R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by dr… Read Full Bio ↴R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist/backing vocalist Mike Mills, and lead vocalist Michael Stipe. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style, Stipe's distinctive vocal quality and obscure lyrics, Mills's melodic basslines and backing vocals, and Berry's tight, economical style of drumming.
R.E.M. released its first single—"Radio Free Europe"—in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years through subsequent releases, constant touring, and the support of college radio. Following years of underground success, R.E.M. achieved a mainstream hit in 1987 with the single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide.
By the early 1990s, when alternative rock began to enter the mainstream, R.E.M. was viewed by subsequent acts such as Nirvana and Pavement as a pioneer of the genre. The band released its two most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), which veered from the band's established sound and catapulted it to international fame. R.E.M.'s 1994 release, Monster, was a return to a more rock-oriented sound, but still continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members.
In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history. Its 1996 release, New Adventures in Hi-Fi, though critically acclaimed, fared worse commercially than its predecessors. The following year, Bill Berry left the band, while Stipe, Buck, and Mills continued the group as a trio. Through some changes in musical style, the band continued its career into the next decade with mixed critical and commercial success, despite having sold more than 85 million records worldwide and becoming one of the world's best-selling music artists. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. R.E.M. disbanded amicably in September 2011, announcing the split on its website.
In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering Twisted Kites, Cans of Piss, and Negro Eyes, the band settled on "R.E.M." (which is an initialism for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.
The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.
R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers.
R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made which set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide.
Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), and Live, have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music."
During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck."
R.E.M. released its first single—"Radio Free Europe"—in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years through subsequent releases, constant touring, and the support of college radio. Following years of underground success, R.E.M. achieved a mainstream hit in 1987 with the single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide.
By the early 1990s, when alternative rock began to enter the mainstream, R.E.M. was viewed by subsequent acts such as Nirvana and Pavement as a pioneer of the genre. The band released its two most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), which veered from the band's established sound and catapulted it to international fame. R.E.M.'s 1994 release, Monster, was a return to a more rock-oriented sound, but still continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members.
In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history. Its 1996 release, New Adventures in Hi-Fi, though critically acclaimed, fared worse commercially than its predecessors. The following year, Bill Berry left the band, while Stipe, Buck, and Mills continued the group as a trio. Through some changes in musical style, the band continued its career into the next decade with mixed critical and commercial success, despite having sold more than 85 million records worldwide and becoming one of the world's best-selling music artists. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. R.E.M. disbanded amicably in September 2011, announcing the split on its website.
In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Through mutual friend Kathleen O'Brien, Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing in a deconsecrated Episcopal church in Athens, and played its first show on April 5, 1980, supporting the Side Effects at O'Brien's birthday party held in the same church, performing a mix of originals and 1960s and 1970s covers. After considering Twisted Kites, Cans of Piss, and Negro Eyes, the band settled on "R.E.M." (which is an initialism for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.
The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.
R.E.M. was pivotal in the creation and development of the alternative rock genre. AllMusic stated, "R.E.M. mark the point when post-punk turned into alternative rock." In the early 1980s, the musical style of R.E.M. stood in contrast to the post-punk and new wave genres that had preceded it. Music journalist Simon Reynolds noted that the post-punk movement of the late 1970s and early 1980s "had taken whole swaths of music off the menu", particularly that of the 1960s, and that "After postpunk's demystification and New Pop's schematics, it felt liberating to listen to music rooted in mystical awe and blissed-out surrender." Reynolds declared R.E.M., a band that recalled the music of the 1960s with its "plangent guitar chimes and folk-styled vocals" and who "wistfully and abstractly conjured visions and new frontiers for America", one of "the two most important alt-rock bands of the day." With the release of Murmur, R.E.M. had the most impact musically and commercially of the developing alternative genre's early groups, leaving in its wake a number of jangle pop followers.
R.E.M.'s early breakthrough success served as an inspiration for other alternative bands. Spin referred to the "R.E.M. model"—career decisions that R.E.M. made which set guidelines for other underground artists to follow in their own careers. Spin's Charles Aaron wrote that by 1985, "They'd shown how far an underground, punk-inspired rock band could go within the industry without whoring out its artistic integrity in any obvious way. They'd figured out how to buy in, not sellout-in other words, they'd achieved the American Bohemian Dream." Steve Wynn of Dream Syndicate said, "They invented a whole new ballgame for all of the other bands to follow whether it was Sonic Youth or the Replacements or Nirvana or Butthole Surfers. R.E.M. staked the claim. Musically, the bands did different things, but R.E.M. was first to show us you can be big and still be cool." Biographer David Buckley stated that between 1991 and 1994, a period that saw the band sell an estimated 30 million albums, R.E.M. "asserted themselves as rivals to U2 for the title of biggest rock band in the world." Over the course of its career, the band has sold over 85 million records worldwide.
Alternative bands such as Nirvana, Pavement, Radiohead, Coldplay, Pearl Jam (the band's vocalist Eddie Vedder inducted R.E.M. into the Rock and Roll Hall of Fame), and Live, have drawn inspiration from R.E.M.'s music. "When I was 15 years old in Richmond, Virginia, they were a very important part of my life," Pavement's Bob Nastanovich said, "as they were for all the members of our band." Pavement's contribution to the No Alternative compilation (1993) was "Unseen Power of the Picket Fence", a song about R.E.M.'s early days. Local H, according to the band's Twitter account, created their name by combining two R.E.M. songs: "Oddfellows Local 151" and "Swan Swan H". Kurt Cobain of Nirvana was a fan of R.E.M., and had unfulfilled plans to collaborate on a musical project with Stipe. Cobain told Rolling Stone in an interview earlier that year, "I don’t know how that band does what they do. God, they’re the greatest. They've dealt with their success like saints, and they keep delivering great music."
During his show at the 40 Watt Club in October 2018, Johnny Marr said: "As a British musician coming out of the indie scene in the early '80s, which I definitely am and am proud to have been, I can't miss this opportunity to acknowledge and pay my respects and honor the guys who put this town on the map for us in England. I'm talking about my comrades in guitar music, R.E.M. The Smiths really respected R.E.M. We had to keep an eye on what those guys were up to. It's an interesting thing for me, as a British musician, and all those guys as British musicians, to come to this place and play for you guys, knowing that it's the roots of Mike Mills and Bill Berry and Michael Stipe and my good friend Peter Buck."
Blackbirds
R.E.M. Lyrics
We have lyrics for 'Blackbirds' by these artists:
Blue Tomorrows The tide fell at my feet So close, somehow I can’t…
Braves This is the bye bye blackbird twist Pack up all my…
Chris Mills Blackbirds flying backwards on the wind Filling sails of sa…
Denny Laine Blackbird singing in the dead of night Take these broken win…
Eminem - Linkin Park [Intro] Drop that get up Take to the streets better lock tha…
Erin McKeown Four and twenty blackbirds perched o'er the Milhaus floor F…
Fingersnap Just as my summers thicken with fears that you are…
Ghostly Kisses Feel the veil touching your skin Hear the voice of the…
Glee/The Warblers Blackbird singing in the dead of night Take these broken win…
Jade Like The Stone These moments are passing, each one is fleeting, They seem…
Linkin Park I shiver and shake the warm air cold I’m alone on…
LINKIN PARK FEAT.... Drop that, get up, take to the streets Better lock that…
Linkin Park⠀ [M. Shinoda] Drop that / get up Take to the streets /…
Linkin Park" Drop like "get up", take to the streets Better lock that…
Mr. Car/\ack Blackbird singing in the dead of night Take these broken win…
MRKTS Alright, Alright All I ever wanted was to Be liked, be right…
Peter A. Schmid & Vinny Golia Blackbird singing in the dead of night Take these broken win…
The Braves This is the bye bye blackbird twist Pack up all my…
_LINKIN_PARK__ [Intro] Drop that get up Take to the streets better lock tha…
We have lyrics for these tracks by R.E.M.:
#9 Dream So long ago Was it in a dream, was it just…
(All I Have To Do Is) Dream Dream, dream dream dream, dream, dream dream dream When I w…
(Don't Go Back to) Rockville Looking at your watch a third time Waiting in the station…
*69 You don't have to take the bar exam to see What…
01 Imitation Of Life Charades pop skill Water hyacinth Name by a poet Imitation o…
02 I don't need nobody no Cause baby no one like you You…
02 7 Chinese Brothers This mellow, sweet, short-haired boy, woman offers pull up a…
02. There She Goes Again There she goes again She's out on the street again She's dow…
06 Rozpięty na ramionach Jak sokół na niebie Chrystusie Synu Bo…
09. Ages of you [Chorus:] Postcard stowaway within Pristine indigo without B…
10 Sometimes I feel so happy Sometimes I feel so sad Sometime…
1000000 Secluded in a marker stone Not only deadlier, but smarter, t…
11 มอง มองทำไม มอง มองทำไม ข้องใจอะไรหรือเปล่า ฉันลืมหมดแล้วในท…
11. Rotary Ten Sometimes I feel so happy Sometimes I feel so sad Sometimes …
12 Cinquenta e um Eu bebo só para começar Sentado em volta…
20th Century Boy Can you lick my wounds please? Can you make it numb? And…
2JN Unfortunately, we are not licensed to display the full ly…
7 Chinese Bros This mellow, sweet, short-haired boy Woman offers to pull up…
7 Chinese Brothers This mellow, sweet, short-haired boy, woman offers pull up a…
8 Miles High The birds can't wait to get back to Minnesota It's been…
9 Steady repetition is a compulsion mutually reinforced Now wh…
9-9 Steady repetition is a compulsion mutually reinforced Now w…
99 Steady repetition is a compulsion mutually reinforced Now wh…
9–9 Steady repetition is a compulsion mutually reinforced Now w…
A Girl Like You I get so disturbed, I'm all alone I feel so funny…
A Month Of Saturdays Five o'clock Friday All my work is done I can…
A Profound Love of Music Well my foot starts tapping To the beat of the sound My…
Academy Fight Song Walk into my room Ask me jerky questions Don't mean what y…
Accelerate Sinking fast, the weight chained to my feet No time to…
action I do the dancin' You do the hoppin' You do the boppin' I…
Adagio 난 처음이었죠 이런 기분 다 뺏겨 버렸죠 온통 맘을 난…
After Hours If you close the door the night could last forever. Say good…
Afterhours Afterhours king, I just sit up on the throne I just…
Aftermath Now the radio stutters, snaps to life Some sour song that…
Ages Of You [Chorus:] Postcard stowaway within Pristine indigo without B…
Airportman He moves efficiently Beyond security Great opportunity await…
All I Want Dream, dream dream dream, dream, dream dream dream When I w…
All Right Friends I know you say Maybe some day I need never be alone I…
All The Best So over me So pie in my face So talk to me Tell…
All the Right Friends I know you say Maybe some day I need never be alone I…
All The Way To Reno Hummin' All the way to Reno You've dusted the non-believers …
All the Way to Reno (You're Gonna Be a Star) Humming All the way to Reno. You've dusted the non believers…
Alligator_Aviator_Autopilot_Antimatter I feel like an alligator Climbing up the escalator Climbing …
Andy Gets Fired [Instrumental] TONY: Hey, how are y'all doin'? Where ya fr…
Angela Времени бег красит жизнь серой краской, Скучен унылый, облач…
Animal Hey what's the big deal? Tell me how to feel? I know…
Apologist They call me the apologist And now that I'm at peak You…
Arms of Love Maybe tonight you're achin' For someone you're dreamin' of …
Around The Sun I want the sun to shine on me I want the…
Ascent Of Man So hesitation pulled me back I'm stronger when I don't attra…
At My Most Beautiful I've found a way to make you I've found a way A…
Auctioneer She didn't want to get pinned down by her prior…
Baby Baby Anything you want baby Anything your heart desires Because y…
Bad Day A public service Announcement followed me home the other day…
Bandwagon Come on aboard, I promise you you won't hurt the…
Bang and Blame If you could see yourself now, baby It's not my fault,…
Be Mine Uh, speed zone up here, Tim I never thought of this…
Beachball Tonight's alive The beachball's set to fly Those well tequil…
Beat A Drum The sun reflected in the back of my eye I knocked…
Begin The Begin Birdie in the hand for life's rich demand The insurgency beg…
Belong Her world collapsed early Sunday morning She got up from the…
Binky This is horror movie stuff The muffin is peach, you're "maki…
Bittersweet Me I move across, innocence lost All flashing pulsar I move acr…
Bizzare Love Triangle I'm tangled in a La la la la la la la Love…
Blue Sometimes I feel so happy Sometimes I feel so sad Sometimes …
Born to Run Baby Why did you leave me here in this place…
Boy Look at this, it's me, walking away. Look at you drowning,…
Boy in the Well Look at this, it's me, walking away Look at you drowning,…
Burning Down From the back of my neck, oh, oh, oh Wired a…
Burning Hell Women got legs, men got pants I got the picnic, you…
Camera From the inside room when the front room greeting Becomes…
Can't Get There from Here When the world is a monster Bad to swallow you whole Kick…
carnival There's a secret, stigma, reaping wheel Diminish, a carnival…
Carnival of Sorts (Box Cars) There's a secret stigma, reaping wheel Diminish, a carnival …
Catapult Ooh, we were little boys Ooh, we were little girls…
Chance Chance, chance, chance, chance Friday bank card yours got s…
Chance Dub Chance, chance, chance, chance Friday bank card yours got…
chineSe bros This mellow, sweet, short-haired boy Woman offers to pull up…
Chorus & the Ring Hey there now young holy Swing along, quote the scriptures K…
Chorus And The Ring Hey there now young holy Swing along, quote the scriptures …
Christmas in Tunisia The smell of gas leaks into the hallway replacing the…
Christmas Time This Christmas There's no need to shed a tear Its time at…
Christmas Time Is Here Christmas time is here Happiness and cheer Fun for all that …
Circus Envy Here comes that awful feeling again Welcome the ugly animal …
Color Blind 1st Verse A Melody in key Your song inspires everything I ca…
Coming Full Circle Just vibe to it Just vibe to it Real shit What goes around,…
Conclusion What these niggas missin A little competition They want comp…
Country Feedback One, two, three, four Oh This flower is scorched This film i…
Crazy You're funny and you don't know why You're funny and you…
Crazy Like A Fox You say I'm neurotic you call me psychotic Just because I…
credits Lets go bbe Ay... She likes my style, She likes how I…
Crush With Eyeliner I know you I know you've seen her She's a sad tomato She's…
Cuyahoga Let's put our heads together And start a new country up Our…
Dallas Con Dios de la mano y mirando hacia arriba Me importa…
Dangerous time These are dangerous times Nothing to care or die for These a…
Dark Globe Oh where are you now? Pussy willow that smiled on my…
Daysleeper Receiving department, three A.M Staff cuts have socked up th…
Deck the Halls Best of the season From R.E.M.…
Departure Just arrived Singapore, San Sebastian, Spain, 26-hour trip S…
Diminished I watched you fall I think I pushed Maybe I'm crazy Maybe di…
Diminished / I'm Not Over You "Diminished" I watched you fall i think I pushed Maybe I'm …
Disappear I've dragged my feet across the seat And jumped out the…
Discoverer Hey baby! This is not a challenge, just means that…
Disguised Everybody here Comes from somewhere But they would just as…
Disturbance At Heron House "They're going wild" the call came in At early morning…
Don't Know I don't even know what, know what I don't even know…
Draggin Making a living the old, hard way. Taking and giving my…
Dragging The Line Makin' a livin' the old hard way Takin' and givin' by…
Dream I'm looking for an interruption Do you believe? You looking …
Drive (One, two, one, two, three, four) Smack, crack, bushwhacked…
Driver 8 The walls are built up stone by stone The fields divided…
E Bow The Letter Look up and what do you see? All of you…
Eight Miles Eight The birds can't wait to get back to Minnesota It's been…
Electrolite Your eyes are burning holes through me I'm gasoline I'm burn…
Electron Blue You're on your ear, the ocean's near The light has started…
Emphysema 난 처음이었죠 이런 기분 다 뺏겨 버렸죠 온통 맘을 난…
End Of The World That's great, it starts with an earthquake Birds and snakes,…
End Of The World As We Know It That's great, it starts with an earthquake, Birds and snake…
Endgame [Instrumental]…
Everibody hurts When your day is long And the night, the night is…
Every Day Is Yours To Win With the walk (walk) And the talk (talk) And the tick tock…
Everybody Hurt When your day is long And the night The night is yours…
Exhuming McCarthy You're beautiful more beautiful than me You're honorable mo…
E‐Bow the Letter Look up and what do you see? All of you…
Fall on Me 我愿用我有限的永远 交换曾经快乐的泪水 穿越不安地带 穿越所有危险 来到你身边 我有时相信美丽的预言 却又不想如此心甘情…
Falls To Climb I'll take the position Assume the missionary part You work b…
Fascinating I've latched on, I've been wrong No one told me what…
Favorite Writer In Corsica the engines blew Your favorite writer died In a c…
Feeling Gravity I fell asleep and read just about every paragraph Read the…
Femme Fatale Here she comes you better watch your step She's going to…
Final Straw "As I raise my head to broadcast my objection As your…
Find The River Hey now, little speedy head The read on the speed meter…
Finest Work Song The time to rise has been engaged You're better best to…
Fireplace Hang up your chairs to better sweep Clear the floor to…
First We Take Manhattan They sentenced me to twenty years of boredom For trying to…
Fretless He's got his work and she comes easy They each…
Fuck Me Kitten Keys cut, three for the price of one Nothing's free but…
Fun Time Fun Hey baby we like your lips Fun Hey baby we like your…
and many more tracks by R.E.M..
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