Robert Fripp (born 16 May 1946 in Wimborne Minster, Dorset, England, United… Read Full Bio ↴Robert Fripp (born 16 May 1946 in Wimborne Minster, Dorset, England, United Kingdom) is a guitarist, composer and a record producer, perhaps best known for being the guitarist for, and only constant member of, the progressive rock band King Crimson. His work, spanning five decades, encompasses a variety of musical styles.
Fripp began playing guitar at the age of eleven. He says he was tone-deaf with no sense of rhythm when he started. His comment on dealing with the obstacle is "Music so wishes to be heard that it sometimes calls on unlikely characters to give it voice".
Being taught guitar basics by his teacher Don Strike, it was the time when he developed the technique of crosspicking, which would later become a significant technique taught in Guitar Craft.
In 1984, Fripp began using the New Standard Tuning, which would also become the official tuning of Guitar Craft.
Fripp is left-handed, but plays a right-handed guitar.
Fripp's earliest professional work began in 1967, when he responded to an ad looking for a singing organist for a band being formed by bassist Peter Giles and drummer Michael Giles, despite being neither a singer nor an organist. Though unsuccessful as a live act, Giles, Giles and Fripp did manage to release two singles, as well as an album, The Cheerful Insanity of Giles, Giles and Fripp.
Following the band's breakup, Fripp, along with drummer Michael Giles, made plans for the formation of King Crimson in 1968, with Greg Lake, Peter Sinfield and Ian McDonald. Their first album, In the Court of the Crimson King, was released in late 1969, to mixed critical reviews. Due to musical differences with Giles and McDonald, King Crimson broke up shortly after the release of the first album, to be re-formed again several times over the years. Initially, Fripp had offered to leave the group; however Giles and McDonald felt that King Crimson was his. To date, Robert Fripp has remained the only consistent member of the band. Crimson went through a number of line-ups before Fripp disbanded the group for the first time in 1974.
During King Crimson's less active periods, Fripp has pursued a number of side-projects. He worked with Keith Tippett (and others who appeared on King Crimson records) on projects far from rock music, producing Septober Energy in 1971 and Ovary Lodge in 1973. During this period he also worked with Van der Graaf Generator, playing on the 1970 album H to He, Who Am the Only One, and in 1971, on Pawn Hearts. Collaborating with Brian Eno, he recorded No Pussyfooting in 1972 and Evening Star in 1974. These two albums featured experimentation with several novel musical techniques, including a tape delay system utilizing dual reel to reel Revox tape machines that would come to play a central role in Fripp's later work. This system came to be known as "Frippertronics". Fripp and Eno also played several live shows in Europe in 1975.
Fripp spent some time away from the music industry in the later 1970s, during which he cultivated an interest in the teachings of Gurdjieff via J.G. Bennett (studies which would later be influential in his work with Guitar Craft). He returned to musical work as a studio guitarist on Peter Gabriel's first self-titled album in 1976, released the following year. Fripp toured with Gabriel to support the album, but remained in the wings and used the pseudonym "Dusty Rhodes". [1]
In 1977, Fripp received a phone call from Eno, who was working on David Bowie's album "Heroes". Fripp agreed to play guitar for the album, a move which initiated a series of collaborations with other musicians. Fripp soon contributed his musical and production talents to Peter Gabriel's second album, and collaborated with Daryl Hall on Sacred Songs. During this period, Fripp began working on solo material, with contributions from poet/lyricist Joanna Walton and several other musicians, including Eno, Gabriel, and Hall, as well as Peter Hammill, Jerry Marotta, Phil Collins, Tony Levin and Terre Roche. This material eventually became his first solo album, Exposure, released in 1979, followed by the Frippertronics tour in the same year. While living in New York, Fripp contributed to albums and live performances by Blondie and Talking Heads (Fear of Music), and produced The Roches' first album, which featured several of Fripp's characteristic guitar solos. A second set of creative sessions with David Bowie produced distinctive guitar parts on Scary Monsters (and Super Creeps) (1980).
Fripp's collaboration with bassist Busta Jones, drummer Paul Duskin, and vocals by David Byrne (Byrne credited as Absalm el Habib) produced God Save the Queen/Under Heavy Manners in the following year. He simultaneously assembled what he called a "second-division touring new wave instrumental dance band" under the name League of Gentlemen, with bassist Sara Lee, keyboardist Barry Andrews and drummer Johnny Toobad (later replaced by Kevin Wilkinson) . The LOG toured for the duration of 1980.
In the early 1990s Fripp contributed guitar/soundscapes to Lifeforms (1994) by The Future Sound of London and Cydonia (released 2001) by The Orb, as well as FFWD, a collaborative effort with the latter's members. In addition, Fripp worked with Brian Eno co-writing and supplying guitar to two tracks for a CD-ROM project released in 1994 entitled Headcandy created by Chris Juul and Doug Jipson. Eno thought the visual aspects of the disc (video feedback effects) were very disappointing upon completion, and regretted participation. During this period, Fripp also contributed to albums by No-Man (a band featuring Porcupine Tree's Steven Wilson) and The Beloved (1994's Flowermouth and 1996's X, respectively).
1981 saw the formation of King Crimson's fourth incarnation, along with Adrian Belew, Bill Bruford, and Tony Levin. The group was conceptualized under the name "Discipline," but it came to Fripp's attention that the members thought the name King Crimson was more appropriate. For Fripp, King Crimson had always been a way of doing things, rather than a particular group of musicians, and the group felt that their music captured that methodology. After releasing three albums, this new King Crimson broke up in 1984.
During this period Fripp made two records with his old friend Andy Summers of the Police. On I Advance Masked, Fripp and Summers played all the instruments. Bewitched was more dominated by Summers, who produced the record and collaborated with other musicians in addition to Fripp.
In 1982 Fripp produced and played guitar on the Keep On Doing album by The Roches. Similar to his previous guesting on David Bowie's Scary Monsters (which also boasted Pete Townshend and Chuck Hammer on infinite sustain guitar), the "skysaw" guitar style which characterized this period of Fripp's pedagogy is featured alongside the sisters' songs and harmony.
Fripp was offered a teaching position at the American Society for Continuous Education (ASCE) in Claymont Court, West Virginia in 1984. He had been involved with the ASCE since 1978, eventually serving on its board of directors, and had long been considering the idea of teaching guitar. His course, Guitar Craft, was begun in 1985, one of the results of which was a performance group, "The League of Crafty Guitarists," which has released several albums. In 1986, he released the first of two collaborations with his wife, Toyah Willcox. The members of the California Guitar Trio are former members of The League of Crafty Guitarists, and Gitbox Rebellion includes several former Guitar Craft students. The California Guitar Trio has also toured with King Crimson.
Fripp returned to recording solo in 1994, using an updated version of the Frippertronics technique that employed digital technology instead of tapes to create loops. Fripp released a number of records that he called "Soundscapes," including 1999, Radiophonics, A Blessing of Tears, That Which Passes, November Suite, and The Gates of Paradise. (Pie Jesu consists of material compiled from A Blessing of Tears and The Gates of Paradise.) On the Soundscapes recordings, the inner workings of the music are not as clearly laid bare as they are on Let the Power Fall, perhaps due to the greater possibilities offered by the new technology.
Fripp's collaborations with David Sylvian feature some of his most exuberant guitar playing. Fripp contributed to Sylvian's twenty minute track "Steel Cathedrals" from his Alchemy - An Index Of Possibilities album of 1985. Then Fripp performed on several tracks from Sylvian's 1986 release, Gone To Earth.
At some point in late 1991, Fripp had asked Sylvian to become the vocalist for the reforming King Crimson. Sylvian declined the invitation, but proposed a possible collaboration between the two that would eventually become a tour of Japan and Italy in the spring of 1992. In July of 1993, Sylvian and Fripp released the collaborative effort The First Day. Other contributors were soon-to-be King Crimson member Trey Gunn on stick and nearly-was King Crimson member Jerry Marotta on drums. When the group toured to promote the CD, future King Crimson member Pat Mastelotto took over the drumming spot. The live document Damage was released in 1994, as was the joint venture, Redemption - Approaching Silence, which featured Sylvian's ambient sound sculptures (Approaching Silence) accompanying Fripp reading his own text (Redemption).
In late 1994, Fripp re-formed the 1981 lineup of King Crimson for its fifth incarnation, adding Trey Gunn and drummer Pat Mastelotto in a configuration known as the "double trio". This lineup released Thrak in 1995.
From 1997 to 1999, and again in 2006, the band King Crimson "fraKctalised" into five sub-groups known as ProjeKcts.
2000 saw the release of a studio album, The ConstruKction of Light, from a sixth lineup of King Crimson (Fripp, Adrian Belew, Trey Gunn, Pat Mastelotto) with The Power to Believe following in 2003.
In March of 2004, a seventh lineup had been formulated and practiced with Tony Levin returning to replace Trey Gunn. This permutation of King Crimson has yet to release an album or perform live. A likely "fortieth anniversary lineup" has been discussed as well. Members of this lineup and more precise formation dates have yet to be officially announced.
During 2004, Fripp toured with Joe Satriani and Steve Vai as the guitar trio G3.
Robert Fripp worked at Microsoft's studios to record new sounds and atmospheres for Windows Vista.[2][3]
In late 2005 and early 2006, Fripp joined Bill Rieflin's improvisational Slow Music project, along with guitarist Peter Buck, Fred Chalenor (acoustic bass), Matt Chamberlain (drum kit) and Hector Zazou (electronics). This collective of musicians toured the west coast in May of 2006.
In October 2006, ProjeKct Six (Robert Fripp, Adrian Belew) played at select venues on the east coast of the U.S.[2], opening for Porcupine Tree.
Fripp has contributed soundscapes to two songs for Porcupine Tree's Fear of a Blank Planet. He is featured on the tracks "Way Out Of Here" and "Nil Recurring", the second of which was released in September 2007 as part of the "Nil Recurring" EP.
Robert Fripp of King Crimson is presently at odds with Last.FM, and has undertaken a prolonged series of actions against the company, and this website. Currently, he has:
- disallowed any of his music from being streamed
- disallowed any images from being posted (especially album art)
- disallowed this page to show up in search.
He has pursued similar restrictions against many other websites and companies violation of copyright, with many new restrictions still pending. These events and how people feel about them (including Fripp himself) are well-documented on this and other sites, and so this summary of recent events is a legitimate, relevant, and current dimension of the history of this musician (and thus a dispassionate, noteworthy portion of Fripp’s bio).
Fripp keeps an online diary at DGMLive
Fripp began playing guitar at the age of eleven. He says he was tone-deaf with no sense of rhythm when he started. His comment on dealing with the obstacle is "Music so wishes to be heard that it sometimes calls on unlikely characters to give it voice".
Being taught guitar basics by his teacher Don Strike, it was the time when he developed the technique of crosspicking, which would later become a significant technique taught in Guitar Craft.
In 1984, Fripp began using the New Standard Tuning, which would also become the official tuning of Guitar Craft.
Fripp is left-handed, but plays a right-handed guitar.
Fripp's earliest professional work began in 1967, when he responded to an ad looking for a singing organist for a band being formed by bassist Peter Giles and drummer Michael Giles, despite being neither a singer nor an organist. Though unsuccessful as a live act, Giles, Giles and Fripp did manage to release two singles, as well as an album, The Cheerful Insanity of Giles, Giles and Fripp.
Following the band's breakup, Fripp, along with drummer Michael Giles, made plans for the formation of King Crimson in 1968, with Greg Lake, Peter Sinfield and Ian McDonald. Their first album, In the Court of the Crimson King, was released in late 1969, to mixed critical reviews. Due to musical differences with Giles and McDonald, King Crimson broke up shortly after the release of the first album, to be re-formed again several times over the years. Initially, Fripp had offered to leave the group; however Giles and McDonald felt that King Crimson was his. To date, Robert Fripp has remained the only consistent member of the band. Crimson went through a number of line-ups before Fripp disbanded the group for the first time in 1974.
During King Crimson's less active periods, Fripp has pursued a number of side-projects. He worked with Keith Tippett (and others who appeared on King Crimson records) on projects far from rock music, producing Septober Energy in 1971 and Ovary Lodge in 1973. During this period he also worked with Van der Graaf Generator, playing on the 1970 album H to He, Who Am the Only One, and in 1971, on Pawn Hearts. Collaborating with Brian Eno, he recorded No Pussyfooting in 1972 and Evening Star in 1974. These two albums featured experimentation with several novel musical techniques, including a tape delay system utilizing dual reel to reel Revox tape machines that would come to play a central role in Fripp's later work. This system came to be known as "Frippertronics". Fripp and Eno also played several live shows in Europe in 1975.
Fripp spent some time away from the music industry in the later 1970s, during which he cultivated an interest in the teachings of Gurdjieff via J.G. Bennett (studies which would later be influential in his work with Guitar Craft). He returned to musical work as a studio guitarist on Peter Gabriel's first self-titled album in 1976, released the following year. Fripp toured with Gabriel to support the album, but remained in the wings and used the pseudonym "Dusty Rhodes". [1]
In 1977, Fripp received a phone call from Eno, who was working on David Bowie's album "Heroes". Fripp agreed to play guitar for the album, a move which initiated a series of collaborations with other musicians. Fripp soon contributed his musical and production talents to Peter Gabriel's second album, and collaborated with Daryl Hall on Sacred Songs. During this period, Fripp began working on solo material, with contributions from poet/lyricist Joanna Walton and several other musicians, including Eno, Gabriel, and Hall, as well as Peter Hammill, Jerry Marotta, Phil Collins, Tony Levin and Terre Roche. This material eventually became his first solo album, Exposure, released in 1979, followed by the Frippertronics tour in the same year. While living in New York, Fripp contributed to albums and live performances by Blondie and Talking Heads (Fear of Music), and produced The Roches' first album, which featured several of Fripp's characteristic guitar solos. A second set of creative sessions with David Bowie produced distinctive guitar parts on Scary Monsters (and Super Creeps) (1980).
Fripp's collaboration with bassist Busta Jones, drummer Paul Duskin, and vocals by David Byrne (Byrne credited as Absalm el Habib) produced God Save the Queen/Under Heavy Manners in the following year. He simultaneously assembled what he called a "second-division touring new wave instrumental dance band" under the name League of Gentlemen, with bassist Sara Lee, keyboardist Barry Andrews and drummer Johnny Toobad (later replaced by Kevin Wilkinson) . The LOG toured for the duration of 1980.
In the early 1990s Fripp contributed guitar/soundscapes to Lifeforms (1994) by The Future Sound of London and Cydonia (released 2001) by The Orb, as well as FFWD, a collaborative effort with the latter's members. In addition, Fripp worked with Brian Eno co-writing and supplying guitar to two tracks for a CD-ROM project released in 1994 entitled Headcandy created by Chris Juul and Doug Jipson. Eno thought the visual aspects of the disc (video feedback effects) were very disappointing upon completion, and regretted participation. During this period, Fripp also contributed to albums by No-Man (a band featuring Porcupine Tree's Steven Wilson) and The Beloved (1994's Flowermouth and 1996's X, respectively).
1981 saw the formation of King Crimson's fourth incarnation, along with Adrian Belew, Bill Bruford, and Tony Levin. The group was conceptualized under the name "Discipline," but it came to Fripp's attention that the members thought the name King Crimson was more appropriate. For Fripp, King Crimson had always been a way of doing things, rather than a particular group of musicians, and the group felt that their music captured that methodology. After releasing three albums, this new King Crimson broke up in 1984.
During this period Fripp made two records with his old friend Andy Summers of the Police. On I Advance Masked, Fripp and Summers played all the instruments. Bewitched was more dominated by Summers, who produced the record and collaborated with other musicians in addition to Fripp.
In 1982 Fripp produced and played guitar on the Keep On Doing album by The Roches. Similar to his previous guesting on David Bowie's Scary Monsters (which also boasted Pete Townshend and Chuck Hammer on infinite sustain guitar), the "skysaw" guitar style which characterized this period of Fripp's pedagogy is featured alongside the sisters' songs and harmony.
Fripp was offered a teaching position at the American Society for Continuous Education (ASCE) in Claymont Court, West Virginia in 1984. He had been involved with the ASCE since 1978, eventually serving on its board of directors, and had long been considering the idea of teaching guitar. His course, Guitar Craft, was begun in 1985, one of the results of which was a performance group, "The League of Crafty Guitarists," which has released several albums. In 1986, he released the first of two collaborations with his wife, Toyah Willcox. The members of the California Guitar Trio are former members of The League of Crafty Guitarists, and Gitbox Rebellion includes several former Guitar Craft students. The California Guitar Trio has also toured with King Crimson.
Fripp returned to recording solo in 1994, using an updated version of the Frippertronics technique that employed digital technology instead of tapes to create loops. Fripp released a number of records that he called "Soundscapes," including 1999, Radiophonics, A Blessing of Tears, That Which Passes, November Suite, and The Gates of Paradise. (Pie Jesu consists of material compiled from A Blessing of Tears and The Gates of Paradise.) On the Soundscapes recordings, the inner workings of the music are not as clearly laid bare as they are on Let the Power Fall, perhaps due to the greater possibilities offered by the new technology.
Fripp's collaborations with David Sylvian feature some of his most exuberant guitar playing. Fripp contributed to Sylvian's twenty minute track "Steel Cathedrals" from his Alchemy - An Index Of Possibilities album of 1985. Then Fripp performed on several tracks from Sylvian's 1986 release, Gone To Earth.
At some point in late 1991, Fripp had asked Sylvian to become the vocalist for the reforming King Crimson. Sylvian declined the invitation, but proposed a possible collaboration between the two that would eventually become a tour of Japan and Italy in the spring of 1992. In July of 1993, Sylvian and Fripp released the collaborative effort The First Day. Other contributors were soon-to-be King Crimson member Trey Gunn on stick and nearly-was King Crimson member Jerry Marotta on drums. When the group toured to promote the CD, future King Crimson member Pat Mastelotto took over the drumming spot. The live document Damage was released in 1994, as was the joint venture, Redemption - Approaching Silence, which featured Sylvian's ambient sound sculptures (Approaching Silence) accompanying Fripp reading his own text (Redemption).
In late 1994, Fripp re-formed the 1981 lineup of King Crimson for its fifth incarnation, adding Trey Gunn and drummer Pat Mastelotto in a configuration known as the "double trio". This lineup released Thrak in 1995.
From 1997 to 1999, and again in 2006, the band King Crimson "fraKctalised" into five sub-groups known as ProjeKcts.
2000 saw the release of a studio album, The ConstruKction of Light, from a sixth lineup of King Crimson (Fripp, Adrian Belew, Trey Gunn, Pat Mastelotto) with The Power to Believe following in 2003.
In March of 2004, a seventh lineup had been formulated and practiced with Tony Levin returning to replace Trey Gunn. This permutation of King Crimson has yet to release an album or perform live. A likely "fortieth anniversary lineup" has been discussed as well. Members of this lineup and more precise formation dates have yet to be officially announced.
During 2004, Fripp toured with Joe Satriani and Steve Vai as the guitar trio G3.
Robert Fripp worked at Microsoft's studios to record new sounds and atmospheres for Windows Vista.[2][3]
In late 2005 and early 2006, Fripp joined Bill Rieflin's improvisational Slow Music project, along with guitarist Peter Buck, Fred Chalenor (acoustic bass), Matt Chamberlain (drum kit) and Hector Zazou (electronics). This collective of musicians toured the west coast in May of 2006.
In October 2006, ProjeKct Six (Robert Fripp, Adrian Belew) played at select venues on the east coast of the U.S.[2], opening for Porcupine Tree.
Fripp has contributed soundscapes to two songs for Porcupine Tree's Fear of a Blank Planet. He is featured on the tracks "Way Out Of Here" and "Nil Recurring", the second of which was released in September 2007 as part of the "Nil Recurring" EP.
Robert Fripp of King Crimson is presently at odds with Last.FM, and has undertaken a prolonged series of actions against the company, and this website. Currently, he has:
- disallowed any of his music from being streamed
- disallowed any images from being posted (especially album art)
- disallowed this page to show up in search.
He has pursued similar restrictions against many other websites and companies violation of copyright, with many new restrictions still pending. These events and how people feel about them (including Fripp himself) are well-documented on this and other sites, and so this summary of recent events is a legitimate, relevant, and current dimension of the history of this musician (and thus a dispassionate, noteworthy portion of Fripp’s bio).
Fripp keeps an online diary at DGMLive
Robert Reads Reviews 2
Robert Fripp Lyrics
We have lyrics for these tracks by Robert Fripp:
1989 No hay otra cosa mas linda que tus ojos Y el…
20th Century Dreaming Cold morning Start of another day Sleeping through the epilo…
Brightness Falls Baby, baby I hate to go Don`t leave me alone with this…
Chicago I smile like Chicago She laughs like the breeze I try so…
Damage I found the way By the sound of your voice So many…
Disengage Mrs Marion is strict with her servant Behind locked doors o…
Every Color You Are touched his hand Burned like coal Put pay to the devil And s…
Exposure J.G. Bennett: It is impossible to achieve the aim without…
Firepower He beats the door and breaks his watch Raids the fridge…
gone to earth With a burning candle, A book of holy things, They'll thro…
Häaden Two J.G. Bennett: If you know you have an unpleasant nature…
Here Comes the Flood When the night shows the signals grow on radios All the…
I May Not Have Had Enough of Me But I've Had Enough of You That is the way it is because it is that…
Jean the Birdman He gambles on the saddle He's pulling on the mane He thrashe…
Mary That a creature could be so lonely It became my deepest…
North Star North star we stare How far how clear Now touch touch here …
NY3 Father: Your house Daughter: My house Father: Your house Dau…
Postscript Brian Eno: So the whole story is completely untrue. A…
Preface '''Brian Eno:''' Uh... Can I play you... um... some of…
riverman I see your eyes light up like fire It's medicine to…
Under Heavy Manners Trumpets I can hear trumpets Solipsism Euphemism Pessi…
Water Music I J.G. Bennett: From the scientific point of view it is…
wave It seems that I remember I dreamed a thousand dreams. We'd…
You Burn Me Up I'm a Cigarette You burn me up I'm a cigarette You hold my hand…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@BayouMaccabee
How about any of these?
Bad Brains
Primus
Chicago (Terry Kath era)
Allman Brothers Band
Motorhead
Nine Inch Nails
The Mahavishnu Orchestra
Miles Davis (especially early 70s fusion era)
Herbie Hancock
Django Reinhardt
@carlasker9285
Amazing to finally see part 2 of this. I'm a huge fan of the band since my teens. They are truly unique and Fripp is indeed the Miles Davis of progressive rock. I regard Thrak as one of their top 3 albums along with the debut album and Red. Don't miss the Double trio lineup DVD from Osaka 1995, one of the greatest concerts in the genre, ever.
I saw the Seven-headed beast lineup in 2016 and will never forget that density of talent and craftsmanship. The setlist was incredible, the sound and the playing.
My favourite works by Fripp and his truly unique band:
The debut album, which is one of the greatest albums of all time.
Pictures of a city
Happy Families
Larks' Tongues in Aspic part 2
The entire Red album
The Sheltering Sky
God's Monkey with David Sylvian
The Thrak album
FraKctured from The Reconstruction of Light
A big thank you, Warren, for shining new light on KC.
@Producelikeapro
Which other artists do YOU think changed music? Please let me know below! Check out Part 1 here:- https://www.youtube.com/watch?v=VqSAPi-sIaw
@SteveGouldinSpain
Have you done CAN yet?
@doctorscoot
Thank you for this 🙏 I’ve been in your replies harping on about king crimson for a while! 😮
Let me please add a plus one on Can, also Neu! (Maybe a krautrock special?)
@BayouMaccabee
How about any of these?
Bad Brains
Primus
Chicago (Terry Kath era)
Allman Brothers Band
Motorhead
Nine Inch Nails
The Mahavishnu Orchestra
Miles Davis (especially early 70s fusion era)
Herbie Hancock
Django Reinhardt
@MrCherryJuice
JEFF BECK. From psych, raga and garage with the Yardbirds, to heavy rock with his May 1966 'Beck's Bolero' session, to heavy blues with his reworking of 'Shapes of Things' on his 'Truth' album, to jazz(y) rock (minus horns) on 'Rough and Ready', to rock-funk and rock-fusion on 'Blow by Blow' and 'Wired', Mr. Beck has never ceased to surprise and delight by challenging the status quo. Billy F Gibbons often recounts how Hendrix was enamoured by Jeff's playing.
THE YARDBIRDS. From decent white boy blues band to innovators that kept the Beatles on their toes. Paul McCartney's guitar solo on 'Taxman' has an uncanny resemblance to what Jeff Beck (today a good friend of McCartney's) was doing. And thanks to the aforementioned 'Beck's Bolero' session featuring Beck and Jimmy Page, the Yardbirds evolved into the template for Led Zeppelin. Plus, nobody plays guitar like Jeff.
JOHN MAYALL'S BLUESBREAKERS not only put British blues on the map, but inspired so many players and bands that followed, from Gary Moore to Aerosmith and ZZ Top, to Camel (via Andrew Latimer's love of the Bluesbreakers) to just about every guitarist since then, including John Mayer, Joe Bonamassa, Snowy White, Duane Allman and Dickie Betts, Derek Trucks etc. The Bluesbreakers not only included Eric Clapton, Peter Green and Mick Taylor, but many other major names including John McVie, Mick Fleetwood, Aynsley Dunbar, Keff Hartley, Dick Heckstall-Smith, Jon Hiseman....
VANILLA FUDGE. Often overlooked in the discussion about who created heavy rock and prog rock, in 1967 these New Yorkers were deep into both. When they played in London they were the talk of the scene, with Ritchie Blackmore and what became Deep Purple stating that their mission was to be the 'European Vanilla Fudge'. The Beatles may have triggered the progressive concept via the likes of 'Strawberry Fields' and 'Tomorrow Never Knows', but on their '67 debut album the Fudge laid the groundwork for the grander concept that was followed by the Nice, King Crimson, Yes etc.
CHICAGO. Their debut album did for jazz rock what 'Are You Experience' did for psych rock. In fact, Hendrix was so impressed upon seeing them play the Whiskey on Sunset Strip that he enlisted them as support for his tour. And he used Chicago guitarist Terry Kath's 'Free Form Guitar' concept for his own 'Star Spangled Banner'. Al Kooper was also impressed at those Whiskey dates, so much so that he immediately flew back to New York and assembled Blood Sweat & Tears. Jon Hiseman may have credibly argued that his band, Colosseum, was the first jazz-rock band, but it was Chicago that confirmed it as a genre.
@turboface
Faith No More and Killing Joke
@jhf1495
This is hands down the best documentary I’ve seen about King Crimson on YouTube
@Producelikeapro
Thanks ever so much
@proto-geek248
Agreement.
I would have killed for this documentary when I was a kid.
@Producelikeapro
@@proto-geek248aw shucks! Thanks ever so much