radio School, with Kim Farrant directing.[9][10] He worked for Farrant again: providing the score for Naked on the Inside (2006), a feature film documentary on body image. In 2009 he composed music for Castor & Pollux, a short film, directed by Ben Briand.
In 2011 Kurzel provided the music score for the directorial debut feature film by Justin, Snowtown. At the APRA-AGSC Screen Music Awards of 2011 Kurzel won Feature Film Score of the Year. It was nominated for Australian Film Institute Award for Best Original Music Score. The related soundtrack album was nominated for ARIA Award for Best Original Soundtrack, Cast or Show Album in that same year.
Kurzel also wrote the scores for Son of a Gun, Slow West and the documentary All This Mayhem. In 2015, he worked again with his brother on Macbeth, followed by Assassin's Creed in 2016. He replaced Harry Gregson-Williams as the composer of Alien Covenant.
Incubation
Jed Kurzel Lyrics
We have lyrics for 'Incubation' by these artists:
Mindless Faith Another promise sinking A fleeting thought Twist the knife…
Supuration 3. INCUBATION (JANUARY) Now I am sure someone else is insid…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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MasterBaiter69
This was the most epic opening to a horror movie I have EVER experienced. Everyone at the cinema were making noise, talking smack. But then the commercials ended, the lights went slowly out, and this eerie soul-crushing, spine-chilling track started to pulsate through the mighty Dolby Atmos speakers, and everyone went dead-silent.. And I mean EVERYONE... It was fucking surreal.
mahendra singh
my god i can feel it because of your words while listening to this song
Happy Merchant
Yeah, same here.
Elysion B
that usually happens in a theater when the movie begins
net34a
This track just summarizes the whole thing. This movie's direction is a proof that Ridley Scott still kicks ass in the Sci Fi genre.
GabeLogan
The OST is a great tribute to the first three movies! Kurzel did a great job. Too bad the movie doesnt live up to that.
Soldier Boy
@GabeLogan The movie is a very well made one. Most Alien fans hated it as the lore didn't match their own fantasy fan stories. Covenant and Prometheus are the best Alien movies after Alien 1 and Aliens.
GDDX_ jibster
@Soldier Boy people who hate ridley scott’s creations eg. blade runner, prometheus, covenant, will usually come back to ask,”when is the new one coming out?”
iamburak
That "wooo woooo" sound makes me scare everytime. It perfectly fits with Xenomorphs. Its like special designed ambient effect for xenomorph creature. I hope they use that sound in other alien movies too.
Human Being
Me too I'm in love with that sound. It's like the xeno signature